Showing posts with label canadian. Show all posts
Showing posts with label canadian. Show all posts

8/28/2012

Trailer Park Boys: Countdown to Liquor Day (2009) Review

Trailer Park Boys: Countdown to Liquor Day (2009)
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It's hard to say bad things about the boys in Canada's beloved pseudo-reality TV series, which ran 7 seasons, not counting the one-off "Say Goodnight to the Bad Guys" episode, which preceded this movie chronologically and plot-wise. There was also an Ivan Reitman-produced Trailer Park Boys Movie in 2008 (which didn't quite live up to the madness of the TV episodes).
Ricky, Julian, and Bubbles get out of prison and attempt once again, to stay out of prison. To their dismay, times have changed, and Sunnyvale has pretty much been abandoned. Bubbles's kitties are missing, and Lahey is now really off the bottle, swindling his ex-wife Barb out of property and using that deal to create the Lahey Luxury Estates. Unfortunately, the new property's main sewer runs underneath Julian's old trailer, so Lahey now has to plot to obtain Julian's land to complete his new utopia.
How is this movie different from the other brilliant Trailer Park Boys TV installments? Sarah Byrne, who was responsible for on-the-fly editing style, creating the comic timing of the earlier TV episode returns here. Blain Morris, who composed for the iconic TV theme, scores an understated soundtrack, inserting vintage country and western pieces when necessary, creating some gorgeous vistas alongside Ted McInnes cinematography. Rob Well's Ricky actually shines in some of his more serious - albeit deadpan - moments. The "battery charger advice scene" had me laughing out loud, rolling on the floor in it's sobriety: you can't jump start a dead car battery by hooking it up to your own dead battery! And the "No.1" Car Chase Scene of all time is worth the price of ticket admission alone, as the characters duel it out with a urinary swordfight in a high speed chase through downtown Halifax, Nova Scotia.
I think Countdown to Liquor Day is a Love Letter to all TPB fans. It shows that the boys are symbolically forced to "return" to something that is no longer there anymore. The sense of wonder and enchantment with the real trailers in the backdrop when the camera used to follow Bubbles in his go-cart, has now been replaced by repetitive pre-fab trailers with no distinction from one to another. Mike Smith's own Bubbles seems more like a forced caricature of Bubbles than the fresh, innocent, kitty-loving compassionate, pacific guy who won our hearts over in the film short "The Cart Boy" that started it all, some ten years ago. The other guys - J-Roc, T, Julian, seems growingly impatient with the impending typecast of their roles. The comedy in the earlier versions comes from a certain innocence of the boys thinking they will succeed, even when we know they can't. "Countdown" has a darker, more pessimistic tone: the boys seem to realize they are more apt to fail, and along with that comes a meaner, angrier streak. Where they use to look out for each other in the tight-knit trailer park community, the ethos seems to lean more towards "looking out for No.1." Phrases like "I'm not sure what success is, but I'm pretty sure it's not this," "I'm not feeling it anymore" may be read a number of ways. The boys pleading the film crew to stop filming them in the future is another Easter Egg in plain sight.
Sam "Caveman" Losco, Jacob and the Mustard Tiger, the original TV-Cyrus, and George Green, Barrie Dunn all appear, but only briefly in the backdrop. The comic duo of Trevor and Cory is long gone. Lucy, Sarah, and Trinity appear merely by duty, almost like former popular classmates showing up a for a class reunion. Even the front lawn bee with the spinning wings gets a bow out. Brian Vollmer of Helix and Alex Lifeson of Rush also make guests cameos. And of course, the two Chrysler New Yorkers almost disintegrated as a mile-marker of the evolution of TPB.
The movie is called Countdown to Liquor Day, so naturally the focus is on Jim Lahey and his lover Randy. Though John Dunsworth has pretty much exhausted every possible improvisation of FUBAR drunkenness in all previous episodes and outtakes, he carries the movie when scenes tend - as Clattenburg commented in the first TV season - to walk the tight rope between comedy and drama, and come dangerously close to toppling onto the serious side. Pat Roach is his able male lover, bickering with and nagging Jim in a domestic tale of a same sex couple.
Some of the whackiness of the earlier days are, as always, hidden in the "Deleted Scenes" section; Ricky tricking policemen into arresting innocent hunters during a liquor store holdup is a signature move, Ricky demanding from the film crew just what it is they are filming, Cyrus pulling his gun out during an academic test. There's also IMHO, a superior alternate ending that brings the focus back to Lahey and ends "Countdown" on a positive note, sending a morse code to fans like Seinfeld's final episode. There's a fun, alternate commentary track featuring the three familiar folks at the fansite trailer park boys org: Fishy Neil, Shake, and Tiggy.
The boys and creator Mike Clattenburg is in the process of creating a new show entitled "The Drunk and on Drugs Happy Funtime Hour" scheduled to air later this year. I look forward to new and great things from this troupe. My friend and I drove 1000 miles to Halifax for the premier of this movie, too poor for hotels and as a homage to Ricky...we slept in the car.

