Showing posts with label drama films. Show all posts
Showing posts with label drama films. Show all posts

4/09/2012

The Vagina Monologues (2002) Review

The Vagina Monologues (2002)
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Eve Ensler produced, wrote, and performed "The Vagina Monologues" that debuted in 1996. Since then, this off-Broadway one-person play has since been featured in many parts of the world. Her words give women the power to be more open about their vaginas, an organ that some unfortunately call taboo to express. This fearless performer offers humor, wit, and serious to certain issues, all in the correct areas. She gives new meaning to issues beyond the vagina with more than just her words. Her vocal expressions empower them tremendously. She also expresses great pride to the female orgasm, masturbation, lesbianism, and reclaiming certain offensive words. Amazingly, she performs the entire piece sitting down. Most performers don't do that.
Each individual monologue tells its individual story beautifully and expressively. The featured interviews give multiple perspectives to each issue. Whether they are humorous (looking "down there", sex, orgasmic sounds) or touching (rape, witnessing birth), all have the empowering impact that forces audiences to look beyond themselves. Therefore, "The Vagina Monologues" is recommended for everyone. Though nothing beats the live experience, this DVD recollects this piece beautifully. This will surely be an unforgettable and educating experience for many.

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The Vagina Monologues, created and performed by Eve Ensler, debuted off-off-Broadway in 1996.This controversial work soon rode a wave of national acclaim and continues to be performed in North America and around the world.It has been translated into 14 different languages and performed in over 30 different countries.Now the intimacy of Eve Ensler's original show has been lovingly brought to the screen.The Vagina Monologues captures Eve's unique performance of her work and travels beyond the stage.She explores the creative impetus behind the monologues and conducts a series of new and revealing interviews as inspiring as those that brought about the original work.

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2/28/2012

Crash (Widescreen Edition) (2005) Review

Crash (Widescreen Edition) (2005)
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This is the truest movie out there on racism, and the preconceived notions we ALL (no matter what color) try not to admit to to a certain extent. This was not a "lets bash the white man" movie either, the racism was across the board. The biggest surprise was to come about an hour in, and I was stunned to see the revelation of that storyline (with Matt Dillon). This film requires paying attention to, please stay with it, it will pay off. High recommend!

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They all live in Los Angeles. And in the next 36 hours, they will collide.

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2/17/2012

Iron Jawed Angels (2004) Review

Iron Jawed Angels (2004)
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This 2004 HBO movie depicts the struggles of the early suffragette movement, which eventually gave women in the United States the right to vote. Spanning the years from 1912 to 1920, it stars Hilary Swank as Alice Paul who led the fight with ultimate courage. There's some interesting history of which I was unaware. And the filmmakers seem to get the theme across. At the time, it was a state-by-state decision as to whether or not women could vote. But Alice Paul wanted to make it a constitutional amendment. There is, of course, is in-fighting in the movement itself with the old factions, led by Anjelica Huston, as Carrie Chapman Catt, preferring to not make a fuss and quietly let each state decide. Alice Paul, however, confronted the establishment head on and brought down some dour consequences on herself and the group of women who followed her lead.
At first I was annoyed at the film. I felt their wardrobes too lavish and the potential romance between Alice and a Washington Post cartoonist was silly. I also thought the women seemed a bit too modern and politically correct. And, frankly, I thought of turning off my DVD and never reviewing this film.
But then there was a scene in which the police turned their backs on protecting a festive parade in which women and children were demonstrating. When the mobs attacked the women I felt real tears dripping down my face. And then, later, when the women were horribly mistreated in prison, I found myself crying again, especially when they force-fed Alice Paul and we see them pushing tubes down her throat and through her nose. By the end of the film I understood exactly what these brave women had gone through in order to give me a privilege that I take for granted. I also know that I have learned a new appreciation for my right to vote and will never take that right for granted again.
While not perfect, I applaud this film. It brought me a new understanding. It will bring it to you too. Recommended.

