The Lost Tomb of Jesus (2007) Review

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(More customer reviews)I consider myself quite open-minded when it comes to these type of religious historical documentaries. In fact, I am usually thrilled at the idea that someone discovered archaeological evidence of a religious person. Thus, it's strange for this documentary to really turn me off.
I'm mainly annoyed by the narration and structure of the documentary. I think if it wasn't for that, I might have liked it more. Two things bothered me in particular: one was the way the documentary presented its arguments and the other was the omnipresence of the director, Simcha Jacobovici.
The documentary does a very misleading thing. Whenever it encounters a potential piece of evidence that doesn't fit into their argument, they find a way of suggesting that it could potentially fit, and then thereafter refer to it as if they've proven their point. For example, they bring up the problem of "Mariamne" - who could she be? Her mention in the Acts of Philip in reference to Mary Magdalene was cited as evidence that this could mean the real Mary Magdalene (never for once questioning the historical validity of the Acts of Philip). Then they show you a dramatic reconstruction of Mary Magdalene as the wife of Jesus, and from that point on, the documentary acts as if they've proven without a doubt that Mariamne is Mary Magdalene. They continue doing that with all the pieces of evidence that don't quite fit, without nothing that these evidence are all linked, so if even one of them is false, then the rest of their case falls apart.
Consider this line of thinking: You want to find out who stole your bicycle. You see a footprint that belongs to a shoe that maybe Billy wore, and maybe he was in your neighborhood even though he lives an hour away, and maybe his bicycle broke down which is why he needed yours, and maybe he liked your bicycle among all the others in the neighborhood. Well, if any one of these "maybe's" are false, your case falls apart.
I know they try to do the statistical argument, but what does 1 in 60,000 mean? It sounds like a huge possibility but they never to bother elaborating on that.
The other thing, and perhaps the most annoying thing, about the documentary is Simcha Jacobovici, who comes across as biased as Michael Moore (whom, incidentally, I actually like). His bias is so obvious that it puts into question the entire construction of the project, including how the film was edited, who and what did they leave out, and so on.
As I said, I would really like to believe the arguments in this documentary, and some of it is quite convincing, but the flawed line of thinking and the bias of the director makes it very suspect. There was some good production values, but other than that, it was a poorly conceived project on a potentially fascinating find.

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The feature-length widescreen Director’s Cut of the Discovery Channel special – executive produced by James Cameron. In 1980, a bulldozer accidentally uncovered a first-century tomb in Jerusalem. Of the ten ossuaries (stone coffins) found inside, six bore inscriptions: Jesus son of Joseph, Maria, Mariamene (the name by which Mary Magdalene was known), Joseph, Matthew, and Judah son of Jesus. Dismissed by archaeologists as coincidence, the ossuaries were warehoused and forgotten. Twenty-five years later, filmmaker Simcha Jacobovici and his team took a fresh look at this astounding cluster of New Testament names. Granted unparalleled access, they went in search of the ossuaries…and the lost tomb. What they found may well be the most controversial archaeological discovery of all time.Features 80 minutes of exclusive bonus materials including: Interviews with executive producer James Cameron and director Simcha JacoboviciExpert Interviews: The Discovery 1980, Judeo Christians, The Early Christian Cluster of Evidence, The Sign of the Cross, The Chevron Symbol, MariamneThe Recreations: Behind the ScenesThe Lost Tomb of Jesus Epilogue featuring James Cameron and Simcha Jacobovici Photo GalleryTrailer

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Bible Battles (History Channel) (2007) Review

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(More customer reviews)If you are studying the Old Testament of the Bible, this History Channel program gives a unique perspective of events of the time, told from the point of view of the soldier. The perspective is supported by both Biblical text and Egyptian texts describing the various events. This program provides a humanistic opinion of Old Testament events that involved warfare as told in a very logical sequencing of military thought and strategy. I highly recommend this program for anyone doing in depth study of the Old Testament or Torah.

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In one of the most hostile lands on the planet, an ancient people called the Israelites forged an army and carved out an empire. Their ancient military exploits are described in one of history's most famous religious texts--the Old Testament of the Bible. But by reading between the religious lines, military historians unlock the soldiers' secrets of the Bible by examining the weapons, strategies, and the commanders, some of whom are not always thought of as warriors, like Abraham, Moses, and Deborah. In this feature-length special, we explore the biblical world from a military perspective from the time of Abraham until David's ascension to the throne. Blood often flows more freely than holy water in the days of the Old Testament, and the military secrets of the Bible have yet to be revealed...until now!

