Showing posts with label doctor who. Show all posts
Showing posts with label doctor who. Show all posts

8/04/2012

Lexx: Series 3 V-2 (2000) Review

Lexx: Series 3 V-2  (2000)
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The first season is the best but the second season is quite good. Pay attention to the other "real people" that have reviewed it. First of all LEXX was out long before Farscape so the ridiculous line about sound familiar is out of context. LEXX is unique in its approach to SciFi. It is far more graphic in violence and erotic behavior than other series you will see. I have purchased the first two seasons on DVD since I think they are the best. The rest are worth seeing but I am not sure about buying.

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5/06/2012

Doctor Who - The Complete First Season, Vol. 1 (2006) Review

Doctor Who - The Complete First Season, Vol. 1  (2006)
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Dr. Who is Forty (actually he's 900, but like the Doctor, the show had been around in one form or another since 1964). The BBC celebrated in 2005 by bringing the show back to television for its 27th season (or as it is more consistently called: SEASON ONE)in a glossy, fast-paced enough to satisfy contemporary audiences, while still conscious of its roots. This SET contains all 13 season one episodes from the rebirth of the longest running sci-fi series in TV history. The producers clearly have a respect and understanding of the UK icon. Obviously, fans, the creators do things with the show we would do ourselves.
Doctor Who has always has a voice defined by the decade each in tune with its era and this holds true to the new Doctor Who. This Doctor is almost child-like in his enthusiasm and wonder. Featuring the Doctor as played by Christopher Eccleston (Shallow Grave, Gone in 60 Seconds), infusing the character with great intensity and humanity, while remaining mysterious and alien, along with his companion Rose played by Billie Piper, growing from an awed slacker to a seasoned space adventurer. However, the format of the show has changed to 45 min. parts, some 2 parters ending with cliffhangers, some without. Like any "new" series there are good episodes and not-so-good ones, the upside here is MOST of these are great episodes! The 40 year history of the series isn't squeezed into one pilot, through-out the year we get a trickle of back-story, some old, like his time/space machine looks like a police-call-box, and some new back-story, like the fact that his race, the TIMELORDS have been wiped out in a TIME WAR.
The PILOT story: "ROSE" introduces his new companion Rose Tyler who is attacked by mannequins (or AUTONS) in the department store where she works. She meets the Doctor and the pair end up fighting to save the world. The pacing of this one, like most of the 13 new episodes, is like lightning, and the Autons have never been scarier. The TARDIS (interior) has never looked better or bigger.
Next in "THE END of the WORLD" The Doctor offers Rose a chance to go anyplace, anytime, they end up 5 Billion years in the future above the Earth just before it ends. But someone has sabotaged the very observation satellite they're on. Not a bad episode, it shoots very high with a "Restaurant at the End of the Universe" motif and cinematically accomplishes it, also reveals that the Doctor is the "Last of the Timelords."
In the 3rd story the Doctor and Rose meet Charles Dickens and what appears to be ghosts animating the dead! 4 Weddings and a Funeral's Simon Calow plays the Victorian author brilliantly and the Victorian look of the episode is well executed.
The 2005 series won the 2006 BROADCAST AWARD for BEST DRAMA SERIES adding to the series' successes at the National Television Awards (voted Most Popular Drama), TV Moments, and the BBC 2005 Drama Awards! The show's two stars (Eccleston and Piper) scooped the most popular actor and actress honors in the awards voted by the public. Dr. Who (2005)was also nominated for not only the 2006 HUGO Award (announcing winners on Aug 26), but on May 7th it WON 5 of the most prestigious award British Television has to offer: the BAFTAS Awards (British Academy of FILM and TELEVISION ARTS) out of the 14 categories it was nominated. Winning for BEST DRAMA SERIES, BEST DIRECTOR, BEST MAKE-UP, BEST COSTUME, BEST DIRECTOR OF PHOTOGRAPHY and the PIONEER AUDIENCE AWARD which was voted for by the British public (kind of like the US People's Choice Award).
WHEN it aired on SCI-FI FRIDAYS @8 PM CENTRAL there were some lines and moments cut from the original BBC versions, these are the complete episodes.
Hopefully SCI-FI will pick up SEASON 2, starting with the post-regeneration CHRISTMAS INVASION because believe it or not the next 13 even better!!


