Agatha Christie's Marple: Series 4 (2008) Review

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(More customer reviews)Series 4 of the controversial "Marple" series from Granada/ITV brings us a new Miss Marple, reconceived from the previous seasons, now played by Julia McKenzie. McKenzie's Marple is not as frilly as the classic Joan Hickson or as bohemian as Geraldine McEwan's portrayal. This is a more intellectual, no-nonsense Marple. She wears 3 suits, unadorned and straightforward. And I only saw her knit once. Miss Marple seems less a little old lady and more someone's all-knowing aunt or governess, always ready with whatever is needed and possessed of a strong sense of justice. These episodes avoid the stylization that some previous seasons embraced. Like the new Miss Marple, Series 4 is forthright and conventional in its scripts and production design.
"Marple" has had no qualms about departing from Agatha Christie's books: rewriting action, characters, even the motives and identity of the culprits, and appropriating other of Christie's novels for the spinster detective. Continuing in that tradition, "Murder is Easy" and "Why Didn't They Ask Evans?", both non-Marple books, have inspired episodes this season. Sometimes rewrites seem only to make the films more salacious, and, although there was never a premium on plausibility or coherence in Christie's novels, the rewrites have tended not to improve matters, often creating solutions that are quite ridiculous. Marple purists will not like that. But I have noticed that the character writing gains more depth the further it gets from its source.
Ultimately, it's difficult to say how Miss Marple should be adapted for a modern audience. Purists may prefer Joan Hickson's more faithful portrayal from the 1980s. Others, like myself, find Hickson's Marple dreadfully dull but lament this series' tendency to careen full throttle into burlesque. And, if the writers are going to rewrite Christie's stories, could they not improve upon the solutions instead of making them more ridiculous? Unlike Poirot, Marple does not have the distinct visual characteristics of the detective or the interwar milieu to latch onto. It has an elderly lady in gloves and a hat. In the past, this led the producers to toss sexuality into the mix at every turn and experiment with heavy stylization, usually with poor results ("The Moving Finger" being an exception).
Christie wrote her Marple novels and stories 1927-1971, but the creators of this television series wisely chose to set it in the 1950s, giving it a distinct look and grounding Miss Marple in a particular time. The filmmakers have seemingly tried every trick they could think of to make "Marple" interesting and relevant to a contemporary audience. Often those efforts have been laid on rather too thick. My own suggestion would be to capitalize on the post-War prosperity, conformity, and hypocrisy of the 1950s. That decade shares much in common with the 1990s and 2000s. Miss Marple is a woman who has seen the Jazz Age, two global depressions, and two world wars. She's not easily fooled by a bright, respectable façade. Create a subtext along those lines that would comment on our own time without being obviously anachronistic or straying far from the original plots.
After watching "Marple" struggle to find its focus for four seasons, those are my 2 cents on the subject. I really don't know how to rate the series. I give it 4 stars, because Julia McKenzie's Miss Marple is personable, sharp, and fun to watch. Some viewers find that she doesn't have enough character, serving more as a device than a detective. But wasn't Geraldine McEwan's Marple irritating and vaguely sinister? If it's not one thing, it's another. The series lacks a cogent vision. Oddly, the first episode this season is adorned with completely superfluous location subtitles. It's one of those things. These are the episodes in Series 4:
"A Pocket Full of Rye"'s killer takes inspiration from the nursery rhyme. Rex Fortescue, president of Consolidation Investments, dies at his office, apparently of poison. In the pocket of his suit, the police find a handful of rye. Inspector Neele (Matthew Macfadyen) interviews the family at their country home, Yewtree Lodge: the deceased's wayward wife Adele (Anna Madeley), eldest son Percyval (Ben Miles), who believed his father's mental health threatened the business, estranged son Lancelot (Rupert Graves), just back from Africa, neurotic daughter-in-law (Liz White), daughter Elaine (Hattie Morahan), who cannot contain her delight at Rex's passing, and Gladys (Rose Heiney), the simple chambermaid previously employed by Miss Marple. Gladys is having trouble getting on in the world.
"Murder Is Easy" is adapted from a non-Marple novel and heavily rewritten. Miss Marple meets Lavinia Pinkerton (Sylvia Syms) on a London-bound train. Pinkerton is headed for Scotland Yard to report two murders in her home village of Wychwood. "Murder is easy," she says, "so long as no one thinks it's murder." She promptly meets her death in Victoria Station. Miss Marple travels to Wychwood and makes the acquaintance of Luke Fitzwilliam (Benedict Cumberhatch), formerly a police detective in Malaya. Together Miss Marple and Fitzwilliam make the rounds of the town's close-knit population in their investigation, as more of the population meets its end. Perhaps it is the rewrite, but the characters seem more authentic, emotions real, and with more dimension than usual.
Miss Marple's glamorous old friend Ruth (Joan Collins) asks the detective to look in on her sister Carrie Louise after a fire struck her home in "They Do It With Mirrors". Carrie Louise is a committed philanthropist who runs a reform facility for criminals on her Stoneygates estate with her third husband Lewis Serrocold (Brian Cox) and daughters Gina (Emma Griffiths Malin) and Mildred (Sarah Smart) from her first marriage. With a staff that seems a bit daft, two stepsons with questionable intentions, a group of convicts on their doorstep, and an amateur theatrical in rehearsal, there is a lot of misdirection to be overcome when the antics turn to murder. In contrast with previous episodes, the police detective Inspector Curry (Alex Jennings) seems pretty sharp.
"Why Didn't They Ask Evans?", inspired by the non-Marple novel, has Miss Marple helping the young detectives along and keeping them out of trouble. Bobby Attfield (Sean Biggerstaff) finds a dying man on a cliff who says as he expires, "Why didn't' they ask Evans?" When Bobby is called testify at an inquest that doesn't exist, an adventurous friend, Miss Frankie Derwent (Georgia Moffett), proposes that they investigate the murder themselves. But Miss Marple, who is visiting Bobby's mother, has her eye on the young duo. When Frankie proves too gutsy for her own good, Miss Marple follows her to Castle Savage, home of a quarrelling and rather sinister family whom the dead man recently visited. The plot is exotic and implausible. It suffers further from a cast of annoying characters.