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NTSC/Region 1. Subtitled: Countdown To Liquor Day. Ricky, Julian and Bubbles are about to get out of jail, and this time, Julian vows to go straight, even open a legit business. Soon, the boys will all be rich. At least that's what they've told the parole board. But when they arrive back at the park, they find it's not the same old Sunnyvale - and it's not the same old Jim Lahey, Trailer Park Supervisor. Lahey's a new man, hasn't had a drink for two years. And he has plans - BIG PLANS - for Sunnyvale. But unfortunately for Lahey, Julian stands in his way. With his big plans for Sunnyvale going down the toilet, his relationship with Randy broken down, and having the Boys back in the park is all way too much pressure for him to bear. For Jim Lahey, the countdown to liquor day is on. Meanwhile, Julian's having problems of his own and the Boys are forced to resort to doing what they know best - breaking the law. Universal. 2009.

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5/25/2012

Karla (2005) Review

Karla (2005)
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This was a very disturbing, yet, very engrossing movie. Real life crime stories intrique me and this was no exception. I thought the two main leads, Collins and Prepon were exceptionally good and it's a role certainly against type for Prepon. Perhaps there is too much sympathy for Karla in the movie, however, if some of the deleted scenes had been included, it may not have been the case in the finished product. This movie could have been explotive if the sex and rape scenes were more brutal, but, I commend all involved for leaving more to the immaginiation than the eyes. It's a movie you really want to follow almost word for word, frame by frame, as to not miss something that might give you a reason to understand the callousness and the brutality of the two principals in the case. I highly recommend this movie, but, it is disturbing, especially knowing it is based on a true story. Well done, well crafted, and well worth seeing.

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Evil has a beautiful face. A deeply disturbing true story "The Ken and Barbie Killers" Winter - 1990. The most notorious serial killers in the history ofCanadabegin their psychological dance with death and depravityas an entirecountry is held captive in fear.In stunningly acclaimed performances, Laura Prepon ("That 70's Show","Slackers", "Come Early Morning") and Misha Collins (TV's "24", "NCSI")breathe perverse life into their real life counterparts, Paul Bernardo andKarla Homolka, dubbed by an anxious press the"Ken and Barbie Killers". As the gruesome events unfold, and lovely young girls disappear, the utterlack of remorse from Paul coupled with his quirky charisma paint adelusional world of normalcy for Karla. Police frantically search for and eventually put an end to the couple'shorrific killing spree and their trial captivates the entire nation,setting off waves of controversy surrounding the brutal killings. In the end, this gripping, tension-packed film will haunt you forever leftto ponder the psyches of two individuals in a tragically dementedrelationship...because it's true. Written By: Michael D.

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4/27/2012

NEWSROOM: SEASON 2 (2008) Review

NEWSROOM: SEASON 2 (2008)
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I chanced across this series as it was airing on the local PBS affiliate. Ken Finkleman's George Findlay is a gem, an egomaniac and hypocrite. The supporting cast is also wonderful. The writing is sharp. If you haven't seen it, it's worth checking out. Favorite episodes include "The Fifty" and "Anchors Away."

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Few shows in TV history have delivered more dark wit than Ken Finkleman's groundbreaking series The Newsroom. The show's caustically comic behind-the-scenes look at the workings of a network television newsroom has been applauded by both audiences and critics. Back this season are anchor Jim (Peter Keleghan), who in the face of world disaster is plagued by a wardrobe dilemma; Karen (Karen Hines), whose bitchiness is temporarily transformed during a love affair; Matt (Matt Watts), confidante and foil to George; Allen (Douglas Bell), the overeducated under-achiever with no voice; and George (Ken Finkleman). DVD features include Ken Finkleman audio commentary

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11/22/2011

CORNER GAS: SEASON 6 (2009) Review

CORNER GAS: SEASON 6 (2009)
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The Sinefeld of the North, Corner Gas is an excellent sitcom. The dry, sarcastic humor is great and the characters are even better! Brent Butt has pulled together a great cast of actors and given them some of the best rolls I've seen in a long time. Too bad it's all over. Season 6 was the last.
Got my DVD because they haven't started running the final season in the states that I can find. Only watching one a week, just because that's the way I am.
I'll be buying the other 5 seasons for Christmas this year.