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4/12/2012

Torchwood: The Complete First Season (2007) Review

Torchwood: The Complete First Season (2007)
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Torchwood is the most-times dark, sometimes gory, adult tie-in to the new Doctor Who series, but that hardly matters as it is the most unique TV you'll ever see. ..Dr. Who producer & two-time Hugo-nominated writer Russell T. Davies created the series as an opportunity to do more than just family fare, part CSI, part X-files and the remaining part is out there on its own. In Dr. Who there have been hidden references to the "secret" organization TORCHWOOD (the name which is an anagram of DOCTOR WHO) since season one (an answer given by the ANNE DROID in BAD WOLF episode 12 ), then appearing more physically throughout season two, even featuring the origin of the organization created by Queen Victorian herself to defend the Earth from alien threats, including The Doctor. The series takes place over a hundred years later as Jack says on the promos, "In the 21st century, everything changes." Captain Jack Harkness (played BRILLIANTLY by the dashing John Barrowman, best known to Americans as the singing Nazi lead in the "Springtime for Hitler" number in the Producers musical) is a character introduced during season one of Dr. Who, an ex-time agent, con-man, the Doctor & Rose meet in the 1940's and turn towards the path of good and righteousness, well almost.
Jack is originally from the 51st century, which is intended to explain his oversexed ways (i.e. he is very liberal in who he "SNOGS"& "SHAGS" ) His background is really complex, even before he meets the Doctor, but he is missing some of his memories from his time as a time-agent, during the "Parting of the Ways" the first season finale of Dr. Who his character becomes even more interesting, but I won't say more without spoiler warnings.
I know I've referenced Dr. Who, a lot, but WATCHING DR. WHO IS NOT A PREREQUISITE FOR ENJOYING TORCHWOOD, MERELY A BONUS. There is a level to Torchwood that is directed at DW fans, but it isn't obtrusive. The initial season of Torchwood begins introducing the viewer to its world through the eyes of Gwen, a low-rung Cardiff lady cop, eventually becomes part of a jaded almost amoral group that uses scavenged alien-tech to protect the world from future threats. The neophyte member eventually serves as catalysis to re-humanize the team. But the dynamic of the characters is one of abrasiveness, deceit, love and lust. The major players are far from perfect, by the end of the season, most of the team have done things both unexpected and at times alarming.
Most of the performances are great to watch, much Americanized, gritty acting. Gwen, played by Eve Myles, who oddly enough played a Victorian servant girl named Gwyneth who opens the closes the very rift Torchwood is build on in Dr. Who season 1. Gwen is an earthy attractive but not unrealistically so, as are most of the players, except Jack, of course, who is over-the-top silver-screen good looking, which is perfect for his over-the-top fearless-leader-with-a-mysterious-past archetype.
Torchwood is very stylish, lots of aerial shots of building in Cardiff, the Welsh city where the series is filmed and most of the action takes place. Its waterside features remind me of New Orleans. Another anchor location of the show in Cardiff is soooo appropriately the Roald Dahl Plaza (Carciff-born creator of Willy Wonka) it would naturally hold a time-space rift and the headquarters of a secret organization under the fountain where it can monitor extra-terrestrial traffic through the rift. Kind of a sexed up Men in Black, except no one wears black, well ok Iantos does, but he's more of a case manager type. The series music co-composed by Dr. Who's Murray Gold is both edgy and original. As is the special effects and make-up. In the pilot episode, the make-up on the Weevil, a reoccurring species, is so good that a long scene is shot in full-light with Gwen and another character studying the creature. That is how confident and bold the makers of Torchwood are! The series won a BEST DRAMA SERIES BAFTA (the British Academy of Film and Television Arts), besting Doctor Who season 2 in the category and first episodes gave BBC 3 its highest ratings ever. One series flaw is that Torchwood is meant to be very covert, but they also seem to be high profile "special ops," other than that amusing conflict, I love the series and think that many Americans who may have never watched any British TV before, will be hooked!
The episode guide that follows may have some MINOR SPOILERS, okay?
#1 "Everything Changes"
This is a good one, I give it 9 out of 10, it is one of the best series pilots I've seen. Unlike some series openers, it seems familiar with characters and where they are going, there's no early season one awkwardness here, INFACT, Eve Myles WON a "BEST-ACTRESS" BAFTA (Wales) for this one, John Barrowman got a nom...
Episode Synopsis:
South Wales coffee makin' cop Gwen Cooper is at the scene of a murder when Torchwood shows, Gwen snoops on the group and sees in a disturbing scene in which the victim is temporally resurrected, then questioned. She starts her own investigation to learn more, and ends up meeting an alien and literally going underground unsuccessfully disguised as a pizza-girl, joins up and then things get weird....
#2 Day One
This one is less good, but is all about the fact that Torchwood is an adult series and begins to set some boundaries. Even so, this one has a great pre-titles scene with Gwen & her boyfriend, and a great opening line...7 out of 10 for this one...
Episode Synopsis:
The title says it all...it is Gwen's first day on the job, and because of her obligatory noob screw up she unwittingly unleashes a hot-sex-addicted-alien....no REALLY...this one is about AN ALIEN WHO SHAGS HER WAY THROUGH THE EPISODE...it seems like a Captain Jack natural. There are some great moments and some great lude dialogue, like following the discovery of the alien's nature and the disintegrated remains of its first partner, Harkness remarks that the guy "came and went, at the same time." More lines like that and hot-girl-on-alien action...
#3 Ghost Machine
This one is spooky and provides some insights into the gruff team member Owen's character. Usually, so far, Owen, played by Burn Gorman, isn't the sort to get involved or outwardly show his real feelings, in the series thus far, he has deflected them and given Gwen and the others attitude to cover. This time, due to his unique interaction with the machine, he is very open and driven.... 8 out of 10 for this one...
Episode Synopsis:
The team retrieve an alien artifact that shows ghost images of the past, thus allowing Owen to witnesses a girl's murder some forty years before. He becomes obsessed with bring the murderer to justice, while Gwen tries to stop future projections from occurring as well.
#4 Cyberwoman
This one may be too much for the Dr. Who fans, but you need not know the back-story to appreciate the story, but it helps to forgive the nature of the story that seems awkward when compared to the rest of the season. The Cybermen, humans converted from a parallel Earth, were all meant to be destroyed at another Torchwood base on this Earth, this is the exception. This time a half converted erotic-cyborg with more gruesome conversion effects and other creepiness, oh and Cyberwoman vs. the pterodactyl...did I mention they have a pterodactyl in the Torchwood HQ...7.5 out of 10 for this one...
Episode Synopsis:
Ianto, played by Gareth David-Lloyd who is sort of the teams Alfred the Butler, managing the Batcave, has hidden what's left of his girlfriend at Torchwood. His plans to get outside help end with the entire team at risk of finding themselves converted or worse!
#5 Small Worlds
This one is creepy, if a little predictable, take something inherently cute and friendly, like say fairies, and make them dangerous, powerful and a little homicidal, throw in a spooky little girl, an old girl friend of Jack's er... Dad...and you have a winning mix, 8.5 out of 10 for this one....
Episode Synopsis:
Jack's senior friend has discovered fairies in a nearby wood, while Torchwood uncovers a mysterious jail death and weird weather bursts. Jack sees a pattern connected to his mysterious past....
#6 Countrycide
This one is grisly, edgy and very frightening, playing-out like a mainstream horror movie, a good one! This one isn't for the squeamish. ...9 out of 10 for Countrycide...
Episode Synopsis:
Deaths in the middle of nowhere split up the team, Gwen and Owen find themselves in another tight situation, a survivor hides from the killer, Tech-chick Tosh and Ianto race against the clock, and the team fight to stay off the menu.
#7 Greeks Bearing Gifts
This one isn't the best of the season, but it does give more development to Tosh's character...6.5 out of 10...
Episode Synopsis:
Tosh gets a strange pendant from a strange woman and she gains the strange ability to read minds. In the process learning way more than just casual thoughts, in order to make things right Tosh must get this woman into Torchwood H.Q.
#8 They keep killing Suzie
This is a great one...disturbing and well written, a fallen Torchwood member returns providing a unique opportunity to deal with the consequences of events in the pilot episode. A great exploration of Gwen and her place in Torchwood... I give it 9.5 out of 10...
Episode Synopsis:The "Resurrection-Gauntlet" was classified as too dangerous to continue experimenting with, but a link to pre-pilot events, force the team to use the gauntlet on a deceased...Read more›

