MTV's Wuthering Heights (2003) Review

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(More customer reviews)I saw this movie on mtv the first time they ran it. I waited for months and months. Immediatly after I saw it I wanted to see it again. It's that good.
I finally found it for 2 dollars at iggle video.
I'm sure you all know this is a modern twist on Wuthering Heights. It's not exactly like the book. But it is a wonderful love story and it will make you cry. From some of the reviews I'm wondering if anyone even saw the same movie I did or if they saw that it said MTV so they decided to rate it bad.

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The Crown Prince (2006) Review

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(More customer reviews)The story of the final decades of the Habsburg empire is a haunting one, the 600 year old dynasty rushing to an ignominious end amidst family strife, mental illness and personal unhappiness. Empress Elizabeth ("Sisi") and crown prince Rudolf are among its more intriguing characters, and the story of the latter's suicide has great film potential. But that isn't realized here. On the contrary, one feels the production team has been grappling with stuff way too dark and complex for both their abilities and intentions. Rudolf is portrayed as a slick playboy who suffers from sudden bursts of interest in revolutionary politics and then, inexplicably, starts shooting morphine, and kills himself. Only the barest inkling is conveyed of his deeply troubled relationship with his mother, whom he worshipped, only to be ignored by her in favour of his younger sister. We do not get any sense of his sharp intellect and significant scientific efforts, nor of the mechanisms that slowly turned his quiet melancholia into self-destructive despair. Even his political leanings are explained only in the most superficial manner (the prince walking in on a scene of Dickensian squalor in a Prague slum); in actual fact it was a volatile mix of revenge on his forbidding father and a remarkably astute, almost prophetic assessment of the empire's dire prospects. Nor do we get a real feeling for the callous, arrogant egotist Rudolf most certainly also was. This was a man who kept a `register of conquests', meticulously detailing characteristics of each lady, with entries in red ink denoting virgins. In the film, much is made of the silver cigarette box he gives Helene Vetsera; in fact he handed those out as a souvenir to his each and every mistress (the fact that the inscription varied very precisely in accord with the social rank of the lady also makes short work of Rudolf's supposed democratic leanings).
This production is insuperably saccharine, ponderously slow and plagued by amateurish acting (and badly glued moustaches to match). Don't be fooled by the gratuitous moment of nudity barely 15 minutes in: this is nothing but a very expensive episode of Beverly Hills 90210. The involvement of historian Brigitte Hamann must have been a token affair, for you can't even trust all the factual details to be right. Opportunities to show the real life drama are missed at every turn. The fateful conversation in which the emperor tells his son he doesn't think him fit to succeed actually took place, but wasn't nearly as quiet or civilized a meeting as shown here. In fact, Rudolf's shouting could be heard in the anteroom, and Franz Joseph was so overcome with emotion that he fell into a swoon. The makers have romanticized even the double suicide itself. The servants outside hear two gunshots in quick succession, as if the act were carried out as intended. In actual fact, after shooting Mary, Rudolf fell prone to second thoughts, and it was not until after a night of heavy drinking that he eventually shot himself the next morning. One of his letters of goodbye intimated that he no longer wanted to, but was left with no choice, as he had now become a murderer.
Silliness is not entirely avoided. Rudolf and Prussian crown prince Wilhelm are constantly visiting brothels, apparently for the sole purpose of engaging in heavy-handed politico-historical debate. Sandra Ceccarelli exerts herself to look like a tormented Elizabeth but merely succeeds in making you think she needs to visit a dentist. To make sure the viewer knows what is going on, characters are explaining the obvious to each other over and over again with great insistence.
How much better could this have been if the makers had refrained from sugercoating the real story. How much more alive would it have been had something of Rudolf's relation with his sisters been shown, and his infatuation with `mad' King Ludwig II of Bavaria. How much more might have been conveyed of the stifling ceremony of the Viennese court - even the 50s "Sisi"-movies succeed in getting that right. How much more of the weirdness of it all might have been captured had something of the bizarre aftermath been included (Mary's corpse was whisked away from Mayerling in a coach, in the dead of night, all dressed up and tied to a broomstick to make her sit upright and seem alive to overly curious passers-by. Two nights after Rudolf's burial superstitious Elizabeth descended into the Kapuzinergruft and tried to conjure up the spirit of her dead son. When at another séance she was told that he dwelled in a place `worse than hell', she was devastated.)
None of that. All we get is eye-candy. Most of the film was shot at the appropriate historical locations, and the costume department has visibly outdone itself to squander its share of the 11mln euros available. Enough to feast the eye on. The casting director has made sure this goes for the lead characters too; Jeremy Irons look-alike Max von Thun certainly is a lot easier on the eye than the real Rudolf was, and in order not to disguise the fact he has to make do without the beard that Rudolf always wore (he needed it to camouflage the nervous twitching of his face). In all, this is a missed opportunity and frankly a waste of your time.


