Foyle's War: Series 1 (2003) Review

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(More customer reviews)Perhaps it's my affection for England - a love that makes my wife roll her eyes - that causes me to have a higher regard for BBC and ITV small screen productions than those of America, which seem so crass in comparison. So many of the former seem uncommonly funny, intelligent, or both. FOYLE'S WAR is an uncommonly intelligent detective drama, a period piece set on England's south coast in 1940. And, to keep the record straight, my wife's dedication to this series is at least as pronounced as mine, if not more so.

Michael Kitchen is Detective Inspector Christopher Foyle, who's ordered to remain at his post as homicide investigator for Hastings and its environs; he'd much rather be doing his bit for King and Empire fighting the Nazis across the Channel. Indeed, his son is a flying officer with the RAF. The two other series regulars are Samantha "Sam" Stewart (Honeysuckle Weeks), the Women's Royal Army Corps enlistee assigned as his driver, and Paul Milner (Anthony Howell), Foyle's assistant inspector recently returned to home front duty after being wounded with the Army during the disastrous British invasion of Norway.

In Series One,the murders occur in contexts that include sexual harassment, anti-semitism, police brutality, local jingoism, sabotage, and conscientious objection - all set against a backdrop of Luftwaffe bombing raids and the fear of imminent amphibious invasion by the German Wehrmacht.

The character of Foyle - intelligent, perceptive, reserved, compassionate, wounded by his wife's recent death, worried for his son's safety - epitomizes the phrase "still waters run deep." The viewer embarks into each episode wondering what new layer of Foyle's persona will be revealed. (Not to give too much away, but I've just seen the first episode of Series Two, which gives evidence of an old and tragic love affair involving Foyle and a now-married gentlewoman.) And the evolution of the relationship between Foyle and the occasionally cheeky Sam is one of the major delights of the miniseries as the latter proves she's smart, intuitive, and potentially more useful than just a lowly chauffeur.

The various murders investigated by the trio are never straightforward, but involve clever plot twists and hidden motives, the solutions to which silently gestate in the Inspector's mind before being revealed at the end of the story, much like the Sherlock Holmes mysteries of old.

There are, of course, uneven moments to Series One which allow for only four stars. I trust, as the show matures, that it will only get better. The areas that need no improvement are the period costuming, props and sets, all of which are superbly done and a delight to an Anglophile.


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Foyle's War: Set 2 (4pc) (Ws) (2003) Review

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(More customer reviews)I'd previously rated Series 1 of FOYLE'S WAR at four stars. I'm happy to report, after finishing the Series 2 discs, that the ongoing British telly miniseries has graduated to five stars. It's superb, and I'm desolate that I must wait until 2005 for the release of Series 3 that's airing now in the UK. (Of course, if I move to England ... Nah, the wife would never go for it.)
Michael Kitchen is Detective Chief Superintendent Christopher Foyle, who's been ordered to remain at his post as homicide investigator for Hastings and its environs; he'd much rather be doing his bit for King and Empire fighting the Nazis across the Channel. Indeed, his son Andrew (Julian Ovenden) is a flying officer with the RAF. The two other series regulars are Samantha "Sam" Stewart (Honeysuckle Weeks), the army's Auxiliary Territorial Service enlistee assigned as his driver, and Paul Milner (Anthony Howell), Foyle's assistant inspector returned to home front duty after being wounded during the disastrous British invasion of Norway.
The delight to be found in the four episodes of Series 2 is the underlying complexity of each plot, the tip of which is a murder being investigated by Foyle and Milner. Yet, even as the layers of the onion are peeled away, the viewer is still surprised at the intricacy of the solution, most of which is unraveled in the depths of Foyle's mind and revealed to the audience at the end, and which has ramifications that ripple far beyond the simple presence of a local corpse.
As in Series 1, the storylines of 2 encompass so much more than a tawdry homicide or two: homosexuality in the RAF, collaboration between British Big Business and the Nazis, black market commerce in luxury food and petrol, and skullduggery by Franklin Roosevelt's personal emissary sent to negotiate the Lend Lease.
My personal favorite episode is number four, "Funk Hole", wherein Foyle is relieved of his duties after being reported as having expressed seditious and defeatist statements while cowering in a London air raid shelter during a Luftwaffe bombing attack. The labyrinthine explanation for that was totally unexpected. Moreover, it looks like Sam and Andrew are to be an "item" - surely to be continued in Series 3. Indeed, at one point when Sam accompanies Andrew to a showing of "Gone With the Wind", we see her out of uniform, dressed in civvies, and with a smashing hairdo. Blimey, what a bird!
FOYLE'S WAR is sumptuously fleshed out with period costumes, automobiles, hairstyles, and commercial brand names. This is first class, period entertainment. Would that American TV was so good.


