Foyle's War: Series 1 (2003) Review

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(More customer reviews)Perhaps it's my affection for England - a love that makes my wife roll her eyes - that causes me to have a higher regard for BBC and ITV small screen productions than those of America, which seem so crass in comparison. So many of the former seem uncommonly funny, intelligent, or both. FOYLE'S WAR is an uncommonly intelligent detective drama, a period piece set on England's south coast in 1940. And, to keep the record straight, my wife's dedication to this series is at least as pronounced as mine, if not more so.

Michael Kitchen is Detective Inspector Christopher Foyle, who's ordered to remain at his post as homicide investigator for Hastings and its environs; he'd much rather be doing his bit for King and Empire fighting the Nazis across the Channel. Indeed, his son is a flying officer with the RAF. The two other series regulars are Samantha "Sam" Stewart (Honeysuckle Weeks), the Women's Royal Army Corps enlistee assigned as his driver, and Paul Milner (Anthony Howell), Foyle's assistant inspector recently returned to home front duty after being wounded with the Army during the disastrous British invasion of Norway.

In Series One,the murders occur in contexts that include sexual harassment, anti-semitism, police brutality, local jingoism, sabotage, and conscientious objection - all set against a backdrop of Luftwaffe bombing raids and the fear of imminent amphibious invasion by the German Wehrmacht.

The character of Foyle - intelligent, perceptive, reserved, compassionate, wounded by his wife's recent death, worried for his son's safety - epitomizes the phrase "still waters run deep." The viewer embarks into each episode wondering what new layer of Foyle's persona will be revealed. (Not to give too much away, but I've just seen the first episode of Series Two, which gives evidence of an old and tragic love affair involving Foyle and a now-married gentlewoman.) And the evolution of the relationship between Foyle and the occasionally cheeky Sam is one of the major delights of the miniseries as the latter proves she's smart, intuitive, and potentially more useful than just a lowly chauffeur.

The various murders investigated by the trio are never straightforward, but involve clever plot twists and hidden motives, the solutions to which silently gestate in the Inspector's mind before being revealed at the end of the story, much like the Sherlock Holmes mysteries of old.

There are, of course, uneven moments to Series One which allow for only four stars. I trust, as the show matures, that it will only get better. The areas that need no improvement are the period costuming, props and sets, all of which are superbly done and a delight to an Anglophile.


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Foyle's War: Set 2 (4pc) (Ws) (2003) Review

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(More customer reviews)I'd previously rated Series 1 of FOYLE'S WAR at four stars. I'm happy to report, after finishing the Series 2 discs, that the ongoing British telly miniseries has graduated to five stars. It's superb, and I'm desolate that I must wait until 2005 for the release of Series 3 that's airing now in the UK. (Of course, if I move to England ... Nah, the wife would never go for it.)
Michael Kitchen is Detective Chief Superintendent Christopher Foyle, who's been ordered to remain at his post as homicide investigator for Hastings and its environs; he'd much rather be doing his bit for King and Empire fighting the Nazis across the Channel. Indeed, his son Andrew (Julian Ovenden) is a flying officer with the RAF. The two other series regulars are Samantha "Sam" Stewart (Honeysuckle Weeks), the army's Auxiliary Territorial Service enlistee assigned as his driver, and Paul Milner (Anthony Howell), Foyle's assistant inspector returned to home front duty after being wounded during the disastrous British invasion of Norway.
The delight to be found in the four episodes of Series 2 is the underlying complexity of each plot, the tip of which is a murder being investigated by Foyle and Milner. Yet, even as the layers of the onion are peeled away, the viewer is still surprised at the intricacy of the solution, most of which is unraveled in the depths of Foyle's mind and revealed to the audience at the end, and which has ramifications that ripple far beyond the simple presence of a local corpse.
As in Series 1, the storylines of 2 encompass so much more than a tawdry homicide or two: homosexuality in the RAF, collaboration between British Big Business and the Nazis, black market commerce in luxury food and petrol, and skullduggery by Franklin Roosevelt's personal emissary sent to negotiate the Lend Lease.
My personal favorite episode is number four, "Funk Hole", wherein Foyle is relieved of his duties after being reported as having expressed seditious and defeatist statements while cowering in a London air raid shelter during a Luftwaffe bombing attack. The labyrinthine explanation for that was totally unexpected. Moreover, it looks like Sam and Andrew are to be an "item" - surely to be continued in Series 3. Indeed, at one point when Sam accompanies Andrew to a showing of "Gone With the Wind", we see her out of uniform, dressed in civvies, and with a smashing hairdo. Blimey, what a bird!
FOYLE'S WAR is sumptuously fleshed out with period costumes, automobiles, hairstyles, and commercial brand names. This is first class, period entertainment. Would that American TV was so good.