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Decoding the Past - Secrets of the Koran (History Channel) (2006) Review

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(More customer reviews)I'm very pleased with this DVD, which actually contains two programs: "Secrets of the Koran" and, as a bonus feature, "Muhammad" from A&E's "Biography" series. I've used excerpts from both of these programs in teaching world religions in college and high school. Both programs honor the Muslim tradition of not depicting Muhammad or members of his immediate family.
"SECRETS OF THE KORAN" (91 min.) is an excellent documentary on the history of the Koran and its interpretation. Topics include the religious and social milieu into which Muhammad was born; the life of Muhammad and the revelation of the verses of the Koran; the early Muslim community; the compilation of the Koran; the Koran's relationship to Jewish and Christian revelations; the Muslim understanding of the apocalypse and judgment; difficulties in the interpretation of the Koran; jihad; the Koran's emphasis on the value of knowledge; the golden age of Islam; the Crusades; Islamic fundamentalism; and violent vs. peaceful understandings of the message of the Koran.
"MUHAMMAD" (42 min.) isn't a biography precisely. Rather, it's a presentation of the traditional story of the life of Muhammad, with commentary by scholars who are Muslim or sympathetic to Islam (including two of the usual suspects, Karen Armstrong and John Esposito). This program does a good job of bringing the story of Muhammad to life, and because it's so concise, it may be more useful in my teaching than "The Message" (a three-hour movie about the life of Muhammad), which is also good.
Some other good videos on Islam:
- "Inside Islam" (History Channel);
- "Muslims" (Frontline);
- "Inside Mecca" (National Geographic).

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The Koran is one of the most important works ever written. For almost one billion people worldwide, it is the Holy Scripture, the word of God and his prophet. For others, it is a historical artifact that has left an indelible imprint on the world. DECODING THE PAST: SECRETS OF THE KORAN probes the heart of the work that many outside Islam find mysterious. This feature-length program examines the history of the verses and their implications for modern times, as wel as the striking similarities and differences between the Koran and the Bible. Trace the influence of the Koran from the Golden Age of Islam to the modern rise of jihadism, and hear from top Islamic scholars and holy men as they share their insights into the work that lies at the foundation of one of the world’s great religions. THE HISTORY CHANNEL provides the perfect guide to understanding the fundamental work that has shaped the Muslim faith for over 1,400 years, and will long continue to influence modern history. DVD Features: "Muhammad" Episode of the Award-Winning A&E Series BIOGRAPHY; Interactive Menus; Scene Selection

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God, the Devil and Bob - The Complete Series (2000) Review

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(More customer reviews)Back in 1999, the producer of 'God, the Devil and Bob' rescued me, and a bevy of artists from Klasky-Csupo's 'Rocket Power' by calling to ask if we would be interested in working on this show. We lept at it, and began serious careers.
While I directed on this show I was amazed to meet a person who still stands out to me as the most professional and gifted writer/creator I ever had the pleasure to work with; Matthew Carlson. While the show suffered from a number of problems, it was held together by a core of very dedicated people like Matthew, Carsey & Warner, Margot Pipkin and Jeff DeGrandis. By the end of the series, everyone believed we had made a very good family sitcom, with a core of excellent writing and acting. Unfortunately it was met with middle of the road ratings, legal troubles and finally, religious activists. 4 episodes were shown on NBC in 2000 before it was torn off the channel.
The crew, from producer down, always felt the design choice for the characters was a mistake, seriously hindering the ability to animate and express fully. But, there is a kind of scratchy charm at the best of times. My favorite episode was 'Bobs Father'. Pity it was never shown on prime time.
As GDB ended, I was asked to direct and produce 'Invader Zim' where I took a good number of the GDB crew in order to do something very different with far more technical aspects. But, GDB still stands as the best experience with writer/creators, writing, and producers in the business.

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Frankly God expected more from humanity, and his patience is wearing a little thin. The Devil, on the other hand, is simply delighted. Together they have a plan: one man will be given a chance to prove whether or not mankind is worth saving. But there's just one catch... The Devil gets to pick him. Enter Bob - An ill-tempered, melodramatic, paranoid icon of mediocrity. Caught between the forces of divinity and deviance, with the weight of the world on his shoulders, there's nothing left to do but laugh.

