Foyle's War: Series 1 (2003) Review

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(More customer reviews)Perhaps it's my affection for England - a love that makes my wife roll her eyes - that causes me to have a higher regard for BBC and ITV small screen productions than those of America, which seem so crass in comparison. So many of the former seem uncommonly funny, intelligent, or both. FOYLE'S WAR is an uncommonly intelligent detective drama, a period piece set on England's south coast in 1940. And, to keep the record straight, my wife's dedication to this series is at least as pronounced as mine, if not more so.

Michael Kitchen is Detective Inspector Christopher Foyle, who's ordered to remain at his post as homicide investigator for Hastings and its environs; he'd much rather be doing his bit for King and Empire fighting the Nazis across the Channel. Indeed, his son is a flying officer with the RAF. The two other series regulars are Samantha "Sam" Stewart (Honeysuckle Weeks), the Women's Royal Army Corps enlistee assigned as his driver, and Paul Milner (Anthony Howell), Foyle's assistant inspector recently returned to home front duty after being wounded with the Army during the disastrous British invasion of Norway.

In Series One,the murders occur in contexts that include sexual harassment, anti-semitism, police brutality, local jingoism, sabotage, and conscientious objection - all set against a backdrop of Luftwaffe bombing raids and the fear of imminent amphibious invasion by the German Wehrmacht.

The character of Foyle - intelligent, perceptive, reserved, compassionate, wounded by his wife's recent death, worried for his son's safety - epitomizes the phrase "still waters run deep." The viewer embarks into each episode wondering what new layer of Foyle's persona will be revealed. (Not to give too much away, but I've just seen the first episode of Series Two, which gives evidence of an old and tragic love affair involving Foyle and a now-married gentlewoman.) And the evolution of the relationship between Foyle and the occasionally cheeky Sam is one of the major delights of the miniseries as the latter proves she's smart, intuitive, and potentially more useful than just a lowly chauffeur.

The various murders investigated by the trio are never straightforward, but involve clever plot twists and hidden motives, the solutions to which silently gestate in the Inspector's mind before being revealed at the end of the story, much like the Sherlock Holmes mysteries of old.

There are, of course, uneven moments to Series One which allow for only four stars. I trust, as the show matures, that it will only get better. The areas that need no improvement are the period costuming, props and sets, all of which are superbly done and a delight to an Anglophile.


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Foyle's War: Set 2 (4pc) (Ws) (2003) Review

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(More customer reviews)I'd previously rated Series 1 of FOYLE'S WAR at four stars. I'm happy to report, after finishing the Series 2 discs, that the ongoing British telly miniseries has graduated to five stars. It's superb, and I'm desolate that I must wait until 2005 for the release of Series 3 that's airing now in the UK. (Of course, if I move to England ... Nah, the wife would never go for it.)
Michael Kitchen is Detective Chief Superintendent Christopher Foyle, who's been ordered to remain at his post as homicide investigator for Hastings and its environs; he'd much rather be doing his bit for King and Empire fighting the Nazis across the Channel. Indeed, his son Andrew (Julian Ovenden) is a flying officer with the RAF. The two other series regulars are Samantha "Sam" Stewart (Honeysuckle Weeks), the army's Auxiliary Territorial Service enlistee assigned as his driver, and Paul Milner (Anthony Howell), Foyle's assistant inspector returned to home front duty after being wounded during the disastrous British invasion of Norway.
The delight to be found in the four episodes of Series 2 is the underlying complexity of each plot, the tip of which is a murder being investigated by Foyle and Milner. Yet, even as the layers of the onion are peeled away, the viewer is still surprised at the intricacy of the solution, most of which is unraveled in the depths of Foyle's mind and revealed to the audience at the end, and which has ramifications that ripple far beyond the simple presence of a local corpse.
As in Series 1, the storylines of 2 encompass so much more than a tawdry homicide or two: homosexuality in the RAF, collaboration between British Big Business and the Nazis, black market commerce in luxury food and petrol, and skullduggery by Franklin Roosevelt's personal emissary sent to negotiate the Lend Lease.
My personal favorite episode is number four, "Funk Hole", wherein Foyle is relieved of his duties after being reported as having expressed seditious and defeatist statements while cowering in a London air raid shelter during a Luftwaffe bombing attack. The labyrinthine explanation for that was totally unexpected. Moreover, it looks like Sam and Andrew are to be an "item" - surely to be continued in Series 3. Indeed, at one point when Sam accompanies Andrew to a showing of "Gone With the Wind", we see her out of uniform, dressed in civvies, and with a smashing hairdo. Blimey, what a bird!
FOYLE'S WAR is sumptuously fleshed out with period costumes, automobiles, hairstyles, and commercial brand names. This is first class, period entertainment. Would that American TV was so good.


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The critically acclaimed PBS series that weaves mystery with real historical events returns with four stories set in September and October 1940. Winner of the Audience Award at the British Academy of Film and Television Arts in 2003, the series stars Michael Kitchen (Proof of Life) as quietly enigmatic detective Christopher Foyle whose territory on the south coast of England is rocked by the chaos and danger of World War II. Also starring Anthony Howell, Honeysuckle Weeks, Julian Ovenden, and featuring Nicholas Farrell, Alan Howard, Corin Redgrave, and Amanda Root. The Mysteries: Fifty Ships-Foyle's determined investigation of a body on a deserted beach puts at risk the donation of American Aid and the crucial start of Lend-Lease in the war. Among the Few-Pilots and their girlfriends live fast and die young in a story of greed and passion where Foyle finds appearances are deceptive. War Games-Divided loyalties lead to revenge and murder when a businessman puts profits before principles in a secret pact with the Nazis. The Funk Hole-Foyle finds himself accused of a serious offense, which complicates his hunt for a ruthless murderer at a sinister hotel. "Brilliantly explores the moral gray areas of war"-San Francisco Chronicle "For mystery fans, Foyle is a must-see" -The Houston Chronicle "A series to be relished" -Radio Times

