Showing posts with label creepy. Show all posts
Showing posts with label creepy. Show all posts

5/25/2012

Karla (2005) Review

Karla (2005)
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This was a very disturbing, yet, very engrossing movie. Real life crime stories intrique me and this was no exception. I thought the two main leads, Collins and Prepon were exceptionally good and it's a role certainly against type for Prepon. Perhaps there is too much sympathy for Karla in the movie, however, if some of the deleted scenes had been included, it may not have been the case in the finished product. This movie could have been explotive if the sex and rape scenes were more brutal, but, I commend all involved for leaving more to the immaginiation than the eyes. It's a movie you really want to follow almost word for word, frame by frame, as to not miss something that might give you a reason to understand the callousness and the brutality of the two principals in the case. I highly recommend this movie, but, it is disturbing, especially knowing it is based on a true story. Well done, well crafted, and well worth seeing.

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Evil has a beautiful face. A deeply disturbing true story "The Ken and Barbie Killers" Winter - 1990. The most notorious serial killers in the history ofCanadabegin their psychological dance with death and depravityas an entirecountry is held captive in fear.In stunningly acclaimed performances, Laura Prepon ("That 70's Show","Slackers", "Come Early Morning") and Misha Collins (TV's "24", "NCSI")breathe perverse life into their real life counterparts, Paul Bernardo andKarla Homolka, dubbed by an anxious press the"Ken and Barbie Killers". As the gruesome events unfold, and lovely young girls disappear, the utterlack of remorse from Paul coupled with his quirky charisma paint adelusional world of normalcy for Karla. Police frantically search for and eventually put an end to the couple'shorrific killing spree and their trial captivates the entire nation,setting off waves of controversy surrounding the brutal killings. In the end, this gripping, tension-packed film will haunt you forever leftto ponder the psyches of two individuals in a tragically dementedrelationship...because it's true. Written By: Michael D.