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Starring Julia McKenzie in four new thrilling mysteries
Donning the trademark tweeds as if they were made for her, the marvelous Julia McKenzie (Cranford, Notes on a Scandal) assumes the Marple mantle in four gripping new adaptations of Christie mysteries. With her ladylike manners and modest appearance, Dame Agatha\'s spinster sleuth blends into the background of fashionable society. However, her razor-sharp mind and no-nonsense view of human nature make her a formidable foe to evildoers, cracking the cases that even the professionals can\'t solve.
Picturesque English scenery, grand estates, witty scripts, and lavish post-WWII period detail provide the perfect frame for "frighteningly fun mysteries" (Entertainment Weekly). The stellar supporting cast includes Matthew Macfadyen, Rupert Graves, Anna Chancellor, Jemma Redgrave, Helen Baxendale, Brian Cox, Prunella Scales, Warren Clarke, Natalie Dormer, Rafe Spall, Kenneth Cranham, Samantha Bond, and Joan Collins. "Totally, unexpectedly fun" --E! Online.
THE MYSTERIES

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Agatha Christie's Marple: Series 1 (2005) Review

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(More customer reviews)I watched the new Miss Marple series, excited to see what Geraldine McEwan would do with the role. Unfortunately, I don't like what they've done with this latest batch of Christie's. Mrs. McEwan is a fine actress and she brings a "fluffiness" to the role that is missing from the Hickson version. Still, there is too much tampering with the plotlines to suit me. There are significant changes made in a couple of the stories, most notably in "The Body in the Library" so let the buyer beware. This isn't a minor change either as it involves the resolution of the case. They also add an odd, on-going storyline involving Miss Marple's own past love life that is simply not part of the books and isn't even close to being in keeping with the character of Miss Marple. As Agatha Christie is arguably the most acclaimed and accomplished mystery writer that ever lived, these changes were pretty outrageous. Her books stand the test of time and need no updating simply to satisfy 21st century ideas. I was surprised at this as the British are usually the ones who can be depended upon to leave good stories alone. So, if you just want a few hours of light entertainment, have at it, but if you're an Agatha Christie purist, you won't like this dvd so save your money.

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She's back! Proper, demure, and sharp as a tack, Agatha Christie's beloved Miss Marple returns to the limelight in sparkling new adaptations of four classic Christie novels. Geraldine McEwan (The Magdalene Sisters, Mapp & Lucia) is the ladylike sleuth, a wispy senior citizen who blows the police professionals out of the water with her keen insight and shrewdly analytical nature. Fearless and uncommonly wise to the worst in human nature, Marple has lived a long time-and she's paid attention. As seen on the PBS Mystery! series, these lavish 21st-century productions are rich in post-WWII period atmosphere and delicious Christie wit, with star-studded casts that include Joanna Lumley, Derek Jacobi, Tara Fitzgerald, Ian Richardson, Janet McTeer, Zok Wanamaker, Simon Callow, James Fox, John Hannah, and Celia Imrie. The Mysteries: Murder at the Vicarage The Body in the Library A Murder Is Announced 4:50 From Paddington DVD special features include an hour-long behind-the-scenes featurette with cast and crew interviews, a history of Miss Marple adaptations, a photo gallery and more.

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Poirot - Murder in Mesopotamia (2001) Review

