Showing posts with label racism. Show all posts
Showing posts with label racism. Show all posts

7/03/2012

Baadasssss Cinema - A Bold Look at 70's Blaxploitation Films (2002) Review

Baadasssss Cinema - A Bold Look at 70's Blaxploitation Films (2002)
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Being a fan of the blaxploitation genre, I was excited to hear about the DVD release of BaadAssss Cinema. However, upon viewing it, I became very disappointed. First, let me start off by saying that the 56-minute running time does not justify the price being charged for this DVD. Second, this title is anything but a bold look at 70's blaxploitation films. The documentary is organized by years, which doesn't work well. It would have been more interesting and flowed better if it were organized by different styles of blaxploitation films, such as gangster films or horror films, or films featuring strong female leads. The documentary focuses almost exclusively on films starring people who were interviewed, such as Pam Grier, Fred Williamson, Gloria Hendry, Quentin Tarantino, and Melvin Van Peebles. A lot of time is devoted to Sweet Sweetback's BaadAsssss Song, Shaft, and Pam Grier's Foxy Brown and Coffy. There's no denying that these films played a pivotal role in the blaxploitation movement, but why isn't Dolemite included? Is it because Rudy Ray Moore wasn't interviewed? The documentary is astonishingly shortsighted. No mention is made of movies like Abby, the black rip-off of The Exorcist, or Darktown Strutters, or even the Shaft sequels for that matter. Were they left out because the filmmaker thought they were an embarrassment to the genre, or because they are too obscure for the target audience? Lastly, most people interviewed feel that the blaxploitation movement died out around 1976, so the remaining years of the 70's are left out. The only two post 1976 films featured are Original Gangstas and Jackie Brown, both made in the 90's. There is so much missing from this documentary, and the only people who will benefit from it are blaxploitation completists and people new to the genre. If you're looking for information on black cinema of the 1970's, I suggest the book "What It Is...What It Was!The Black Film Explosion of the '70s in Words and Pictures." Unlike BaadAssss Cinema, it features articles with insight and interviews that matter (ironically with many of the same people interviewed in BaadAsssss Cinema). Overall, BaadAssss Cinema fails to make the blaxploitation movement seem important.

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In this groundbreaking documentary from the Independent Film Channel, filmmaker Isaac Julien takes us back to the early 70s and the explosion of blaxploitation films, today one of American cinema's most beloved cult genres. Featuring a wealth of footage from such classic films as Superfly and Shaft, and interviews with such key players as Richard Roundtree, Quentin Tarantino, and Pam Grier, BaadAsssss Cinema gets to the bottom of exactly what helped the blaxploitation genre achieve its revered cult status.DVD Features: Extended interviews with Pam Grier, Quentin Tarantino and others; Letterbox Format; Interactive Menus; Scene Selection

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5/30/2012

The Ku Klux Klan - A Secret History (History Channel) (2005) Review

The Ku Klux Klan - A Secret History (History Channel) (2005)
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To answer the reviewer's question below, I am a US History teacher who has used this video numerous times in my classroom. The video presents an objective (at least as objective as one can be about what is essentially a terrorist organization) look at what one history professor who is interviewed calls an "American-born terrorist group". Created by the History Channel, this video covers the history of the Klan from its beginnings in the post-Civil War, Reconstruction-Era South to modern-day variations such as David Duke and the Skinheads. In a sense the video is also a history of the civil rights movement in America, as it is during periods of activism for equal rights that the Klan has been the most active - and deadly - hate group in American history. The video argues that during its history the Klan has not been a stable or consistent organization. Instead, it goes through cycles - it rises up to oppose minority rights and promote "White Supremacy", then nearly dies out, then rises yet again out of its own ashes to oppose minority rights activists in another historical era. The Klan's first period of power was in the post-Civil War South, when whites felt threatened by the newly freed slaves and used the Klan to try and thwart their newly-won civil rights, with considerable success. The organization then died away until 1915, when it was reborn at Stone Mountain, Georgia. In the 1920's it spread across the USA, with "klaverns" in all 48 states and some 4-5 million members. It opposed not only blacks, but Jews, Catholics, and all "foreigners". They staged a parade down Pennsylvania Avenue in Washington, and controlled the state government in Indiana. But the Klan self-destructed in a series of scandals, ranging from the brutal rape-murder of a white woman in Indiana, bribery and blackmail of politicians, and the embezzling of funds by the Klan leadership. By the thirties the Klan was again virtually extinct, yet it rose again in the fifties and sixties to oppose the civil rights movement with bombings, lynchings, assassinations of civil rights workers and leaders, and other acts of violence. However, the FBI and other federal law-enforcement agencies, backed by President Lyndon Johnson, went after the most dangerous Klan groups by bribing its members to turn in those who had committed crimes against civil rights workers and leaders, and using the IRS to destroy the Klan financially. In the 1970's the Klan tried to change its image by using men such as David Duke in Lousiana to promote the view of the "Klan next door" as Julian Bond, a prominent civil rights leader, calls him. Yet Duke is shown to be just as dangerous as previous, less-polished Klan leaders.
This video is not for the faint of heart - at its beginning and end the documentary shows a modern-day Klan rally in North Carolina, and the "n" word and other racial epithets are spoken frequently. Yet my students (black, white, and Hispanic) have learned a great deal from this video about the nature of hate groups and racism in America - and I believe they'll be better-prepared to resist such groups in their own lives. If you want a factual yet deeply disturbing "inside" look at America's most famous native-born terrorist group, then this video is the best you can buy.