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The critically acclaimed PBS series that weaves mystery with real historical events returns with four stories set in September and October 1940. Winner of the Audience Award at the British Academy of Film and Television Arts in 2003, the series stars Michael Kitchen (Proof of Life) as quietly enigmatic detective Christopher Foyle whose territory on the south coast of England is rocked by the chaos and danger of World War II. Also starring Anthony Howell, Honeysuckle Weeks, Julian Ovenden, and featuring Nicholas Farrell, Alan Howard, Corin Redgrave, and Amanda Root. The Mysteries: Fifty Ships-Foyle's determined investigation of a body on a deserted beach puts at risk the donation of American Aid and the crucial start of Lend-Lease in the war. Among the Few-Pilots and their girlfriends live fast and die young in a story of greed and passion where Foyle finds appearances are deceptive. War Games-Divided loyalties lead to revenge and murder when a businessman puts profits before principles in a secret pact with the Nazis. The Funk Hole-Foyle finds himself accused of a serious offense, which complicates his hunt for a ruthless murderer at a sinister hotel. "Brilliantly explores the moral gray areas of war"-San Francisco Chronicle "For mystery fans, Foyle is a must-see" -The Houston Chronicle "A series to be relished" -Radio Times

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Falling (2005) Review

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(More customer reviews)"Falling." What a wonderful title! After seeing this film, "falling" brings to mind stepping up to the brink, closing your eyes, and taking a plunge--without ever looking.
For fans of Detective Chief Superintendent Christopher Foyle, (played by Michael Kitchen in "Foyle's War"), this movie is a superb opportunity to see a lot more of the actor (without so many other characters murdering each other and taking precious screen time away from Kitchen, as they do in "Foyle's War"). In "Falling", Kitchen plays Henry Kent in a role that allows him to portray a much wider range of emotions than the character Christopher Foyle calls for--and to use a much broader vocabulary: I have a difficult time imaging the reticent Foyle voluntarily using the word "ravish." Henry Kent, on the other hand, proffers the word easily, guilefully.
As the film begins, Henry, seated on a train, gives us an unusual soliloquy on love and loss. The oddity of this scene is alleviated somewhat as we then watch the glib, wonderfully friendly Henry meet his prospective love, Daisy (played by Penelope Wilton with just the right touch of bewilderment). Henry charms his way into her house and soon manages to light a fire for her, as it were. But, don't expect a simple romantic story here. Time spent with Henry could never be simple or straightforward. This tale moves forward to include a full range of emotions, including some heart-pounding suspense.
Michael Kitchen gives a versatile and clever performance in which Henry Kent exudes a singular jaded charm--which seems conjured quite naturally by the actor. Kitchen's mature, handsome face and his boyish smile are a wonderful foil to the character's personality and intentions. This film is a little diamond, a gem which keeps turning, and in each turn, you see all the varying faces that Kitchen can reveal. Henry is tender, creepy, mercurial, tempting: he is a tribute to the wizardry of Michael Kitchen. Truly a tour-de-force performance.


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"...as mature, unshowy and skilful as its leading actors... Classy stuff..." - The Observer"...seductive, scary..." - The GuardianA romantic spiral of obsession and deceit!When London novelist Daisy Langrish (Penelope Wilton - Pride & Prejudice) flees from a damaging marriage to her newly acquired Yorkshire cottage to write, she warily accepts an offer from her seemingly polite, respectful neighbour Henry Kent (Michael Kitchen - Foyle’s War) to beautify the property’s neglected garden.Henry considers himself an expert on women and with flattery, service and seduction, he knows how to use them... and abuse them. Under his charming veneer, Henry carefully conceals his desire for erotica, a disdain for employment and his penchant for vodka. Falling into Henry’s obsessive trap, Daisy can only wish she had heeded her own intuition when love suddenly turns deadly! approx. 94 mins. col.Special Features: Cast Profiles