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Separate from the government, outside the police, beyond the United Nations, Torchwood sets its own rules. Led by the enigmatic, ever watchful Captain Jack Harkness, the Torchwood team delves into the unknown and fights the impossible. Everyone who works for Torchwood is young. Some say that’s because it’s a new science. Others say it’s because they die young.

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4/08/2012

Doctor Who Megaset 1 (27 Discs) (2008) Review

Doctor Who Megaset 1 (27 Discs) (2008)
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Basically just a pile of the Classic DVDs, nothing new, nothing special. And, be careful, buying them separately may be less expensive. I'm going to need a list of content before I buy Vol. 2.
It contains:
The Robots of Death
Remembrance of the Daleks
Vengeance on Varos
Spearhead from Space
The Tomb of the Cybermen
The Arc in Space
The Aztecs
Carnival of Monsters
Resurrection of the Daleks
The Dalek Invasion of Earth
The Talons of Weng-Chiang
The Seeds of Death
The Three Doctors
The Curse of Fenric
The Two Doctors
Earthshock
Pyramids of Mars
Lost in Time
The Green Death
The Visitation
The Leisure Hive
Ghost Light
The Mind Robber
Horror of Fang Rock
The Claws of Axos
City of Death

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Studio: Warner Home VideoRelease Date: 03/24/2009Rating: Nr