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The critically acclaimed PBS series that weaves mystery with real historical events returns with four stories set in September and October 1940. Winner of the Audience Award at the British Academy of Film and Television Arts in 2003, the series stars Michael Kitchen (Proof of Life) as quietly enigmatic detective Christopher Foyle whose territory on the south coast of England is rocked by the chaos and danger of World War II. Also starring Anthony Howell, Honeysuckle Weeks, Julian Ovenden, and featuring Nicholas Farrell, Alan Howard, Corin Redgrave, and Amanda Root. The Mysteries: Fifty Ships-Foyle's determined investigation of a body on a deserted beach puts at risk the donation of American Aid and the crucial start of Lend-Lease in the war. Among the Few-Pilots and their girlfriends live fast and die young in a story of greed and passion where Foyle finds appearances are deceptive. War Games-Divided loyalties lead to revenge and murder when a businessman puts profits before principles in a secret pact with the Nazis. The Funk Hole-Foyle finds himself accused of a serious offense, which complicates his hunt for a ruthless murderer at a sinister hotel. "Brilliantly explores the moral gray areas of war"-San Francisco Chronicle "For mystery fans, Foyle is a must-see" -The Houston Chronicle "A series to be relished" -Radio Times

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Lorna Doone (2001) Review

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(More customer reviews)Fortunately I was able to catch this originally when it ran on A&E and was so captivated I pre-ordered both the video and DVD. The video version differs only slightly from the DVD; the color is not as good. That's it. Overall it's a very good purchase at a reasonable price for such an excellent film.
Fans of A&E's lush romances like Pride & Prejudice, Victoria & Albert, and Emma will enjoy Lorna Doone. It's a blend of romance, adventure, mystery, and something of the sinister, with a Romeo & Julietish twist. The acting is stellar, particularly in the casting of Aidan Gillen as Carver Doone. He completely overpowers the screne whenever present and makes a loathable and yet empathetic villain. Richard Coyle is doubly good as the heroic John Ridd, and Amelia Warner proves she can play leads effortly as the spirited but puzzling Lorna.
It's a film my entire family enjoyed... there was enough romance for the girls, some action scenes for the guys, and enough lush English countryside and magnificent costuming for one and all. Rent it, buy it, borrow it -- see it.

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A rollicking romantic adventure set in 17th century England.Thecountry is torn by civil war, and the countryside is ruled by the bloodthirsty Doonefamily.As a young boy, John Ridd sees his own father murdered by the Doones.Yearslater, he falls in love with a beautiful country girl, never suspecting that she is theannointed Queen of the Doones.Based on the novel by Richard Blackmore, LORNA DOONE is a classic tale of romanceand bravery, vengeance and villainy

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City of Vice (2007) Review

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(More customer reviews)Koch Vision and BBC presents "CITY OF VICE:COMPLETE FIRST SEASON" (14 January 2008) (236 mins/Color) (Dolby Digital) --- Splendidly acted this drama is unlike any other it make you feel you are part of the mystery as it tells stories of these crimes --- But also has the makings of other crime dramas such as Cracker and Prime Suspect --- Historical true crime series CITY OF VICE pits magistrate Henry Fielding (Ian McDiarmid) and his brother John (Iain Glen) against the teeming criminal underworld of 18th century London --- The five part series follows the duo's attempts to police the city and rid its streets of prostitutes, violent gangs, and bands of thieves is dark and dusty streets and basic poverty --- But this story brought to life Georgian England, it's not your usual period drama.
Under the production staff of:
Justin Hardy - Director & Executive Producer
Dan Reed - Director
Clive Bradley - Screenwriters
Peter Harness - Screenwriters
Justin Hardy - Executive Producer
Lachlan MacKinnon - Producer
Rob Pursey - Producer
Richard Blair-Oliphant - Original Music
Story line set in the late 18th century, City of Vice tells the story of London's first police force the Bow street runners lead by John (Iain Glen) and Henry Fielding (Ian McDiarmid) --- London is a centre for debauchery with pick pockets, thieves, murderers and prostitutes, plus gang warfare combines the excitement of contemporary crime drama with actual historical events, this graphic, five part series follows magistrate and author Henry Fielding, his blind half brother John and the Bow Street Runners on their quest to clean up the streets of 18th century London amidst a population of prostitutes, pimps, gangs and villains --- Was very much impressed by the filming of the streets in that three dimensional dark style, the general Gothic- feel of depressingly, stifling despair is fantastic --- A great atmosphere! --- The two brothers are great actors and fascinating figures representing morality and justice, one Anglican one catholic, one blind one seeing. Great contrasts and characterization --- BBC and Koch Vision release.
the cast includes:
Ian McDiarmid ... Henry Fielding
Iain Glen ... John Fielding
Francis Magee ... Saunders Welch
Steve Speirs ... William Pentlow
Alice O'Connell ... Mary Fielding
Sam Spruell ... Lord Newcastle
Sean Francis ... Daniel Carne
Peter McDonald ... Tom Jones
J.D. Kelleher ... Quin
Ian Peck ... Talbot
Juliet Aubrey ... Jane Fawkland
SPECIAL FEATURES
1. The Making of Vice featurette
BIOS:
1. Ian McDiarmid
Date of Birth: 11 August 1944 - Carnoustie, Tayside, Scotland, UK
Date of Death: Still Living
2. Iain Glen
Date of Birth: 24 June 1961 - Edinburgh, Scotland, UK
Date of Death: Still Living
Great job by Koch Vision --- looking forward to more high quality titles from the BBC Collection film market --- order your copy now from Amazon or Koch Vision where there are plenty of copies available on DVD, stay tuned once again for top notch releases --- where they are experts in releasing long forgotten films and treasures to the collector.
Total Time: 236 mins on DVD ~ Koch Vision KOCV-6534 ~ (6/10/2008)