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The hugely popular series winds up its run with 19 half hour episodes on 3 discs sharing the wacky adventures of Dog Riverâs daft denizens. Special guest stars featured in Season 6 include Michael Bublé, Gordon Pinsent and David Suzuki, among others. Bonus features include: 5.1 sound, Itâs Been a Gas CTV special, and footage of the final read-through

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11/05/2011

Trailer Park Boys: Season 1-2 (2004) Review

Trailer Park Boys: Season 1-2 (2004)
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The first TBP episode I saw was the last one of the first season.... the marriage episode, I was totaly disgusted because I tought it was a real reality show.Then I saw the TPB christmas special and I saw that this was genius( from the male prostitute dressed as a elf to Ricky selling drugs in the church. I am now the biggest fan of TPB there is, this is the best show on television.... after the sopranos of course.
This is the only show which can make me laugh out loud!
BUy this theres no way youll be disapointed.

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No synopsis available.

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10/28/2011

CORNER GAS: SEASON 5 (2009) Review

CORNER GAS: SEASON 5 (2009)
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I have given up on American Sit-coms, they all have one subject and only that subject SEX. Not that there is anything wrong with a little subtle induendo but every show is in your face sex from beginning to end. Corner Gas proves that a comedy can still be clean and funny. Let's see more of this from CTV.

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After four seasons, 69 episodes and 13 Gemini Award nominations, Corner Gas Season Five is funnier than ever with more high octane laughs courtesy of the all-star writing team that includes Brent Butt, Kevin White, Mark Farrell and Andrew Carr and introduces Emmy Award winner Norm Hiscock, along with the highly-acclaimed Gary Pearson. Just some of the Season Five hilarity includes Karen and Davis investigating mysterious crop circles, Brent and Lacey making The Ruby and Corner Gas more environmentally friendly, and Oscar moonlighting as a school bus driver for a day. Includes all 19 episodes of the 5th season on 3 discs.

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10/24/2011

The Newsroom - The Complete First Season (2004) Review

The Newsroom - The Complete First Season (2004)
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I couldn't believe what I was watching when I first saw these episodes air on PBS (uh oh, I owe them some money). I was delighted. Ken Finkleman must be evil and must be a genius. I love him! I taped these off of the tv so I can't say if owning dvds is worthwhile. This is very good and different television. It's smart and quietly terrible. If you like Rick Gervais and Arrested Development, then this series ought to make you laugh.

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Comedy series focusing on the goings on at a Canadian television newsroom.Genre: TelevisionRating: NRRelease Date: 13-DEC-2005Media Type: DVD

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10/12/2011

CORNER GAS: SEASON 3 (2008) Review

CORNER GAS: SEASON 3 (2008)
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I'm one of the few Americans lucky enough to be familiar with this series. It is one of the funniest TV shows ever created. The writing is top notch and the characters are quirky and funny. If you don't know someone who reminds you of Oscar, you have lived a very sheltered life. Well worth the time and effort to watch. Better comedy than anything on American TV today.

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And you are aware that both Corner Gas creator Brent Butt and his Dog River alter ego Brent Leroy (aka Self Serviceman) are way into comic book lore? Thus the classic rendering of the cast by Canada's illustrious graphic swashbuckler Ron Boyd. Yes, Corner Gas' 'Awesome Eight' once again drew on their uncanny comedy superpowers in Season Three to turn deceptively inane premises into comedy gold, destroying the evil competition and making our glorious land a safer place in which to laugh! And now that you've read this it's pretty clear that even though our sleeve concept is somewhat outside the box, what's inside the box is the actual TV series and not a cartoon.