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From its birth out of the ashes of the Civil War to rare interviews with the current Grand Dragon and Imperial Wizard, this is the definitive history of the KKK.

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4/19/2012

Black Magic (2008) Review

Black Magic (2008)
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My husband & I saw the first part of this film when it aired on TV back in March. It was the same night the John Adams series began & which we were planning to watch. We were so sucked into Black Magic, we totally forgot about John Adams. This is an absolutely amazing, remarkable film, on the same high quality level as a Ken Burns-type documentary. The stories are unforgettable...incredibly moving and touching. As a child of the 80s/90s, I learned so much - it's mind-boggling to me that a person would be passed over or banned because of the color of their skin. I'm a huge NBA fan, and couldn't believe the Detroit Pistons passed up Earl Monroe because he went to a smaller black college! For basketball fans, the classic NBA footage is out of this world - early film of Earl Monroe, Wilt Chamberlain, Willis Reed, Oscar Robertson & so many more - this is a must own for any basketball fan!! I can't wait to get my copy & can't recommend it enough!

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Samuel L. Jackson and jazz musician Wynton Marsalis narrate this look at America's tumultuous civil rights movement through the lens of basketball and the lives and challenges of its African-African players, including Avery Johnson, Ben Wallace, Pee Wee Kirkland, and many others. This ESPN production offers a unique approach to and an uncommonly large scope on one the most important eras in America's history.

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4/18/2012

Bamboozled (New Line Platinum Series) (2000) Review

Bamboozled (New Line Platinum Series) (2000)
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I finally saw this film recently after reading an editorial that mentioned this film in regards to how the racial stereotypes perpetuated in Minstrel shows continue this day in any rap video you see. This film is a much needed eye opener, a satire with a deeper message. The use of satire is often necessary to bring to people's attention the underlying truth that most cannot accept at face value. This film perfectly draws out on our society's racism and race relations.
A few years ago, I remember coming across an advertisement for a Minstrel show that my church congregation put on in the 1950s. Considering that there are few African American members of my church to begin with, it was a complete shock to me who these nice elderly people could do such a thing. With "Bamboozled", Spike concludes the film with an excellent montage of images from movies, TV shows, cartoons that all featured the worst stereotypes of African Americans as bug-eyed, big lipped, ants-in-pants, cannibalistic animals, who sang and dance, shucked and jived, all kinds of terrible traits. These images were taken from Shirley Temple movies and films with Bing Crosby, Mickey Rooney, and Judy Garland. It was an eye opener. Even Warner Brothers cartoons of my recent youth (1970s) contained racist images in the guise of Bugs Bunny in some of his antics.
I've been meaning to watch all of Spike Lee's films someday, as I like the statements he tries to make in his films. He has amassed an interesting body of work, though some were more successful than others. For me, "Malcolm X" and "Do The Right Thing" are his best works, and this one would be third, ahead of "Jungle Fever". I loved the performance of Michael Rapaport as the cool talking head honcho of CNS Television, who has an expressive way with words and sounds more "black" than the faux intellectual nerdiness of Damon Wayans, who plays Pierre Delacroix, which we learn in the film is a pretentious name he gives himself to distance himself from an embarrassing past. I also liked Jada Pinkett Smith in this film, as Delacroix's assistant who doesn't agree with the direction he's taking with his show idea.
The premise is that Delacroix can't quit his job, so he comes up with a plan to make the most racist show he can imagine that will cause CNS to fire him. He proposed a new Minstrel Show for the New Millennium, featuring two African American street performers (the excellent Tommy Davidson and Savion Glover) in black face make up. Rapaport's Mr. Dunwitty loves the idea and claims that the show would be even bigger than "Friends". They shoot the pilot show to an unsuspecting audience who don't know if its okay to laugh. Tommy Davidson plays "Sleep n Eat" and Savion Glover plays Mantan, the tap dancing idiot. Their variety show features schtick anyone who has ever seen "Hee Haw" would be familiar with...lame brain one liners, idiot people, and exaggerated stereotypes.
The satire is that the studio execs love the show and pick up 12 episodes, and when it airs on TV, it becomes an instant smash show. Soon audiences are showing up each week in black face and proclaiming their pride in being "n------", even though nearly all of them are white. The film is so over the top, poking fun at our double standards (how many claim not to be racist because they listen to rap or watch basketball). The truth is...we expect African Americans to entertain us (in music and sports), but beyond that, we don't take them seriously as people. True, the hip hop community is quite influential in the language and style of our advertising and pop culture, but how many African American CEOs and Mayors and Governors and Senators are there? In the financial matters of our country, we still impose a glass ceiling on anyone not part of the white male demographic...so what is our minstrel show of today? Spike Lee made a point in the commentary track that you don't have to wear black face to have a minstrel show. It goes on without people being aware of it. For that reason, I'm grateful he made this film. Just seeing the disgusting collectibles from the past century (such as the "jolly n----- bank" or the Aunt Jemima dolls) is a reminder of our racist past. We mustn't forget even as we move on to greater inclusion and burying old stereotypes, allowing people to be who they are regardless of race.
I want to give this film 5 stars, but because the film veers into a strange tangent for about 10 minutes near the end of the film, I simply thought Spike Lee got lazy with how he wanted to end this film. It was a cheap and lazy way to go, even though he explains his reason on the commentary track. I disagree, because if done right, his ending would have punched up the meaning of this film. I'm at least glad that the montage at the end saved this film on a somewhat redeeming note. If anything, this film serves as a reminder of our recent history and how overt racism really was. The film succeeds as an awakening to the forms into which the Minstrel Show of the last century has morphed into something a little bit different, but accomplishing the same devastating effect. I know I'll never be able to look at another rap video in the same way again. Thank you Spike Lee!