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(More customer reviews)David Suchet, in my opinion the best Poirot, returns in top form as the little Belgian detective, once again on the trail of murder. He is accompanied by the ever-faithful Capt. Hastings (once again masterfully, if somewhat dim-wittedly, portrayed by Hugh Fraser), and the setting is the hot Middle-eastern desert (filmed on location in Tunisia).
Anyone familiar with the Poirot series which ran during the early-nineties will find that this new production does not fail in keeping up the quality that has trademarked David Suchet's reign as Poirot. The music is well-composed by Christopher Gunning. Clive Exton (main story adapter for the series), does a good job here. The director, Tom Clegg, does fine. The location shooting adds a richness to the over-all feel of the production, and, of course, Suchet and Fraser are excellent in the roles they now know so well.
For those of you unfamiliar with the plot, it takes place at an archaeological dig. The wife of the head man, Dr. Leidner, has been receiving threatening letters. She is in fear of her life. A local Arab man has also been murdered. There is a French archaeologist who is a little too mysterious for his own good. Other stock Christie characters, such as a nurse, a dutiful policeman to aid Poirot, and a family member (this time related to Capt. Hastings) are all on hand. Fairly quickly, the wife of Dr. Leidner is murdered.
The story takes on the "murder in the locked room" feel once the main crime has been commited, and it is at this point that the production really becomes engaging. If you have followed the David Suchet Poirot mysteries, then you will enjoy this one. But it is fair to say that is not, by any means, one of the "best" of the lot, despite its high production values.
Perhaps it is the story.
Blame Christie for having come up with one of the THE MOST unbelievable murder plots in mystery history. I found it hard to swallow the first time I encountered the work, and though this adaptation did its jolly-well best to work with the material, it *still* seems *very* far-fetched. That is all I will say on the matter, for I don't want to give anything away. If you are coming to this story for the first time, then I'm sure it will be quite an enjoyable experience. But if you're like me, and have seen or read it before, you'll probably be sitting there, thinking to yourself: "Great actors, nice setting, *bad* murder idea."
To quote P.D. James, "Agatha Christie was a conjurer."
She conjured many a fine and engrossing mysteries in her day, but Murder in Mesopotamia was not one of them. However, if you're looking for a cozy little two hour get-a-way with Poirot, as portrayed by the marvelous David Suchet, then by all means savor this production. The setting is real, the acting good, and the experience a pleasing one. It is not one of the *best* Suchet entries into the Poirot cannon, but it is a very sturdy one.

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Threatening notes from beyond the grave. A ghostly face at a window.A woman found murdered in a locked room that no one could have entered. HerculePoirot is back, and mystery is on the menu.On holiday in Iraq, Poirot visits an ancient site that his good friend Captain Hastings ishelping excavate. But what begins as an entertaining diversion becomes a professionalpuzzle to challenge even Poirot's brilliance when the head archeologist's unpopular wifeis killed. Though there is no shortage of suspects, clues are few and misleading, and thelocal authorities turn to their esteemed guest for help.It's a double dose of delight for Agatha Christie fans as David Suchet returns to hiscelebrated role as the debonair Belgian sleuth in this feature-length adaptation ofMURDER IN MESOPOTAMIA.

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Poirot - The New Mysteries Collection (Death on the Nile / Sad Cypress / The Hollow / Five Little Pigs) (2004) Review

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(More customer reviews)The new POIROT series produced by A&E is excellent and I encourage all Poirot and David Suchet fans to purchase the DVD 4-pack. Suchet has literally grown into the part so he seems more natural than ever as Poirot. Pals from the earlier episodes, Japp and Hastings, are missing. I thought their absence and the fact that England has changed so much since the BBC first began airing these `cozy mysteries' might put a damper on my viewing experience but it did not. The filmography is beautiful. Most of the shots were taken in areas where knowledgeable Anglophiles know the past is fairly well preserved, including some lovely old estates. The BBC does it's best as ususal with lavish sets, costumes, and wonderful old automobiles for each production.
DEATH ON THE NILE - When it comes to this particular story, I still prefer the Peter Ustinov version with Mia Farrow, Betty Davis and Maggie Smith. The original film with Ustinov showed a good deal of actual footage shot in Egypt. This issue of `Death on the Nile' appears to have some shots in Egypt, but to tell you the truth, they could have shot most of the film elsewhere...for example Central or South America. Population growth and war have altered the terrain in Egypt considerably since Agatha Christie wrote her novel, which takes place around the 1930s following her travels to the Middle East with her husband, the great archeologist Mallowan.

Poirot - THE HOLLOW - The plot of this episode involves a two-timing husband who may or may not have been done in by his "stupid" wife. The wife, a doe-eyed creature who appears unable to harm a fly is soon incarcerated by the police who feel they have `got their man' but Poirot sets about trying to find the truth and unravel the obviously flawed case the police have constructed. Is the murderer the lady of the manor who stupidly placed a revolver in a basket of eggs, or is it the butler who was seen carrying a gun fitting the death weapon's description through the hallway (the lord has a gun collection, so there are plenty of guns about the place). Perhaps the mistress fired the fateful shot? She was two-timed by the dead husband who could not keep his hands off an old flame who suddenly appeared at dinner. Or was it the old flame herself who pulled the trigger? She was overheard arguing with him and wishing him dead only hours before the crime was committed.
SAD CYPRESS. Viewers of BRIDESHEAD REVISITED will recognize Diana Quick whose character from that earlier production could be the aged version of her younger self, now lying on her deathbed. Visited by her nearest kin and heirs, she soon succumbs to whatever ails her. Or does she. Has she had help? A cast of suspects soon emerges, but is all this `bother' a tempest in a teapot? Poirot is called in a soon deduces that not only has murder been committed, but the police may have locked up an innocent person. Soon the pressure is on, and Poirot must act quickly or someone else will die..perhaps at the end of a noose.