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10/11/2011

Slings & Arrows - Season 1 (2006) Review

Slings and Arrows - Season 1 (2006)
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...entertaining. I'm not going to rattle on about how wonderful this series is -- so unlike anything on dreck-laden US television. Instead, I'll just say that I agree with all the praise piled on "Slings & Arrows" by others and note it is a special source of fun for anyone with backstage experience. And I'll add the lyrics of "Call the Understudy," the song sung by Cyril and Frank over the closing titles to each episode --
Call the understudy
I can't go on tonight
I'm drinking with my buddy
I'm getting good and tight
Before they raise the curtain I'll be higher than a kite
So call the understudy
I can't go on tonight

Tell the cast and crew to break a leg (break a leg!)
Roll me out another bloody keg (bloody keg!)
I need to ease the pain that life can bring
And liquor is what will hit the spot
The play is not the thing

So call the understudy
I think it's only right
My diction will be muddy
I'll never find my light
Before the intermission I'll be pissin' on a sprite
So call the understudy
I can't go on (he can't go on!)
I won't go on (he shan't go on!)
I can't go on tonight (damn right!)
If you want to laugh -- and, finally, to be moved once again by "Hamlet" -- scoop this up and settle down for a treat.

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Showered with awards and critical acclaim, this darkly comic Canadian series follows the fortunes of a dysfunctional Shakespearean theatre troupe, exposing the high drama, scorching battles, and artistic miracles that happen behind the scenes. Paul Gross (Due South) stars as washed-up actor Geoffrey Tennant, who returns to the New Burbage Theatre-the site of his acting triumph and his career-ending meltdown-to assume the artistic directorship after the sudden death of his mentor, Oliver Welles. Believing that theatre is meant to provoke not anesthetize, Geoffrey takes on the suits who want to turn the festival into a theme park, a director who runs amuck with Hamlet, and his own demons, including Oliver-who returns to haunt him. Also starring Rachel McAdams (Wedding Crashers, The Notebook), Stephen Ouimette (Mentors), and Mark McKinney (Kids in the Hall).

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8/04/2011

Twitch City - The Complete Series (2000) Review

Twitch City - The Complete Series (2000)
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Finally, this great (but short-lived) Canadian series makes it to DVD. This is one of those cult classics that actually DESERVES to be a cult classic. It's a deadpan spoof of pop culture for people who enjoy pop culture (it satirizes without being smug). Writer/director/star Don McKellar and his castmates Molly Parker and Daniel McIvor (among others) are a pleasure to watch. I saw this on tape several years ago from a friend who had taped it off A&E -- now it's great to own the whole thing on DVD even though the picture quality could be better. Not to be missed if you like comedy that manages to be both goofy and smart!

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Tony-winning writer/director/actor Don McKellar created this quirky non com (neither sit nor dot) that explores our collective addiction to television.