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Evolution Boxed Set (2001) Review

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(More customer reviews)Everybody knows that when it comes down to the final question in a game of Trivial Pursuit that they should make me try and answer a science question because I know pretty much nothing about science and nature. This is because the one thing I knew about high school biology was that you dissected animals and being sick in front of the smartest girls in school did not appeal to me at all. So I took Life Through the Microscope (it involved drawing) and Ecology (it was the only class that fit my schedule) and missed out on Biology, Chemistry and Physics. However, since I did my dissertation on the infamous Scopes "Monkey" Trial I do have something of an interest in the controversy over evolution if not the concept itself. This seven-part series exploring various facets of evolution was perfect so someone like me who insists on having theory of any sort mixed with a heavy dose of practice.
"Evolution" is as much about the profound impact the evolutionary process has had on our understanding of the world around us as it is on the various versions of the theory that have been expounded in scientific textbooks for the past century. The series basically focuses on five key concepts regarding evolution, sandwiched between episodes that constitute a dramatic introduction and a controversial coda:
"Darwin's Dangerous Idea" offers dramatizations of key moments in Darwin's life along with contemporary talking heads explaining the profound implications of the evolutionary theory and the place it holds in the scientific community today as a pivotal concept. It takes a while to adjust to the episodic approach of the dramatizations, which come and go without a real sense of regularity, but since they dramatized the famous retort of Huxley to Bishop Wilberforce and other key moments in the popularization of evolution there is a certain effectiveness to it all. What you get from this episode is a better idea of what the initial complaints were to evolutionary theory and who was making them.
"Great Transformations" explores the evolutionary changes that caused the incredible diversity of animal life that exists on earth. The focus is on the development of the four-limbed body plan, which is explained in the context of how animal life moved from water to land and eventually to human beings, thereby answering the key question of why are human connected to all life.
"Extinction!" represents the flip side of evolutionary transformations, explaining the how and why behind the fact that 99.9 percent of all species that have ever lived on earth are now extinct. This leads to the provocative question as to whether human beings are going to cause the next mass extinction on the planet.
"The Evolutionary Arms Race" puts the entire concept of natural selection and survival of the fittest in the context of humanity's battles with microorganisms, looking at a case study regarding the reemergence of tuberculosis in Russian prisons. With the alarming spread of resistance among pathogens that cause disease, the episode explains how this particular "race" offers the major threat to human existence. The scary question here is whether we are fighting a battle we cannot win.
"Why Sex?" makes the contention that in evolutionary terms sex is more important than life itself. But on a more pragmatic level is addresses the question of whether males are necessary to perpetuate the species, looking at a wide variety of case studies drawn from nature. This episode also explains the principle of monogamy in evolutionary terms.
"The Mind's Big Bang" addresses the question of why humans are the dominant species on earth. The answer is found in the past, when something happened to primitive humans to trigger a creative, technological, and social explosion, which ultimately allowed humans to dominate the planet. The episode tries to uncover (literally) the primitive forces that contributed to the emergence of the mind of the modern human being.
"What About God?" is the coda to the series in that it returns to the initial question of Darwin's day regarding the conflict between evolution and religion. The debate is presented within the context of a college student whose family is not happy with what he is learning about evolution at Wesleyan College, a group of high school students trying to get their local school board to allow the teaching of creationism, and the activities by adults on both sides of the question to win this pivotal battle. I consider the episode to be remarkably even-handed, but then I do not think there is an inherent conflict between the two, which invalidates my opinion for true believers on both sides.
Overall I like the fact that "Evolution" goes for depth rather than breadth. The case studies, at least to my uneducated mind, come across as being representative of the issue under discussion. The DVD series also features access to the Evolution Web site with its interactive games, activities, and biographies, so those who would like to get additional information and insight on any one of these topics can easily do so. There are also student lessons for teachers who want to work these episodes into their science classes and a printable teacher's guide (remember, "Evolution" was produced by WGBH Boston, which means we are talking--surprise--public television).