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Indelibly linked to the Mayerling tragedy, the story of Crown Prince Rudolf still evokes mystery and conspiracy, thwarted hopes and unfulfilled love. After entering into an unhappy marriage of convenience, the young heir to the Austro-Hungarian throne begins a fateful affair with the Baroness Mary Vetsera. She, along with the other women who influenced his life, has inspired this sweeping mini-series shot on location in Austria and featuring an illustrious cast that includes Klaus Maria Brandauer, Christian Clavier and Omar Sharif.

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Tom Brown's Schooldays (2005) Review

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(More customer reviews)"Tom Brown's Schooldays" was originally published in 1857. Thomas Hughes had attended Rugby School, an English public school for boys from 1834 to 1842, but it seems the title character was based on his older brother George. The book is considered the first in the genre of school novels, spawning a host of imitations during the Victorian era, the most successful of which would be the Harry Potter novels of the 21st century. The BBC did a mini-series version of "Tom Brown's Schooldays" in 1972, where as this 2005 television adaptation by ITV runs only 93 minutes. I was going to say that this was by far the shortest BBC literary adaptation I had ever seen, but it turns out it was by ITV.
The relative short length of this production is especially interesting since it omits the chapters at the start of the novel dealing with the childhood of Tom Brown in his home in the Vale of White Horse. There young Tom spends days riding his pony and leading a happy, carefree existence, before being sent to the living hell of his schooldays. Instead, the script by Ashley Pharoah takes the two major stories that make up the actual school days, Tom being bullied by Flashman and Tom being told by Dr. Arnold to look after young George Arthur, and weaves them together instead of having them comprise separate parts of the story. So in this version Tom Brown (Alex Pettyfer) shows up at Rugby School and immediately becomes the target for the bullying Flashman (Joseph Beattie, and, yes, this is the character that George MacDonald Fraser made the "hero" of his "Flashman" historical novels). Meanwhile, headmaster Dr. Thomas Arnold (Stephen Fry) is trying to reform the rowdy school into a more Christian place, insisting that he will take the students at their word, just like he would a grown man, a policy that Flashman will sorely put to the test.
The conflict between Tom and Flashman is at the heart of this version, featuring an escalation of effronteries by the older boy that exceed what is in the novel. Flashman's big crime in the novel was to get exceedingly drunk, and Pharoah's script comes up with bigger and badder things in this version to expedite the villain's demise. The problem is that while I like the way the script makes Flashman's bullying a lot more threatening to a contemporary audience, the twist regarding George Arthur (Harry Smith) changes the ending way too much. Instead of thinking of the lessons that young Tom Brown has learned from his schooldays, I am watching the final credits wondering if this is supposed to be an implicit rejection of George Arthur's Christian idealism. Just because I appreciated some of the major changes in the story does not mean that I do not think there are certain lines you should not be crossing over, and I have to round down because of the line this one crosses at the end.
Young Pettyfer does not have to do much as Tom beyond reacting to the indignities heaped upon him by Flashman and the others and coming to the defense of Tadpole (Dane Carter) and other younger classmates who are the prey of the older bullies. Beattie plays Flashman with great relish, both when he is bullying the little boys and when he lies right to the face of Dr. Arnold. The key performance is that of Fry, who does a nice job of playing restrained anger when he finally lowers the boom on Flashman. My favorite scene is when the good doctor learns a lesson in irony as to what happens when you believe a liar and do not believe someone who is telling you the truth. But primarily "Tom Brown's Schooldays" is about a bully getting what is coming to him, and I hope the kid who terrorized my life when I was the same age as Tom got his own comeuppance sooner or later. At the very least, I would like to believe that Hughes is completely right on that score.

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This new adaptation of Thomas Hughes' famous novel tells the tale of a young boy's courage in the face of vicious bullying. Set in Rugby Public School during the mid-1800s, the eponymous Tom transforms from timid, homesick schoolboy to courageous student as he learns to confront his fears, stand up for his friends, and hurdle the obstacles of adolescence.