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Oscar-winner Hilary Swank stars in a fresh and contemporary look at a pivotal event in American history, telling the true story of how a pair of defiant and brilliant young activists took the women's suffrage movement by storm, putting their lives at risk to help American women win the right to vote. DVD Features:Audio Commentary:With Director Katja von Garnier and writer Sally RobinsonFeaturetteOther:HBO Films Spot


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10/08/2011

Foyle's War - Set 3 (2003) Review

Foyle's War - Set 3 (2003)
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Series 3 of the excellent series Foyle's war was first telecast in the U.S. on PBS on 11, 18, 25 Sep. and 3 Oct. 2005 and was released on DVD on 1 Nov. 2005. However, watching the DVDs of all series is preferable if one wants to see the unexpurgated episodes. Here are the first telecast dates for series 1-4 of Foyle's war:
series 1: telecast UK Oct.-Nov. 2002, US in Feb. 2003 (on Masterpiece theater, with Russell Baker introducing)
series 2: telecast UK Nov.-Dec. 2003, US in July-Aug. 2004 (on Mystery)
series 3: telecast UK Oct.-Nov. 2004, US in Sep.-Oct. 2005 (on Mystery)
series 4: was filmed in spring 2005 and will be telecast in 2006
The PBS broadcasts in the US are edited for a 90-minute period, which includes the Mystery (or Masterpiece theater) opening-closing sequences, between-program promos, etc. This means that each episode is really only 85 minutes long at best. Region 1 DVDs (U.S., Canada), in contrast, are about 100 minutes per episode, as are the region 2 DVDs (Europe--see www.amazon.co.uk): specific values for the 4 episodes on series 2 are (for region 1) 98.5, 97.9, 98.3, 98.3 minutes. Thus in the U.S. for the proper, more nuanced episode watching Foyle's war on DVD is essential and preferable to viewing it on PBS.
Note: In a 28 Sep. 2004 interview with creator-writer Anthony Horowitz, he was asked: "Do you realise that the show is edited to pieces when it's shown on Public Broadcasting Service (PBS) in the states?" Horowitz replied: "Yes we're very sorry about that. It's not something I'd choose to do. It's American networking. I'd advise all American fans to get their hands on the English DVDs to see them in full." I note here that American fans need only get the *American* DVDs to see the episodes in full. Also, if you first watch the shortened PBS telecast, you may later wonder about some lengthier scenes when you watch the DVDs.

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The international hit mystery series continues with four stories set in 1941, as World War II rages over Europe. Michael Kitchen (Out of Africa) stars as detective Christopher Foyle, whose loyalties are put to the test as his investigations uncover unpleasant truths that powerful people would rather keep hidden. Grounded in historical fact and filmed in London and the southern counties of England, Foyle’s War opens a unique window on a significant time and place. As seen on PBS. Also starring Anthony Howell, Honeysuckle Weeks, Julian Ovenden, and featuring Corin Redgrave, Bill Paterson, Stella Gonet, Samuel West, Angela Thorne, and James Wilby. THE MYSTERIES:
THE FRENCH DROP-Investigating a suspicious death, Foyle gets caught up in the rivalry between the established spy agency MI5 and the newly created SOE (Special Operations Executive).
ENEMY FIRE-Sabotage, murder, and adultery at a pioneering RAF hospital brings Foyle face to face with the devastating physical and emotional consequences of war.
THEY FOUGHT IN THE FIELDS-A murdered farmer and the crash landing of a German plane present a confusing case, especially as spring is in the air and even Foyle is not immune to a whiff of romance.
A WAR OF NERVES-An unexploded bomb at a busy shipyard leads to a startling discovery in a complex story of greed and politics. DVD SPECIAL FEATURES INCLUDE behind-the-scenes documentary with interviews and exclusive "making-of" footage, production notes, and cast filmographies.

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7/11/2011

P.D. James - The Murder Room (2004) Review

P.D. James - The Murder Room (2004)
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As do her novels and their BBC Television adaptations, the detective fiction of P. D. James is so complicated by character and motive that it is difficult to get one's bearing - - - as it is with the TV version of her last book, "The Murder Room," which like all mysteries has a beginning, middle and end. Lady James eschews proper beginnings, however, and plunges us right into the story without exposition, leaving us to sort out the complexities. Her genius, and that of her adapter, is to peak our interest; we want to know what has happened, is happening and will happen, even if we don't quite understand what we are watching.
It is frustrating up to a point when all falls into place, usually about a quarter into the narrative; from then on, it is sheer bliss. In this one, her detective, a widower nurturing a romance, is asked to solve a pair of murders at a small private museum. The museum has a room devoted to historical murders and a board of sibling directors squabbling over keeping the museum open. Although likely suspects abound, the culprit comes as a surprise (there are clues for anyone paying attention.) The pacing, acting, direction and especially the production design meet the high standards of this series. There's a chatty BBC interview with Lady James that will peak your interest in her novels and other adaptations.