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Evolution offers a groundbreaking and definitive view of the extraordinary impact the evolutionary process has had on our understanding of the world around us. Beginning with Darwin s revolutionary theory, this seven-part series explores all facets of evolution the changes that spawned the tree of life, the power of sex, how evolution continues to affect us every day, and the perceived conflict between science and religion. Includes:Darwin s Dangerous Idea: Interweaving key moments of drama in Darwin's life with current research, Darwin s Dangerous Idea explores why his theory of evolution might matter even more today than it did in his own time.Great Transformations: From the development of the four-limbed body plan, the journey of animal life from water to land, and the emergence of humans, Great Transformations focuses on the important evolutionary changes that triggered the earth s incredible diversity.Extinction!: Some 99.9 percent of all species that have ever lived on earth are now extinct. Extinction! explores why, then confronts a frightening notion: Are humans causing the next mass extinction the sixth in the history of life on earth?The Evolutionary Arms Race: Survival of the fittest: Is it raw competition, a level of cooperation indispensable to life, or both? Explore our own spiraling arms race with microorganisms the only real threat to our existence and trace the alarming spread of resistance among pathogens that cause disease.Why Sex?: Investigate the endless variety of sexual expression and the powerful hold sex exerts over almost all living things. And discover why, in evolutionary terms, sex is more important than life itself.The Mind s Big Bang: Between 100,000 and 50,000 years ago, something happened that triggered a creative, technological, and social explosion, allowing humans to dominate the planet. What forces may have contributed to the emergence of the modern human mind?What About God?: Of all the species on earth, only humans try to explain who they are and how they came to be. Encounter real human stories of people struggling to find a balance between religion and science, realms that play very different roles in assigning order to the universe and a purpose to life.

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Jesus: The Missing History (2008) Review

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(More customer reviews)Jesus - The Missing History presents the inquiry of one man to discover if the faith of his childhood is true.
The DVD is enjoyable to watch because of the interesting information presented. For example, I did not know that the Roman census described in the Gospel of Luke (for which Jesus' parents had to travel to Bethlehem) is problematic for conservative Biblical scholars. Apparently, Roman census regulations from that time told everyone - as would be expected - to stay home. Furthermore, the date of that census was 6 A.D. which is ten years after Herod the Great Died. According to the Gospel of Matthew Herod the Great was alive when Jesus was born and so the date between the birth of Jesus in Matthew and in Luke is likely off by ten years.
Another fact I didn't know involved the increased tax on fisherman in 24 A.D. - right around the time when Jesus' ministry began. Half of Jesus' disciples were fisherman and this tax may help describe why fisherman were receptive to Jesus' message.
The DVD is not Earth shattering or comprehensive. However, it is a decent introduction to some tough questions that thoughtful Christians should consider.

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Untold millions have devoted their lives to him. His words have changed the course of history. But how much do we really know about Jesus? The gospels tell of his birth, his teachings and the years immediately before his death. But what happened during all the unmentioned years where was he, what was he doing, was he married, did he have a family? Have these stories been lost, overlooked or repressed? Explorer and Bible scholar Kent Dobson sets out to fill in the pieces in JESUS: THE MISSING HISTORY.

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Los Borgia (The Borgias) (2006) Review

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(More customer reviews)First, a few clarifications. Although the "Product Details" section says the film is 120 minutes in length and is presented in a "full screen" version, it actually runs over two hours and twenty minutes and is in a wide-screen format(it looks to be about 2.35:1 to me). Yellow, English subtitles are also available.
Now for the movie itself. I'm not an expert, but the film seems to be fairly accurate historically, especially for "movie history". This is most apparent in the depiction of Lucretia Borgia, played by Maria Valverde. She is not the murderous poisoner of legend, but a pawn of her father and brothers who is married off so the Borgias can create political alliances with other powerful families. There are some liberties taken with historical facts in order to tighten the narrative and make events less confusing. For example, in reality, Lucretia was only thirteen years old at the time of her first marriage. However, there's plenty of corruption, intrigue and assassination to keep the film interesting. Late in the film, when it looks like it might be slowing down a bit, Paz Vega shows up as sword-wielding Borgia opponent Caterina Sforza and gives the film a shot of adrenalin.
The movie is beautiful looking with lucious sets, costumes, and photography. It's fortunate that the film is presented in widescreen so this can be fully appreciated. The acting is also fine. The film has many virtues, but for me, comes up just short of those other Renaissance films QUEEN MARGOT and the first ELIZABETH with Cate Blanchett. That said, it's still a fine, entertaining film and well worth watching.