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In the mid-eighteenth century London's perilous streets were overrun by notorious gangs, prostitutes, pimps and corrupt night watchmen. Out of this dark underworld, emerged two Westminster magistrates - novelist Henry Fielding (Ian McDiarmid) and his blind half brother, John (Iain Glen). These unlikely crime-fighters organized the infamous Bow Street Runners and introduced law and order to the crime-riddled city. Combining the excitement of contemporary crime drama with the detail of actual historical research, this graphic, five-part series tells the true story of London's first police force.

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My Uncle Silas: Series 2 (2001) Review

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(More customer reviews)My Uncle Silas series 2 staring Albert Finney is a great look at the relationship that can develop between a young boy and his older although not especially wiser great uncle. As Uncle Silas, Finney is excellent at showing his great nephew Edward, played wonderfully by Joe Prospero, the way not to carry on as a proper gentleman. Although set in England in the time before World War 1 the stories and the lessons that they teach are timeless. Take the time and sit back and relax and enjoy the delightful tales that playout in this series.

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The Road from Coorain (2003) Review

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(More customer reviews)I think this is a wonderful adaptation of a wonderful novel. The acting is superb. The cinematography exquisite. Juliet Stevenson and Tim Guinee are extraordinary. It is well worth your time.

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Beau Brummell - This Charming Man (2006) Review

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(More customer reviews)Who knew that Beau Brummell was the tabloid celebrity of his day. James Purefoy is just amazing as Beau - the man that changed the way men dressed. Matthew Rhys from Brothers & Sisters has a small but great role as Lord Byron.
The music is very catchy and I just had fun with this story.

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The dashing designer of modern dress-and disgrace As seen on BBC America James Purefoy (Rome, Vanity Fair) delivers a captivating performance as the dandy of Regency England who changed male fashion forever. In an age when men bedeck themselves in powders, perfumes, and all manner of finery, Brummell boldly advocates simplicity, elegance, and-good heavens!-washing.His friendship with the Prince Regent (Hugh Bonneville, Iris) rockets Brummell to social prominence, but his fascination with the magnetic bad-boy poet Lord Byron (Matthew Rhys, Brothers & Sisters) eventually proves his undoing.Directed by Philippa Lowthorpe (The Other Boleyn Girl) and based on Ian Kelly’s critically acclaimed biography, Beau Brummell tells its story with a wit, flair, and irresistible stylishness that befit England’s ultimate man of fashion. DVD BONUS FEATURES INCLUDE "Brummell in Pop Culture" essay and cast filmographies.