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2/15/2012

Doctor Who: The Complete Fourth Series (2008) Review

Doctor Who: The Complete Fourth Series (2008)
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The major dynamic of Doctor Who has always been one of change, after all it IS a show about a 900+ year-old face-swapping, regenerating Timelord with no-fixed-abode, each week an entirely new location, with a new cast of characters. It's because of this dynamic that the series has had such (multimedia) longevity. With series 4, of the new series we see a continuation of this, with the return of Donna Noble from the Christmas Invasion Special of 2006. But, this isn't the same Donna, she herself has changed as a character for having adventured with the Doctor, although she still, thankfully, is not as in awe of the Doctor as Rose in series 1, or in love as Rose in series 2, or struck love-sick with the unobtainable man as Martha in series 3. Donna has a unique perspective on the Doctor and his universe, almost seeing herself as an equal, if unsure of her abilities, but not so completely trusting of the Doctor. As Rose grew into the role of companion, so does Donna, but her journey isn't as simple, she may be the everyman companion (like Sally Sparrow or the men of LINDA). The show's overall perspective has changed, Rose and Martha held the point of view, unraveling the mysteries (for the viewer) of the Doctor and his world, especially with the angry and enigmatic Chris E's 9th Doctor. But now with David Tennant's 10th Doctor the audience knows more about the "last of the Timelords" than any companion, we don't need the companion as an anchor, thus we has Donna on an even playing field, and an excuse to bring back Martha (also changed for her travels)...an maybe Rose?
This season the series has no major catchwords like "BAD WOLF" or "TORCHWOOD" and who can forget "MR. SAXON." Season 4 is bound by other elements, a person, phrase, a prophetic statement/question, a place, building up, so pay attention. These elements aren't clues from this season alone, but references planted going as far back as the first season, or a recently as quotes from the Master in last season's finale, remember "The Crucible," "Medusa Cascade" or the "Shadow Proclaimation?"
What else this season has is loads of great stories from award-winning writers and loads of great performances from award-winning celebrity cameos: Nigel Terry (Excalibur), kylie Minogue, Felicity Kendal, Alex Kingston (ER), Colin Salmon (MI6), Christopher Ryan (the Young Ones), Geoffrey Palmer, Georgia Moffett (the Last Detective) and more. Of course, there are loads of great performances from the series regulars. David Tennant ads so much depth to what was a relatively static character, in the series original successful run. His Doctor still enabling the everyman to act, to be a hero. Along with Catherine Tate, their sense of pathos and comedic timing are nothing short of A-list quality.
DVD set includes:(mild spoilers follow...)
Time Crash: a fully finished short for the "Children in Need" UK charity featuring the 5th Doctor (Peter Davison) meeting the 10th Doctor, written by Steven Moffat.This is a direct precursor to the 2007 Christmas Special, in fact it really occurs a few minutes before the final seconds of Season 3's finale.
"The Voyage of the Damned" or the 2007 Christmas Special. Now a Christmas Day tradition, since the 10th Doctor, newly regenerated came to our screens, this is the 3rd such special. This special is very derivative of the action film genre, more so that the previous specials, or Doctor Who as a whole. Moments very-like the Die Hard of your choice appear throughout "Voyage" while Tennant's Doctor is somewhat muted early on here. The Doctor this time out is rescuing the passengers and crew of the Starship TITANIC, a intergalactic cruise liner visiting scenic Earth, where disaster ensues and the Doctor's promises of salvation to the nicely eclectic gallery of survivors proves to be to much to handle. The Sweet, but over-rated and inappropriately aged Kylie Minogue as Astrid, a temp companion who dreams of seeing the galaxy, help the Doctor to resolve the sinister corporate machinations of Max Capricorn, at an extreme cost. Some elements are the angelic robo-baddies, homage to "the Robots of Death" and another classic iconic juxtaposition of holiday imagery.
The first of the real season is "Partners in Crime" in which we rejoin Donna Noble from the Runaway Bride special and for an opening night episode, it still feel like on of the specials. It is fun, face-paced and over-the-top, it too has some Die Hard moments. Since turning down the Doctor's initial offer to travel, she has changed her mind and been investigating on her own hoping to one day run into the Doctor, and so she does. She also runs into CEO, Miss Foster who offers an unsuspecting public new way to lose weight with a sinister secret, well sinister may be to harsh a word, but let's just say that the fat "just walks away." This one, is a bit of fun fluff, but the episode closer offers quite a twist.
The second of the season is "The Fires of Pompeii" or should I say "Volcano Day." Filmed in Rome on the massive set from the HBO/BBC sets and other Mediterranean locales, we see some of the hard historical choices the Doctor must make, a choice I though he would have faced on the real Titanic, had it not been a Starship. In a fixed point in history...Who lives and who dies in the eruption of Vesuvius? This one has got it all, molten rock monsters, togas and Donna pleading for the Doctor to save someone. From the opening to the ending of this one Donna is asking so great and obvious questions (for example, if the TARDIS translates English to Latin & Latin to English, what happens when you speak Latin?).
The third episode "Planet of the OOD" resolves the plight of the subservient, tentacle-mouthed slaves from The Impossible Planet and The Satan Pit of 2006. The Doctor didn't really do right by them the last time around, but in his defense he was busy fighting the Devil. The OOD are both creepy and sympathetic simultaneously. This time the OOD are more than just tools, and yet again we have the motif of an evil CEO who needs comeuppance (3 of 4).
The fourth and fifth episodes "The Sontaran Stratagem" and "Poison Sky" obviously see the return of the potato-headed clone soldiers (pre-dating Lucas' clone troopers from "the Time Warrior"). This 2 parter also sees the return of UNIT and Dr. Martha Jones and if you missed her episodes of Torchwood series 2, she is a more confident, bolder character than when she and the Doctor parted ways. This one has another evil corporation and evil SAT-NAVs. These two are great "old school" episodes, Christopher Ryan brilliantly plays Sontaran General Staal. Watch the TARDIS monitor for another clue to the season finale.
The sixth episode title was kept secret until the week before broadcast, "the Doctor's Daughter." This is a really nicely done story, with some great casting
Including Nigel Terry (King Arthur from Excalibur) and Georgia Moffett (who is really the Doctor's daughter, 5th Doctor Peter Davison's real kid, who was nearly cast as Rose for 2005). Penned by Stephen Greenhorn, who wrote last season Lazarus Experiment, setting out to write a story that forever leaves the central character changed by the end.
The seventh episode, the Wasp and the Unicorn, is the latest from writer Gareth Roberts, the "historical cameo" king. Having written Charles Dickens & Christmas Ghosts, Queen Victoria meeting a werewolf and Shakespeare with Witches, who better to write a manor house mystery with Agatha Christie?
Done with spinning newspaper, flashbacks and a body in the study, this one is a really Doctor-Who-dunnit (sorry). It has lots of cameos, some Dr. Who vets and David Tennant's DAD as the BUTLER!
The long awaited 2-parter from writer 2 time HUGO-award winner Steven Moffat (Blink, Empty Child), "Silence in the Library" and "the Forest of the Dead" has awards written all over it. The shadows themselves are the enemy on a planet-sized Library and who is the mysterious archeologist River Song, who seems to intimately familiar with the Doctor, could she be Mrs. The Doctor? ...Anyway, if you read any of the New Adventures (of Doctor Who) in the 90's the spirit of this story will seem a very familiar homage (Google Prof. Benny Summerfield for more, irony here is her creator Paul Cornell didn't write an episode this season). River Song is played perfectly by the beautiful and talented Alex Kingston, adds to the increasing foreboding clues toward a bleak something on the horizon for Donna.
Episode ten, "Midnight" while Donna relaxes poolside the Doctor goes on a 4 hour tour (you just can trust them). The Doctor and an unlikely tour group visit the surface of the "unihabited/unihabitable" planet of Midnight...but who's outside and who has gotten in? A great answer to the Voyage of the Damned in which a disaster brings out the best in mankind, here we see people turn on each other (and the Doctor) in fear, human nature at its ugliest. This "bottle" episode contained to the "space-truck's" cabin, is claustrophobic and although it contains no monster reveal it is one of the season's most frightening shows since the angels. Props to the sound crew/editors on this one, no visual effects make the sound all the more important! Also, after the 5th Doctor's real daughter, we this time get the 2nd Doctor's son David Troughton is onboard.
Episode eleven "Turn Left" again by RTD himself leading us into the dark waters of the season four 3 part finale to come...hold on! This Doctor-light episode sees the special return of an companion and UNIT as things begin to get bad as a threat to more than just the Earth is revealed.
Episode twelve, "The Stolen Earth" the Doctor's team prepare to battle the new ***** Empire, lead by *****.
Final episode,...Read more›