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Juan, Cesar and Jofré, the three sons of Rodrigo Borgia, are headed to Vatican City where it is being held the papal conclave to choose a new Pope. Upon arrival, they will be informed that his father has been elected "Pontiff" with the name of Alejandro VI. The new Holy Father dreams with expanding the Vatican territories in all possible ways. Meanwhile between brothers a great rivalry erupts, as the family enemies are waiting for any opportunity to stop the dominance of The Borgia's in Rome.Juan, César y Jofré, los tres hijos de Rodrigo Borgia, se dirigen al Vaticano, donde se está celebrando el cónclave para elegir nuevo Papa. Allí se enteran que su padre acaba de ser elegido pontífice con el nombre de Alejandro VI. El nuevo Papa sueña con aumentar los territorios del Vaticano de todas las formas posibles. Entre los hermanos comienza una gran rivalidad, mientras los enemigos de la familia aguardan cualquier oportunidad para impedir la hegemonía de los Borgia en Roma.English Subtitles

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The Passion of the Christ (Full Screen Edition) (2004) Review

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(More customer reviews)One of the most talked about films in decades; thought I would add my 2 cents as a late entry.
I think the root controversy about the film has to do with the question of whether or not it has artistic merit for a viewer without faith. I think this is a fair question, as I never really understood the idea that religion offers, so to speak, an excuse for ugly artwork. Arguably there is no such excuse, unless one of the points of religious art is to repel people who don't already share the faith.
The film has been labeled violent, which it is; but unfair here has been the label that it is in some sense unusually violent. It is not. There are hundreds of films that are far more violent. Perhaps this film is even less violent than average. It is perhaps even less violent than the blockbuster version of Gandhi of some years back, billing Candice Bergen and Ben Kingsley, of which the Passion has reminded me somewhat; at any rate they are at least in the same ball park. Rather, the distinctive mark of the Passion is that it invites us to keep the humanity of the victim of violence in full view; not to distance ourselves by, say, feeling contempt or anger towards the victim as a bump-off-able bad guy, or seeing the victim as a replaceable curiosity, a dispensable nitwit. In the Gandhi movie, for example, the majority of the acts of violence are against victims who are more or less, cinematically speaking, dispensable nitwits. All we see Gandhi suffer is being shot at the end (and even that, at the beginning also, setting up a flashback)-and a few blows to the head (from which he recovers).
Yet the character to suffer the violence in this film is not only the main character, it is a character who is anything but a dispensable nitwit. He is unambiguously portrayed as is in the Gospels--a perfect human being-and more: a Divine Person. No doubt faith is helpful here, but if the viewer can so much as entertain the premise as a possibility, then I would say that the movie is as beautiful as it is emotionally powerful. Yet even apart from that premise, the film also powerfully portrays deep love and friendships between human beings, which has surely a beauty of its own even under heart wrenching circumstances. Moreover, in what is surely one of, if not the most violent sequences in the film-the scourging (the soldiers carrying out the order, one in particular, wind up going over the top in enthusiasm)-we only see the victim about half the time; the rest of the time we see shots of peoples' faces, notably his friends, mostly of the face of his mother. The film does show us the anatomical side of the violence enough so that we really understand what is happening-but no more; the point is what it MEANS for it to be happening. In this film suffering is given a human face.
It is quite a unique experience. First, breaking out of the package of being "mere cinema," there are two points of honesty of the film even apart from any faith claim. (1) by all serious accounts, Jesus of Nazareth was at the least an exceptional human being; yet death by crucifixion was no walk in the park. (2) by all serious reflections, in one way or another-regardless of how you slice it (whether from the point of view of any religion or from the point of view of atheism)-humanity really hasn't treated God any better than the main character gets treated in this film. This is a film which portrays God as staying with humanity despite the way it has treated him (and the way human beings have treated each other). The violence is not for it own sake; still less is it for the sake either of sadism--or of a narrator stepping off the screen to address the audience with guilt trips (shaming and flagellating the viewer)--; it is for the sake of thoughtfully presenting this possibility in an artistic way. Second, rather that allowing the audience the space to distance themselves from characters undergoing violence, this film actually does the opposite: it prods the audience to see NONE of the characters as dispensable nitwits, not even those who are committing the violence. The anti-Semitism charge is simply a non-sequitur. It's not anti-anybody.
The film visually portrays what I have described without being artificial or saccharine, invoking a remarkable depth for symbolism and a good sense of timing; it plainly succeeds in telling a story blending sight and sound. I will give two examples which I found especially powerful; they are even related. One is where the film shifts back and forth from shots of the feet of the roman soldiers standing in pools of his blood as they scourge him, to shots of the feet of the Apostles as he was symbolically washing them. The other is a subtle, nonverbal portrayal of the conversion of a roman soldier which spans in a sense the entire film. This conversion story is visually framed from the film's opening scenes when a temple guard has his ear miraculously restored after it is sliced off in a struggle by one of the Apostles. The guard remains for some time on his knees, as if so overcome by the experience he cannot move. The roman solider to be converted is subtly introduced in the next scenes (he is one of the soldiers Mary Magdalene complains to about the arrest), but we see him from time to time throughout the movie, witnessing and being influenced by various events; in a final scene, blood and water falls upon his eyes, flowing from the side of the deceased victim that he pierces with a lance (though first non-verbally apologizing to the mother; he does it merely to confirm he is dead), and he falls to his knees in a way which resonates with the action of the temple guard. The temple guard, so to speak, had his hearing restored; the roman soldier, so to speak, his sight. On the side of deep friendships, notable are the relationships between Jesus, his mother, Mary Magdalene and the youngest Apostle, John. One moment uniting this dimension to the above examples is when John stumbles and falls on his knees before the two Marys (running to them to tell them of Jesus' arrest)-to be followed by John later seeing Mary's agony as she watches her son fall to his knees as he carries the cross. The kneeling image in general is itself also framed by beautiful opening and closing scenes invoking a folding together of earth and sky (the first providing the backdrop of Jesus falling to his knees in his agony in the garden; the second entailing powerful from-the-ground-up and from-the-sky-down shots of the moment of his death on the cross). Here resonating throughout is the film's awesome musical score. I would add that the use of Aramaic in the film punctuated with subtitles was nothing less than masterful; I am not even aware of the film being in a "foreign language."
Acting was good but special mention needs to go to Maia Morgenstern, who played the mother. In interviews she said she played the character from the point of view of a mother who loved her son; the result is one of the most moving and beautiful character portrayals in all of cinema.
If you are looking for popcorn-eating entertainment, this is not the film to watch. (Even during gladiatorial times at the Colosseum this movie would have gotten thumbs down.) But if you are in the mood for a thought-provoking treatment of religious themes in a serious, sensitive and artistic way, then by all means see the film.