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4/29/2012

Wolf Creek (Unrated Widescreen Edition) (2005) Review

Wolf Creek (Unrated Widescreen Edition) (2005)
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As per usual, there have been a great many moronic things said about this movie. Some critics have been offended by it, but don't let that make you think this is some sorta gorefest. The violence is intense and reasonably graphic, but it's certainly not gory in the conventional sense. I find it amusing that those who were offended by the film have more or less said that it was too horrifying, cause ya know, god forbid that someone actually be horrified by a horror movie. They've also said it is misogynistic, just like they've said about every other slasher movie ever. (Slasher movie isn't entirely appropriate for describing this, but it's as good as we'll get.) This is a particularly irritating complaint, first because they always say this, second because it's a bullcrap non-argument evasion intended to avoid any real analysis, and finally because it isn't true. In fact, it's even less true here than it usually is, cause the film doesn't make the killer into the hero. Yes, bad things happen to the women in this film, but we AREN'T supposed to be happy about it. And, of course, very bad things happen to men in the film as well, but who the hell cares about them anyway? Everyone knows that women are much, much more important than men. I also think it's interesting that the killer is a fat, greasy dude from out in the country, as they so often are in this sorta movie, yet it has not been accused of being bigoted against rural people, nor has any horror movie I've ever heard of. What a bizarre coincidence. Wonder why critics don't seem to care about those sorts of people. Maybe they really think that they all are killers. I dunno.
But, critical idiocy aside, this is a very nicely done horror film. The plot is simplicity itself- 3 youths are captured and tormented by a backwoods psychopath while vacationing near Wolf Creek in Australia. Subplots are rarely of interest in slasher films, and 'Wolf Creek' fortunately has none of them. Still, with the very small cast we get to know these characters quite a bit better than we usually would in a slasher film, and they are certainly far more likable than the hot young teens of the American slasher revival. (Of course that doesn't mean much, as said hot young teens are usually loathsome.)
'Wolf Creek' was really made on the cheap, only about 1 million bucks, I hear, and it's certainly got a rough, gritty look. Some people claim that grainy, DV films with handheld cameras are more realistic, which makes precisely no sense as life is not especially grainy, and I tend to hold my head fairly still. However, this technique can allow for a greater sorta intensity and physicality, which works well here. Despite the generally rough visuals, it's still got some rather beautiful cinematography at times, and the great Australian deserts are a fine backdrop for such events.
Yeah, the film does take a while to get going, certainly longer than is necessary, but seriously, are you guys all 3 years old or what? Go out in the lobby and drink your juice and then go potty, and then it'll almost be time for the killing to start. The acting is extremely good for a film with this kinda budget. The 3 leads all do a fine job, with some fairly authentic, if not exactly fascinating, casual banter in the first half of the film. Still, the second half is much more important, and they play it a bit different from most horror films, which is largely why this bothers so many critics. In most horror movies, none of the characters are ever authentically terrified. They're pretty nervous and jumpy and may let out a scream before they die, but they're pretty much in control. Not so here, as Magrath and Morassi spend much of the latter part of the movie in near hysterics, and are utterly convincing, with two of the finest performances of this sort since Marilyn Burns' classic turn in the original 'Texas Chainsaw Massacre'. John Jarrat is also excellent as the killer. They use a trick which is fairly common, in that we are introduced to him as if he were a normal character, who seems amiable enough, if a bit odd, and we then slowly see his violent side revealed. It's an old trick, but a good one, and it works especially well here, aided by his Australian accent, which are always inherently non-threatening to me, for some reason. He does get to be a bit wisecracking at times, but never to the point which he becomes the hero of the film.
Many will say this has an anticlimactic ending, and while I can't help but agree with this to some degree, it's also kind of interesting in that it is so different from what you'd usually see in this sorta film. The small cast also makes it quite a bit less predictable, as most slasher movies have the few central characters who will obviously survive, along with plenty of cannon fodder. With only 3 main characters there just aren't enough people to allow any meaningless little kills stuffed in at the beginning, and it's tougher to predict the order in which they will be offed.
Though I'm sure many of you are sick of hearing this, `Wolf Creek' really is a throwback to the more intense horror films of the 70's like `The Texas Chainsaw Massacre' and `The Hills Have Eyes'. It's got an intensity and seriousness that is almost inevitably lacking from later slasher movies, and the old rough and violent feeling. As such, it certainly isn't for everyone, as many people seem to only like gentle, feel-good horror or conventional gorefests. But, it you've got a taste for something darker and more intense, `Wolf Creek' is definitely worth a look.
Grade: A- (This is after watching it again on DVD, and determining that it was even better than I'd thought initially. I'd change the rating to a 5, if I could.)

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Welcome to Wolf Creek, where the suspense of The Blair Witch Project meets the horror of The Texas Chainsaw Massacre. Inspired by Australia’s "Backpacker Killer" who murdered seven backpackers in the ‘90s, Wolf Creek won wide acclaim from critics, filmmakers and audience members alike at the Sundance Film Festival.Three unsuspecting hikers take off for a drive across Australia. When the trio returns from a four-hour hike to Wolf Creek National Park, they find their car is dead. Help comes in the form of big, back-slapping bushman Mick (John Jarratt).Since Mick appears to be more Crocodile Dundee than Freddy Krueger, the trio trusts him…which proves to be a grave mistake.Quentin Tarantino said, "Jarratt delivers a performance that’s destined to go down as one of the greatest film heavies of the last 25 years."Not since the original Texas Chainsaw Massacre has terror felt so real."Ken Fox, TVGuide