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Goodbye Mr Chips (2002) Review

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(More customer reviews)Though I may not have seen this DVD, I just saw the same exact movie on PBS only minutes ago. After it ended, I knew I had to get it, so I look it up on trusty Amazon.com, and to my amazement I find it here! Sadly, I'll have to wait to get it, but I must say that this was the most beautiful and moving cinema I've ever seen! The movie was absolutely genious and Martin Clunes, a favorite British comedy actor of mine from Men Behaving Badly, suited the character absolutely flawlessly. I cannot stress how highly I think of this movie, though I only saw little more than an hour of it. I can't wait to see the rest once this DVD comes out. I reccommend it to anyone who can comprehend something a bit deeper than an action flick of today, something rare I find. Still, this movie is great and you will love it if you have any sense of film appreciation at all!

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He went from teacher to legend in one lifetime.Arthur Chipping, the Latin master at an English boys’ boarding school, is as awkward as he is stubborn. The eccentric schoolmaster lives a full, rich life within the cloistered school, defined by his role as the intellectual shepherd of generations of young students. Then, everything changes.When Mr. Chipping travels through the countryside on summer holiday, he unexpectedly falls in love with the unconventional Kathie (Victoria Hamilton, Mansfield Park). The love and devotion of his new wife ignites his passion and brings him out of his shell, revealing the sensitivity lying beneath his gruff exterior. But after tragedy strikes, Chips’ true character is put to the test in the most difficult examination of his life. Ultimately, it is a lesson that will last a lifetime.Goodbye, Mr. Chips is a tender, heartwarming story that spans over 50 years in one passionate life. Portraying the storied Arthur Chipping in James Hilton’s classic tale of love and transformation, Martin Clunes (Shakespeare in Love) turns in a bravura performance in a film filled with countless noteworthy turns.

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Ghost Boat (2007) Review

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(More customer reviews)I first read the book back in the 70's and thought it would make a great movie. I had thrown the book away and then was able to find it again, even though it was out of print, and read it again in 2002. This movie pretty much follows the book and in some ways goes beyond the book. This movie was done as a mini-series but it was put together great.

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Jack Hardy (David Jason, A Touch of Frost) is the sole survivor of a mysterious submarine disaster in World War II. Now, in 1981, the ill-fated submarine has resurfaced, miraculously intact, but what s waiting for the new crew under the grey waters of the Baltic Sea turns out to be much worse than the Russian submarines they were expecting. Hardy fights for his life as the forgotten events of 1943 start to have deadly consequences for the modern day crew of the submarine. Wherever this submarine has been all this time, it s brought some bad luck back with it.

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Dr. Bell and Mr. Doyle - The Dark Beginnings of Sherlock Holmes (2000) Review

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(More customer reviews)"Murder Rooms" consists of five episodes, starring Ian Richardson as Dr. Joseph Bell, the historical personage on whom Arthur Conan Doyle allegedly based Sherlock Holmes; with Dr. Watson based on Doyle himself. The 116-minute first episode ("Dr. Bell and Mr. Doyle, The Dark Beginnings of Sherlock Holmes") was a BBC series pilot released in January 2000. In "Dr. Bell and Mr. Doyle...," Robin Laing starred as the young Doyle in medical school. This pilot has been available in NTSC for two years (see Amazon's listing) and IS NOT INCLUDED IN THIS PACKAGE. In the remaining four 90-minute episodes comprising this set (on BBC in September-October 2001), episode chronology begins three years later, Charles Edwards assuming Laing's role as the young, idealistic but adult Doyle with his own medical practice. Information on source books, author David Pirie, screen credits, histories, plot synopses and cast are available at murder-rooms.com
FOR BEST APPRECIATION, ONE MUST TREAT THIS SERIES AS AN INTEGRATED FIVE-PART, EIGHT-HOUR MINISERIES, beginning with the pilot "Dr. Bell and Mr. Doyle..." setting the backdrop against which the other four, described IN ORDER below, play out. Missing "Dr. Bell and Mr. Doyle...," this reviewer STRONGLY RECOMMENDS you purchase this set now and set it aside until that pilot can be seen. In "The Patient's Eyes," a black-shrouded cyclist repeatedly stalks a lady patient cycling to Dr. Doyle eye appointments through eerie wooded terrain, leading to a mysterious abandoned house, love-interest conflicts, betrayal, and murder. (There are striking scene similarities to "The Solitary Cyclist.") In "The Photographer's Chair," a series of murder victim corpses bearing strange marks lead to mesmerism, spiritualism, séances, apparitions, erotic mutilation, daguerreotype photography, and genuinely chilling moments. In "The Kingdom of Bones," the publicized spectacle of unwrapping an apparent Egyptian mummy for scientific study yields highly unexpected results leading to suicide, dinosaur bones, gypsies, kidnapping, attempted murder, multiple murders, and political terrorism. And in "The White Knight Stratagem," Doyle and Bell come to a near falling-out involving a Dickensian business climate leading to suicide and murder; with a curious chess enigma hovering over everything. This last episode concludes the miniseries and should be viewed last.
These adaptations get this reviewer's highest commendation, being at least the equal (or better?) of the David Suchet / Jeremy Brett adaptations in their prime.The general tone is exceedingly dark, uncompromising, and far more menacing than the light-hearted Poirot-Holmes adaptations. (The atmospherics remind this reviewer of that excellent film "From Hell.") Excepting as discussed below, nothing in these episodes is short of first-class: plots, incredible principal and supporting cast, direction, cinematography depicting 1880s Victorian Edinburgh, hauntingly mysterious musical score, period mood, and the appallingly brutal times with modern medicine in infancy. Sound is fine; extraneous background noise is nil; diction is clear with no accent barriers.
So superior is MPI's production that current PAL DVD owners may want to buy the NTSC release anyway! The widescreen 16x9 anamorphic picture is excellent, with night scenes sharp yet still mysterious. This reviewer doesn't know how the original episodes were recorded, but suspects that the widescreen image seen here was likely achieved by slicing off top and/or bottom portions of an original 4x3 TV image: some close-up shots have head-tops suspiciously out of range, a typical symptom. But such trimming is a small price for what one sees on an HDTV system as contrasted to the original PAL release. Unlike that release, MPI also provides both running time display and chapter breaks; and the periodic PAL scene blackout interruptions (presumably omitting advertisements) are gone, greatly enhancing the narrative flow. There are two DVDs contained in one keep-case with an inner leaf. Each DVD has two episodes on the same side with full menu accessibility.