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The Passion of the Christ focuses on the last twelve hours of Jesus of Nazareth's life. The film begins in the Garden of Olives where Jesus has gone to pray after the Last Supper. Jesus must resist the temptations of Satan. Betrayed by Judas Iscariot, Jesus is then arrested and taken within the city walls of Jerusalem where leaders of the Pharisees confront him with accusations of blasphemy and his trial results in a condemnation to death.

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Joan of Arcadia - The Second Season (2003) Review

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(More customer reviews)I couldn't believe that CBS cancelled this wonderful show after only 2 seasons! It received a lot of attention and even won awards during its first season, but for whatever reason, was dismissed in its second season. The season/series finale had the show poised for a terrific third season, had the show continued, with Joan now battling her foe, a young man possibly working for Satan, just as she was "working" for God. What a shame that this gem was instead cancelled. Joan was one of the most realistic portrayals of a teenager on television, aside from the fact that she often talked to God, and Amber Tamblyn, her portrayer, is a stand-out. I also loved the portrayal of Joan's older brother, played by Jason Ritter, as a former high school jock who seemed to have everything going for him until a car accident left him in a wheel chair and all the implications this tragedy had for Joan's entire family. The concept of this show was very clever and although Joan talked to God, it never felt too religious or preachy. It was also extremely well-written and acted. This is a show that people of all ages can enjoy and that families can actually watch together. How rare is that nowadays?

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An average 16-year-old, Joan is going through the growing pains typical of any teenager. But after she and her family (Joe Mantegna, Mary Steenburgen, Jason Ritter, Michael Welch) relocate to Arcadia, her life gets especially interesting when God starts paying her visits.