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Foyle's War - The White Feather (2003) Review

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(More customer reviews)very good series. wonder why the british film making is more human than those output from hollywood. this series is very very good. very natural, very peaceful, and very touching. foyale is a great detective, a very quiet force to do the justice. this is what a detective should be, not the hollywood high-school drop-outs styled detectives. beautifully done and quite moving sometimes. no exaggeration, no gun battles, no dirty words yelling, screaming, explosions, no special effects, no disturbing background music. everything just comes out right.
fantastic shooting with cinematic beauty. highly recommended.

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Foyle's War - The German Woman (2003) Review

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(More customer reviews)PBS's ExxonMobil Masterpiece Theatre introduces Foyle's War; a four-episode murder-mystery series set in historic Hastings, England (i.e. The Battle of Hastings) at the onset of World War II. This is a much welcome installment for PBS Mystery! devotees as corporate sponsors have, unfortunately, been few-and-far-between in recent years. Detective Chief Superintendent Christopher Foyle is perfectly portrayed by Michael Kitchen, a Masterpiece Theatre alumnus, and he lends an easy-going charm and compassion to the serious and determined Foyle, who calmly tracks down the assorted murderers.
"The German Woman" starts the series off with a flourish (and two murders). It boasts an enviable cast of redoubtable British actors (Edward Fox, Robert Hardy, David Horovitch, Dominic Mafham, Rosamund Pike, etc...) and contains wonderful production values, so that the period atmosphere of English village life is fully evoked. The plot concerns the murder of the German wife of a wealthy Englishman and, despite powerful anti-German sentiments, Foyle focuses on treating the case as he would any other murder inquiry -- by rooting out the murderer and bringing them to justice. This is Foyle's strength and his Achilles' heel. As Foyle is so intent on justice, his superiors will not release him from his civic duties -- much to his chagrin. Foyle would rather be supporting the war effort by fighting in the front lines. To complicate matters, Foyle's son, Andrew, has signed up with the RAF as a pilot. Foyle's world is quickly unfurling through events that he cannot control, yet, ironically, he must maintain control in his district -- else chaos ensues. This intelligent and thoughtful series, and especially this premier episode, is highly recommended for viewers who enjoy a well-crafted mystery. In addition, they will be transported back to an incredibly dangerous and courageous time in world history by this realistically produced series.

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Foyle's War: Set Four (2007) Review

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(More customer reviews)Upon watching the last thrilling episode, in which Foyle confronts the insurmountable stumbling blocks of wartime necessity headlong by tendering his resignation----After all, the Ruhr dams must be busted!----I had to go online to make sure that a new season was coming up. I have become addicted to this low-key but absorbing, instructive, and endlessly entertaining mystery series. And there are still about three years of World War II to go.
As this series continues, the leading characters, Chief Inspector Foyle (Michael Kitchen) and Samantha (Honeysuckle Weeks), become ever more engaging. The settings of Hastings and the Sussex countryside become ever more picturesque. Moreover, as the mysteries become ever more intriguing, the narrative of Britain during the Blitz----the people's hardships, their gallantry, and in many cases their victimization by unscrupulous profiteers----becomes indelibly compelling. The series would make an excellent teaching tool in a history class, since it not only presents a fascinating account of the war but it also gives a realistic depiction of the toll that war takes on the civilian population. This splendid BBC series puts a human face both on casualties and survivors, whom the modern media tend to dismiss with the callous and meaningless catchphrase, "collateral damage."
Whew! I can now rest easy. There will indeed be another season of "Foyle's War" in 2008.