THE FIVE LITTLE PIGS is the most sad of all the new series developed by A&E, because a person has been wrongfully executed when the story begins. Perhaps this and other tales based on real life events brought the death penalty to an end in Britain. Gemma Jones stars in this episode involving a young woman named Lucy who seeks to clear her dead mother's name. Lucy's mother was executed some years before for a crime the girl believes she did not commit, and Lucy writes a letter urging Poirot to help her clear her mother's name. Poirot agrees to take her case but advises Lucy that she may not like what he uncovers. As ususal, the cast of characters is composed of excellent actors, many with familiar faces and the plot is excellent.


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This set will contain the following four Poirot movies (A&E September 2004 premieres): Death on the Nile, Sad Cypress, The Hollow, Five Little Pigs

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Agatha Christie: Mystery Lover's Collection (2008) Review

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(More customer reviews)No introduction is really needed for Agatha Christie, one of the most popular mystery writers since.... well, since ever. Sorry, Mr. Doyle.
And the "Agatha Christie: Mystery Lover's Collection" is a pretty good sampling of Dame Agatha's adapted work over the years -- a Poirot, a Miss Marple, two Tommy and Tuppence stories, and the standalone mystery "The Pale Horse." Although the last one is a rather lackluster affair, the others are all worth the price -- lots of retro glamour, abundant motives, and the occasional rendition of "It's a Long Way to Tipperary."
"The Secret Adversary" reintroduces Tommy (James Warwick) and Tuppence (Francesca Annis) to each other, in a blah period of unemployment after World War II. To drum up some money, they decide to become adventurers. But their lighthearted venture becomes deadly serious when they become enmeshed in an international situation involving a packet of secret documents, a mysterious girl named Jane Finn, an American millionaire and an elusive mastermind called only "Mr. Brown."
"The Affair of the Pink Pearl" takes place several months after that mystery, when Tuppence is bored by hat-buying and lounging around. So Tommy cures the situation with a shady detective agency -- and soon they have their first client -- seems a pink pearl has been stolen from a wealthy American lady, at an impoverished aristocrat's house. And while there's no lack of suspects, Tuppence's "Special 24-hour Service" has put them under a time crunch.
"The Body in the Library" opens with a young maid telling her employers that... well, there's a body in the library -- a platinum blonde in glitzy clothing. Sinc her old friend's husband is suspected, Miss Marple (Joan Hickson) decides to sleuth around St. Mary Mead, investigating a pair of obnoxious party animals, a wheelchair-bound millionaire, and a mysterious car crash -- with another body -- found in a nearby valley.
"The Mysterious Affair at Styles" happens when Arthur Hastings (Hugh Fraser) is staying with a friend in the countryside. Unfortunately, his pal's mother is killed by strychnine in a seemingly locked room, and the most popularly-suspected person -- her younger, creepy husband -- has an alibi. So it falls to a nearby Belgian refugee that Hastings is acquainted with, Hercule Poirot (David Suchet) to unravel this impenetrable mystery.
And finally -- last and least -- "The Pale Horse" has Mark Easterbrook (Colin Buchanan) intervening as a priest is murdered, which of course puts Mark in the spotlight for the murder. As he investigates to clear his own name, he finds that the priest's attendance to a dying woman -- whose symptoms are now shared by a sick friend of Mark's -- may have led to his death. And what does all this have to do with the three "witches" at the Pale Horse?
Agatha Christie has been lucky when it comes to adaptations. While some over the years haven't been too good, there have been some pretty faithful, brilliantly acted adaptations as well -- especially anything with Hickson or Suchet. And as an introduction to Christie's adapted mysteries, this is a perfect little collection... with the exception of the bastardized "Pale Horse."
And the first four mysteries are perfect examples of where Christie shines -- lots of sleek retro glamour from the 1920s, the cozy and inviting St. Mary Mead, and a stately country manorhouse. It's a bit like being soaked in the eras that the characters are in. And while the murders and thefts obviously take center stage, there are some gentle subplots about things like a love triangle between Tommy, Tuppence and a millionaire, and a poignant story about Hastings suffering from post-traumatic stress.
And while Tommy and Tuppence's stories are rather frothy, all of them have a slowly-unfolding storyline, clusters of seemingly disparate clues, and a gentle little sense of humor ("It ought to be a joke except that she's dead! She's a blonde, platinum blonde! You will come, won't you?"). Even the obnoxious people have some great lines ("You do not snog with overweight Hungarians... and if you do, you do so out of sight!").
Except, of course, "The Pale Horse." Not only is the storyline dramatically unfaithful to Christie's original work, but the writers tried to give it a leather'n'motorcycles, rock'n'roll flair combined with a darkly occult feeling. It barely resembles a Christie work, and leaves you with a vaguely distasteful feeling by the finale.
And the people leading these are utterly perfect -- David Suchet and an ornately curled mustaches are brilliant as the eccentric, polished little Belgian, while Joan Hickson is deceptively sweet and fluttery as Miss Marple. James Warwick is adorably Hastingsish as the laid-back Tommy, while Francesca Annis perfectly captures Tuppence's effervescent spirit ("They're not ALL the same... they have NUANCES to them!). She also is one of the three women alive who looked good in a flapper dress.
The "Agatha Christie: Mystery Lover's Collection" is a good sampler for those looking for good Dame Agatha adaptations, with the best actors who tackled Marple, Poirot and the Beresfords. But skip the wretched last movie.