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Lilies (2007) Review

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(More customer reviews)...so addicted was I to the next turn of the plot!
"Lilies" follows the lives of the Moss family, led by Nelson "Dadda", comprised of son William (Billy) and daughters Iris, May, and Ruby. Mrs. Mary Moss has been dead approximately 15 years and Iris, the eldest, has become the lady of the house. Dadda works as an amateur veterinarian and herbalist. Iris creates confections and sells them to a local sweets store. May is in service to the nouveau-riche Mr. and Mrs. Brazendale. Ruby, William's twin and the youngest, just starts into peddling women's corsets at the beginning of the series.
The Mosses live in the early 1920s in Liverpool, and their lives are mirros of the times. The influx of jazz music and the popularity of the silent films persist throughout; the beginnings of social change through contraception and women's suffrage figure into it as well.
Religious differences and class distinction also play large roles. Dadda, an Ulsterman, is vigorously Protestant, and his sons were raised in his church--elder son Walter having perished in action in World War I.
The Moss daughters were raised in their mother's Roman Catholic faith (although their names would hardly have been given Baptismal approval for the era of their birth -- the 1890s -- by any Catholic priest, as none of them are saints names). On more than one occasion the division of churches causes issues within the family. Young Rev. Malachi Melia, the pastor of the girls' parish, plays a large role in many episodes.
The daughters are the central figures in this series, given its title from a toast made by Dadda that, while the bulbs he'd planted in the little garden on Portugal Street as a newly-married (and very young) man never prospered, he'd been blessed by "my girls, who are my lilies".
Iris is common-sensical but harbors a yearning for her own marriage and motherhood. The unlikely-named Domingo appears the perfect match--until a secret dismantles Iris' hopes and dreams. May, who initially seems as sensible as her elder sister, ends up in the midst of high drama with her employer, becoming pregnant by him. Ruby, the feistiest of the trio, becomes entranced by the social movements of women's liberation and embraces vegetarianism, even as her own dreams of swimming for the British Olympic team are dashed early on in the storyline.
Billy is a sad soul, having witnessed Naval action at the Battle of Jutland, only to be sent home, a victim of post-traumatic stress. Dadda is a man desperate to keep his family together, although his own violent temperment makes for some of the clan's worst problems. Toward the end of the series Dadda attempts to introduce his new romantic interest, Myrtle Bird, to his offspring, but she is soundly rejected--this was the only time I found Dadda sympathetic, as Miss Bird was more than appropriate for him and very clearly a good match for him.
"Lilies" truly offers it all--suicidal thoughts, adultery, bad marriages, sexual identity, class struggle, religious tension--except for a juicy murder, it covers a vast panorama of human conditions, struggles, tragedies, and, ultimately, victories.


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Liverpool, 1920. Three girls on the edge of womanhood; a world on the brink of change. Iris, May, and Ruby come of age in a time when life is lived on the breadline. Filmed for BBC One, this original eight-part drama by acclaimed screenwriter Heidi Thomas (Madame Bovary) is full of period detail and a wonderfully modern wit. Catherine Tyldesley, Kerrie Hayes, and Leanne Rowe (Oliver Twist) are the spirited sisters; Brian McCardie (Rob Roy) is their charismatic Dadda. Set includes all eight episodes.

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Foyle's War: Set Four (2007) Review

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(More customer reviews)Upon watching the last thrilling episode, in which Foyle confronts the insurmountable stumbling blocks of wartime necessity headlong by tendering his resignation----After all, the Ruhr dams must be busted!----I had to go online to make sure that a new season was coming up. I have become addicted to this low-key but absorbing, instructive, and endlessly entertaining mystery series. And there are still about three years of World War II to go.
As this series continues, the leading characters, Chief Inspector Foyle (Michael Kitchen) and Samantha (Honeysuckle Weeks), become ever more engaging. The settings of Hastings and the Sussex countryside become ever more picturesque. Moreover, as the mysteries become ever more intriguing, the narrative of Britain during the Blitz----the people's hardships, their gallantry, and in many cases their victimization by unscrupulous profiteers----becomes indelibly compelling. The series would make an excellent teaching tool in a history class, since it not only presents a fascinating account of the war but it also gives a realistic depiction of the toll that war takes on the civilian population. This splendid BBC series puts a human face both on casualties and survivors, whom the modern media tend to dismiss with the callous and meaningless catchphrase, "collateral damage."
Whew! I can now rest easy. There will indeed be another season of "Foyle's War" in 2008.

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History meets mystery in this award-winning PBS series, with four all-new feature-length episodes set at the height of World War II. Michael Kitchen (Out of Africa) returns as the laconic Christopher Foyle, detective chief superintendent in the English town of Hastings. War has torn the social fabric of this once-quiet coastal community, and Foyle’s investigations explore the violence and opportunism that the conflict has fostered on the home front. Also starring Anthony Howell and Honeysuckle Weeks, and featuring Kenneth Colley, Dermot Crowley, Liz Fraser, Philip Jackson, Michael Jayston, Corey Johnson, Jonah Lotan, and Roy Marsden.THE MYSTERIES:
INVASION-As the first American GIs arrive to build an airbase near Hastings, the murder of a barmaid further strains already-tense relations between the locals and the Yanks.
BAD BLOOD-A top-secret experiment in biological warfare goes horribly wrong, complicating a murder investigation and threatening the life of Foyle’s faithful driver, Sam.
BLEAK MIDWINTER-The death of a young munitions worker and the murder of Paul Milner’s wife seem linked, and Foyle strives to clear his sergeant from suspicion.
CASUALTIES OF WAR-While investigating gambling and sabotage, Foyle takes in his troubled goddaughter and her severely traumatized son, who refuses to speak.DVD SPECIAL FEATURES INCLUDE making-of documentary, production notes, the historical truth behind each episode, and cast filmographies.