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Item Name: Dr. Bell and Mr. Doyle - The Dark Beginnings of Sherlock Holmes; Studio:Bfs Entertainment

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Mystery The Inspector Lynley Mysteries - A Great Deliverance (2002) Review

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(More customer reviews)This wasn't exactly the story I was expecting to see after reading the novel (some aspects of the solution to the mystery were changed), but it still stood beautifully on its own. This program introduces the odd couple detective team of the aristocratic Thomas Lynley and the working class Barbara Havers, investigating the beheading of a farmer in a small English town. The locales were stunning, and the casting was true to the spirit of the characters in the books, although the dark-haired actor playing Lynley was a little hard to get used to. Sharon Small as the angry, defensive, beleaguered, vulnerable, good-hearted Havers was fantastic. Havers has always been the key character to me, the one I keep reading the mysteries for, and it was such a pleasure to see an actress capture who she was so beautifully. Everything important about the character was there: everything from her family problems to her budget clothing, her inferiority complex, her temper, her capability, her gentleness, and examples of the humorous situations that she keeps finding herself in. The actress was absolutely captivating. This is a wonderful start to this new line of video mysteries. I can't wait to see Havers on the screen again. This fan of Elizabeth George mysteries, for one, is absolutely thrilled.

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Talk about a puzzling case. Detective Inspector Thomas Lynley of Scotland Yard (Nathaniel Parker, Far from the Maddding Crowd) is assigned to investigate the gruesome murder of a farmer in a seemingly peaceful country village, but it’s his new partner, Sgt. Barbara Havers (Sharon Small, About a Boy), whom he’s finding indecipherable. Havers is as gritty, rumpled, and working-class as the Inspector is refined, well-heeled, and sophisticated. Is the murderer the farmer’s shy daughter who was found next to her father’s decapitated corpse? The nephew who stands to inherit the farm? The estranged wife who’s protecting her new family from an unsightly past? Or is it a suspicious village resident with a shady past and a weak alibi? Based on the best-selling mystery by Elizabeth George, A Great Deliverance introduces Inspector Lynley with first-rate performances and abundant amounts of nail-biting suspense.

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Masterpiece Theater: Me & Mrs Jones (2002) (2003) Review

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(More customer reviews)First aired on Masterpiece Theatre, this charming TV-movie stars Robson Green (Touching Evil, Reckless) and Caroline Goodall (The Mists of Avalon). Set in England, Green plays a tabloid reporter writing under the name "Mrs. Jones," who is assigned by his boss to try to get some dirt on the prime minister, Goodall. Ingratiating himself into her re-election campaign, he finds himself drawn to her, and must weigh his feelings against his assignment, while dodging the scrutiny of her staff.
It's a lovely, romantic movie, not to be taken too seriously. This point should be stressed as much occurs in the movie which takes a great deal of disbelief. Think of it as a modern fairy tale that sometimes surprises you. Well-acted by all, as I've come to expect from these productions, and Green and Goodall have nice chemistry together. In summary, it's fluff, but it's intelligent fluff.
[As a film note, both Keeley Hawes and Peter Firth (MI-5/Spooks television series actors) appear in this movie, although never in the same scenes.)

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Love and politics don’t mix. Prepare for an explosive romance.Politics makes for strange bedfellows, indeed. Robson Green (Reckless, Touching Evil) portrays a Fleet Street tabloid writer who earns his keep airing the private doings of public figures. His next story is going to take him right to the top. The snooping columnist, who writes under the pseudonym Mrs. Jones, secretly infiltrates 10 Downing Street in an effort to reveal the Prime Minister’s intimate personal details and deflate her re-election campaign. But once inside, he finds not scandal but true love–with the married Prime Minister herself. This secret affair may end both his career and the PM’s political hopes, but the heart doesn’t always listen to logic.Caroline Goodall (Schindler’s List, The Princess Diaries) co-stars as the British Prime Minister in Me and Mrs. Jones, a winning romantic drama propelled by gossip, scandal, and outrage, as well as powerhouse performances from two of today’s top talents.