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Charms for the Easy Life (2002) Review

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(More customer reviews)This film surprised me in a lot of ways. The title makes it sound "fluffy" but there's a lot of punch in the story.
It's about 3 strong-willed women as they live their lives and interact with each other and the world around them. The grandmother, Charlie Kate (Gena Rowlands) is the pivot of the story. She's tough but not uncaring. She knows who she is and what she wants from life. Her daughter, Sophia (Mimi Rogers), is also strong but in a different way. Margaret (Susan May Pratt) is the granddaughter, who blends the best of her grandmother and mother.
There's a lot of humor in the film and a fair amount of pathos as well but it's neither a comedy nor depressing. There is a lot to admire in all 3 women and how they respond to each other and live their lives.

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Robin Hood: Season Two (2008) Review

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(More customer reviews)Robin and the gang are back, giving us a second season packed with action, intrigue, humor, and even more of those wonderful little character moments that made the first season such a joy. It is evident even from the first episode that the overall tone of the show is much darker this time around, as each our heroes must contend not only with the Sheriff's evildoings, but also with their own personal tragedies. This darker tone goes hand-in-hand with a bit more violence, though it is no more graphic than what was presented in the first season. This gives the show an intensity that had been missing before, and the opportunity to present some jaw-dropping action sequences (Robin vs the Black Knights is not to be missed!).
It was always the characters that made the show appealing to me, and on that score S2 delivers in spades. There are many lovely Robin/Marian moments, and some surprising new alliances (of friends and enemies) are formed as well. One of my favorite scenes of the entire series is a beautifully-written character exposition sequence in the episode "A Good Day To Die" where, in the classic death-at-sunrise scenario, each member of the gang spends their potentially last-night-on-earth revealing their inner secrets. It's an extremely emotional scene, and a powerful one, that brings up insecurities and issues that have been building since the very beginning of the series.
Of course, the series wouldn't be Robin Hood if there wasn't also plenty of fun to be had along the way. The Sheriff is still as hilarious as he is evil, and it's a blast watching Robin and Co. get the best of him time and again. Keith Allen does an especially great job with the Sherrif's gloating/crying in "Get Carter", an episode which also introduces one of the most enjoyable recurring characters to come to Nottingham in quite awhile.
Season 2 has more of a cohesive story arc than season one, and as such, there are plot twists galore (most notably the 2-part finale) that impact future episodes and draw on events of those past. I'd recommend staying spoiler-free until you've seen them. That being said, get a box of tissues handy and be prepared to pick your jaw up off the floor by the time you finish the last episode. It's a doozy.
Rumor has it, there will be a S3, although the BBC is a being a bit cagey as to the details. In the meantime, settle down with season two and enjoy the ride!

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The contemporary retelling of the popular legend is back for a second series with more breathtaking archery, incredible swordplay, lots of humour, fun and energy, a smattering of brute force, and the raw determination to right wrongs. The Sheriff is in the final stages of a plot to kill King Richard upon his return from the Holy Land. The Sheriff also wants Robin Hood dead and with his devastating sister Davina, sets about catching him once and for all. It seems only a matter of time until Marian escapes to the forest and she and Robin can be together. Until that is, Gisborne turns up at Knighton Hall and razes it to the ground, seizing Marian and Edward and placing them under house arrest in the castle. Marian and Robin now separate for the good of England, Marian as the castle spy, and Robin leading his gang in the forest and villages of Nottingham...DVD Features:Audio CommentaryFeaturette

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Wives and Daughters (2002) Review

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(More customer reviews)This is a superlative period piece and a brilliant adaptation of Elizabeth Gaskell's 1865 novel of the same name. This BBC mini-series is a superb costume drama with stellar performances by the entire cast. Set in rural England, the film centers around Molly Gibson, the seventeen year old daughter of a country doctor. Richly drawn portraits of Molly's neighbors and friends quickly emerge and weave an absorbing tapestry of nineteenth century life.
Molly and her father, a widower for most of Molly's life, have an exceptionally close and loving relationship. Their relationship is put to the test when he decides to marry a widow and former governess, Hyacinth, who is a pretentious, self absorbed, ridiculous woman. She has a grown daughter named Cynthia, a beautiful young woman, close to Molly in age, but as different from Molly as night and day. Cynthia is best described as a Marilyn Monroe of the Victorian age. Cynthia and Molly become fast friends, while Molly barely tolerates her nigh intolerable step-mother.
The series really revolves around Molly's relationships with all the characters in the production and her handling of the various everyday situations in which she finds herself. Richly drawn, memorable characters, as well as intrigues, secrets, and romance, make this a highly absorbing drama and one that those who love period pieces and lush, well acted costume dramas will enjoy. It is simply a masterpiece.
With stunningly crisp visuals and beautiful clarity of sound, the production value of this three disc, five hour DVD is simply first rate. It is also value laden with some very interesting features. There is an engaging fifty five minute portrait of Elizabeth Gaskell, the author of the novel upon which this mini-series is based. There is a also a twenty minute documentary on the making of the film which is entertaining, as it gives a bird's eye view of the thought that went into the making of the film and the development of the characters. There is also a who's who guide to the performers. This DVD is well worth having in one's collection.