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Island at War (2005) Review

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(More customer reviews)This BBC series is well written and well acted, and the Isle of Man location works perfectly as a substitute for the Channel Islands, but I would caution buyers that the series ends a bit abruptly, still in mid-war, with many plotlines dangling and unresolved. This is not a little frustrating, and causes me to subtract a star from what I would otherwise be inclined to award. The problem is one of conception -- this program was originally designed to continue for a second series, so the first batch of episodes ties up one plotline while leaving the rest in stasis as cliffhangers to draw viewers back for more. Bad idea! This is what I was told by my local PBS station: The series was evidently not as well received in the UK as hoped for and a second series was never produced. To make things worse, the screenwriter died. This leaves us with, unfortunately, a fascinating story with a very fine beginning and middle but no true ending. I suspect other viewers will be equally disappointed. Just like the animated Ralph Bakshi version of The Lord of the Rings story, half a movie is almost worse than no movie at all.
What there is is great, but be prepared to never know what finally happens to most of the chief characters. It's like sitting down to what looks like a wonderful, lavish meal and then having to leave the table after the first course.


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In the only part of Britain occupied by the Nazis during WWII, the nightmare began in June 1940. Hitler's army invaded the defenseless Channel Islands and held its residents hostage for five years. What would any of us do if we had to live side by side with the enemy? This Masterpiece Theatre drama draws on the real experiences of Channel Islanders as the hostile Nazi command imposed its will on every aspect of their daily lives. Set on the fictional island of St. Gregory, the story of the occupation is told through the eyes of three families. Heart-pounding suspense and unexpected romance unfold in an atmosphere suffused with the moral ambiguity of war. Starring James Wilby (Gosford Park), Clare Holman (Prime Suspect 6), Philip Glenister (Calendar Girls), and Saskia Reeves (Dune). Recommended for mature audiences.

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House of Eliott - Series Three (2006) Review

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(More customer reviews)On viewing Series 3, I was struck by how well the producers targeted all three series to the late 20th-century-middle-class-working-woman-viewer. The House of Elliott is all about work problems: Establishing a career with insufficient formal credentials, working in a man's world, finding out who you can trust in business, working with people you dislike who are nonetheless valuable contributors to the business, supervising people who dislike each other, being hit on by male coworkers and business associates, juggling your demanding career with the often conflicting demands of a husband's or boyfriend's, juggling motherhood and work, and dealing creatively with work emergencies. In Series 3, lower-class working conditions, and socialism as a potential solution, are major new themes.
There is also more emphasis on the demands of motherhood (Bea and Tilly have babies) and on previously minor characters, especially on the home lives of House of Elliott employees. The pace is frenetic compared to the first two series, with lots of multiple plot lines and quick shifts back and forth between them, unnecessarily dramatic camera angles, dropped situations, and overall too much going on. All the characters make major life and in some cases personality shifts. Tilly becomes clinically depressed. Bea's new boyfriend Daniel rapidly evolves from an arrogant, callous, resentful, self-centered, exploitative jerk (he's even a gigolo) to a sensitive, caring guy who makes major sacrifices for Evie. Evie's rejected boyfriend Miles apparently turns from being a sweet, caring, sensitive, generous guy to a shark trying to take over the House of Elliott. Is this really a science fiction series where their brains got swapped in the night?
Every single one of the plots ends up as a cliffhanger. Will Tilly and Norm become employed again? Will Agnes leave the House of Elliott to become a full-time music hall singer? Will Jack succeed in his new career as a socialist politician, and will Bea be able to cope with being a politician's wife? Will Donald be happy with all the sacrifices he has made for Bea? Will Miles end up running the House of Elliott? And many more . . . but most of all, will the new rift between Bea and Evie (who throughout this show have always been closer to each other than to any husband or boyfriend) ever heal?
Stay tuned for Series 4: Except, as far as I can tell, there wasn't one. Nonetheless, fans of Series 1 and 2 will certainly want to watch Series 3.
Oh, and the clothes are great.

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HOUSE OF ELIOTT SERIES THREE - DVD Movie