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Life on Mars: Series 2 (UK) (2006) Review

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(More customer reviews)Sam Tyler is still stuck in 1973, unsure if he has somehow really travelled backwards in time or if he is merely stuck in a coma in 2006 and is fantasising everything that is happening to him. However, now he has been there for a few weeks he is getting more used to life in the 1970s and is starting to downplay the unusual auditory and visual hallucinations he continues to suffer from. But, just as things seem to be settling down, questions about Sam's previous 1970s life in 'Hyde' before relocating to Manchester arise, and set in chain a sequence of events which could lead Sam home...wherever that is.
Life on Mars' second season was the last, due to a combination of the producers not wishing to over-exploit the concept and lead actor John Simm's well-known reluctance to be typecast in a long-running television series. It was a bold decision for a series that had become a big hit on British television and done the seemingly impossible by getting audiences fired up over a cop show.
The second season offers up pretty much more of the same as the first season: Sam and Gene butt heads over their different approaches to policing, but they have, grudgingly, accepted that each has skills the other does not, and when they combine their approaches it often leads to good results. Sam and Annie continue to not quite get it together in the tradition of all great TV will-they, won't-they romances, and Sam continues to be haunted by hallucinations of his life in 2006 which relate to his current situation in 1973. The show also moves onto slightly more contentious ground in Season 2 by covering the more controversial subject of IRA terrorism in one episode whilst continuing to examine the extent of corruption and heavy-handed methods in the 1970s police force.
In my review of Season 1, I mentioned that the show's continuous use of Sam's odd mental state occasionally gets a little exasperating, as sometimes you'd quite like to just see Sam and Gene butt heads and then solve the crime without Sam freaking out every twenty minutes. The producers play on this in two episodes in particular in the second season, one in which Sam doesn't have any odd experiences and starts getting worried about the lack of them, and another in which Sam reacts very badly to whatever is happening to him in the present and has to sit most of the investigation out. This latter episode, which is by far the most 'freak-out' intensive of the series, also perversely is one of the very best episodes, with flashbacks showing how they operated before he arrived (and giving rise to the unusual sight of scenes not featuring Sam, which feels odd as he is in every other single scene of every other episode of the whole series).
Of course, as good as the individual episodes are (and they are pretty damn good), the one episode that everyone will be left talking about is the very last one. British SF is awash with series-ending episodes that leave the audience reeling and talking about them for years or decades afterwards: Blake's 7, Sapphire and Steel and The Prisoner being the most notable (Quantum Leap's befuddling finale is probably the USA's closest equivalent). Life on Mars joins their august ranks with a finale that takes the viewer on a crazy existential rollercoaster ride as we finally get an answer for what is going on with Sam, but that answer is in turn supplanted by another, contradictory one in a manner that would make Christopher Priest proud. Which is the truth and which do we believe? The finale operates on multiple levels of reality with the viewer not quite able to trust what is going on. There is a very clear 'obvious' possible answer for what is going on, but just as with David Lynch's Mulholland Drive, that 'obvious' answer still leaves other, key questions unanswered.
Taken in isolation, Life on Mars' finale is very strong indeed. However, the news that a sequel/spin-off series was forthcoming which would shed more light on events did dilute the strength of that finale a bit, and Ashes to Ashes' plot developments have indeed plunged much of what we thought we knew from Life on Mars' finale into doubt. But further examination of that series is for another review.
The second season of Life on Mars (****½) is thoroughly entertaining, funny, thought-provoking and just the right side of ambiguous. It draws a line under the series and sets up the sequel series quite nicely. It is available now in the UK (DVD, Blu-Ray) and will be released in the USA on DVD in November.

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The International Emmy®-winning series seen on BBC America
Same place, same job. Different time, different rules. That\'s the situation facing detective Sam Tyler (John Simm, State of Play) in this British drama that TV Guide calls "an entertaining collision of bare-knuckled police-procedural realism and mind-blowing surrealism."
Knocked unconscious by a hit-and-run driver in 21st-century Manchester, Tyler wakes up in 1973. Is he dreaming, time traveling, or just plain crazy? Whatever the case, he might as well have landed on another planet. Although shocked by the brutality of his bullying boss (Philip Glenister, Cranford) and the callousness of his squad mates, Sam gamely adapts to crime solving in this retro world. But even as romance blossoms with policewoman Annie (Liz White, The Fixer), mysterious voices from his former life keep calling him home. Trapped in the past, he must decide where his future lies--and how to get there--in the tension-filled finale.
DVD BONUS FEATURES INCLUDE -"The Return of Life on Mars" documentary (45 min.) -Bonus behind-the-scenes footage for episodes 3, 5, and 7 and tour of the set (48 min.) -"The End of Life on Mars" featurette (28 min.)

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Dirty Tricks (2000) Review

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(More customer reviews)A BBC story outrageously funny. Strong casting, plenty of Brit stars, with twists that keep you watching like a Midsomer Murder. But it is a Martin Clunes, before his superlative Doc Martin series, that pulls the dirty tricks. How can this DVD be compared to that super-level of comedy in Doc Martin? Close, but not quite.
Clunes, as Edward, begins the tale explaining to viewers he is avoiding CID Moss (James Bolam-yes, `the' Beiderbecke) and heading out of the country to avoid arrest for a double murder. Moss investigates just like in the Beiderbecke series. Edward didn't do it, he says. It's technically true, and he begins the explanation from 2 years previous.
A crazed adulteress, Karen (Julie Graham-`Bonekickers' see it), tags Edward as her unlikely victim and begins numerous assaults to his person using every room of her home, but only when her hubby, CPA Dennis (Neil Dudgeon), is nearby. Kinky? The tan-less skin, vocabulary, and graphic activity is overdone, but there was a warning on the box. Get by the overexposure and the plot gets comic.
There are some unfortunate accidents, resulting in death, but also financial opportunity for others. Thus, the plot to twist the truth into a profitable outcome turns up the hilarity. Another female, twists the mix, using Lindsay Duncan (Under the Tuscan Sun; Rector's Wife) as Edwards new flame as he tries to put the loss of his first love onto innocent Clive, well not so innocent in all things.
Strangely, found the musical score quite appropriate and nice. Some great visuals of England and Wales. The drama is based on a Michael Dibdin book. Writing caused it to get the Int. Emmy win. Martin Clunes has soared upward in comedy excellence since this 2000 role. Perhaps he's as good playing Edward, as he is playing Dr Martin. He did a very good job as Edward playing a bad actor trying to avoid a murder trial. Perhaps it's just the level he has obtained in current TV episodes that makes this DVD seem less. Bottom line, even with the overworked lust angle, the 2 episode show brings on laughs out loud.
SUBTITLES included. Dibdin bio and 5 filmographies included.
As for the sensual, mystery, relationships, and blame...one must define "DIRTY" and "TRICKS" for each aspect.


