A Dirty Shame (NC-17 Rated Theatrical Version) (2004) Review

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(More customer reviews)Many have accused John Waters of kissing up to the mainstream for the past decade or so, starting with "Cry Baby" and "Hairspray," with their less than shocking view of the world. Where, they cried, is the delightfully perverse brain that gave us "Pink Flamingos?"
Be careful what you wish for, because "A Dirty Shame" will bring it all back home. Perfectly cast, brilliantly acted and a total grossfest, this is the best and most outragous movie Waters has done since, well, "Female Trouble." Tracy Ullman and Chris Isaak play the Sticklers, a pair of "neuters" who are completely against all things sexual. A chance accident makes Ullman a sex-addict to the church of Johnny Knoxville (who finally proves himself a movie star here) and his merry band of perverts. If there's a fetish that can be exploited or made disgusting, you'll see it here.
There are so many laugh out loud sexploits here, that I can't even begin to describe them. You'll be wincing as you laugh, as the moments accelerate in the movie from funny -- to weirder and funny -- to beyond the bizarre. You'll hear Tracy Ullman describe oral behavior in so many ways that you'll lose track. You'll discover what a "bear" is. You'll see Chris Isaak leer so salaciously that you'll wonder what directions were being given behind the camera. And you'll hear so many hysterical 50's and 60's sexually oriented novelty songs that you'll be looking for the soundtrack by the end of the week.
A word of warning though. If you are in the least bit prudish, then "A Dirty Shame" will have you fleeing the movie in mortal terror. Now if THAT sounds like the kind of NC-17 rated 90 minutes of comedy that would delight you, then you need a little "Shame" in your life.

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Are you ready for a movie that puts filth right where it belongs? Then get ready to laugh with A Dirty Shame--the latest raunchy riot from director John Waters (Hairspray). When a concussion awakens the carnal urges of Sylvia (Tracey Ullman), the people of Pinewood become pitted against each other in a battle of decency versus depravity. DVD Features:Audio Commentary:Feature commentary with John WatersDVD ROM Features:Documentary:"All the Dirt on A Dirty Shame" documentaryTheatrical Trailer:

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Tracey Ullman's State of the Union: Complete Season Two (2009) Review

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(More customer reviews)Tracy as comical and entertaining as always did her best work with State Of The Union. I guess being American it's easier to relate but I find her third season of The Union the best. I also purshed the seasons of Tracy Takes On that Ive missed and even though they made me laugh I still have to give State of the union thumbs up. I hope she comes back with more State Of The Union, Its just so easy to laugh at US. [[ASIN:B001D2WUB6 Tracey Ullman's State of the Union: Complete Season One]

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Once Upon a Mattress (2005) Review

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(More customer reviews)My first question is Why? Why bother going to such expense and effort to bring this old chestnut to the screen (TV, that is)? It was never a GREAT musical to begin with. But on the other hand, I'm glad they did, because, as a former musical director, I have conducted and played this show several times. The last time was over 30 years ago, so it was wonderful to see and hear it again after all this time.
There have been complaints that the songs aren't memorable. (One reviewed didn't like them so he/she fast-forwarded through them. That's a wonderful way to get to know a song!) The songs are indeed memorable, and quite tuneful. Mary Rodgers, Richard's daughter, did a wonderful job...better, in fact, than her father was doing about that time. And the lyrics are very clever. "Sensitivity" in 5/4 time is a tour-de-force of writing and performing. I was sorry they cut "Very Soft Shoes," the jester's song. And "An Opening for a Princess." I missed that, too.
The casting was either good or inspired...mostly. Matthew Morrison and Zooey Deschanel as the young lovers are rather wimpy, to the point of who care if they get married or split or what. But just about everyone else was magnificent. The jester (Michael Boatman) was too good to have had "Very Soft Shoes" taken from him. Tom Smothers, a real treat, was wonderful to watch. His pantomime and facial expressions were delightful. Denis O'Hare grew on me. Not being a TV freak, I wasn't familiar with him. Tracey Ullman was fine, if a little long in the tooth for the part. (Then again, one of the productions of the show I did starred Imogene Coca in the part, and she was in her 60s then!) As for Carol Burnett, she was fantastic, totally over the top! She graduated from the princess to the queen perfectly. (Imogene should have had such luck!) Unfortunately, a song was added for her, which did nothing to distinguish itself other than quote Winnifred's "Happily Ever After," a theatrical no-no. (Fred's song was a soliloquy. How or why would the queen sing the same thing?)
The production values were very high. Bob Mackie's costumes for Carol were breathtaking...and hysterical!
In all, though the show is dated, it's part of musical history and let's wish that more classics would get this treatment. (How about SHE LOVES ME for a start, guys?)

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