Showing posts with label 20th century american fiction. Show all posts
Showing posts with label 20th century american fiction. Show all posts

3/13/2012

The Great Gatsby (A&E) (2001) Review

The Great Gatsby (AandE) (2001)
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While many of you may turn your nose at a movie version of perhaps the greatest American novel starring Mira Sorvino and Paul Rudd, I assure you the casting was wonderfully done. Sorvino fulfills the character of Daisy, somewhat ditzy, materialistic, and self-centered. And Paul Rudd has always been a wonderful actor (let's just pretend "Clueless" never happened). The rest of the cast is wonderful as well. As I mentioned in my review of the OTHER movie version of the Great Gatsby, I was disappointed that (among other things) there was no narrator. Nick DOES narrate this one. It is brilliantly accomplished as well, because he is only narrator at crucial moments where dialogue would otherwise be lost. This movie also includes the famous last words of the novel: "So we beat on, boats against the current, born ceaselessly into the past" which I feel is a crucial part to include in the movie. Scenes were also accomplished with more tact and finesse than the other. The important ones had more time to sink into your memory. It's shorter than the other one, yet you gain more from this version than the older. A&E does not dissappoint!

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9/27/2011

Last Call (2002) Review

Last Call (2002)
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Another great movie that I stumbled upon. I cannot believe that there was not more written about this one. The beautiful Neve Campbell delivers a remarkable performance and Jeremy Irons along with Cissy Spacek ensure that you will be taken on a highly interesting ride.
Jeremy Irons - arguably the best living actor - truly becomes "Scott" in this harrowing display of creative downward spirals with momentary glimpses of genius.
Instead of glorifying or overly romanticizing the subject, the director paints a picture of the subtle and not-so-subtle relationship dynamics among the characters; particularly the struggles of Fitzgerald and his lovely, devoted and talented assistant.
This is one of those rare finds in the world of movies that falls under the radar but once discovered, becomes a treasure to the viewer.
Very nicely done.

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F. Scott Fitzgerald spent a lifetime battling demons - alcohol and aschizophrenic wife - and yet, wrote some of the greatest novels in American Literature.Despite a tumultuous relationship with his mistress, his ailing wife, declining health, andhis daily drinking binges, Fitzgerald secretly wrote a scathing novel about the filmindustry which some call his best novel.It was his final triumph. Last Call is based on atrue story about this troubled genius, starring Oscar, Emmy, and golden globe winnerJeremy Irons, Neve Campbell, and Academy Award winner Sissy Spacek.

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8/15/2011

The Magnificent Ambersons (2002) Review

The Magnificent Ambersons (2002)
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Much ado is made about the dual ending of classic film "The Magnificent Ambersons," which was originally made by Orson Welles. The remake is more or less faithful to the original material, but some bad casting (Jennifer Tilly is the worst example), weird scripting, and a rather ambiguous tone scratch it up.
George (Jonathan Rhys-Meyers) is the youngest member of the rich Amberson family, including his grandfather, mother, uncle and aunt. He's been raised as a prince, and he acts like one too -- spoiled and imperious. He falls in love with the beautiful Lucy (Gretchen Mol), the daughter of automobile innovator Eugene (Bruce Greenwood). Unfortunately, Eugene has always been in love with George's mother Isabel (Madeleine Stowe).
Jealous and disapproving of the "new money" people, George sets out to wreck the budding relationship between his mother and Eugene. He succeeds -- but at the cost of his own relationship with Lucy. Still imperious, George continues on his way without knowing that the growing urban sprawl marks the decline of the Amberson family into poverty...
It's always interesting to see how society changed in the past, as it does here and "The Forsyte Saga." And that's actually the most interesting part of "Magnificent Ambersons," not the family saga. Unfortunately, we only get an occasional glimpse of this. The rest of the time, it's merely more of George's tedious tantrums, and his family worrying about money and relationships.
Alfonso Arau seems to have been sleeping during the production of this -- he adds a sparkling grandeur to the early scenes. But the color fades quickly; pretty soon it's just a slow decline, with little to hold your interest. The only thing he adds to the production is an emphasis on the incestuous feelings between Isabel and George. It's icky, and feels like it was just pasted in.
Jonathan Rhys-Meyers is a good actor, but only in the last eighth of the movie do we develop any liking or understanding of his character. Greenwood is fairly good, and Stowe is a convincing wilting lily, although she doesn't do much else. Gretchen Mol brightens every scene she's in, and William Hootkins (as hearty Uncle George) is a lovable teddy, but Jennifer Tilly ruins every scene she's in with a screechy, over-the-top performance.
It's interesting to see the decline of the old-money dynasties in favor of the "riffraff." But the hit-and-miss casting and lackluster direction makes "The Magnificent Ambersons" almost as tedious as Rhys-Meyers' tantrums.

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