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From the team that brought you "Pride and Prejudice." Set in a richly portrayed society well-stocked with eccentric nobles and gossipy villagers, the story centers around 17-year-old Molly Gibson, the only daughter of a respected country Doctor.

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Russia - Land of the Tsars (2003) Review

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(More customer reviews)This documentary is fascinating in its sweep of the complex history of Russia, though the production is not top notch, and relies heavily on poorly filmed re-enactments, mostly of just hands, feet, and horses hooves, and repeated shots of lightning streaking across the sky, or blood dripping on the floor, to emphasize the drama of a scene. It is peppered with interviews with professors and historians, who provide intriguing insights into the methods and habits of the Tsars.
The first tape starts out by giving the lay of the immense land, and the rivers that were the roadways in the early days of this "nation of many nations", the Mongol invasions, Prince Vladimir, who was the first powerful leader and brought the people together using religion as the unifying force, and then moves on to the lives of the Tsars.
Visually, the final tape is the best, because it includes extraordinary, rare, early 20th century photos and films, of events like the war with Japan, and personages like Lenin. Perhaps the most incredible, poignant footage is of "Bloody Sunday", that shows the peaceful marchers being shot down. Those familiar with David Lean's version of "Doctor Zhivago", will recognize this tragic episode of history that was such a memorable scene in the film.
It has an excellent, atmospheric score by Gary Pozner, which has occasional echoes of Moussorgsky and Tchaikovsky, and greatly enhances and adds emotional impact to this documentary. Written and produced by Don Campbell, and narrated by Edward Herrmann, this is an easy way to digest a lot of history, and for those interested in Russia, I also recommend James Billington's superb "The Face of Russia".
Winston Churchill said "Russia is a riddle, wrapped in a mystery, inside an enigma", and watching this documentary helps to shed some light on the puzzle that is the great and beautiful land of Russia.

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Love in a Cold Climate (2002) Review

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(More customer reviews)Two episodes and approximately 2 to 2 1/2 hours is not enough time to do justice to Nancy Mitford's hilarious and moving novels The Pursuit of Love and Love in a Cold Climate. In this version so much of the humor and far too many of the characters are either eliminated or cut down sharply.
Nevertheless, given the time constraints this is a very fine adaptation. The main story concerns the love interests of three upper class young women in 1930s Britain: Fanny Logan (the narrator), Linda Radlett (the primary heroine who bounces from husband to husband to lover), and Polly Hampton (the enigmatic beauty who temporarily falls for an extremely distasteful older man). At that time girls from aristocratic families were expected to make their Society debuts at age 18 or so and marry by the time they were 21. Fanny, the most sensible of the trio, follows this path without any wrong turns and ends up with a husband she truly loves. Linda and Polly's vicissitudes lead them down many roads to tragedy in one case and final happiness in the other.
The series is beautifully filmed in England and France. Nancy Mitford's ancestral home Batsford Park stands in for the Radlett mansion, Alconleigh; while the magnificent Castle Ashby serves as Polly's enormous residence. In France similarly beautiful chateaus are used for Fabrice Sauveterre's homes. There is a real 1930s/1940s ambience throughout the series, particularly in the second episode set in the early years of World War II.
Although many of Mitford's funniest lines and scenes have not been included, there are some extremely amusing segments, such as a fur-coated Linda urging Londoners to join the Communist Party, or Sheila Gish's indomitable Lady Montdore's statement "hardly any of one's friends had even heard of India before we went there", or Uncle Matthew's emotional outbursts over Romeo and Juliet, or Fanny's aging socialite mother (The Bolter) arrival at Alconleigh with her Spanish lover.
There is also quite a bit of social commentary mixed in with the humor. The old landowning aristocracy is well represented by the Radletts and the Hamptons, and their encounters with nouveau riche types like the Kroesig family are a good depiction of the social changes going on in Britain during the early twentieth century. The Spanish Civil War scenes remind us that World War II's mass horrors are shortly to unfold.
So, even though this mini-series should have been much longer, it is still delightful and moving. If this is your first introduction to Nancy Mitford, by all means buy The Pursuit of Love and Love in a Cold Climate and read Linda, Polly, and Fanny's stories in their entirety.