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North & South (2005) Review

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(More customer reviews)"North & South" was released in the UK in November 2004 and in the US in July 2005. Since its first broadcast, viewers across the globe have hailed it as one of the best - if not the best - British period miniseries ever produced. It was voted BBC's "Best of 2004" in drama, actor and actress categories, among others.
Many in the US will probably confuse Elizabeth Gaskell's "North & South" to John Jake's civil war drama of the same name. While Jake's tells the story of America's north and south, Gaskell's story is rooted in Victorian England. John Thornton, a handsome, stern, passionate manufacturer from Milton represents the north. Margaret Hale, an outspoken, beautiful and spirited young woman from Helstone represents the south. When the Hales move from the idyllic village of Helstone to the bustling, industrial city of Milton, Margaret and Thornton's lives collide.
John Thornton is instantly attracted to Margaret while she is repulsed by his haughty demeanor and the way he treats his employees. She develops a disdain for the wealthy 'masters' (manufacturers) and strikes a friendship with the daughter of the local union leader, much to Thornton's dismay. As Margaret becomes better acquainted with Mr. Thornton, she gradually comes to admire him. She discovers that he is hardworking, a devoted brother and son, generous and kind to Margaret's parents, and is loyal and honorable. However, when the workers in Milton strike, the turn of events that follow drive a wedge between Margaret and Thornton and eventually threaten to pull them apart.
"North & South" is produced by the excellent BBC and the screenplay was written by Sandy Welch, who also penned the outstanding "Our Mutual Friend." Everything you would expect from a topnotch BBC production is here - locations, sets, costumes, casting, direction, cinematography. The story is an adaptation of Elizabeth Gaskell's little known but well loved 19th century novel. Mrs. Gaskell also wrote "Wives & Daughters" which was turned to another superb miniseries starring Justine Waddell, Keeley Hawes and Francesca Annis in 1999.
I would be very remiss in writing a review for this miniseries without applauding the exemplary cast. The little known Richard Armitage has earned a throng of fans overnight because of his unforgettable portrayal of John Thornton. He has since replaced Pride & Prejudice's Colin Firth as my favorite brooding hero and infuses so much passion and charisma into his role. Daniela Denby-Ashe is wonderful and charming as Margaret Hale. Also excellent are Brendan Coyle as the gruff but good-hearted Nicholas Higgins, Sinead Cusack as John Thornton's haughty but devoted mother, Joy Joyner as the funny and superficial Fanny Thornton, Lesley Manville as Mrs. Hale and Tim Piggot-Smith as Mr. Hale.
"North & South" has since replaced 1995's "Pride & Prejudice" as my favorite miniseries. It tugs at the heart and sweeps the viewer off their feet. The relationships that develop between its main characters (notably, Thornton and Margaret; Thornton and Higgins; Margaret and Bessy Higgins) and the journey that Margaret and Thornton go through are truly unforgettable. In fact, you will wish that the ending didn't come so soon!
"North and South" went through a sad process of editing when BBC America aired it in July 2005. A full hour was cut from the miniseries to make room for commercials. Finally, with this dvd release US viewers now have a chance to see this instant classic as it was meant to be seen - with a 233 minute running time and with all the scenes intact. The dvd also includes a delightful interview with Richard Armitage, a handful of deleted scenes (including an extended 'proposal' scene), commentaries and cast biographies.
If you are an anglophile or a fan of high-quality period drama, you owe it to yourself to see "North & South." Fans of "Pride & Prejudice," "Wives & Daughters," "Middlemarch," Dickens / Austen adaptations and the like should not miss this. I have no doubt that most of you will fall in love with this miniseries as many of us have. Everyone whom I have recommended this miniseries to have at least liked it (and at most, are completely obsessed with it). This dvd is a keeper and deserves a place in any period drama fan's dvd collection.


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NORTH & SOUTH - DVD Movie

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The Edwardians (2008) Review

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(More customer reviews)I love historical entertainment, but plowing through this collection of extremely boring programs was more than I could do....never watched the complete set.... first, the sound is awful, volume had to be turned way up to hear it....and the B/W wasn't crisp and clear... I was looking forward to this set, and was sorely disappointed. Wasted my money - and will donate it to the Friends of the Library book sale....

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Studio: Warner Home VideoRelease Date: 10/14/2008Run time: 635 minutesRating: Nr

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The Magnificent Ambersons (2002) Review