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Five classics from the Queen of Crime The Secret Adversary -- United by their love of adventure -- not to mention their romantic attraction -- Tommy Beresford (James Warwick, Lillie) and Tuppence Cowley (Francesca Annis, Madame Bovary) search for a top-secret document lifted from the Lusitania. The Affair of the Pink Pearl -- In a second romantic mystery set during the Roaring Twenties, Tommy and Tuppence start up their own detective agency and take on their first professional case: the theft of a valuable gem.The Body in the Library -- Miss Marple (Geraldine McEwan, The Magdalene Sisters) investigates the death of a glamorous young woman whose body turns up in the unlikeliest place. The Mysterious Affair at Styles -- Hercule Poirot (David Suchet) comes to the aid of an old friend, a recovering war veteran who encounters an apparent murder at the remote English estate of Styles St. Mary.The Pale Horse -- In swinging ’60s England, sculptor Mark Easterbrook (Colin Buchanan, Dalziel and Pascoe) tries to clear himself of a murder that he didn’t commit. With two lovely women as allies (Jayne Ashbourne, New Street Law, and Hermione Norris, Cold Feet), he uncovers a conspiracy that seems to involve black magic.

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Poirot - The Complete Collection (Lord Edgeware Dies / The Murder of Roger Ackroyd / Evil Under the Sun / Murder in Mesopotamia) (2003) Review

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(More customer reviews)I recommend that you stay away from this set. American green eye shades from A&E's advertizing department cut ten-twelve minutes from each episode so that they could squeeze more fast food ads in to the showings on television. The resulting botch makes several of these episodes unwatchable. Sorry; hopefully Acorn will put these out in pristine form.

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Agatha Christie's Marple: Series 2 (2006) Review

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(More customer reviews)Sleeping Murder seems to refer mostly to what was done to the original book. Obviously considering Christie's mysteries too mannerly, the scriptwriters invented a troupe of actors who sleep around with each other, then changed the step-sister in the plot to a real sister so some incest could be added; by the time the heroine breaks off her engagement to her fiance, it is a mild denoument, but at least consistent.
In By the Pricking of My Thumbs, Miss Marple is injected into a plot where she is totally unncessary; and rather than the happy, intelligent couple we know from Christie's books, we are presented with Tommy as a bumbling, insensitive beaurocrat and Tuppence as a depressed boozer (with some unexpected company, since the local clergyman is also an alcoholic, of course).
The Moving Finger is much better in plot alignment, even though it opens showing the hero writhing in bed with various women (thankfully, only one at a time). But here the costume production details were messed up pretty badly: the (very) busty governess is about to explode from the low-cut cocktail dress she is wearing early in the morning as she oversees her young charges (in which any sudden movement would certainly have added graphically to their education); and when the hero's sister is shown seated at a formal dinner party eating with her gloves on, I laughed aloud; who made this episode, 21st century Americans?
All of this is a real shame, since a lot of thought and money obviously went into the period detail, and the acting is top-notch; but the representation of 1950's behavior is so unrealistic that it counteracts all the effort put into the visualization of the small towns and their surroundings. I've added an additional star from my earlier review, since the producers really did apparently try to give us 1952 England; but the production was forced to be so post-modern friendly, that they lost the originality and reality that would have made these episodes much better editions.
Had they considered a series focusing Miss Marple's sophisticated nephew, with new story lines, it might have been fascinating; but trying to hang onto some thin thread of the original plots, while taking all the chracters from 2006 and putting them into period settings, was not a convincing combination.

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As seen on the PBS Mystery! series Four all-new, full-length mysteries bring you a Miss Marple like no other. Geraldine McEwan (Vanity Fair, The Magdalene Sisters) returns as the spinster sleuth, as shrewd and sagacious as ever. Breathing new life into Agatha Christie’s novels, these intricately plotted and thoroughly engaging whodunits feature the richly detailed settings, lush cinematography, and imaginative screenplays that won Series 1 overwhelming critical acclaim and an Emmy® nomination. McEwan imbues Miss Marple with a kindly sparkle and sly wit that prove "irresistible," raves TV Guide. "Not your mother’s Miss Marple," says the Associated Press. Sterling supporting casts that include Anthony Andrews, Michael Brandon, James D’Arcy, Geraldine Chaplin, Timothy Dalton, Frances de la Tour, Sophia Myles, Ken Russell, and Greta Scacchi further enrich this 21st century celebration of Agatha Christie’s most beloved heroine.