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"Hilarious (and decidedly naughty)" --The Daily Telegraph (U.K.) "Thriller with a sharply comic edge" --The Mirror (U.K.)
Martin Clunes in an award-winning black comedy seen on BBC America
Part bawdy bedroom farce, part zany crime caper, this saucy British romp stars Martin Clunes (Doc Martin, Men Behaving Badly) as a charming underachiever on the run from the law. Sure, he\'s manipulative, moneygrubbing, and completely amoral. But is he a murderer? Absolutely not, he insists--despite the pesky corpses piling up.
After befriending an accountant (Neil Dudgeon, Life of Riley, Midsomer Murders), he beds the man\'s randy wife, Karen (Julie Graham, At Home with the Braithwaites), before a wealthy widow (Lindsay Duncan, Traffik, Alice in Wonderland) next catches his eye. When Karen meets an untimely demise, a plodding police detective (James Bolam, New Tricks, Beiderbecke trilogy) gets involved, and things take a decidedly dicey turn.
Winner of an International Emmy® for best drama and based on the book by Michael Dibdin (the Aurelio Zen mysteries), Dirty Tricks sends up modern marriage and mores with wit as crisp and intoxicating as the best British gin.
Contains nudity, strong language, and graphic sexual situations

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Life On Mars: Series 1 (U.K.) (2005) Review

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(More customer reviews)I am ecstatic to see this wonderful series from the UK come out on DVD for us Americans to own. Life on Mars is one of the best live action series I have seen in a long time with a combination of great drama, comedy, and superb performances by all involved. John Simm and Philip Glenister who play Sam Tyler and Gene Hunt are especially fantastic, their chemistry as a team is exceptional.
If you happen to have seen the US series please give this version a chance as well. While the premise is the same they are very different in tone. The original UK series is grittier and the 1970's Sam finds himself in is much more politically incorrect adding a bit more conflict and spice to the series. Sam and Gene's relationship is also more of a buddy cop type compared to the father/son type relationship you get from the US version. Even the ending is completely different and in my opinion much more emotionally satisfying than the US one. The UK series is really one of a kind and should not be missed.
Note: This DVD only has the first 8 episodes of the series. The DVD with the final 8 episodes will be coming out sometime in 2010.


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The time-warping detective series seen on BBC America

Dreaming, delusional, or displaced in time? Police detective Sam Tyler (John Simm, State of Play) must decide which describes him in this intriguing twist on the police procedural that has won two International Emmys® and rave reviews from critics and fans.

Hot on a killer\'s trail in modern-day Manchester, Tyler gets struck by a passing car and wakes up in 1973. The high-tech tools and respect for proper procedure have vanished. Instead, he finds himself working on a homicide squad where hard drinking replaces hard thinking; forensics takes weeks to analyze; and his boss, DCI Gene Hunt (Philip Glenister, Cranford), has no qualms about roughing up suspects--or Sam himself. Still, Tyler has real-world crimes to solve, even as strange voices call him back to his 21st century life. But when he bonds with sympathetic policewoman Annie Cartwright (Liz White, The Fixer), Sam wonders: does he really want to return?

SPECIAL FEATURES:

Audio commentaries for every episode with cast and crew
"Take a Look at the Lawman," an hour-long documentary with cast and crew interviews and behind-the-scenes footage
Interview clip with director Bharat Nalluri
"The Music of Life on Mars" featurette with composer Ed Butt
"Get Sykes" featurette with production designer Brian Sykes
Outtakes reel

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The Road from Coorain (2003) Review

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(More customer reviews)I think this is a wonderful adaptation of a wonderful novel. The acting is superb. The cinematography exquisite. Juliet Stevenson and Tim Guinee are extraordinary. It is well worth your time.

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Wire in the Blood: The Complete Sixth Season (2009) Review

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(More customer reviews)Robson Green is back in the sixth and from what I found out final season of the amazing Wire in the Blood series. I have always preferred the UK crime/mystery programming over the bland U.S. shows. Season 6 is just as gripping and tension filled as the previous five seasons. The crimes are just as bizarre, violent and twisted as the previous seasons and I absolutely love it. Green is perfect as Dr. Tony Hill and Simone Lahbib is great as DI Alex Fielding. If you have see the previous five seasons of Wire in the Blood then season 6 will be exactly what you expect......one of the best crime series I have ever seen.

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Based on the characters created by best-selling author Val McDermid
Dr. Tony Hill (Robson Green) is a clinical psychologist with an extraordinary understanding of the criminal mind. Working alongside Detective Inspector Alex Fielding (Simone Lahbib), Tony must race against time to profile and track down vicious killers before they strike again.
Disc 1: Unnatural Vices Dr. Tony Hill investigates what appears to be the honor killing of a young Kurdish woman. However, the site where the body was found yields remains of other victims and an even more gruesome motive for the crimes.
Disc 2:Falls the Shadow After several colleagues are murdered, Tony is arrested as the prime suspect. With time to ponder the ritualistic nature of the attacks, he finally finds a link with several recent prostitute killings.
Disc 3: From the Defeated Tony becomes absorbed in a bizarre chain of murders in which each perpetrator in turn becomes the next victim, but the unusual modus operandi – always involving the same gun – remains identical.
Disc 4: The Dead Land A killer starts dumping the bodies of homeless men in the financial district of Bradfield, leaving little evidence behind. Meanwhile, Tony fails to foresee the threat to his own life from a mysterious stalker.