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DOCTOR WHO:COMPLETE FOURTH SEASON - DVD Movie

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2/06/2012

Doctor Who: The Androids of Tara (Story 101, The Key to Time Series Part 4) (Special Edition) (2009) Review

Doctor Who: The Androids of Tara (Story 101, The Key to Time Series Part 4) (Special Edition) (2009)
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The search for the Key to Time is half over. The Doctor, Romana and K9 have recovered the first three segments and, unhappily, the best three stories of the season are over. The last half of the Key to Time quest is definitely the weaker. This is not to say, though, that "The Androids of Tara" is bad. It's quite fun, even if it feels a little inconsequential. The criticism it has attracted from most fan circles is that it draws too heavily upon the one source, Anthony Hope's "The Prisoner of Zenda" and displays this quite blatantly. However, most of Doctor Who (like the works of William Shakespeare) is plagiarised from one source or another. How stylishly it is done is the best indicator of how it succeeds. With the case of Doctor Who, it succeeds most of the time. "The Androids of Tara" is a fun, swashbuckling adventure. The villain, Count Grendel, is a wonderfully over the top cad, scoundrel and all round baddie. The usual ingredients for the genre - Princes, Princesses and swordsmen - are all here. There's also the obligatory swordfight at the end. The story is low key - it revolves around the political machinations of the world of Tara - there is no planet to save from invasion or destruction, no populace to save from alien oppression. This story will never be regarded as a classic; it won't be in any all time top 10 lists - but it is a breath of fresh air. It's a nice diversion, however unoriginal. (There's an awful monster, so it's not really that different from the rest of Doctor Who!) Sure, it feels inconsequential. But it has the usual charm that the program always succeeds in pulling off.

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Getting the fourth segment of the Key to Time is the easiest part of the trip to the planet Tara, whose idyllic atmosphere lulls the Doctor into a mood to go fishing and leave the segment-tracing to Romana. She locates it after a short walk on a beautiful day, but her luck changes when she meets the courtly Count Grendel. Contrary to appearances, Tara is a hotbed of political intrigue, and beneath its Old World veneer lies a surprising advanced level of technological development that includes lifelike androids and electric swords. Count Grendel mistakes Romana for an android double of Princess Strella, and carries her away for future use in his plot to wrench the crown from its rightful claimant, Prince Reynart. Meanwhile, the Doctor arouses suspicion when Prince Reynarts men discover him fishing on the princes estate. Before he and Romana are reunited, the Doctor will be unwillingly thrust in the roles of android repair-man, king-maker and ultimately, swordsman when finds himself locking swords with Grendel, the finest swordsman of all Tara.
DVD Features:Audio CommentaryDVD ROM FeaturesFeaturettePhoto galleryProduction Notes