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Agatha Christie's Marple Series 3 (2005) Review

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(More customer reviews)Now, I have to say right off, that, even though I appreciated Geraldine McEwen's portrayal much more, the scriptwriters had her saying the most hilariously inane things--unfortunately the viewer is tempted to laugh in all the wrong places, despite her excellent performance. No one on the production staff seemed the least bit concerned with historical or literary accuracy. It makes you sigh for what could have been.
Also ironic is the appearance of perhaps an anti-clergy slant, since Miss Marple was the daughter of an Anglican vicar. Earlier we saw at least one alcoholic rector, and now we have presented to us a), a society matron in the book Nemesis changed into a murderously obsessed nun for television; and b), a character changed from the kind, gentle Canon Pennyfather in the novel of At Bertram's Hotel to a crazed Nazi war criminal masquerading as an Anglican priest.
Nor is the QUIET, efficiently run establishment of understated elegance in the novel anywhere to be seen; it is a place of utter chaos invaded by an American jazz band (which Miss Marple seems to relish; she's almost snapping her finger to the beat--"Yeah man"). Yikes! By changing and inventing all the characters for the TV series while keeping some basic thread of the original plot, the viewer gets the worst of both worlds: Everything but the ending is now a surprise.
Which brings us to the most hilarious bit of all: In Bertram's Hotel, when Miss Marple asks Jane, the chambermaid, if she and the chief inspector are going to get married after discovering romance, the young woman says, "Oh no, we're just going to live together; that's how it's done these days" (remember, this is 1952); and even more roll-on-the-floor funny is Miss Marple's reply: "That's not what I would have done at your age, but I probably would now."
Oh yes. Little ladylike Miss Marple shacking up with the (not even very handsome) chief inspector. Good lord--where will the scriptwriters go from there? That's the REAL mystery.

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As seen on the PBS Mystery! series Though they might be fooled by her delicate exterior, criminals underestimate Agatha Christie's mild-mannered spinster sleuth at their peril! In the expert care of acclaimed actress Geraldine McEwan (Vanity Fair, The Magdalene Sisters), the beloved Miss Marple takes on new vibrance as a "worldly lady with a past, full of fun and mischief" (London Times). In her golden years, Miss Marple blends into the scenery of her elegant surroundings. All the better to observe the foibles of human nature that lead to evil -- and to surprise one and all when she solves crimes that baffle the professionals. Rich with period detail, these all-new adaptations feature stellar supporting casts, including Richard E. Grant, Amanda Burton, Eileen Atkins, Saffron Burrows, Greg Wise, Martine McCutcheon, Francesca Annis, Peter Davison, Jane Seymour, and Juliet Stevenson. "Spectacular" -- DVD Talk The Mysteries Nemesis Towards Zero At Bertram’s Hotel Ordeal by Innocence DVD SPECIAL FEATURES include photo galleries, Agatha Christie bio, and cast filmographies.

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Agatha Christie's Murder on the Orient Express (2001) Review

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(More customer reviews)I first saw this production of Agatha Christie's "Murder on the Orient Express" when it was aired on Network TV back in 2001, and was more than excited to see it. I am a fan of the novel, Albert Finny movie, and even of the BBC radio drama version (which is still the closest adaptation to the novel). And while the acting, direction and the over all look is fine... I had a problem with the modern spin that was taken on it. Especially where Poirot uses a laptop computer to find information that he needed on the background of the case. Which left the traditional "detecting" out of the window, and made me think that the modern Poirot is only as smart as his Google search engine will let him.

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This made-for-television mystery is a contemporary version of the Agatha Christie book that was made into the classic 1974 all-star version starring Albert Finney Lauren Bacall and Ingrid Bergman. This time around Hercule Poirot (Alfred Molina) uses modern technology to help solve the murder of a corrupt and devious Antiques dealer named Ratchett (Peter Strauss). Agatha Christie originally based MURDER ON THE ORIENT EXPRESS on the infamous Charles Lindbergh kidnapping case. This adaptation is given a current twist by making the despised Ratchett the abductor and murderer of the little girl of a wealthy software tycoon named Armstrong instead of a famed aviatrix. When Ratchett is found stabbed to death in his compartment and the train comes to a halt as a result of a rock slide that is blocking the tracks Poirot interrogates all of the passengers on the train. As the questioning proceeds Poirot realizes that virtually everyone has some kind of connection to Armstrong. But who is responsible for the grisly murder? Only Poirot can solve the mystery with the help of his "little gray cells of the brain" (and a few technological gadgets like a laptop computer palm pilot and VCR).System Requirements:Running Time 100 Mins.Format: DVD MOVIE Genre:MYSTERY/SUSPENSE Rating:NR UPC:783722735824 Manufacturer No:ARD27358

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Sergeant Cribb: The Horizontal Witness (2006) Review