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New Tricks: Season One (2009) Review

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New Tricks is the best British cop show since the legendry 'Sweeney'. Like that great show what New Tricks has, but most British Cop shows lack is humour. This is not to say that is it is either a comedy or a 'light' detective series in the manner of say Pie in the Sky. The crimes in New Tricks are real, violent often messy.
The concept is not new, three retired detectives are called back to look at unsolved cases. The premise being that as old coppers they will be aware of the police procedures at the time when the crimes were carried out. The first Jack Halford (James Bolam)was the most senior and the most level headed even though he spends most evenings talking to his dead wife who is buried in his back garden. Jack has a violent and brutal side which from time to time slips out. He does however appear to have the respect of everyone who knew him as a serving police officer.
The second is Gerry Standing ( Dennis Waterman). We get the impression that Jerry was not above taking the odd bribe from criminals but as he tells his boss 'Sandra I'm a bad boy not a bastard'. He has a number of ex wives and host of children all of whom are girls. Collectively he calls them 'The Covern.' Of the three he is the one who refuses to grow old. An early scene has the three compairing medication. The other two have pills for blood pressure, heart, depression etc. Gerry has viagra. He also struggles with the modern no smoking rules.
The third, Brian Lane (Alun Armstrong). Brain suffers from mental health problems and is a recovering alcoholic. He also has an encyclopedic knowledge of criminal cases and various police officers hence his knickname og 'Memory Lane'. Alone of the three he has a wife (Susan Jameson) who struggles to cope with his bizzare behavour.
The three are managed by Sandra Pullman (Amanda Redmond)who is the only serving police officer in the team. She is torn between defending her team from those higher up and frustration at the old school antics of the three, such as secretly taping suspects, this is defended by Gerry who points out he is no longer a copper and only the police are bared from secretly tapping suspects.
Each of the five is perfectly played. Class drama, well written undemanding but does not treat you as an idiot.


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Studio: Warner Home VideoRelease Date: 08/25/2009Run time: 351 minutesRating: Nr

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Agatha Christie's Marple: Series 4 (2008) Review

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(More customer reviews)Series 4 of the controversial "Marple" series from Granada/ITV brings us a new Miss Marple, reconceived from the previous seasons, now played by Julia McKenzie. McKenzie's Marple is not as frilly as the classic Joan Hickson or as bohemian as Geraldine McEwan's portrayal. This is a more intellectual, no-nonsense Marple. She wears 3 suits, unadorned and straightforward. And I only saw her knit once. Miss Marple seems less a little old lady and more someone's all-knowing aunt or governess, always ready with whatever is needed and possessed of a strong sense of justice. These episodes avoid the stylization that some previous seasons embraced. Like the new Miss Marple, Series 4 is forthright and conventional in its scripts and production design.
"Marple" has had no qualms about departing from Agatha Christie's books: rewriting action, characters, even the motives and identity of the culprits, and appropriating other of Christie's novels for the spinster detective. Continuing in that tradition, "Murder is Easy" and "Why Didn't They Ask Evans?", both non-Marple books, have inspired episodes this season. Sometimes rewrites seem only to make the films more salacious, and, although there was never a premium on plausibility or coherence in Christie's novels, the rewrites have tended not to improve matters, often creating solutions that are quite ridiculous. Marple purists will not like that. But I have noticed that the character writing gains more depth the further it gets from its source.
Ultimately, it's difficult to say how Miss Marple should be adapted for a modern audience. Purists may prefer Joan Hickson's more faithful portrayal from the 1980s. Others, like myself, find Hickson's Marple dreadfully dull but lament this series' tendency to careen full throttle into burlesque. And, if the writers are going to rewrite Christie's stories, could they not improve upon the solutions instead of making them more ridiculous? Unlike Poirot, Marple does not have the distinct visual characteristics of the detective or the interwar milieu to latch onto. It has an elderly lady in gloves and a hat. In the past, this led the producers to toss sexuality into the mix at every turn and experiment with heavy stylization, usually with poor results ("The Moving Finger" being an exception).
Christie wrote her Marple novels and stories 1927-1971, but the creators of this television series wisely chose to set it in the 1950s, giving it a distinct look and grounding Miss Marple in a particular time. The filmmakers have seemingly tried every trick they could think of to make "Marple" interesting and relevant to a contemporary audience. Often those efforts have been laid on rather too thick. My own suggestion would be to capitalize on the post-War prosperity, conformity, and hypocrisy of the 1950s. That decade shares much in common with the 1990s and 2000s. Miss Marple is a woman who has seen the Jazz Age, two global depressions, and two world wars. She's not easily fooled by a bright, respectable façade. Create a subtext along those lines that would comment on our own time without being obviously anachronistic or straying far from the original plots.
After watching "Marple" struggle to find its focus for four seasons, those are my 2 cents on the subject. I really don't know how to rate the series. I give it 4 stars, because Julia McKenzie's Miss Marple is personable, sharp, and fun to watch. Some viewers find that she doesn't have enough character, serving more as a device than a detective. But wasn't Geraldine McEwan's Marple irritating and vaguely sinister? If it's not one thing, it's another. The series lacks a cogent vision. Oddly, the first episode this season is adorned with completely superfluous location subtitles. It's one of those things. These are the episodes in Series 4:
"A Pocket Full of Rye"'s killer takes inspiration from the nursery rhyme. Rex Fortescue, president of Consolidation Investments, dies at his office, apparently of poison. In the pocket of his suit, the police find a handful of rye. Inspector Neele (Matthew Macfadyen) interviews the family at their country home, Yewtree Lodge: the deceased's wayward wife Adele (Anna Madeley), eldest son Percyval (Ben Miles), who believed his father's mental health threatened the business, estranged son Lancelot (Rupert Graves), just back from Africa, neurotic daughter-in-law (Liz White), daughter Elaine (Hattie Morahan), who cannot contain her delight at Rex's passing, and Gladys (Rose Heiney), the simple chambermaid previously employed by Miss Marple. Gladys is having trouble getting on in the world.
"Murder Is Easy" is adapted from a non-Marple novel and heavily rewritten. Miss Marple meets Lavinia Pinkerton (Sylvia Syms) on a London-bound train. Pinkerton is headed for Scotland Yard to report two murders in her home village of Wychwood. "Murder is easy," she says, "so long as no one thinks it's murder." She promptly meets her death in Victoria Station. Miss Marple travels to Wychwood and makes the acquaintance of Luke Fitzwilliam (Benedict Cumberhatch), formerly a police detective in Malaya. Together Miss Marple and Fitzwilliam make the rounds of the town's close-knit population in their investigation, as more of the population meets its end. Perhaps it is the rewrite, but the characters seem more authentic, emotions real, and with more dimension than usual.
Miss Marple's glamorous old friend Ruth (Joan Collins) asks the detective to look in on her sister Carrie Louise after a fire struck her home in "They Do It With Mirrors". Carrie Louise is a committed philanthropist who runs a reform facility for criminals on her Stoneygates estate with her third husband Lewis Serrocold (Brian Cox) and daughters Gina (Emma Griffiths Malin) and Mildred (Sarah Smart) from her first marriage. With a staff that seems a bit daft, two stepsons with questionable intentions, a group of convicts on their doorstep, and an amateur theatrical in rehearsal, there is a lot of misdirection to be overcome when the antics turn to murder. In contrast with previous episodes, the police detective Inspector Curry (Alex Jennings) seems pretty sharp.
"Why Didn't They Ask Evans?", inspired by the non-Marple novel, has Miss Marple helping the young detectives along and keeping them out of trouble. Bobby Attfield (Sean Biggerstaff) finds a dying man on a cliff who says as he expires, "Why didn't' they ask Evans?" When Bobby is called testify at an inquest that doesn't exist, an adventurous friend, Miss Frankie Derwent (Georgia Moffett), proposes that they investigate the murder themselves. But Miss Marple, who is visiting Bobby's mother, has her eye on the young duo. When Frankie proves too gutsy for her own good, Miss Marple follows her to Castle Savage, home of a quarrelling and rather sinister family whom the dead man recently visited. The plot is exotic and implausible. It suffers further from a cast of annoying characters.