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2/05/2012

Torchwood: The Complete Second Season (2009) Review

Torchwood: The Complete Second Season  (2009)
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It's yet another season of "Torchwood", a "Doctor Who" for adults. Now in its 2nd season, we meet a team of professionals who battle aliens and try to protect us from all sorts of cosmic anomalies. Based in Cardiff - centrally located on a rift in time and space - "Torchwood" stands ready to do the job. With plenty of foul language and sexual...um...stuff, you never forget the seriousness of the situation, or the fact that the end of the world never means having to forego a good "snog".
"Torchwood" remains a pretty controversial show. Everything that made the 1st season both fun and frustrating are ramped up in S2.
But first, the ep.s themselves.
"Kiss, Kiss, Bang, Bang" (I wonder how many British shows have come and gone wishing to use that title.) Remember how S1 built up the anticipation to that same sex kiss in "Captain Jack Harkness"? Well, subtlety goes out the window in the first few minutes of the season opener, returning Jack from his adventure in the "Doctor Who" season 2 finale. Here, Jack introduces the team to his thrill-kill former colleague and not-so-former lover, Time-Agent Captain Jon Hart. What is Hart's agenda? And how much lip-lock will the team be forced to watch before Jack takes any action?
"Sleeper", an obvious idea nevertheless not given the treatment until now. The team must confront deep-cover terrorist insurgents from another planet. They look like ordinary people - husbands, wives, lovers, parents - but when the signal starts, they become indestructible agents of mass destruction.
"To the Last Man", a pretty good episode in which the team finds a breakdown in time barriers between the present and WWI era threaten the space-time continuum. Only an inhabitant of that period, sent back to his time from our own, can save the universe. Luckily, Torchwood has kept a WWI soldier on ice since 1918 for just such an occasion. TV shows (especially cop shows) are typically weak because they marginalize guest stars, but this ep. shows how Torchwood excels in integrating guest characters into its larger mythos.
"Meat". An episode that gives the vegans a chance (among many) to laugh at us carnivores. The team investigates a meatpacking operation profiting on the flesh of apparently alien source. The story itself is pretty thin, but as with many eps. the saving grace is the character interaction - chiefly involving Rhys, Gwen's annoying fiancée.
"Adam". Who's Adam? Nobody seems to think that Adam has been anything but a longtime and loyal teammate, so nobody seems to realize that he just insinuated himself into the group and their memories. At first helpful, the script reveals how darkly dangerous a man with memory-altering powers can be. A great episode that reveals more background on Capt. Jack and also informs how much they care about each other.
"Reset" what would sci-fi be without a dig at the medical establishment? This was actually a weak story punctuated by a great appearance from Alan Dale (known in the US for "Lost" and "Ugly Betty"), the debut in Torchwood of "Doctor Who" vet Martha Jones (which provides for much cheerily licentious dialog) and a thoroughly heartbreaking ending.
"Dead Man Walking" picks up where "Reset" left off. The facts of the story substantially nullifies the tragedy that ended "Reset" without damaging the other episode's dramatic payoff. (Can't say anything else w/o a substantial spoiler.) The episode is the midway to the conclusive "A Day in the Death". Again, spoilfree review guidelines prevent more specific description. Suffice it to say that this ep. is "Random Shoes" of the season, only better than that ep.
"Something Borrowed" has Gwen and Rhys finally tying the knot. Only, a late night duel-to-the-death with a shape-shifting alien carnivore leaves Gwen in a compromising position that threatens to ruin the wedding. Funny, scary and still very adult, this is easily one of the show's more entertaining eps.
"From Out of the Rain" has Cardiff menaced by "Night Travelers", performers of a ghostly circus that steals the breath of ordinary human beings. A decidedly creepy ep. with a disappointing payoff.
"Adrift" a horrible story. Gwen follows up on a large volume of missing-person cases possibly tied to The Rift. In bonding to many civilians in search of missing loved ones, Gwen's makes some pretty obvious and painful errors in judgment. Anybody who thought last season's episodes "Small Worlds" and "Out of Time" were pointless will probably feel the same way about "Adrift".
"Fragments" a great episode in which a crisis situation forces each of our heroes to separately delve into their past and recall how they joined Torchwood. Best part of the episode: Jack meets Torchwood's saucy Victorian era operatives. This ep. sets the stage for the season finale -"Exit Wounds". It's very difficult to discuss the finale w/o spoilers. Let's just say that it involves Captain Jon and Jack's lost brother, Gray, and basically ends with final heartbreak for the team. Unfortunately, it also follows too closely the 3rd season finale of Doctor Who, with the emotional confrontation between hero and villain.
WHAT'S WRONG W/TORCHWOOD?
Torchwood never fully becomes the adult version of Doctor Who. Too many ideas are developed without a payoff (the "Night Travellers" being an obvious example; the show eerily introduces them, then quickly discards them); also, the show falls into the trap of so quickly assuming its maturity based on sexual content & bad language, that it sometimes leaves fatally obvious signs of its lineage to "that other show", itself originally a kid's show. It takes more than a profusion of potty language and a healthy diet of "snogging", to elevate "Torchwood" to maturity - think of kids playing "dress-up" and you get the idea. The other flaw is in the premise, but it's a somewhat complicated flaw. Watching the show, it's hard to get past the idea that "Torchwood" is often more in need of help than capable of providing. Their position often makes them vulnerable to otherworldly threats - despite Captain Jack's weekly refrain, "Torchwood" is NOT ready.
WHAT IS IRRESISTIBLE
But that premise actually the show's saving grace - the vulnerability of Jack, Ianto, Owen, Tosh and (especially) Gwen is the biggest reason for the show's appeal. The script works in well just how close these guys get to getting offed on a weekly basis, trading witty and well-timed banter even as half the cosmos wants them dead.
For the sake of the Cosmos, our lawyers insist on the following disclaimer: absolutely no DVD extras were viewed in the writing of this review (sheesh - we know we're controversial, but 20 unhelpful votes!?)

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Torchwood follows the adventures of a team of investigators, led by the enigmatic Captain Jack. Set in the UK in the present day, the team use scavenged alien technology in a very real world to solve crime; both alien and human. Separate from the government. Outside the police. Beyond the United Nations. Everyone who works for Torchwood is young, under 35. Some say that's because it's a new science. Others say it's because they die young...

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1/29/2012

Doctor Who: The Key to Time (Special Collector's Edition) (Stories 98-103) (2009) Review