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Based on Nancy Mitford’s beloved novels The Pursuit of Love and Love in a Cold Climate-part thinly-veiled memoir, part biting satire, and part fascinating window on a vanished way of life-this witty drama from the BBC follows the romantic adventures of three young aristocrats in the decade between the wars. Starring British acting legends Alan Bates (Gosford Park), Celia Imrie (Bridget Jones’s Diary), Sheila Gish (Mansfield Park), and Anthony Andrews (Brideshead Revisited), with young stars Rosamund Pike (Die Another Day), Elisabeth Dermot-Walsh (Bertie and Elizabeth), and Megan Dodds (Malice Aforethought). Providing an authentic backdrop are several English castles and country houses, including Batsford Park, home of the Mitford family from 1916 to 1919.

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My Uncle Silas: Series 2 (2001) Review

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(More customer reviews)My Uncle Silas series 2 staring Albert Finney is a great look at the relationship that can develop between a young boy and his older although not especially wiser great uncle. As Uncle Silas, Finney is excellent at showing his great nephew Edward, played wonderfully by Joe Prospero, the way not to carry on as a proper gentleman. Although set in England in the time before World War 1 the stories and the lessons that they teach are timeless. Take the time and sit back and relax and enjoy the delightful tales that playout in this series.

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The George Eliot Collection (Middlemarch / Daniel Deronda / Silas Marner / Adam Bede / The Mill on the Floss) (2007) Review

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(More customer reviews)George Eliot (Mary Anne Evans) penned many stories and all are worth reading. These wonderful performances do justice to her work. No expense looks spared and the locations are so atmospheric that it all adds to the strong story lines and character development. It is a collection of Victorian life studies worth owning. There is an additional feature called A Scandalous Life...guess who...talk about a woman with real courage...she lived her own life against all the constraints of her time which is hard to fathom in today's world of "free everything". Women lived confined...most authors of the day were men...women wrote romances, so Mary Anne created her "George Eliot" to be taken seriously. You will recognize many of the performers including Sir Ben Kingsley as Silas Marner. The price is great for the set...you won't be disappointed!

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The next collection in the successful BBC Classics line comes to life with an assortment of all-star casts in five of George Eliot's beautifully astute literary works, all lovingly portrayed in critically acclaimed productions from the BBC. This 5-disc set includes Adam Bede, Silas Marner: The Weaver of Raveloe, The Mill on the Floss, Middlemarch, and Daniel Deronda.DVD Features:Featurette:George Eliot: A Scandalous Life (60 min)Featurette:Middlemarch-A Reader's Guide (40 min)Photo gallery

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The Great Gatsby (A&E) (2001) Review

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(More customer reviews)While many of you may turn your nose at a movie version of perhaps the greatest American novel starring Mira Sorvino and Paul Rudd, I assure you the casting was wonderfully done. Sorvino fulfills the character of Daisy, somewhat ditzy, materialistic, and self-centered. And Paul Rudd has always been a wonderful actor (let's just pretend "Clueless" never happened). The rest of the cast is wonderful as well. As I mentioned in my review of the OTHER movie version of the Great Gatsby, I was disappointed that (among other things) there was no narrator. Nick DOES narrate this one. It is brilliantly accomplished as well, because he is only narrator at crucial moments where dialogue would otherwise be lost. This movie also includes the famous last words of the novel: "So we beat on, boats against the current, born ceaselessly into the past" which I feel is a crucial part to include in the movie. Scenes were also accomplished with more tact and finesse than the other. The important ones had more time to sink into your memory. It's shorter than the other one, yet you gain more from this version than the older. A&E does not dissappoint!

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Wyvern Mystery (2000) Review

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(More customer reviews)"The Wyvern Mystery" is from the PBS "Mystery!" series, based on J. Sheridan Le Fanu's gothic novel of the same title published 1869. It stars Derek Jacobi, Naomi Watts, Jack Davenport, and Iain Glen.
The story is aptly convoluted (but changed to suit the running time, especially the latter half of the film). Being orphaned, Alice Maybell (Watts) is brought to the mansion of austere Squire, Henry Fairfield (Jacobi), who locks up her in the dreary wing. Grown-up Alice is wooed by the Squire, but finds a new and secret love in one of the Squire's son, Captain Charles Fairfield (Glen). They find a new home in Carwell Grange, bleak house where no one visits except Charles's brother Harry (Davenport), but there is another secret hiding in this place, which sooner or later Alice is to find out behind the wall of her secluded room.
Le Fanu's original story is so complex particularly in the last one-third of the novel, so the film changed the whole story into more conventional form. That works to some extent, even though the spooky touch of this Irish writer, who really led a hermit-like life in his country, is somehow missing from the result. But the good acting from the leads, and the effective costumes and locations help us to be enticed to the gothic world, where the heroine is gradually threatened by weird things and the mental depression as their consequences. And Naomi Watts looks splendid in costume. Her fans should not miss it.
Le Fanu's most famous (and best) novel will be "Uncle Silas" which was also filmed (under the title of "The Dark Angel", not to be confused with Jessica Alva TV) early in the 1990s starring Peter O'Tool.