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(More customer reviews)Whether it involves brutal, bare-knuckle boxing, hip-swiveling walk races, Victorian houses of pleasure or English boarding schools for privileged boys, Detective Inspector Cribb is unfazed and unimpressed. Although polite, that includes his dealings with his betters.
Sergeant Cribb - Set Two includes six one-hour mysteries, two from the first season from 1980 and four from the second season from 1981. As originally broadcast, according to IMDb, the first season had eight shows and the second season had six.
Cribb, played by Alan Dobie, is a Scotland Yard detective in Victorian London. He's smart, and smart enough to defer to his superiors both in Scotland Yard and in society. He has a wry sense of humor. He'll probably never get promoted. He is very good at his job. He's aided by Detective Constable Thackery (William Simons), a steadfast but none too bright copper. His superior, Inspector Jowett (David Waller), is an elderly gent of the old school, comfortable with his club and highly deferential to royalty.
The mysteries in this set are for the most part clever with solutions that make sense. What makes them interesting, however, is the evocation of Victorian life. In set two we find ourselves in an elegant Victorian bawdy house, a nursery in Windsor Castle and an "old boy's" boarding school. The production values are high, from the details of Victorian working life to the well-tailored tails and gowns of wealthy Englishmen and their ladies at dinner.
One of the pleasures of British mystery series is the acting depth. Almost without exception the acting is first-rate, from the smallest parts of elderly gents and maids to the lead roles. David Waller, for instance, is the epitome of the older, well-fed, complacent English gentleman, stuffy, experienced, supportive of Cribb -- but not too supportive. Then watch his performance as Prime Minister Stanley Baldwin in Edward & Mrs. Simpson (1978). Same man, same physical appearance, but here he is a shrewd politician, not unsympathetic to Edward, and fully prepared to be ruthless in protecting what he sees as the integrity of the crown.
Sergeant Cribb is a well-produced, well acted entry into the category of British TV mysteries. The DVD color transfer is well done. The extras in set two include information about author Peter Lovesey and key actor filmographies.

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AS SEEN ON PBS MYSTERY!Unravelling the mysterious and lurid crimes of Victorian societyBased on the novels of prize-winning author Peter Lovesey and filled with lavish period detail and jaw-dropping plot twists, the adventures of Sergeant Cribb cast a spotlight on the dark underbelly of Victorian life.From the vulgar brothels of London’s fogbound streets to the respectable royal apartments of Windsor Castle, Sergeant Cribb maintains a level head and a wry sense of humour to unravel complex crimes in Queen Victoria’s England. A detective of Scotland Yard’s newly formed Criminal Investigation Department, Cribb receives little support for his efforts from his superiors. Wearing his trademark bowler hat and squeaky boots, Cribb relies on his own shrewdness and the plodding assistance of Constable Thackeray to expose the vile deeds of Victorian criminals. approx. 298 mins. col.Includes: The Horizontal Witness / Something Old, Something New / The Hand That Rocks the Cradle / The Last Trumpet / The Choir That Wouldn’t Sing / Murder Old Boy?

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Poirot - Evil Under the Sun (2003) Review

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(More customer reviews)After collapsing while eating at a posh restuarant, famed detective Hercule Poirot (David Suchet) is sent by his doctor to an island resort, where he is subjected to a painful program of diet and exercise. However, it will be his "little grey cells" that get the exercising when a beautiful actress is found strangled on the beach. EVIL UNDER THE SUN is another film from the top-notch POIROT series from A&E, with David Suchet once again bringing his definitive portrayal of the Belgian sleuth to life. Hugh Fraser provides solid back-up as the rather dense Capt. Hastings, while Philip Jackson is his droll self as Inspector Japp. As is usual with this series, the locations are wonderful and the 30's atmosphere is wonderfully invoked. This version is not to be confused with the somewhat campy film starring Peter Ustinov. While that one is fun in its own way, it pales in comparison to the Suchet version. As always, this flick is another delightful treat for fans of Agatha Christie's classic detective and one I highly recommend.

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The Agatha Christie Megaset Collection (Miss Marple / Poirot) (2001) Review