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Spike Lee directs this sizzling satire on race and racism within the modern media world. Starring Damon Wayons (Major Payne TV's In Living Color) and Jada Pinkett-Smith (Set It Off Scream 2 The Nutty Professor)Running Time: 136 min.System Requirements:Starring: Damon Wayans Jada Pinkett-Smith Michael Rapaport Tommy Davidson and Savion Glover.Directed By: Spike Lee.Running Time: 136 Min. Color.This film is presented in "Widescreen" format.Copyright 2000 Warner Home Video.Format: DVD MOVIE Genre:COMEDY Rating:R UPC:794043519727

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2/28/2012

Crash (Widescreen Edition) (2005) Review

Crash (Widescreen Edition) (2005)
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This is the truest movie out there on racism, and the preconceived notions we ALL (no matter what color) try not to admit to to a certain extent. This was not a "lets bash the white man" movie either, the racism was across the board. The biggest surprise was to come about an hour in, and I was stunned to see the revelation of that storyline (with Matt Dillon). This film requires paying attention to, please stay with it, it will pay off. High recommend!

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They all live in Los Angeles. And in the next 36 hours, they will collide.

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2/10/2012

The Untold Story of Emmett Louis Till (2005) Review

The Untold Story of Emmett Louis Till (2005)
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It was in August of 1955 that 15-year-old Emmett Till was sent from Chicago by his mother to spend the summer with his great uncle, Moses Wright, in Money, Mississippi. On August 24, Till and some other black teenagers who had been picking cotton went to Bryant's Grocery and Meat Market to get some candy. In the store Till allegedly whistled at Carolyn Bryant. When her husband returned from a trip several days later and heard about the incident, Bryant and his half-brother J. W. Milam decided to "teach the boy a lesson." On August 28, they kidnapped Till from his uncle's house, too him to a plantation shed, brutalized the boy, shot him, and dumped his body in the Tallahatchie river, having tied a seventy pound fan from a cotton gin around Till's neck with barbed wire. The two men were tried and found not guilty by an all-white jury. In January 1956 their confession was paid for and published by "Look" magazine. Both men would die from cancer, Milam in 1980 and Bryant in 1990.
I do not remember when I first heard of Emmett Till, but the story of the black teenager who was killed by white men in Mississippi for the crime of whistling at a white woman was a pivotal event in energizing the Civil Rights Movement and I have known about it for a long time. However, I never saw a photograph of Emmett Till's body until I was at the Seattle Art Museum looking at an exhibit having to deal with depictions of race and gender in art, and there was a small photograph of Till's body on display at his funeral. The photograph was too small to tell any details, but you were struck by the swollen and misshaped head. It did not look human, but then to Milam and Bryant, Emmett Till was never a human being.
The title of Keith A. Beauchamp's documentary is "The Untold Story of Emmett Louis Till," not because the story has not been told, but because the people he interviewed, including Till's mother, Mamie Carthan Mobley, along with several cousins and friends from that summer in Mississippi, never had a chance to tell their story in court. Beauchamp provides them with that opportunity, using newsreel footage from 1955 as well. It follows the chronology of events, from Till's birth to the present and Beauchamp's own investigations into the case (his chief claim is that up to 14 other people were involved in the crime in various ways). For just telling the story and covering the facts, Beauchamp keeps things pretty basic in his documentary, letting people speak for themselves.