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7/22/2011

Slings & Arrows - Season 3 (2006) Review

Slings and Arrows - Season 3 (2006)
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Warning: Spoilers!
Season Three was the final act in one of the remarkable small format series in the history of television. The Canadian series is unlike anything that could ever have been produced in the United States. American TV is focused on long-running series that can be taken into syndication. This doesn't mean that some great television doesn't result, but it does mean that smaller series such as SLINGS AND ARROWS, with its three six-episode seasons, has no place. This is a tragedy on a number of levels, not least because some series are simply better served by shorter formats.
Season Three of the series was far and away the most controversial of the three. Many fans of the first two seasons found the collapse of all the successes of the first two seasons to be off putting. They liked the way that HAMLET in Season One was an unexpected success while the daring MACBETH of Season Two became not only a festival success but made its way to Broadway. The final season was, however, a far more subdued and somber affair. Like the first two seasons, it focused on a central play in the Shakespearean corpus: KING LEAR. And like the first two seasons there is a difficulty with the lead actor. In this case, however, the actor is dying.
I personally think the final season is a tremendous artistic success. And much of the reason for that is the amazing performance by William Hutt as Charles Kingman, the dying Lear. Hutt has, very much like Ellen in the series, spent very little time in television and film. He is in fact one of the most distinguished Shakespearean actors of his day. Some great stage actors' transition to the silver screen as they age, finding the less grueling film schedule's physical demands easier to meet. But Hutt continued onstage well into his eighties. This season of the show would not have worked with a lesser actor. There are moments in the season when Hutt's Kingman is performing LEAR that you simply stop breathing his performance is so extraordinary. You become acutely aware that you are seeing someone do something that the vast majority of actors, even the majority of very good actors, simply cannot do. Though in his mid-eighties one is struck by the sheer power in his voice. Getting Hutt to play this role pretty much guaranteed the success of the season.
Another delight in Season Three was seeing Sarah Polley appear in a production with her father. She plays the play's Cordelia, while her father was in all three seasons as Frank, the hard-of-hearing half of the elderly male couple. I've always respected Polley for her political activism and her rejection of Hollywood stardom (among other moves, she turned down the role in ALMOST FAMOUS that later made a star of Kate Hudson). So it was a rare treat to see her in this.
As mentioned, many fans of the show didn't care for this season. Many wanted in outline a repetition of the first two seasons, where success is snatched out of the jaws of failure. Things this season simply do not go very well. This is not to say that the series ends unhappily, but it does end by rejecting conformity to a formula. I've little patience for television viewers who have no tolerance for risk or change. The best television is never safe television. The best shows I've seen on television, whether THE SOPRANOS or BUFFY THE VAMPIRE SLAYER or SIX FEET UNDER or BATTLESTAR GALACTICA or THE WIRE are essentially risk-taking shows. In each of these shows not all the fans were willing to follow where the writers were taking them. These fans wanted the shows to stay safe. But the best shows always a bit of the sense of a tightrope walker working without a net. SLINGS AND ARROWS did precisely this in Season Three. And I just say: good for them!
And what can you say about Paul Gross. Before this series I mainly knew him for his role as a Mountie who had been reassigned to Chicago in the series DUE SOUTH. His Geoffrey Tennant is one of the finest characters I've seen on television in several seasons. Though the series has ended, it is, I believe, technically qualified for Emmy nominations this next round. If there were justice Gross would receive an nomination for Best Actor. He won't. The Emmys ignore shows on all but the Big Four and HBO, which means that shows like this one and BATTLESTAR GALACTICA will be ignored, and inexplicably even the HBO drama THE WIRE. (The three shows I've seen television critics consistently praise more than any others are THE WIRE, BATTLESTAR, and FRIDAY NIGHT LIGHTS, but I don't expect all three--except for the special effects, which BATTLESTAR will sweep--to get any nominations, those the three shows should dominate the Best Drama, acting, and writing categories.) And having only six episodes hurts further. But Gross's Tennant is eccentric, brilliant, human, funny, and magnificently flawed. Yet Gross manages to endow him with greatness as well.
The series ended after only eighteen episodes. Not even quite a full season of a broadcast network series in the United States. But there was no filler, so it felt like it had more content than most regular series. And it ended like any good show is supposed to: it left us wanting more. With eighteen episodes it has no hope for syndication. But as long as the DVDs stay in print I believe that this show will have a continually expanding audience as one person watches it and then tells his friends about it. And it will be a steady rental on Netflix even if Blockbuster fails to stock it on its shelves (yeah, I know Blockbuster has a rental service as well, but after all the gouging they did with all those late fees, why should I ever give Blockbuster another penny?)
This is a truly great series. I am a life long movie buff who firmly believes that in the past decades television has surpassed the movies as the thinking person's visual medium of choice. And this is one of the series that I would point at to prove my point.

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"Pitch-perfect drama and comedy" -- San Francisco Chronicle "Sweet, smart and seriously addictive" -- Philadelphia Inquirer "The most fully satisfying slice of entertainment in ages" -- Newsday As seen on the Sundance Channel In its third season, this universally acclaimed series continues to mine dramatic and comic gold from the trials and tribulations of a dysfunctional Canadian theatre troupe, both on- and offstage. Struggling with the unfamiliar burdens of success, the New Burbage theatre festival mounts two ambitious productions: King Lear, Shakespeare’s epic tragedy, and East Hastings, a debut musical about a heroin-addicted hooker with a heart of gold. Emotionally fragile artistic director Geoffrey Tennant (Paul Gross) coaxes legendary actor Charles Kingman out of semi-retirement to play Lear. But with plenty of personal baggage, Kingman doesn’t so much play the part as live it. Meanwhile, the festival’s resident bean-counter (Mark McKinney) joins forces with the musical’s flamboyant director (Don McKellar) to create the unlikeliest hit in theatre history. Special guest stars include award-winning actor William Hutt of Canada’s Stratford Festival and indie-film sensation Sarah Polley (My Life Without Me, The Sweet Hereafter). DVD SPECIAL FEATURES INCLUDE interviews with Paul Gross and Susan Coyne; extended scenes of King Lear; bloopers; deleted and extra scenes; trailer; production notes; photo gallery, song lyrics, and cast filmographies. Contains strong coarse language

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7/08/2011

Doodlebops: Superstars (2006) Review

Doodlebops: Superstars (2006)
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On the whole, the DVD is OK. The stories are cute and the songs are great. However, my 3 year old started watching the shows on Disney Channel and the format now is so structured - basically the same every episode (Find Moe, go record a video, get on the bus, go to the show). He was really alarmed that these early episodes are completely different, but finally is OK with that. Also, these episodes the Doodlebops the makeup looks a lot different. Looks like the wig is attached to the neck and head and the actors faces peek through