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2/19/2012

Paranormal Activity (2009) Review

Paranormal Activity (2009)
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A well-written review of any film should never label its subject "good" or "bad". Rather, it should give you an idea of whether or not you can expect to enjoy it, based on your own preferences and expectations. Paranormal Activity is a particularly controversial film when it comes to the potency of its terror. Most reviews either complain, with great disdain, "I hated it - it wasn't scary at all" or exclaim in total satisfaction, "It scared the pants off me - I loved it". There seems to be little in-between.
I saw the film today, having read enough reviews to know pretty much what to expect. But before I reveal my own reaction to Paranormal Activity, I would like to offer a few ideas that those who know little about this film may find helpful.
Alfred Hitchcock, the celebrated director who was known as "The Master of Suspense" held many interesting theories about what frightens an audience. Hitchcock believed that, when properly stimulated, the viewer's imagination was far more powerful - and far scarier - than many direct images that may or may not frighten the average viewer. Directly depicting a ghost, a monster or a demon for example, even with today's special effects, may scare many viewers, but that will depend solely on the quality of the effects. And even if well done, many viewers may find the images unconvincing or downright laughable, for they may have other ideas about what a ghost, monster or demon should look like.
However, if the filmmaker merely implies that a supernatural event is taking place, and sets up the situation with enough skill, the viewer's imagination can take over and sometimes yield a far more frightening experience than any vivid imagery ever will. After all, people go to horror films to be frightened, and what could be more frightening than unseen terrors from one's own imagination? By setting the mood with dark rooms, low lighting, eerie shadows and other effects that many people will associate with their greatest fears, an innocent image of two people peacefully sleeping, unaware of what may be going on about them or to them, can become very frightening indeed, even if few special effects are used. This is especially true if the moviegoer has developed enough empathy with the characters to place themselves in the same situation.
Many modern horror films rely on blood, gore and violence, with horrible creatures conjured up by special effects and vivid scenes involving battles with ugly demons or manic killers in order to provide thrills. That can be a lot of fun, and certainly very scary. But it can also be argued that, as CGI effects advance and become more vivid and frighteningly realistic, many viewers become inured to violence, blood and "creatures" while depending less and less on their own imagination, and in the process, they will sometimes forgo a far scarier experience. I know that no special effect ever came close to my own nightmares, because my nightmares are stirred by the things I fear most, and not the things that I've been conditioned to find scary. In short, no amount of vivid terrors can match the human imagination, provided that the imagination is properly stimulated.
Well, this is the basic idea behind Paranormal Activity. Largely on a shoestring budget, the writers/director/actors of Paranormal Activity have managed to create an old-fashioned thriller that relies almost exclusively on the viewer's imagination. Those who like their "scary movies" full of CGI, monsters, blood and violence are warned; you will probably be extremely disappointed. But if you have enough respect for your own imagination, and can allow yourself to be frightened not by what you see, but by what you think is there, you just may find Paranormal Activity to be every bit as frightening and well done as many people say it is.
By the way, I saw it with a friend. He did not find it frightening at all. On the other hand, I definitely expect to have trouble sleeping tonight. Whether or not you will agree may depend on how effective your own imagination can be.
Recommended.


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This intense edge-of-your seat horror film follows a young suburban couple who record the sinister disturbances in their home while they sleep – even as the domestic haunting becomes more frequent, more threatening and all too personal. Hypnotic and harrowing, Paranormal Activity uniquely delivers frightful suspense punctuated by moments of sudden and unexpected terror, all the way to the shocking ending.Featuring a version not shown in theaters with an exclusive alternate ending, Paranormal Activity is the one supernatural thriller DVD to own that plays on your most primal fears, and guarantees you\'ll need to sleep with the lights on.

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6/23/2011

Mars Invades The Earth: The Night America Trembled (1957) / The Martian Eyes from ""Lights Out"" (1950) (2006) Review