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Commander Dalgliesh undertakes a highly sensitive murder investigation at the Dupayne Museum. The circumstances of the case bear an unsettling similarity to the historical cases commemorated in the museum's notorious Murder Room. DVD Features:Biographies:Biographies of the cast and writer Interviews:P.D. James interview from BBC archive


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5/10/2011

Masterpiece Theatre: Elizabeth I - The Virgin Queen (2005) Review

Masterpiece Theatre: Elizabeth I - The Virgin Queen (2005)
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This is a very interesting programme, produced in Britain and originally shown on the PBS series, Masterpiece Theatre.
This miniseries was directed by Coky Giedroyc, a veteran of television productions in Britain, including another royal-themed miniseries, 'William and Mary', in 2003. Giedroyc brings an interesting modern twist to the series - rather than filming things in majestic, sweeping camera pans with classical music as a background, and rather than having the dialogue (and acting) be in a stilted, falsely formal style, Giedroyc incorporates modern music with medieval and Celtic flavouring to it (both of which have experienced a renaissance of sorts in the past decade), and the situations are decidedly modern without being out of place in their own times.
This presents the life of Elizabeth from her young adulthood under Queen Mary, as a supposed participant in intrigues against the Catholic Queen, through to her death after serving decades on the throne of England as the Virgin Queen, the queen who never married. In fact, the miniseries plays a tantalising game with Elizabeth's virginity, showing her desires (as well as those around her) without ever giving up the game of 'was she or wasn't she?' Anne-Marie Duff plays the part of Elizabeth, and does a remarkably able job for such a complex figure. Duff won the Irish Television award and was nominated for the BAFTA award for best actress in a television drama in another series, 'Shameless', last year.
Duff is joined by Tom Hardy, who plays the role of Robert Dudley, the favourite of Queen Elizabeth. Dudley is also an extraordinarily complex role, as he played several sides in the political struggles during Elizabeth's early reign, and was part of a family well experienced in regal intrigue - Robert Dudley's family had tried to manage the reign of Elizabeth's brother Edward, engineer the accession of Lady Jane Grey (placing Guildford Dudley on the throne with her), and is sometimes referred to as 'the uncrowned kings of England'. In fact, perhaps the most stunning single scene in this miniseries is after Elizabeth has elevated Robert Dudley to the earldom of Leicester, and during her illness, he sits upon the throne as the protector of the realm. Hardy is well suited to this role, and plays it with skill.
The sets are appropriate to their time period, neither too ornate nor too medieval; the costumes also have a touch of modernity to them, but are still primarily of the period. The situations presented give good insight into the overall pattern of Elizabeth's reign and some of the principal concerns during that time period, although to compress such a long reign into such a short time frame as a four-hour miniseries by necessity means that the history has had to be selectively chosen. Elizabeth faced problems from without and within, many of which were far more complex and pressing than her marriage issue. In the end, Elizabeth made the right decision for the time, if not for the future.
This is a great production for television, and holds up well against other major productions featuring the Virgin Queen Elizabeth of a few years ago.

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As The Virgin Queen begins, a young Elizabeth is imprisoned in the Tower of London by Queen Mary, charged with conspiracy and treason. Both women are daughters of the ruthless and oft-married Henry VIII, who plunged England into turmoil by breaking with the Roman Catholic Church. Mary wants to reunite with Rome, while Elizabeth is determined to stand by her Protestant faith--a potentially fatal choice. But Elizabeth’s life takes an unexpected turn when Mary dies, leaving no heir to the throne. As the new queen, Elizabeth discovers the harsh realities of ruling a religiously divided nation and must learn to outwit her enemies and charm those who conspire to their own ends.Soon under pressure to secure a politically advantageous marriage, the coquettish Elizabeth rejects a string of eligible royal bachelors from abroad, openly preferring the burning affections of her childhood playmate, the athletic, handsome--and married--Robert Dudley. But is she toying with him as she is with her other suitors?Starring Anne-Marie Duff (The Aristocrats, The Magdalene Sisters) as the shrewd and captivating queen who defended her throne amidst an atmosphere of plotting and intrigue, torture and murder, The Virgin Queen is a riveting drama that explores the fascinating 44-year reign of Elizabeth I.

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