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The Road from Coorain (2003) Review

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(More customer reviews)I think this is a wonderful adaptation of a wonderful novel. The acting is superb. The cinematography exquisite. Juliet Stevenson and Tim Guinee are extraordinary. It is well worth your time.

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The Tudors - The Complete First Season (2007) Review

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(More customer reviews)Yes, there are inaccuracies, as others have pointed out here. This is a dramatization and this is elegant popular entertainment. As an armchair historian, in love with the stories of Henry VIII, I find it absolutely gripping. The acting is for the most part marvelous, and the idea of doing these great personages as compellingly attractive people is a brilliant one. I think there is plenty enough here to draw a person into good books about Henry and the English Reformation. One thing I do like very much is that Anne Boleyn is being presented as the complex woman she obviously was; and Catherine of Aragon has been presented with immense dignity and respect. But the reason I've signed on here to recommend this series is that I really think it will encourage serious study on the part of many as to what really went on when Henry broke with the Catholic Church, and when popular entertainment invites us to study, to learn more, as well as giving us delight, well, that is worth something. The portrait of Thomas More is excellent, and the actor playing Anne Boleyn's father is quite remarkable. Finally, let me confess: there is something delicious about this series, something thrilling. I find myself charmed by it. Of course I wish the Catholic Church was presented with considerablly more understanding on the part of the writers. But in spite of that I continue to watch the second season, as enthralled as I was by the first. And I've ordered a whole slew of new books on Henry just because of this series, so I'm proof myself of what I'm suggesting here: this will encourage the serious study of history. --- The art direction and the costumes are gorgeous. The lighting is breathtaking. --- The sets are glorious. I hope Showtime gives us more of this top notch entertainment.

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The Tudors presents the rarely dramatized, tumultuous early years of King Henry VIII’s nearly 40 year, omnipotent reign (1509-1547). In addition to his famous female consorts and 20+ year marriage to Catherine of Aragon to the infamous dalliance with Anne Boleyn, the series delves in to Henry’s most notable political relationship and the deconstruction of the Roman Catholic Church in England.

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Tess of the d'Urbervilles (2009) Review