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(More customer reviews)Much ado is made about the dual ending of classic film "The Magnificent Ambersons," which was originally made by Orson Welles. The remake is more or less faithful to the original material, but some bad casting (Jennifer Tilly is the worst example), weird scripting, and a rather ambiguous tone scratch it up.
George (Jonathan Rhys-Meyers) is the youngest member of the rich Amberson family, including his grandfather, mother, uncle and aunt. He's been raised as a prince, and he acts like one too -- spoiled and imperious. He falls in love with the beautiful Lucy (Gretchen Mol), the daughter of automobile innovator Eugene (Bruce Greenwood). Unfortunately, Eugene has always been in love with George's mother Isabel (Madeleine Stowe).
Jealous and disapproving of the "new money" people, George sets out to wreck the budding relationship between his mother and Eugene. He succeeds -- but at the cost of his own relationship with Lucy. Still imperious, George continues on his way without knowing that the growing urban sprawl marks the decline of the Amberson family into poverty...
It's always interesting to see how society changed in the past, as it does here and "The Forsyte Saga." And that's actually the most interesting part of "Magnificent Ambersons," not the family saga. Unfortunately, we only get an occasional glimpse of this. The rest of the time, it's merely more of George's tedious tantrums, and his family worrying about money and relationships.
Alfonso Arau seems to have been sleeping during the production of this -- he adds a sparkling grandeur to the early scenes. But the color fades quickly; pretty soon it's just a slow decline, with little to hold your interest. The only thing he adds to the production is an emphasis on the incestuous feelings between Isabel and George. It's icky, and feels like it was just pasted in.
Jonathan Rhys-Meyers is a good actor, but only in the last eighth of the movie do we develop any liking or understanding of his character. Greenwood is fairly good, and Stowe is a convincing wilting lily, although she doesn't do much else. Gretchen Mol brightens every scene she's in, and William Hootkins (as hearty Uncle George) is a lovable teddy, but Jennifer Tilly ruins every scene she's in with a screechy, over-the-top performance.
It's interesting to see the decline of the old-money dynasties in favor of the "riffraff." But the hit-and-miss casting and lackluster direction makes "The Magnificent Ambersons" almost as tedious as Rhys-Meyers' tantrums.

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All the King's Men (2000) Review

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(More customer reviews)It is unusual in the history of warfare for entire units to disappear without a trace and when it does occur, such occurrences are usually the result of serious mistakes that lead to the annihilation of one's command. In American history, Custer and the 7th Cavalry come to mind. Further back, the disappearance of the entire Roman 9th Hispana Legion in Scotland is another example. In the British-made movie entitled "All the King's Men," a more recent occurrence of such an incident is portrayed. On August 12, 1915 at Gallipoli, over 300 British soldiers of the 1/5th Norfolk Battalion attacked into a morning mist and where never seen again. Few of the bodies were ever found and none returned from Turkish prisons after the war. Winston Churchill no less, called it one of the great-unsolved mysteries of the 20th Century.
This film focuses on the "Sandringham Company," formed mostly from servants, gardeners and other workers on King George V's estate of that name, which were part of the 1/5th Norfolk Battalion. Virtually none of these men were ever seen again and the Royal family made great efforts during and after the war to ascertain their fate. The main characters in this film are Captain Frank Beck (David Jason), his two nephews who are lieutenants in the company, a Sergeant Grimes, King George V and Queen Alexandra. Beck is the main focus, as the fifty-plus estate manager who organizes and prepares the unit for war; rather than appearing as an odious "Colonel Blimp" type character, Jason wonderfully portrays Beck as a trusted father figure in the unit, respected by both the King and the troops. Much of the early part of the film focuses on the lives of the men while on the estate, and Beck's efforts to go to war with them despite his age. Eventually, Queen Alexandra lends her support to his martial ambitions and Beck is allowed to lead his men off to Gallipoli.
Unfortunately, the film bogs down a bit once the unit gets to Gallipoli. In reality, the 1/5th Norfolk landed at Suvla Bay on 10 August and was lost two days later, but in the film these two days seem to drag. The fact that the British were making a major effort to break out of the Suvla Bay enclave is missed here, because the film shows the men of the company lounging about and engaging in mundane camp activities. Some patrol activity against Turkish snipers is shown, but this has little relevance. On 12 August, as part of a minor preliminary operation to clear the way for a larger attack on the next day, the 1/5th Norfolks and several other units are sent forward to clear out Turkish outposts. At this point in the film, when the unit disappears in the mists, the director begins to switch back and forth between post-war investigations into the disappearance and a hypothetical depiction of what actually occurred on that day.
Historically, the film is a bit disappointing in recounting the fate of the "Sandringham Company" because it fails to put the day in perspective. The Sandringham company is shown in total isolation from the rest of the British army. The participation of other units or even the rest of the battalion is not depicted in this film, nor is even the audience told what their mission was. In fact, Captain Frank Beck did not lead the attack; it was his superior Colonel Beauchamp (Beck is never shown interacting with his superiors), who also died. The 1/5th Norfolk lost 372 men that day, of which the Sandringham men were only 2/3rds of the casualties. Even more glaring is that the British suffered about 18,000 casualties in less than a week at Suvla Bay during the period of the Sandringham company's brief involvement in the campaign; the disappearance of a few hundred troops in the midst of such slaughter and confusion might have made more sense given these facts.
Obviously the men were all killed, since none ever returned, but the exact nature of their fate remained a mystery. This film depicts the Sandringham's as punching through the thin Turkish line in a glorious charge, but are then overwhelmed once they become surrounded behind enemy lines. The Turks execute all the captured survivors, including Beck. While this theory has merit, it is not the only possibility. The film depicts the mist as obscuring the battlefield, but fails to show the heavy scrub brush and small trees that hindered the British advance and made it difficult for the officers to maintain control. Another plausible theory, not suggested by the film, is that the 1/5th Norfolk lost cohesion in the rough terrain and the battle-hardened Turks destroyed the untried unit piece-meal. While there is little doubt that the Turks were not taking prisoners that day, there is no evidence to suggest that the "Sandringham's" went down in a blaze of glory as depicted in this film (although certainly such a depiction is preferred to anything that suggests an ignominious end). Perhaps they did, but the loss of the entire unit is more indicative of incompetence than competence.
Despite these historical reservations, the film is very well done and provides a poignant example of the enthusiasm of men to go off to war in the early days of the First World War. Although some minor characters, including a conscientious objector and a shell-shock casualty, temper the glorious view of war to some extent, the film remains committed to a patriotic depiction of martial duty. The cost of such devotion is apparent by the end of the film, but the meaning of such sacrifice is left ambiguous. Contrast this British-made ambivalence about the sacrifices of the First World War with the current American films that glorify the sacrifices of the Second World War.