Mars Invades The Earth: The Night America Trembled (1957) / The Martian Eyes from Lights Out (1950) (2006)
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This is a great example of live television from the 1950s and one of the few surviving kinescopes of the long running CBS dramatic anthology series "Studio One" (1948-58). "The Night America Trembled" is a recreation of the Orson Welles/Mercury Theatre radio adaptation of H.G. Wells' "War of the Worlds" broadcast of October 30, 1938. This early docudrama makes the most of its low budget thanks to a taut script, crisp direction and an incredible ensemble cast that included Ed Asner, Warren Beatty, James Coburn, Vincent Gardenia, Frank Marth, Warren Oates, Alexander Scourby and, in an uncredited role, John Astin. The production was hosted by famed CBS newsman Edward R. Murrow, who provides historical context for the show.
This release, by Alpha Video, is not the first time that "The Night America Trembled" has appeared on DVD. This episode has also appeared on the Canadian label VSC (Video Service Corp.) as part of their trio of "Studio One" DVD releases. Alpha's presentation is fairly solid for a live show from the 1950s. But those searching for Betty Furness and the original Westinghouse commercials will need the VSC version as this release eliminates almost all of the commercials, save for an opening reference to Westinghouse and a commercial near the end. Alpha rounds out this release with an episode of another early live anthology series "Lights Out," which had its origins in radio and focused its stories on the supernatural. Though rare to see, the episode "The Martian Eyes" is one of the murkiest looking television episodes that I've ever seen committed to DVD, and the script simply doesn't hold one's interest in the way that "The Night America Trembled" does. However, it's great to see Burgess Meredith in an early television role, along with veteran J. Pat O'Malley.
This DVD release will likely be of interest to those who appreciate vintage, live television. "Studio One" fans are better served by the releases from VSC, but if you're looking just for "The Night America Trembled," this release will do just fine. I'm giving **** for "The Night America Trembled" and ** for "The Martian Eyes."


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A horrific and dramatic recreation of the night Mars invaded earth via the infamous Mercury Theater ""War Of The Worlds"" broadcast / A terrifying episode from the classic TV horror series ""Lights Out.""

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6/06/2011

The League of Gentlemen: The Complete Series 1 (2000) Review

The League of Gentlemen: The Complete Series 1 (2000)
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Unless you have been lucky enough to catch the League Of Gentlemen series on Comedy Central, or, indeed, are a Brit like me who caught it on BBC 2 last year and this, you probably won't be bothered risking your hard-earned on this vid. If you stopped reading my review here I wouldn't blame you either. But please read on.
Ok, it's comedy, but what *kind* of comedy is it?
It's a very, VERY black comedy, presented in mini serial format. Based around a somewhat inward-looking village in Northern England called Royston Vasey, the series follows Royston Vasey's rather odd inhabitants, very similar to that of a soap opera. Nothing groundbreaking so far, I know. But what makes this series stand out from the crowd of other BBC also-rans ("Keeping Up Appearances" and "One Foot In The Grave" spring instantly to mind) is the quality of the show. Each episode plays out with all the cinematographic flair of a classic movie. A major contributing factor in this would be the use of 35mm camerawork throughout. The original musical score runs almost the whole length of each 28 minute episode and changes to reflect the situation onscreen, often quite upbeat, but every so often rather sinister. The comedic acting is absoultely brilliant. The League's three actors (the 4th member is the producer) have obviously spent countless hours watching classic horror films, as each of them delivers line after line of hilarious dialogue, overshadowed by sinister expression, and over-play.
The three actors play all the characters - A voodoo-like circus ringmaster, a German homosexual tour guide with murderous tendancies; a bizarre, almost creature-like, shopkeeper and his even stranger wife; the butcher who's most popular product, his "Special Stuff", is an addictive and secret 'something' only shared amongst a few of the villagefolk; a Job Centre Restart Officer who wallows in her ability to downput her 'Jobseekers'; the Cab driver - a big hairy bear of a man who wears a hot pink mini-dress and stilettos... etc etc...
This Vid/DVD I would only recommend if you have in the past laughed at something you knew deep down you really shouldn't have. It's that way.
If you are the above kind of person, though, You won't find anything, comedy-wise at least, as cutting edge or refreshingly new and entertaining as this.
If you do buy this, you'll want to tell your friends to come over and see it for themselves before the end of the first episode. I guarantee it.