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(More customer reviews)That haunting song has been stuck in my head ever since I saw this four-part BBC miniseries. It was a stroke of genius to incorporate this folk tune into the soundtrack (composed by Rob Lane), which sums up the mood and aura of this tragic tale of a young woman wronged so unjustly by two men. Gemma Arterton is wonderful as Tess Durbeyfield, probably Thomas Hardy's most well-loved heroine, exploited by her ignorant parents into claiming noble heritage and discarded by 19th century society. Hans Matheson is Alec Stoke-d'Urberville, the wealthy cad who violates her, unknowingly impregnates her with a child who doesn't survive babyhood and later comes back into her life as a supposedly reformed preacher. Eddie Redmayne is Angel Clare, the seemingly kind-hearted and tolerant parson's son who wins Tess's love but proves to be just as hypocritical as his religious family and his actions bring Tess to despair. As in most Hardy tales, tragedy looms a large shadow over the lives of his characters.
Arterton's Tess is matched perfectly by Matheson's Alec, who is given more depth than any of the earlier film adaptations. The dark and tormented essence gives you the sense how doomed these two characters really are - their actions and words toward each other leads to their downfall. Unfortunately, the same cannot be applied to Redmayne's Angel, who looks befuddled and lost more than half the time. There is a rushed directorial pace in the second installment that hurts the romantic appeal between Tess and Angel, and the love story element seems a bit forced as a result. Because of that, I didn't get the appeal of Angel in this one, or why Tess and her fellow dairymaids were in love with him, or why Tess takes the desperate course of action in order to get him back. Some of the modern dialogue used did take away from the affect of the story, and Redmayne seemed to have a hard time keeping up with Arterton performance-wise. Redmayne redeemed himself somewhat in the final episode but for the most part I was unimpressed with him. However, director David Blair must take some of the criticism, as the hurried scenes to establish the "romance" seemed to skim over the parts of the novel that gave the lovers the attachment to one another that eventually leads Angel to see the error of his ways and beg his wife's forgiveness. I was anticipating Alec's return so much that I found myself not really caring if Angel came back for Tess or not. In sharp contrast, the 1998 A&E/London Weekend Television production had me rooting for Tess and Angel's reunion even though I was aware of the outcome. I was so taken by Angel in that one, whereas here I found nothing in him to be slightly attractive or romantic. I sympathized with Tess completely and neither man deserved her, but at least in the other version and the novel I could see why she loved Angel and longed for him to return to her. I found myself almost rooting for Alec (I never thought I'd say that), because Matheson was so compelling and magnetic and he and Arterton generated such electricity, I couldn't take my eyes off them. Alec's fleeting conversion to Christianity and his sermon in the tent that Tess stumbles upon is foreshadowing of the path these two ill-fated characters will end up on. The moment he lays eyes on her again, his fatal attraction and twisted love for her resurfaces and consumes him, and Tess finds herself increasingly helpless to refuse his help after her father dies and her family is left destitute. Alec's wealth is the only way he can possess her and he is aware of that, but he is willing to get her the only way he can, only to discover that fate does indeed play a vengeful hand. It was also nice to see Tess revisiting her child's grave and placing fresh flowers upon it; her deeply felt sense of loss and rejection by both the church and her village is searingly devastating because it becomes all the more clear that she is victim of both society (in which women had few advantages) and fate. Having said that, Tess and Angel's reunion did not have the emotional impact it should have had, the sex scene was unnecessary, but the Stonehedge sequence was an emotional powerhouse for Arterton, as was the climax of her walking off to her fate with her signature tune heard wistfully in the background. The supporting cast was in top form, and while the cinematography was lovely, it could have emphasized far more considering how important landscape is in Hardy's work, as both the 1998 two part program and Roman Polanski's 1979 film have demonstrated. As a four-part miniseries, it had the opportunity to include more scenes from the novel and insight into character, particularly Angel, which would have helped the plot a great deal. However, it was good to see the mausoleum scene and the ending was heartbreaking and moving, although my tears were for Tess, her sister Liza-Lu, and, dare I say it, even Alec, but I felt nothing for Angel (although Redmayne's tearful breakdown was by far his best moment).
On the whole, this was a very good presentation, my second favorite version and very much worth seeing. Arterton and Matheson give tour-de-force portrayals; it would be great if they would co-star again, some have suggested as Cathy and Heathcliff in "Wuthering Heights" - I could definitely see that. And that song will linger on in your memory long after the final credits have rolled, as will the rest of the score.


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A passionate, sensual and very modern version of Thomas Hardy's infamous novel, combining young, upcoming acting talent with recognisable and much-loved faces. When the beautiful and innocent Tess Durbeyfield is driven by family poverty to claim kinship with the wealthy D'Urbervilles and seek a portion of their family fortune, meeting the manipulative Alec proves to be her downfall. Starring Gemma Arterton (James Bond: Quantum of Solace), Eddie Redmayne (The Other Boleyn Girl) and Hans Matheson (The Tudors).

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Random Passage (2002) Review

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(More customer reviews)Setting: Cape Random, Newfoundland, a tiny cod fishing station barely clinging to life.
Plot: In 1815, two unlikely families almost literally wash ashore. Mary Keane (Darragh Kelly), a young Irish woman with her illegitimate daughter comes as a stowaway. Mary has been tossed out of her home, watched her mother starve to death, and been raised in the Workhouse under the vilest conditions. Finally getting away as a maid, she is sexually confronted by her new master, then tossed into the streets. Her 'protector', a worthless wharf rat, impregnates her, gets her wrongly implicated in a murder, and then connives to strand her at Cape Random.
Meanwhile, the largish Andrews family comes ashore seeking not-to-be-had succor for a member, en route to a hoped-for new life after the paterfamilias (Andy Jones)lost his situation for pilferage.
These two families strain the meager resources of Station chief Thomas (Colm Meaney) and the one other family there.
This gritty, earthy Canadian-Irish miniseries realistically tackles issues of bondage, extermination of the indigenous Indians, starvation, disease, insanity, God, pregnancy, adultery and you name it as the tiny band moves from total subsistence to a bare semblance of civilization.
The series is well-acted, and well-directed. Not too much stock footage used despite an obviously modest budget. This series is well-worth a watch or two. If you like human drama, detailed 'real people' historic sagas, or the setting, this is recommended.
Comparison: Less odd and artsy than The Shipping News, less idealized and more older-times than The Bird Artist.
The DVD: Boxed set of two discs, each w. two 1.5 hr. parts. Decent audio and picture, few special features of note.
SPECIAL NOTE: This reviewer is 100% ethnic Newfie and NOT a young man. He remembers his own Grandmother Wagg, born within living memory of the times portrayed, telling many similar tales.
Nitpick: Episode Three has an encounter circa 1830 with a Beothuk native; If my memory serves, my own Newfie ancestors had, regrettably, killed them all well before this.