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Starring Julia McKenzie in four new thrilling mysteries
Donning the trademark tweeds as if they were made for her, the marvelous Julia McKenzie (Cranford, Notes on a Scandal) assumes the Marple mantle in four gripping new adaptations of Christie mysteries. With her ladylike manners and modest appearance, Dame Agatha\'s spinster sleuth blends into the background of fashionable society. However, her razor-sharp mind and no-nonsense view of human nature make her a formidable foe to evildoers, cracking the cases that even the professionals can\'t solve.
Picturesque English scenery, grand estates, witty scripts, and lavish post-WWII period detail provide the perfect frame for "frighteningly fun mysteries" (Entertainment Weekly). The stellar supporting cast includes Matthew Macfadyen, Rupert Graves, Anna Chancellor, Jemma Redgrave, Helen Baxendale, Brian Cox, Prunella Scales, Warren Clarke, Natalie Dormer, Rafe Spall, Kenneth Cranham, Samantha Bond, and Joan Collins. "Totally, unexpectedly fun" --E! Online.
THE MYSTERIES

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Inspector Alleyn Mysteries, Set 2 (2005) Review

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(More customer reviews)Having read all of Ngaio Marsh, Dorothy Sayers and Agatha Christie to name the most well known British mystery authors (Marsh is a native New Zealander) I rate Sayers # 1, Marsh #2 and Christie #3. Having watched all the available BBC renditions of Christie and Sayers and now the first for me of Marsh(I started with set 2) My opinion is that they have caught the essence of Marsh very well. If anything in a couple of the ones in this set the early melodrama is a bit heavy, not in character with what I recall of the books. However the portrayal of Inspector Alleyn and Troy agree with the low key "veddy British" behavior one woiuld expect from a Scotland Yard Inspector from the privileged class and his artist paramour. Perhaps some of the reviewers of set 1, which I am getting, but not viewed yet, who think the performances too stodgy have been watching too much shoot-em up American TV with no plot, just sex and violence. The settings of the ones we have viewed to date are outstanding and the character portrayal has been suberb. Much more depth than is possible in say a Christie story.
I rate these Inspector Alleyn five stars as well done completely true to the Ngaio Marsh intent. If you do not like the books don't buy the the videos, if you do like the books, then by all means get the videos.

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Get ready for a second caseload of complex crimes and quirky criminals deftly handled by Chief Inspector Roderick Alleyn (Patrick Malahide, The Singing Detective). A hard-working Scotland Yard detective, Alleyn's aristocratic breeding allows him to blend into the high-society realm in which these crimes occur. In stories based on the classic mystery novels by Ngaio Marsh, Alleyn traps a murderous blackmailer stalking London's debutante set, attends a lethal luncheon at the home of a gracious host, uncovers the killer of a World War I veteran's entrusted confidant, and witnesses heinous exploits on a picturesque Scottish island. The chief inspector gets expert assistance from his partner, Detective Inspector Fox (William Simons, Sergeant Cribb), and his insightful lady friend, artist Agatha Troy (Belinda Lang, To Serve Them All My Days). Guest stars include Diana Quick, John Gielgud, Geoffrey Palmer, Derek Benfield, Margaret Tyzack, and Tom Wilkinson.