The most unforgettable part of the documentary is when Mobley tells the story of getting her son's body back home. Officials in Mississippi wanted to bury the body before anybody got a good look at it and when Mobley managed to get it back to Chicago the coffin was nailed shut. But she got it opened and then describes what it was she saw in simple and graphic details, emphasizing not the horrors but the child she remembered (e.g., she smiles as she talks about how she thought Emmett's teeth were the most beautiful things she had ever seen and then remembering seeing only two of them and wondering where the rest of them were). It is only after Beauchamp lets her tell of the pivotal point where she decides to leave the casket open at the funeral so the world can see what was done to her son in Mississippi that we go from a school photograph of a smiling Emmett Till to the wrecked ruin of his face and head. This is the most disturbing image from the Civil Rights movement, but that is exactly why it is the most important one and why its publication in "Jet" was an important catalyst. You really cannot tell the story unless you look at the photograph, and teachers who want to show this documentary to their students should be prepared to defend their decision.
In addition to Mobley, it is Moses Wright, who stood up in court and pointed to the two white men who came and took away Till (there is a photograph of the dramatic moment), who stands out here. But it strikes me that somebody who is not mentioned by name, William Bradford Huie, played a key role as well. A journalist and author ("The Americanization of Emily," "The Klansman"), Huie was often criticized by mainstream journalists for using his checkbook to get stories. But it was Huie who paid the murderers to confess in a national publication five months later. A follow up story revealed that the businesses of Milam and Bryant had gone under because they were ostracized by local whites. I am sure this did not happen because of the murders, which clearly the jury representing the town supported, but because of the published confession that took away the thin veneer provided by the not guilty verdict.
This documentary received a lot of publicity because it fueled an effort to reopen the case. The U.S. Department of Justice did reopen the case to determine whether others in addition to Milam and Bryant were involved. The F.B.I. and Mississippi officials worked on a joint investigation, and while Till's body was exhumed so an official autopsy could be performed, the federal investigation was closed in March of this year. Consequently, justice in this case will not result in anybody ending up in jail, but rather with preserving the testimony of these witnesses for posterity (Till's mother died after the documentary was completed). Carolyn Bryant (now Donham after her fourth husband) is still alive and living in Greenville Mississippi. Signs in her front yard warn that uninvited visitors will be prosecuted, an apparent indication that she believes the law in Mississippi continues to protect her a lot more than it ever did Emmett Till.

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In August 1955, Mamie Till-Mobley of Chicago sent her only child, 14 year-old Emmett Louis Till, to visit relatives in the Mississippi Delta.Little did she know that only 8 days later, Emmett would be abducted from his Great-Uncle’s home, brutally beaten and murdered by one of the oldest Southern taboos: whistling at a white woman in public.The murderers were soon arrested but later acquitted of murder by an all-white, all-male jury.Keith Beauchamp's groundbreaking film is the result of a 10-year journey to uncover the truth behind the nightmarish murder of an innocent African-American teenager. Emmett’s brutal murder - and his family’s brave actions in the horrifying aftermath- served as a major impetus for America's civil rights movement and led to Rosa Parks and Dr. Martin Luther King Jr. to make decisions that changed the course of history.Discover for yourself why the Chicago Tribune wrote, "If you don’t believe film can change the world, you haven’t seen The Untold Story of Emmett Louis Till."

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1/01/2012

The Rosa Parks Story (2002) Review

The Rosa Parks Story (2002)
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I used this video for Black History Month in a middle school. Most of the students had heard of Rosa Parks, but didn't know her life story. The film conveys her in such a human manner that the students were able to see her as a person and not just an historical figure. Many of the scenes in the film depicting separate but equal angered these students, who are too young to remember when these things actally existed. The film definitely elicited an emotional response from all who viewed it.