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The Book of Daniel - The Complete Series (2006) Review

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(More customer reviews)I loved this show - it depicted the human side of religion. I was incredibly disappointed when the network pulled the plug on this show. I don't know what the ratings were like, but I doubt they were low enough to merit a mid-season cancelation. This well-done series deserves a second chance - I'd love to see it on a cable station. Don't be bullied by the lobbyists! I'm glad to see it's being released on DVD!

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BOOK OF DANIEL:COMPLETE SERIES - DVD Movie

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30 Days: The Complete Second Season (2008) Review

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(More customer reviews)I teach a class in Current Events and we use 30 Days episodes as an educational, informative, inspirational, and motivational media presentation in the classroom. It ranks # 1 among the students who are continually asking for more and anxiously waiting (as am I) the arrival of season 2 of this premier program.

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30 Days features a diverse group of participants, each given the opportunity to experience first-hand a world antithetical to their own, comfortable existence. Each episode examines a very different subject and is hosted by Morgan Spurlock. In the final episode, Spurlock is also a participant as he turns the camera on himself. Episodes Include: "Immigration", "Outsourcing," "New Age", "Pro-Choice/Pro-Life", "Atheist/Christian" and "Jail"Bonus Features: Audio Commentary on Immigration and Jail

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Way Of Life, Volume 1 (2006) Review

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(More customer reviews)This DVD and the tv show it was taken from was and still is a source of inspiration.

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Four dramatic stories of man in conflict from the legendary Sunday morning inspirational program.

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Revelations (2005) Review

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(More customer reviews)"Relevations," a six-part TV mini-series comprised of one-hour episodes, is as well crafted, produced and acted as any modern movie blockbuster.
Based loosely, but definitely not literally, on Biblical prophesies depicting the End of Days, the story, (by David Seltzer) builds steadily from hour to hour until the thrilling and truly terrifying climax -- pitting the ultimate good against the ultimate evil with the future of the entire world hanging in the balance.
The Apocolyptic tale unfolds through the experiences of Dr. Richard Massey, (brilliantly portrayed by Bill Pullman) whose daughter Lucinda, Lucy, was brutally murdered by a satanist in a ritualistic sacrafice to the devil in which he cut out the child's heart while she was alive. (In a VERY wise move, viewers are never shown the murder, but only learn about it and its aftermath.)
The murder, and subsequent arrest of the non-repentent killer Isaiah Haden (portrayed in a chilling performance by Michael Massee) triggers a series of international events that supposedly coincide with the Christian Biblical prophesies describing the ultimate battle between God and Satan. Especially chronicled is the "Second Coming" of Christ, who is believed by Christians to one day to return to earth to vanquish evil forever and literally end the physical world.
While the story is based on a Biblical foreshadowing, the core event depicted in the series is not: the apparent second virgin-birth of Christ. While Biblical theologians have debated End of Days prophesies since they were first translated, there has been little argument among Christians that Christ will not return as an infant born of a second virgin mother. Nonetheless, this fictionalization in "Revelations" does nothing to blunt its force or diminish its entertainment value.
In a country where polls have repeatedly shown that people have more trouble believing in God than in the devil and evil, I found this mini-series especially poignant and even profound.
Presented in a wide-screen format that increases the movie feel to the series, locations around the world were used to provide an authentication seldom found in TV productions. Blessed with a stellar cast of outstanding actors, the series fearlessely depicts its horrifying vision, replete with ever-building satanic-spawned violence and mature religious themes that have seldom, if ever, been depicted on the small screen.
In the series, Dr. Massey is aided by Sister Josepha Montefiore (played with subtle force and compelling humanity by Natashcha McElhone), who is a member of a Catholic group outside the sanction of the Vatican who believe that the Christ child has again been born. Sister Josepha, along with Massey, travel the world in search of the infant, and eventually find his mother, who claims to have been a virgin when he was born.
While the duo look for the baby Christ, Haden amasses an army of santanic followers from among the inmates where he has been imprisoned. Demonstrating truly supernatural powers, Haden eventually escapes and begins an all-out assault on the forces of Heaven.
Dr. Massey's former stepson, Hawk, becomes an unwitting pawn in the cosmic drama when he is kidnapped by Haden's dominion to become the new sacrifice to Satan. Look for a frightingly wonderful performance by Fred Durst, (front man for the band Limp Biscuit) who protrays Ogden, a bloodthrusty satanist who helped kidnap and torture Hawk.
Also providing especially noteworthy performances are Finonnula Flanagan, who plays Mother Francine, a member of Sister Josepha's order, and John Rhys-Davies, who plays Professor Lampley, a colleague of Dr. Massey's.
Flanagan is riviting in her role after she and the others of her order try to protect a young girl who was struck by lightening then miraculously begins prophesizing in ancient languages and foretelling the coming of the End of Days while in a fatal coma.
Eventually, Flanagan's character "releases" the child through a mercy killing (an act seldom depicted on TV) as agents of satan's army attack their complex with murderous force leaving a trail of corpses. The satanists take the child and also cut out her heart (off-camera), but she has already gone to heaven, thanks to Mother Francine's very controversial actions.
Obviously, this is not a movie for the squeamish, but to its credit, the bulk of the violence is merely described; or if depicted, generally performed at the edge of the camera or only the results are shown. Nonetheless, there should be a strong warning as the series does build its violence to a hypnotic timbre by the end.
Somewhat similar to a religious (but much more frightening) Indiana Jones, the series is incredibly spellbinding and may leave viewers not only breathless but perhaps re-evaluating their own religious beliefs and commitments to ensure evil NEVER secures a lasting stronghold that will doom our planet.