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(More customer reviews)Agatha Christie's Miss Marple, elderly spinster from the village of St. Mary Mead, who unmasks even the cleverest killer with her seemingly innocuous "village parallels," and Hercule Poirot, the little Belgian with the many "little grey cells," whom a speck of dust pains more than even a bullet, are among crime fiction's all-time stand-out characters. After multiple other adaptations, some of which, although featuring thespian royalty like Sir Peter Ustinov and Dame Margaret Rutherford, had about as much to do with Christie's originals as Big Ben with the English countryside, they found their perfect personifications in Joan Hickson and David Suchet, the latter moving center-stage from being Inspector Japp to Ustinov's Poirot. And while not entirely faithful to Christie's originals - e.g. Miss Marple's foil Inspector Slack (David Horovitch) and Poirot's associates Captain Hastings (Hugh Fraser), Miss Lemon (Pauline Moran) and Chief Inspector Japp (Philip Jackson) are inserted in some of the storylines not originally featuring them - all these adaptations have exceptional production values, maintaining the atmosphere of Christie's books with loving detail.
The combination of productions featuring Hickson and Suchet in one set isn't illogical; although I wonder whether a straight "Miss Marple Megaset" wouldn't have made more sense, incorporating the features "The Body in the Library" (1942, BBC adaptation 1984, the first one starring Hickson), "A Murder Is Announced" (1950, BBC adaptation 1985) and "A Pocket Full of Rye" (1953, BBC also 1985), now all contained in a separate 3-disc set. That would've left space for any combination of the much ampler Poirot material in a separate package - but I suspect that'll come anyway, when the last of the shorter episode sets (11 and 12) and the four new movies ("Death on the Nile," "Five Little Pigs," "The Hollow" and "Sad Cypress") are released on region 1 DVDs. As it is, this is still an excellent collection.
Miss Marple:
"Murder at the Vicarage" (1930, BBC adaptation 1986; Christie's first Marple story): Disagreeable Colonel Protheroe is murdered, and both his wife and her lover instantly confess - but actually, half the population of St. Mary Mead would've had a motive.
"The Moving Finger" (1942, BBC adaptation 1985): Lymston village is haunted by poison pen letters; and when people begin to die, again there is no shortage of suspects. But Miss Marple, on a visit to a friend, sees through the killer's cruel game.
"They Do It with Mirrors" (1952, BBC adaptation 1991; a/k/a "Murder with Mirrors"): Inspector Slack's secret hobby provides a vital clue to the ungodly doings at the estate of Miss Marple's old friend Carrie-Louise Serrocold, which Carrie-Louise's third husband has transformed into a reformatory for young criminals.
"4:50 From Paddington" (1957, BBC adaptation 1987; a/k/a "What Mrs. McGillicuddy Saw!"): Miss Marple and professional housekeeper Lucy Eyelesbarrow investigate the murder of a woman, whom Miss Marple's friend Mrs. McGillicuddy has seen being strangled from a passing train, and whose body must have disappeared somewhere on the grounds of the Crackenthorpe family estate Rutherford Hall.
"The Mirror Crack'd From Side to Side" (1962, BBC adaptation 1992; title taken from Tennyson's "Lady of Shalott"): Gossington Hall, erstwhile home to Miss Marple's friend Dolly Bantry, has been sold to ageing Hollywood star Marina Gregg. At a benefit, a local woman is murdered - and much points to Miss Gregg as the intended victim.
"At Bertram's Hotel" (1965; BBC adaptation 1987): Miss Marple deconstructs the all-too-respectable facade of a seemingly venerable London hotel, and the less respectable facade of a notorious society lady.
"A Caribbean Mystery" (1965, BBC adaptation 1989): In a for her unusual West Indian setting, Miss Marple solves the murder of a retired police officer, killed to prevent him from foiling his murderer's even more sinister plans.
"Nemesis" (1971, BBC adaptation 1987; sequel to the above): From his grave, rich Mr. Rafiel - who nicknamed Miss Marple "Nemesis" when meeting her in the Caribbean - sends her on a bus tour of historic homes, to either clear his estranged son of a long-ago murder, or prove him guilty.
"Sleeping Murder" (1976, BBC adaptation 1987; Christie's last Miss Marple mystery): With the old lady's help, newly-weds Giles and Gwenda Reed unravel the mystery behind Gwenda's nightmares about their new home, and a murder occurring there over 20 years earlier.
Poirot:
"The Murder of Roger Ackroyd" (1926, TV adaptation 2000): One of Christie's most remarkable mysteries, not least because of its turntable conclusion. Industrialist Roger Ackroyd, squire of King's Abbot, an archetypal English village much like Miss Marple's St. Mary Mead, is found murdered, and Poirot steps out of his retirement to investigate his death - and its connection to that of Ackroyd's widowed friend Mrs. Ferrars.
"Lord Edgware Dies" (1933, TV adaptation 2000, a/k/a "Thirteen at Dinner"): Poirot is asked to help actress Jane Wilkinson, Lady Edgware by marriage, obtain her husband's consent to a divorce; but then Lord Edgware is murdered. Was it the Lady's doing? Poirot is somewhat dazzled, and unfortunately his little gray cells don't work quickly enough to prevent a second murder (of an American actress), and even a third one, of a young playwright ...
"Murder in Mesopotamia" (1936, TV adaptation 2001): One of several stories based on Christie's impressions while accompanying second husband archeologist Sir Max Mallowan to the Middle East; a classic "closed room" riddle: During Poirot's and Hastings's visit to an excavation site near Baghdad, the expedition leader's wife is found murdered - in her room, behind a closed door and closed window, and although nobody has entered the courtyard and staircase leading to her room.
"Evil Under the Sun" (1941, TV adaptation 2001): Likewise features a now classic pattern, in assembling Poirot and all suspects in a hotel on a small island off the English coast with no possibility to leave; thus similar in setup to "And Then There Were None" (1939), where one person after another is killed in the style of the "Ten Little Indians" nursery rhyme, and also to "A Caribbean Mystery."
Also recommended:
The Mysterious Affair at Styles: Hercule Poirot's First Case
Agatha Christie: Five Complete Hercule Poirot Novels - Murder on the Orient Express / Thirteen at Dinner / The ABC Murders / Cards on the Table / Death on the Nile
Murder at the Vicarage: A Miss Marple Mystery (Agatha Christie Collection)
Agatha Christie: Five Complete Miss Marple Novels (Avenel Suspense Classics)
Agatha Christie's Poirot - The Classic Collection
Agatha Christie's Poirot - The Classic Collection, Vol. 2
Miss Marple - 3 Feature Length Mysteries (The Body in the Library / A Murder Is Announced / A Pocketful of Rye)
Agatha Christie's Murder on the Orient Express
Death on the Nile
The Mirror Crack'd

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