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Item Name: Random Passage; Studio:Bfs Entertainment

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Persuasion (2007) Review

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(More customer reviews)"Persuasion" is tied with "Pride & Prejudice" as my top favorite Jane Austen novel. I was looking forward to this version, after being a little disappointed with the 1995 adaptation (actors were a bit too old for their roles, I thought, but that's another review).
While "Northanger Abbey" is a story of young love, "Persuasion" is a story of love lost. Anne Eliott was once engaged to Frederick Wentworth but has had to give up the engagement due to the persuasion of her friend Lady Russell. Anne is the daughter of a baronet and Frederick is a young lieutenant with little prospects and was deemed by her friends and family as not worthy enough to marry Anne. Fast forward to 7 or so years later, and Anne's family is in dire circumstances. Her family has to move from their large country estate to Bath in an effort to retrench and avoid further debt. Frederick returns to England as a wealthy and highly eligible naval captain and his and Anne's paths meet again. Frederick is pursued by 2 of Anne's younger sisters-in-law while Anne is left to wonder what might have been. After a stressful visit to Lyme, Frederick and Anne's paths briefly separate. Anne moves to Bath where she is pursued by her cousin William Eliott and she crosses paths with Frederick again. Will love triumph the second time around?
Whether you agree or disagree with my assessment of the 1995 version starring Amanda Root and Ciaran Hinds, I think you will find that Rupert Penry-Jones and Sally Hawkins are wonderful in their roles as Frederick Wentworth and Anne Eliott. Sally Hawkins - unknown to me until now - gives a soul-stirring and endearing performance as Jane Austen's long suffering heroine. Rupert Penry-Jones is aptly dashing and handsome, though perhaps a little bland, as Frederick (I'd take him over Ciaran Hinds any day). The supporting cast is solid - with a few exceptions - and the screenplay, up until the last 10 minutes, stays true to the tone and spirit of the book. The production values, costumes and locations are excellent. This scores points for actually filming in Bath and Lyme (actual locations from the book). Another high note is Martin Phipps (who also composed the amazing score of BBC's "North & South) who delivers yet another stirring score.
The reasons for the 4 stars are as follows (warning, spoilers!):
a) Casting - I absolutely detest Amanda Hale as Mary Musgrove. She is annoying and stands out in a bad way from the rest of the cast. Julia Davis is also off as Elizabeth Eliott and looks more like Anne's wicked stepmom than her older (by 2 years) sister. Elizabeth is supposed to be beautiful and elegant, and Julia Davis is nowhere near this. Surely there are more than enough talented British actresses who could have played these roles.
b) Changes - Some long-time fans will be a little irritated with the changes made to famous scenes from the book. This is where the 1995 version triumphs over this version. While the Amanda Root version remained faithful to the book, this version strayed in some of the vital scenes such as the dialogue between Captain Harville and Anne on woman's constancy; and the scene where Frederick writes a letter to Anne.
c) The last 10 minutes - where Anne runs around Bath like a headless turkey - almost completely ruined it for me. Whoever thought of sending a docile, elegant, poised, upper-class lady like Anne to run around town like a servant girl is beyond me. The adaptation would have been outstanding except for this miscalculation. I am not a purist, but there is just so much a long-time Jane Austen fan can take and this one crossed the line for me.
All in all, however, I give it 4 stars for Sally, Rupert, most of the supporting cast, Bath, the score and the first 80 minutes. It goes along swimmingly up until the climax, at which point I have to fast forward to skip the part I detest. A good and solid adaptation, but "Northanger Abbey" starring JJ Feild and Felicity Jones gets my vote as my favorite of the recent Jane Austen adaptations.

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Jane Austen’s romantic masterpiece comes to DVD in a thrilling new production from the BBC and Masterpiece Theatre. Anne Elliot fell deeply in love with the handsome young naval officer Frederick Wentworth at the age of nineteen. But with neither fortune nor rank to recommend him, Anne was persuaded to break off her engagement. Eight years later, Anne has lived to regret her decision. She never stopped loving Wentworth, and when he returns from sea with a fortune and rank, she can only watch as every eligible young woman in the district falls at his feet.

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