Doctor Who: The Key to Time (Special Collector's Edition) (Stories 98-103) (2009)
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Yes, these are technically re-releases of shows that have already been put out on DVD. For the 'die-hard' fans these may not be totally redundant like Lucas and his Star Wars releases.
The Key to Time Series: I would get this again ONLY because it is loaded with commentaries by Tom Baker and Mary Tamm which were not available on some of the episodes within the previous DVD set released. As well, there are new making-of documentaries regarding each of the shows per each segment of the Key that are, again, totally new.
I am biased towards loving this season of Tom Baker's run. Thus, if you aren't that crazy about these then, yes, the purchase is totally unnecessary. However, if you are 'avid', then this set should be rewarding to succumb to the 'double-dip'... with the new special features in plenty...
The NEW 350 minutes-worth of special features details are as follows. All the making-of features are new and NEW commentaries are marked with an *:
I. The Ribos Operation: Special Edition (1 DVD; 4 episodes; 98 mins)
1. Commentary with Tom Baker and Mary Tamm
2. A Matter of Time - A new 60-minute Documentary
3. The Ribos File - Cast and Crew Interviews about the making of
this story
4. Continuities - off-air continuity links from the story's
original BBC1 transmission
5. Season 16 Trailer - BBC1 trailer for the forthcoming season
6. Photo GalleryII. The Pirate Planet: Special Edition (1 DVD; 4 episodes; 100 mins)
2 Audio Commentary Tracks:
1. Commentary with Bruce Purchase and director Pennant Roberts
2. * Commentary with Tom Baker, Mary Tamm and script editor Anthony
Read
3. Parrot Fashion - Documentary that includes old and new
interviews, including Douglas Adams
4. Film Inserts, Deleted Scenes & Outtakes
5. Weird Science - A funny look at the science seen in The Key to
Time
6. Continuities - off-air continuity links from the story's
original BBC1 transmission
7. Photo GalleryIII. The Stones Of Blood: Special Edition (1 DVD; 4 episodes; 95 mins)
2 Audio Commentary Tracks:
1. Commentary with Mary Tamm and director Darrol Blake
2. * Commentary with Tom Baker, Mary Tamm, Susan Engel and writer
David Fisher
3. Getting Blood from the Stones - Cast and Crew Interviews about
the making of this story
4. Hammer Horror - Featurette about the influences of horror films
on Doctor Who stories
5. Stones Free - Mary Tamm visits the Rollright Stones location and
talks to local experts
6. Deleted Scenes
7. Continuities - off-air continuity links from the story's
original BBC1 transmission
8. Excerpt from 'The Model World of Robert Symes'
9. Blue Peter segment about the 15th anniversary of Doctor Who
10. BBC's Nationwide news program segment about the 15th
anniversary of Doctor Who
11. Photo GalleryIV. The Androids Of Tara: Special Edition (1 DVD; 4 episodes; 97 mins)
1. Commentary with Tom Baker, Mary Tamm and director Michael Hayes
2. The Humans of Tara - Cast and Crew Interviews about the making
of this story
3. Now & Then: The Androids of Tara - compares and contrasts
present day locations as they are now with how they appeared in
the story
4. Double Trouble - a brief history of 'doubles' in other Doctor
Who stories
5. Photo GalleryV. The Power Of Kroll: Special Edition (1 DVD; 4 episodes; 90 mins)
1. Commentary with Tom Baker and John Leeson
2. In Studio - a glimpse inside the studio during recording of the
story
3. Variations - a BBC local news programme visits the story's
location during filming
4. There's Something About Mary - Mary Tamm looks back at her
single-season starring role as the Doctor's companion
5. Philip Madoc: A Villain for All Seasons - Madoc looks back on
his numerous roles as a Doctor Who villain down the years
6. Continuities - off-air continuity links from the story's
original BBC1 transmission
7. Photo GalleryVI. The Armageddon Factor: Special Edition (2 DVDs; 6 episodes; 147 mins)
2 Audio Commentary Tracks:
1. Commentary with Mary Tamm, John Woodvine and director Michael
Hayes
2. * Commentary with Tom Baker, Mary Tamm and John Leeson
3. DVD-ROM: 1979 Doctor Who Annual in Adobe PDF format
4. Defining Shadows - Cast and Crew Interviews about the making of
this story
5. Alternative / Extended Scene
6. Directing Who - Michael Hayes looks back on his directing career
on Doctor Who
7. Rogue Time Lords - a potted history of errant Time Lords
8. Pebble Mill at One - Tom Baker interview from 1978
9. Radiophonic Feature - a Pebble Mill at One interview looking at
Radiophonic music and effects in Doctor Who
10. The New Sound of Music - Dick Mills talks about creating Doctor
Who sound effects
11. Merry Christmas, Doctor Who - a special Christmas sketch,
recorded on the set of 'The Armageddon Factor' for the BBC
Christmas Tape that year
12. Continuities - off-air continuity links from the story's
original BBC1 transmission
13. Photo Gallery
14. Late Night Story - Tom Baker reads five spine-chilling stories
from this 1978 series:
a. The Photograph by Nigel Kneale
b. The Emissary by Ray Bradbury
c. Nursery Tea by Mary Danby
d. The End of the Party by Graham Greene
e. Sredni Vashtar by Saki (never broadcast)
15. Easter EggAdding up the running times gives us 627 minutes for the box set. All episodes are presented in full frame video, with the original English mono audio and with English subtitles.

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In a story arc that continues throughout Season 16, the White Guardian gives the Doctor a quest to find the six disguised segments of the Key to Time which, when assembled, will be used to restore the balance of the cosmos. To aid him he is given a new companion, a female Time Lord called Romana, and a tracer device.
DVD Features:Deleted ScenesDocumentaryInterviewsPhoto galleryProduction Notes


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1/26/2012

Doctor Who: The E-Space Trilogy - Full Circle/State of Decay/Warriors' Gate (Stories 112-114) (2009) Review