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History meets mystery in this award-winning PBS series, with four all-new feature-length episodes set at the height of World War II. Michael Kitchen (Out of Africa) returns as the laconic Christopher Foyle, detective chief superintendent in the English town of Hastings. War has torn the social fabric of this once-quiet coastal community, and Foyle’s investigations explore the violence and opportunism that the conflict has fostered on the home front. Also starring Anthony Howell and Honeysuckle Weeks, and featuring Kenneth Colley, Dermot Crowley, Liz Fraser, Philip Jackson, Michael Jayston, Corey Johnson, Jonah Lotan, and Roy Marsden.THE MYSTERIES:
INVASION-As the first American GIs arrive to build an airbase near Hastings, the murder of a barmaid further strains already-tense relations between the locals and the Yanks.
BAD BLOOD-A top-secret experiment in biological warfare goes horribly wrong, complicating a murder investigation and threatening the life of Foyle’s faithful driver, Sam.
BLEAK MIDWINTER-The death of a young munitions worker and the murder of Paul Milner’s wife seem linked, and Foyle strives to clear his sergeant from suspicion.
CASUALTIES OF WAR-While investigating gambling and sabotage, Foyle takes in his troubled goddaughter and her severely traumatized son, who refuses to speak.DVD SPECIAL FEATURES INCLUDE making-of documentary, production notes, the historical truth behind each episode, and cast filmographies.

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Foyle's War - Set 3 (2003) Review

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(More customer reviews)Series 3 of the excellent series Foyle's war was first telecast in the U.S. on PBS on 11, 18, 25 Sep. and 3 Oct. 2005 and was released on DVD on 1 Nov. 2005. However, watching the DVDs of all series is preferable if one wants to see the unexpurgated episodes. Here are the first telecast dates for series 1-4 of Foyle's war:
series 1: telecast UK Oct.-Nov. 2002, US in Feb. 2003 (on Masterpiece theater, with Russell Baker introducing)
series 2: telecast UK Nov.-Dec. 2003, US in July-Aug. 2004 (on Mystery)
series 3: telecast UK Oct.-Nov. 2004, US in Sep.-Oct. 2005 (on Mystery)
series 4: was filmed in spring 2005 and will be telecast in 2006
The PBS broadcasts in the US are edited for a 90-minute period, which includes the Mystery (or Masterpiece theater) opening-closing sequences, between-program promos, etc. This means that each episode is really only 85 minutes long at best. Region 1 DVDs (U.S., Canada), in contrast, are about 100 minutes per episode, as are the region 2 DVDs (Europe--see www.amazon.co.uk): specific values for the 4 episodes on series 2 are (for region 1) 98.5, 97.9, 98.3, 98.3 minutes. Thus in the U.S. for the proper, more nuanced episode watching Foyle's war on DVD is essential and preferable to viewing it on PBS.
Note: In a 28 Sep. 2004 interview with creator-writer Anthony Horowitz, he was asked: "Do you realise that the show is edited to pieces when it's shown on Public Broadcasting Service (PBS) in the states?" Horowitz replied: "Yes we're very sorry about that. It's not something I'd choose to do. It's American networking. I'd advise all American fans to get their hands on the English DVDs to see them in full." I note here that American fans need only get the *American* DVDs to see the episodes in full. Also, if you first watch the shortened PBS telecast, you may later wonder about some lengthier scenes when you watch the DVDs.

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The international hit mystery series continues with four stories set in 1941, as World War II rages over Europe. Michael Kitchen (Out of Africa) stars as detective Christopher Foyle, whose loyalties are put to the test as his investigations uncover unpleasant truths that powerful people would rather keep hidden. Grounded in historical fact and filmed in London and the southern counties of England, Foyle’s War opens a unique window on a significant time and place. As seen on PBS. Also starring Anthony Howell, Honeysuckle Weeks, Julian Ovenden, and featuring Corin Redgrave, Bill Paterson, Stella Gonet, Samuel West, Angela Thorne, and James Wilby. THE MYSTERIES:
THE FRENCH DROP-Investigating a suspicious death, Foyle gets caught up in the rivalry between the established spy agency MI5 and the newly created SOE (Special Operations Executive).
ENEMY FIRE-Sabotage, murder, and adultery at a pioneering RAF hospital brings Foyle face to face with the devastating physical and emotional consequences of war.
THEY FOUGHT IN THE FIELDS-A murdered farmer and the crash landing of a German plane present a confusing case, especially as spring is in the air and even Foyle is not immune to a whiff of romance.
A WAR OF NERVES-An unexploded bomb at a busy shipyard leads to a startling discovery in a complex story of greed and politics. DVD SPECIAL FEATURES INCLUDE behind-the-scenes documentary with interviews and exclusive "making-of" footage, production notes, and cast filmographies.