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Two's Company - Complete Series 4 (2005) Review

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(More customer reviews)American thriller author, Dorothy McNab (ably played by Elaine Stritch) has come to England to enjoy a slower place of life. Overall, it doesn't live up to her expectations, but at least (unlike Europe) people speak "American." But, she does need a butler to run her house for her. Who should walk through her door, but Robert (Donald Sinden), an extremely capable butler with a profound sense of superiority towards upstart colonials? The fur flies, and hilarity ensues as this unlike pair set up house together.
This is a great British comedy - one of my favorites, and my wife's all-time favorite! As a matter of fact, not long after we were first married, PBS began airing this great show, and I used it to introduce my bride to the joys of British humor (that is to say, "humour"). Overall, we found this to be a lot of fun, and enjoy watching it over and over again. So, if you want to see a fun and entertaining Britcom, then I highly recommend that you get this DVD. It's great!
By the way, this DVD includes all seven of the episodes from the fourth and final (1979) series. The shows of this series were great, but perhaps it was wisest to end the show when it was still at its height, rather than waiting for it to get stale. Anyway, this is a great set of shows, one that you really should get!
The seven episodes included on this DVD are:
The Club - 14 Jan 79 - When Robert boasts about his wonderful, men-only club, Dorothy bets Robert that she can successful penetrate this male lair.
The Clergy - 21 Jan 79 - It's a holy war, when Dorothy offers her valuable antique table as a donation to the church, and then finds herself besieged by an Anglican vicar, a Catholic priest and a Baptists minister!
The Salesman - 28 Jan 79 - When Dorothy allows an overly aggressive encyclopedia salesmen into her home, her and Robert are in for a very dubious treat.
The Visiting Scots - 4 Feb 79 - Dorothy's accountant is coming to straighten out her finances. Unfortunately, Dorothy's drunken Scottish cousin and his friend show up and really turn things upside down!
The Silence - 11 Feb 79 - When Robert selects some very ugly tile for his kitchen, their fight degenerates into stone-cold silence. Now, how do they operate if they are not communicating?
The Rolls-Royce - 25 Feb 79 - Dorothy wants to buy a new car, and to Robert's horror she is looking at an American car! What Roberts must have is...a Rolls-Royce!
The Friendly Aristocrats - 4 Mar 79 - A wonderful weekend is planned for Dorothy at a historic country home, but Robert doesn't want to go as he would be expected to serve the entire house. However, when the host and hostess mistake Robert for Dorothy's lover, a hilarious situation goes from bad to worse.

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The concluding episodes of a rollicking British comedy classic showcasing two world-class actors. Stage and screen legend Elaine Stritch and British leading man Donald Sinden battle it out until the final bell of this hilarious comedy series. She’s a brash American writer living in London who hires a supremely capable old-school English butler and then struggles to get the upper hand and the last word. The more they spar, the more their genuine affection for each other shines through. Guest stars include Frank Middlemass, Bernard Kay, and Renée Asherson.

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Masterpiece Theatre: Northanger Abbey (2007) Review

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(More customer reviews)Of the 3 adaptations produced by ITV in 2007, Northanger Abbey was the best (or the least bad to be honest). I have received the DVD now and I notice to my disappointment, anger and outrage that PBS is cheating its public by selling a cut version of the adaptation. PBS had acknowleged it was going to broadcast a cut version, but it had also promised that the full and complete version would be in the DVD, and that is NOT true. They are selling the cut version only. So beware, do not order this DVD unless you want only an incomplete version. Furthermore, it is advertised as close-captioned, and that is not true, there are no subtitles nor close caption in this DVD

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Item Name: Masterpiece Theatre: Northanger Abbey; Studio:WGBH Boston

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