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DOODLEBOPS SUPERSTARS - DVD Movie

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7/06/2011

Slings & Arrows - Season 2 (2005) Review

Slings and Arrows - Season 2 (2005)
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If anyone had told me a year ago that my favorite program on television would be a Canadian import about a Shakespearean theater troupe, I would have had my doubts. But Season 1 of "Slings and Arrows" beguiled me. So droll and sophisticated, but with moments of sheer slapstick, I was absolutely enchanted. The writing was so smart, so funny, the performances spot on--including Paul Gross and Rachel McAdams (two of the more familiar actors for American audiences). It ended in six episodes and I wistfully said good-bye to a near brilliant show. I had no idea there was more to come.
So I was delighted when I heard Season 2 was on it's way. But I was also doubtful. Could they really mine the same material and come up with another winner? To my mind, they did that and even more. I enjoyed it every bit as much.
This season there was less back story, so it dealt more specifically about the inner workings of actually staging a couple of shows. The misadventures of producing the cursed "MacBeth" is definitely the highpoint. It might have been the funniest thing on TV last season, seriously. Add subplots about theater ingenues in "Romeo and Juliet" (McAdams says farewell in episode 1, so there's a new ingenue), a romance found/lost/found, and plenty of wit--and you have a delight. One subplot about an experimental advertising campaign to lure new traffic to the theater festival is perfection. As someone who has been a season subscriber in the LA theater scene for over ten years, this was particularly hysterical to me--how much truth there was.
But, trust me, you don't have to be a theater goer or a Shakespeare enthusiast to enjoy this program. But you do have to enjoy smart, sophisticated entertainment with top notch performances. I have shown this series to a couple of friends who would NEVER have sampled it on their own. They were surprised how identifiable it was and how funny!!!
Watch this--and if you haven't seen Season 1, what's stopping you? KGHarris, 9/06.

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"Absolutely addictive" -The New York Times "One of television’s best" -San Francisco Chronicle "Struts and frets . . . delightfully" -Time In its second season, the smash hit Canadian comedy about a struggling Shakespearean theatre troupe explores the conflicts of middle age and rebranding: Am I who I want to be-or not to be? Now ensconced as artistic director of the New Burbage theatre festival, Geoffrey (Paul Gross) must stage the cursed play Macbeth to fulfill the vision of his deceased predecessor Oliver (Stephen Ouimette). The actor cast in the lead (Geraint Wyn Davies) engages in a titanic clash of egos with Geoffrey, while Oliver weighs in confrontationally from the grave. The festival faces a financial crisis that forces its CEO (Mark McKinney) to engage in some risky business, while leading lady Ellen (Martha Burns) endures a life-altering tax audit. Adding to the mayhem is the return of the madcap guest director Darren Nichols (Don McKellar), who stages a post post-modern Romeo and Juliet after the original director breaks her neck. Could it be the curse of Macbeth? As seen on the Sundance Channel.

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6/24/2011

CORNER GAS: SEASON 2 (2008) Review

CORNER GAS: SEASON 2 (2008)
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Croner Gas, now in its third season in Canada, is the story of a gas station/convenience store owner (Brent Butt, also the show's creator) and seven other main inhabitants of the small Saskatchewan town of Dog River. Unlike many US sitcoms where there is a forces laugh track and a joke or funny face that must be made every 52 1/2 seconds, Corner Gas finds its humor in the reality of life ina small, backwater town in the middle of nowhere where such things as the biggest pile of lumber in town or the town's pothole are big things to the townspeople. It also finds its humor in how people really are... characters.
This is the sort of show that a major US network would ruin if they decided to do a US version, just as they ruined Coupling a few seasons ago. Which is a pity because this is a show that deserves to be seen down here. Maybe Comedy Central will pick it up. Or, BBC America.
For those lucky enough to live in Canada or in a border town that receives CTV or Canada's Comedy Channel, you get to watch these wonderful programs weekly. For those of us in "other" places, we have to wait until the DVDs come out. Thankfully, the first two seasons are available from amazon.ca. (...)

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Welcome back to everyones favorite prairie town - Dog River, Saskatchewan.Popular comedian Brent Butt returns to small town Saskatchewan to portray the life he would have led had he gotten a real job - pumping gas at Corner Gas.Special Features: cast

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