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11/26/2011

Everybody Hates Chris - The First Season (2005) Review

Everybody Hates Chris - The First Season (2005)
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This is one of the funniest shows around. I really love it. Chris Rock narrates, while actors act out the story of his childhood when he was 13 years old. It's about Chris and his family moving out of the projects and making a new start. Chris goes to school by himself to a good school in an Italian neighborhood (a real long haul) while his two siblings (younger brother Drew and younger sister Tonya go to their same school) so he has to learn to fight new battles as he tries to fit in. His first day there he faces a bully but also makes a new friend Greg (who couldn't win a fight if he tried). Back at home there is his dad Julius (played by the hilarious Terry Crews) and his take-no-nonsense mum Rochelle. His dad is really tight and tries to save money wherever he can and however he can.
All the episodes are called Everyone Hates The ... and each episode keeps getting better and better. To me, my favourite is episode 7 called Everyone Hates The Babysitter. Julius and Rochelle decide to have a date night and hire this girl to babysit the three kids. She always leaves the house to take care of her business. That in itself is funny but then Julius and Rochelle are at a restaurant that doesn't accept their coupon and the restaurant gets robbed.
It's such a great show and you will be in stitches watching it. Chris Rock narrates perfectly and you can see his life coming to life in each episode. I love it and hope you enjoy it and are as entertained by it as much as I am. I can't wait to get my copy.

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Inspired by his childhood experiences, comedian Chris Rock narrates the hilarious, touching story of a teenager growing up as the eldest of children in Brooklyn, New York during the early 1980s.

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6/30/2011

Jasper, Texas (2003) Review

Jasper, Texas (2003)
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I rented this movie when it first hit the video stores & later wound up purchasing a copy on DVD. It was sickening to watch the scene where James Byrd gets dragged to death by the three racist, young white men. I own a book on the tragedy & the book goes into much greater detail regarding the events which led up to the brutal murder. John King, the ringleader, is believed to have been sexually assaulted by a group of blacks in prison & this supposedly made him a bonafide racist. If that's true it doesn't justify in any way what he did to Mr. Byrd, who was just a random victim. I was jumped by four blacks in 1980 when I was 14 (I'm caucasian) & it was definitely racially motivated. For a number of years afterward I had racist feelings but have long since gotten over them. Racism is WRONG & simply cannot be tolerated. Racism must be fought wherever it is encountered because we are all human beings and all equal in the eyes of God. We should focus on our similarities & not on our differences. The KKK is not nearly as strong as it once was & is fading fast. Getting back to the movie, I thought it was good that they showed many blacks & whites trying to bridge their differences (especially the church communities). When the KKK & Black Panthers came to Jasper to start trouble, the town (blacks & whites) stood up to both groups. It was satisfying to watch those three scumbags get what they deserved. Two got the death penalty & the third got life without parole, I believe. Hopefully this will send a clear message to bigots everywhere that this isn't the 19th century anymore & if they commit these violent, hate crimes they will forfeit their own lives. May James Byrd rest in peace.

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This extraordinary true drama, set in the small town of Jasper, TX in1998, explores the aftermath of the horrible death of James Byrd, Jr., the African- American who was dragged to his death by three white men. An outraged nation watchedas the white sheriff, played convincingly by Jon Voight, and the first black mayor ofJasper, played by Louis Gossett, Jr. struggle to maintain control of their town and theirpersonal emotions. Jasper, Texas is a shocking reminder of the racial tension that stillexists today.

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6/16/2011

The Buddha of Suburbia (2008) Review

The Buddha of Suburbia (2008)
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This movie (miniseries, actually) remains on my top ten list of favorite films. The writing, the acting , the storyline, everything, just leaves me wanting to watch more (after four hours, that is saying a lot!). This film is inventive and captivating without a lot of special effects or high budget - it is just good. The basis of the story is the coming of age in 1960's London, of Kareem, (played by Naveen Andrews, from the English Patient) who is the son of and Englishwoman and Indian man. His place in English culture, in Indian culture, among his respective extended families on each side, as well as his place in life - exploring his career options, his [body], etc. - make this a thoroughly enjoyable experience. This movie is very entertaining and quite funny, especially when Kareem's ... father decides to jump on the East-West Hindu yoga and spirituality bandwagon of the sixties to make money. I just cannot describe all of the amusing and touching scenes from this film that make it such a gem. Very well made, and it has a very good soundtrack as well, featuring some good David Bowie songs. This film is a must-see.

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Before Velvet Goldmine, there was Buddha of Suburbia. The coming of age story of Karim, an assimilated Indian in London during the swinging seventies. Winner of seven international film awards. Soundtrack by David Bowie.

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