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Masterpiece Theatre: Railway Children (2000) Review

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(More customer reviews)This PBS version of "The Railway Children" is nowhere near as
charming as the original 1970 movie. If you saw this TV version and liked it, you owe it to yourself to see the young Jenny Agutter in the earlier film. In my opinion, the PBS remake lacks the warmth and civility of the original.

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Set at the turn of the 20th century, three Edwardian children and their mother move to a country house in Yorkshire after their father is mysteriously taken away by the police. However, their mother refuses to inform the children of the circumstances surrounding their father's disappearance. The children become fascinated by a nearby railroad, and they faithfully wave to passengers daily. Their kindness helps them make friends with some important travelers, one old gentleman in particular. Can he help solve the mystery of their missing father?Special DVD features include: Cast list; Masterpiece Theatre poster gallery; access to The Railway Children Web site featuring essays, an interview with leading actress Jenny Agutter, biographies and photos of Golden Age authors, and more; scene selection; English audiotrack; and closed captions.On one DVD5 disc.Region coding: All regions.Audio: Dolby stereo.Screen format: Widescreen (Anamorphic)

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Foyle's War: Set Five (2007) Review

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(More customer reviews)"Foyle's War, Set 5" is now being released to coincide with its Public Broadcasting Service television debut. It is the last of a British historical drama/police procedural series, created and largely authored by Anthony Horowitz (Agatha Christie's Poirot: The Definitive Collection; Midsomer Murders Set 12, for which he deserves our unstinting praise and thanks. It's been just superb, as each episode has combined a mystery, most of them reasonably strong; and solid history, insights into the little-known problems and domestic scandals of the British homeland during the years of World War II. This set of three all new feature-length episodes brings the story to 1945, as the war finally winds down, and Foyle and his team do their best to prepare for uncertain futures. And, thank goodness, the set has been closed captioned.
Michael Kitchen (Out of Africa;Reckless) has played the title character, police detective Foyle, with distinction since its premier on PBS in February, 2003. It has been Foyle's burden, although he would have much preferred to be more actively involved in the war effort, to investigate civilian crimes in the small, historic English seaside town of Hastings; a town obviously directly in the German line of fire. Kitchen has been quoted as saying he could see no future for a series to be entitled "Foyle's Peace:" thus, the series comes to an end.
Kitchen has received strong support from Anthony Howell (Shadowlands) as detective Paul Milner, and Honeysuckle Weeks (Falling) as his driver Samantha Stewart. Julian Ovenden (Cashmere Mafia - The Complete Series) has played Foyle's son. The three, approximately 100 minute episodes are:
Episode 1, "Plan of Attack." set in April, 1944. Milner's unyielding investigation of a transportation fraud has far-reaching consequences. They are most noticeable at a nearby, secret mapping facility; and an ecumenical religious conference, held at Hastings, that is considering the historical question of the morality of the continued Allied bombing of Germany. Featuring Michael Jayston (Nicholas and Alexandra); this is an estimable episode.
Episode 2,"Broken Souls," set in October 1944. At a nearby psychiatric clinic treating troubled soldiers, a doctor's murder turns up a satisfying amount of skullduggery among patients and staff. It also complicates Foyle's friendship with Dr. Josef Novak, the Polish Jewish refugee who heads the clinic; illuminates the situation at homeland German prisoner of war camps, and considers the problems of soldiers returning home after years away. It features Phyllida Law (The Winter Guest; and Graham Crowden (Waiting for God - Season 1). Some may find this episode slow, but I found it very emotionally fulfilling.
Episode 3,"All Clear," set in May, 1945, as all Britain waits for formal announcement of war's end. Foyle is pressured into joining a high-level local committee to keep public order during the celebration to come. But that end comes too soon for two men; the one, a victim of a stabbing, the other, apparently a suicide. As has sometimes happened during this series, the villain is rather overt from the beginning. Still, a shameful, covered up wartime incident is exposed, and the problems of returning soldiers are considered, as are the problems of everyone wondering what they'll do in peacetime.
All good things must come to an end. Still, this series has been highly acclaimed and popular, on PBS and DVD. If you've been a loyal viewer, you might want to get your order in.