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The Last Detective: Complete Collection (2009) Review

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(More customer reviews)"The Last Detective: The Complete Collection," comprising all 17 episodes of this superior British television mystery series, is now becoming available in the United States for the first time. The series, a subversive police procedural, was made by Granada for the United Kingdom's Independent Television (ITV). It made its debut on British broadcast television in February 2003, and has never been seen on broadcast TV here, which is our loss, as it is an excellent, character-driven production that offers a light-hearted blend of mystery and comedy similar to that of Poirot Investigates: Eleven Complete Mysteries;Blue Murder: Set 3; or Rosemary & Thyme - The Complete Series. The collection comes at a value-packed price, and offers as a bonus, the 1981 treatment, starring Bernard Cribbins, that tells the same story as this series' pilot.
It's based on the "Dangerous Davies" novels of Leslie Thomas. The veteran, highly thought of, everyman looking Peter Davison (Tristan in All Creatures Great & Small - The Complete Series 1 Collection), stars as the title character, Detective Constable Davies (and it's quite a disgrace for an older man to be only a constable!) He works in the totally unimportant, out of the way, North London precinct of Willesden. And he's only the last detective in that he's the last detective his boss would assign to any case, had he his choice in the matter. So Davies gets the least promising cases: yet, in his plodding fashion, he generally does get his man - or woman, as the case may be.
Emma Amos plays his sexy wife, Julie: in the complete collection you will see their relationship go through some changes, as she first throws him out, then takes him back. Sean Hughes, (the guy from Eejit Records in The Commitments (Two-Disc Collector's Edition), plays his freeloading, quirky chum, Mod: we see him go through quite a few career changes in the complete collection, too. Rob Spendlove plays Detective Inspector Aspinall, the station house's tough supervisor. Charles De'Ath as DS Pimlott and Billy Geraghty as DS Barrett add greatly to the flavor of the cop shop; and we get to see the three of them going through changes too. Various well-known actors, such as Sian Philips, Norman Wisdom,David Threlfall and Susan Woordridge, guest star in supporting, but still meaty, roles.
The series manages to be witty and entertaining, yet still intellectually satisfying, with a minimum of onscreen violence. Cinematography is fine, and it's firmly grounded in its North London location. For better or worse, its actors have been encouraged to use that locale's flavorful accent: some may have trouble with it. But it really is a pleasure getting to see all the episodes in sequence, and seeing the characters develop. British mystery lovers: this one's for you.


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Britain\'s bumbling and beloved detective
Detective Constable "Dangerous" Davies always gets the cases no one else wants--and no one notices when he eventually succeeds. But his old-fashioned decency and dogged determination have won him legions of loyal fans. Collected here are all 17 episodes from the hit British mystery series starring Peter Davison (Doctor Who, All Creatures Great and Small), who plays the beleaguered Davies "with a pitch-perfect mix of self-effacement and irritation at the endless slights from crooks and fellow cops alike" (The Baltimore Sun).
Mocked by colleagues at his small London police station and estranged from his wife, he actually listens to advice from his kooky chum Mod (Sean Hughes, The Commitments). Still, Dangerous manages to make connections that the slicker cops miss and shows that underdogs do have their day.
BONUS PROGRAM: Dangerous Davies: The Last Detective, the 1981 movie starring Bernard Cribbins that tells the same story as series pilot.
DVD SPECIAL FEATURES INCLUDE: an interview with Peter Davison, Leslie Thomas bio and booklist, photo galleries, and cast filmographies.

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Blue Murder - Set 1 (2004) Review

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(More customer reviews)If you loved "Prime Suspect", you won't want to miss this. Janine Lewis, played by Caroline Quentin, is a Manchester-based single mother of three (soon to be four) who also happens to be a Detective Chief Inspector. Coming home to surprise her husband with the good news of her promotion to DCI, she herself is surprised to find him having sex with the housecleaner in their bedroom. After the initial shock, Janine handles this curveball with aplomb, juggling the draining dual roles of chief homicide investigator and sole domestic engineer without losing her mind. She even has time for a promising, if somewhat ill-advised, flirtation with a junior officer on her squad. Janine is Earth Mother to Jane Tennison's Ice Queen, but she is every bit as committed to her job. Like Helen Mirren's Tennison, she must also deal with daily verbal reamings from her male superior and his obligatory musings about a female's capacity to handle her responsibilities in a predominantly male profession. Janine manages to do it all and somehow keeps on smiling. British TV series have a much more realistic feel than do their American counterparts; I can't imagine that an enormously pregnant 40-something woman who looks her age and is a size 18 in the best of times would ever be welcomed as the lead in an American police procedural. Caroline Quentin proves that it is possible to be larger and more mature than a supermodel and still be warm and sexy. I hope more of this series is on offer, though I have no idea why they chose the title. There is nothing 'blue' about Janine Lewis--she's the type everyone would be lucky to have as a spouse or a best friend.

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Life is never simple for a single mum -- especially when she's the detective in charge.Newly promoted Detective Chief Inspector Janine Lewis commands a close-knit police team that probes some of Manchester's most gruesome murders. And, as a single mother, she tends four children at home, handling crises that range from head lice to teenage tippling. Janine throws herself into every challenge with energy and passion -- even when her professional and personal lives collide.British Comedy Award-winner Caroline Quentin (Jonathan Creek, Men Behaving Badly) shines in this dramatic role, heading a fine ensemble cast that includes Ian Kelsey (Touching Evil) as Janine's dishy, dedicated partner and David Schofield (Gladiator) as her doubting boss. With riveting realism and a touch of wry humor, Blue Murder serves up gritty police procedurals that set your mind racing and your pulse pounding. And it sensitively explores the struggles of a thoroughly modern woman, balancing her devotion to family with the demands of her often dangerous profession.

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