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Are you local?You are if you know The League of Gentlemen, the award-winning team who burned the remote town of Royston Vasey into the psyche of a nation.In a tour de force that has been called "Monty Python meets Twin Peaks," three actors bring an entire community of hilariously inbred characters to life.Once you're hooked on The League of Gentlemen and Royston Vasey, you'll never leave.VOLUME 1Welcome to Royston Vasey - Ben struggles to take in Auntie Val and Uncle Harvey's incomprehensible house rules, while Martin poses a threat to the precious things in Tubbs and Edward's Local Shop.At the local job center, Pauline is furious when someone lands an interview without her help. Taxi driver Babs makes middling progress through her sex change.The Road to Royston Vasey - The new road is good new for everyone except Tubbs and Edward.Pauline coaches a workshop in selling The Big Issue, and we meet butcher Hilary Briss, video hounds Henry and Ally, and the formidable Reverend Bernice.Nightmare in Royston Vasey - Tubbs sees a map and discovers the world beyond Royston Vasey.Pauline buckles under pressure in the interview techniques workshop, and a terrible discovery is made on the road building site.VOLUME 2The Beast of Royston Vasey - As the monstrous discovery drives workers to flee the road construction site, Mr. Chinnery is called in to investigate the find.Legz Akimbo, a theatre-in-education group, pays the school an eye-opening visit, and Ben is left alone with the twins.Love Comes to Royston Vasey - Mike's getting married.On retrospect it may have been a mistake to let Geoff be best man.Les McQueen regales the band with reminiscences of his rock-n-roll days.The Dentons mourn the passing of Uncle Harvey's beloved toads, Sonny and Cher.Escape From Royston Vasey - Tubbs and Edwards have an unexpected visit from their son, David.It's Geoff's birthday, but have Mike and Brian forgotten?Ben grows more desperate to leave his uncle's house, and it's Operation Day for Babs.

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5/06/2011

Carnivale: The Complete Second Season (2003) Review

Carnivale: The Complete Second Season (2003)
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Season two of this amazing series saw a shift in gears as far as the direction of the show. Season one, while a masterpiece, suffered critical hits for taking too long to develop, and thus, perhaps lost some viewership. The not-so-well-kept secret is that time it took to craft the characters is exactly what true fans of the series enjoyed.
Some of the deep mystery and magic is gone from the second season, in favor of moving the plot along, but series creator Dan Knauf was so adept at his craft that he never allowed the series to become ho-hum and typical like other network series that delve into fantasy and science fiction.
What ultimately killed this series was two-fold. 1. It lost viewers who didn't want to be bothered with trying to figure the mystery out instead of having it handed to them on a platter and 2. executives who lost their vision as to what the show stood for and didn't recognize the art for what it was.
This show has created a cult following matched by few others in it's genre. True fans who cry out for more while keeping the vision alive in our minds. Hopefully one day our wishes will be fulfilled, but until then we have memories and two excellant seasons to enjoy.

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(HBO Dramatic Series) As the final war between Good and Evil looms two powerful avatars divided by fate share one mission. For Ben Hawkins and Brother Justin, the race is on to find the elusive Henry Scudder--and the fate of the world depends on who finds him first. DVD Features:Audio Commentary:3 Audio Commentaries with Creator Daniel Knauf, Executive Producer Howard Klein, Director Rodrigo Garcia and cast members Clancy Brown and Clea Duvall. Documentary:"Magic and Myth: The Meaning of Carnivale"--half-hour documentary exploring the apocalyptic writing and mythology behind the show. Interviews with the creator, executive producer, and writers and directors of the show to get their take on the mythology, as well as independent contributors who have examined the show?s characters and the archetypal roles they represent. Featurette:"Creating the Scene" Featurettes--Find out how Carnivale's creators brought the Daily Brothers show -- and its Scorpion Lady, He/She and Praying Mantis-to vibrant life! Other:Museum of Television and Radio panel discussion with cast and crew


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