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Combining uncompromising historical accuracy with compelling mysteries, this acclaimed PBS series continues with three feature-length episodes. Michael Kitchen (Out of Africa) stars as DCS Christopher Foyle, investigating wartime crimes in an English coastal town.With the end of World War II slowly but inevitably approaching, Foyle and his fellow citizens learn the price of victory and face a peace that will transform their lives in unexpected ways.Also starring Anthony Howell and Honeysuckle Weeks, and featuring Nicholas Day, Malcolm Sinclair, Nicholas Woodeson, Duncan Bell, Julian Ovenden, Mark Bazeley, Julian Wadham, and Phyllida Law. THE MYSTERIES:
PLAN OF ATTACK-With the Hastings police force suffering attrition and low morale, Foyle comes out of retirement to probe the mysterious death of a cartographer from the Air Ministry office.
BROKEN SOULS-The murder of an ambitious young doctor at the local psychiatric clinic produces no shortage of suspects among the staff and patients, many of whom still experience the war’s horrors.
ALL CLEAR-With final victory expected any day, Hastings looks ahead to a radically different post-war life. But the end comes too soon for two men-one a murder victim, the other an apparent suicide. DVD SEPCIAL FEATURES INCLUDE making-of documentary, cast member reflections, notes on a real-life Foyle, and cast filmographies.

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Foyle's War - A Lesson in Murder (2003) Review

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(More customer reviews)I am a mystery buff of several decades. I live, almost, to read or watch good mysteries. I used to be a career fraud investigator for 15 years. I know from what I speak here. The best way for me to express my beliefs about this DVD and the series in general is to say it is by far the BEST mystery series I have ever had the pleasure of watching. The actors give flawless performances. I'd like to meet each one in person, in character, to see how they become who they portray. I'd like to meet them in person and congratulate them on how well done their jobs were. This DVD and others in the series are stories you want to watch over and over. They never tire!
I have them all and pray for any others that might be produced! For me, it is impossible to select a favorite DVD among the lot. They are all A1, Prime Cuts to me.

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Mobile (2007) Review

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(More customer reviews)WOW! Spellbinding. A contemporary mystery and British drama that will NOT allow you to stop between the four episodes. The plot is murder based on revenge revolving around MOBILE phone use. The story bounces around in time as fast as cell phone calls, but never gets you lost, except for "who dun it?", or "who is doing what next?" The cast of characters involved in the whole story are so intertwined and separate events so interwoven that it is hard to find distinction between the victims and the villains. Who is the bad guy, anyhow?
There is included the shootings, bombings, a child seduction, blackmail, murders, suicide, bad cops-good cops, hit and run death, conspiracy, revenge, war, corrupt business, betrayal, snipers, theft, sabotage, and Beelzebub all connected with text-messaging. What's not to like?
It is the masterful criss-crossing of the plot(s), written by British TV writer, John Fay, that makes this what surely will become a Classic mystery of the century. It may leave you looking over your shoulder the next time your cell phone rings. There's no end to the action and intrigue.
Acorn Media gets a huge prize for adding the subtitle option. Jamie Draven (playing ex-soldier, officer Stoan) & Michael Kitchen, ( Telecom exec, David West) should also be given high performance awards. 206 minutes that guarantee you can't figure it out till the story decides to reveal the ending.
And the greatest mystery: the credits include as "Assistant Script Editor" the name of Catherine Cookson, a prolific British author of great fame. She died June 11, 1998, several years prior to the creation of "MOBILE" (2007).

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Conspiracy, betrayal, and revenge in the global telecom industry Someone is blowing up mobile-phone towers across England. Messages scrawled in blood-red paint at the scenes proclaim that mobile phones are the instruments of the devil. What’s more, a gunman -- or gunmen -- is shooting cell phone users in mid-conversation. Baffled police investigators scramble to avert public panic.In four interlocking parts, this tense drama peels back the layers of a terrorist conspiracy, gradually revealing the evil at its core. We follow three characters -- a disgraced telecom executive (Michael Kitchen, Foyle’s War), a bitter ex-soldier (Jamie Draven, Billy Elliot), and a disgruntled engineer (Neil Fitzmaurice, Going Off Big Time) -- all united by circumstance or collusion. In a style reminiscent of Crash, the narrative moves backward and forward in time, unraveling the three men’s complex motives and their connections to a ruthless self-made millionaire (Keith Allen, Robin Hood). The result is an ultra-modern thriller packed with surprising twists and astonishing emotional depth.

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