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The time of miracles is once again at hand in the six-hour epic event, Revelations. Bill Pullman (Independence Day) stars as Harvard professor Dr. Richard Massey, an astrophysicist who’s certain that all worldly events can be explained by science. He is challenged by Sister Josepha Montafiore (Natascha McElhone, Solaris), a devout nun who leads him on a quest through a world of true believers, heretics and Satanists. Drawn together by personal tragedy, they are swept into a deepening mystery when they discover evidence that the world, as predicted by The Book of Revelations, has reached The End of Days. Join the battle for the fate of mankind in the electrifying phenomenon, Revelations. Time Magazine declares, "It delivers." – James Poniewozik (Time Magazine) END

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Story of India (2007) Review

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(More customer reviews)I must disclose two items - I am a big fan of Michael Wood and I am of Indian descent. I don't believe either of these color my review but both were my reasons for watching. Michael Wood is to History what Carl Sagan was to Science and Cosmology. His passion and interest in the subject matter may be viewed as overdone by some but I see it as sincere and therefore brings out the same in the audience. He is able to bring the story of 5000 years to life without leaving the present which is quite an accomplishment that has both to do with the filmmakers and India as both country and people.
The program was beautifully filmed and captures the voices of more than just the conventional academics that provide the commentary in many historical documentaries. The episodes on Asoka and Buddha are my favorites but all were easy to watch and taught me some or much that I had not already known. Some critics will call Wood's perspective as viewed through rose colored glasses. I would agree but I think that is by design and not meant to minimize much tragedy and depravity that has also occurred during the 5000 years. There are plenty of other resources that can provide that perspective.


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Sixty years after Indian independence, British historian Michael Wood presents the tale of the oldest and most diverse civilization, and largest democracy. A nuclear power and a rising giant, India's population will overtake China's within 10 years and its economy is predicted to overtake that of the U.S. in the 2030s. This journey of sights and sounds, and achievements takes him from the deserts of Turkmenistan to the Khyber Pass.

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Joan of Arcadia - The First Season (2003) Review

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(More customer reviews)This was one of the finest television series on the air. The writing was superb, the characters were believable, and the storylines were to die for.
If you loved the Touched by an Angel series, you will enjoy this one.
The main character, a high school girl named Joan talks to God all day every day as she sorts through the pains of growing up. What I love about this show is that God appears as every single race, color, creed and religion - from a middle aged chess player to a Gothic punk rocker. Joan never knows what God will look like, but has blind faith God is always there.
I also love that she does not always appreciate the advice she is given and gets annoyed with God from time to time. I can relate to not liking the answer I get to my prayers. I don't always get what I ask for. But I always get what I need. Just like Joan.

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After patriarch Will gets a job as the chief of police, the Girardi family moves to the small town of Arcadia from the big city. Middle child Joan isn't happy, and her family, consisting of science nerd Luke, paralyzed former jock Kevin, and their perpetually flustered mother Helen, isn't helping. Joan finds herself talking to God, in the form of random people who give her assignments to help the people around her. Joan keeps following God's assignments, never sure if she's really speaking to him, or just going crazy!

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