Doctor Who: The E-Space Trilogy - Full Circle/State of Decay/Warriors' Gate (Stories 112-114) (2009)
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"One good solid hope's worth a cart-load of certainties..." well, any fan worth their salt will certainly want this set...
The on-again-off-again blocks of tight continuity and multi-episode story arcs of the new Doctor Who series has already primed fans for the return of this string of CLASSIC Doctor Who stories and some of the best of Tom Baker's final season as the 4th incarnation of the Timelord. This set comes not only at a peak of the show's popularity, but during the restyling of the shows look (and sound). Producer John-Nathan Turner, retooled, the theme and graphic for the 80's, even the Doctor's threads, JNT introduced his appropriately somber plum gear. This set contains the finest examples of all of those changes, end for the Timelady Romana and K9, also the beginning of the end for the 4th Doctor.
"Full Circle" is the first of this arc featuring not only an introduction E-Space, a smaller universe with a universe, but the Doctor's questionable next companion, Adric. Adric is a sortof smarter-version of the 2nd Doctor's Highlander companion Jamie, crossed with Dickens' "Artful Dodger." Will Sci-fi writers never learn, the arrogant oversmart teenager is never appealing on screen, just as poor ole' Weasley Crusher. "Full Circle" for it's faults contains some great moments for Baker to chew-up the scenery, and some superb costuming, the Marshmen ala' creatures of the Black Lagoon. "Full Circle" is a tale of a culture apparently stuck in endless preparations for a "return home" with several dark secrets which further delay their journey. Determined to get "back to the basics" and have the Doctor solving problems without any quick fixes, the producers planned to remove K9 from the series. Already, opening the season with him exploding in saltwater, the assault on K9 continues having him spend much of this 4 parter with his head off.
The next story "State of Decay" is the best of the three...finally VAMPIRES in the Doctor Who Universe (or in this case an E-Space universe)...The Doctor tells in hoarse whispers how "every known planet has legends of vampires" and reads ancient tales of the early Timelords and the war with the Great Vampire and his minions, he reveals how after the bodies were tallied, he remained unaccounted for. Before Steven Moffat's episodes aired, State of Decay was surely the creepiest of the long running series. An ancient rocket, it's fuel tanks filled, not with fuel, but BLOOD!! Hoo, hoo! Genius! An the superb attention to atmosphere in "the village," even Romana's wardrobe to the Hammeresques trio of kingly vampires...Genius, I say again.
Finally, the escape from E-Space in "Warrior's Gate." Featuring a strange and interesting use of a virtual environment, while fairly common now was less successful in past attempts when the series worked "set-less." Here I feel it works well achieving the "nowhere" effects (much like the 2nd Doctor's visit to the Land of Fiction), although much of this episode is overcomplicated and artsy. The cat-people make-up, of the Thrails and the neat Gundan robot warriors all add the high-concept effort of this unique story. In some early moments two of the crew of the Slaver ship indulge an homage to "Rosencrantz and Guildenstern are Dead" even including the coin. The story follows a cat-like race that while once cruel masters themselves, are currently in need of liberating, the Doctor's prime hobby. As always more great dialog, gems like the Doctor's, "We'll burn that bridge when we come to it." and from Romana, "Astral Jung!" The final farewell to Romana and K9 is brief and less moving than many departures in the show's history, although the Doctor assures us that she will be more than just alright...she'll be SUPERB.
The E-Space Trilogy is a really good set of DVDs to own at a pretty good price. E-SPACE DRINKING GAMES...Drink whenever:
...the TARDIS Monitor shows an exterior shot of someplace they're not.
...you see a technacothaka or any other quirky turn of phrase like the "Three Who Rule," "the Wasting" or even "Mistfall."
...K9 is broken, abused or otherwise written out of the story.
...the Doctor misquotes Shakesphere...like 'He who outlives this day and comes safe home shall stand a tiptoe when this day is named and rouse him at the name of E-Space!"
...the Doctor says, "SWARMED" ...what? "Swarmed."
...Adric seemingly or actually betrays Romana to gangs or vampires.
...a character melodramatically utters the title, example. "...we've come Full Circle!"
...we see an establishing shot that is a model or a matte...like the STARLINER, The Tower, the Warriors Gate or the long shots of the SlaveShip.
...the Doctor shows off his (architectural) expertise and misses the mark like in the Tower of the Lords in "State of Decay" he says the decor is rococo when actually it's late Saxon/early Romanesque...oh snap!

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The Tardis has brought the Doctor, Romana and K9 to an alternate unvierse, E-Space, where huge poisonous spiders, space vampires and gateways between past and future are commonplace.
DVD Features:Deleted ScenesFeaturetteInterviewsProduction Notes


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1/24/2012

Torchwood: Children of Earth (2009) Review

Torchwood: Children of Earth (2009)
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For the first two series Torchwood was your standard solve the horrible situation of the week series but that all changed with series three. First and foremost, the bigggest difference is that there are only five episodes instead of the usual 12 but that is because all five episodes comprise one mini-series mega event where the BBC showed one episode each weeknight during a single week as opposed to one show a week. Those are the minor technical differences and here are the stylistic differences.
Previous incarnations of Torchwood were a mix of frivolity, political thriller, and science fiction while series three puts the political thriller aspect front and center with the jokes and scifi taking supporting roles. The tone is emotionally taut, psychologically upsetting, and decidedly dark--all perfect motifs for a show designed only for adults. If you are wanting a Dr. Who style trip into the imagination where you get a bit scared but return with a smile on your face this is not going to be to your liking at all because this time Torchwood takes us into a nightmare realm where many of the humans in charge seem more alien and threatening than the actual aliens, who are definitely scary themselves, and that insures you won't return from this journey with a smile unless you're a sadistic freak. Does the darkness overwhelm the show? Not at all! As I said the political thriller aspect is front and center and its pacing almost feels like this is Torchwood 24, especially seeing how each episode represents one day of time so that by the end of this series only five days have passed for the Torchwood crew.
Should you buy Torchwood series 3? Well if you are more of a fan of Dr. Who and only watch Torchwood because it is a Who spin-off I'd wait and watch it as it airs to make sure it isn't too realistic to be enjoyable for you. If you prefer Torchwood over Dr. Who then definitely put your order in as you're not likely to be disappointed with the direction RTD has taken the show this time. Personally, this has been the best science fiction on the small or large screen this year (I haven't seen Moon yet so that could change) and keep in mind I am a huge Trekkie and adored the new Star Trek movie! That's right, a die hard Trekkie said Torchwood series 3 was better than Star Trek the Reboot. Granted, Trek had better blockbuster visuals and space battles but Torchwood, by far, told the better story. I also think the acting was better in Torchwood than Trek although there isn't as big as a distance between the two as there was in plot quality.

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TORCHWOOD:SEASON 3 CHILDREN OF EARTH - DVD Movie

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1/22/2012

Doctor Who: The Five Doctors (Story 130) (25th Anniversary Edition) (2008) Review

Doctor Who: The Five Doctors (Story 130) (25th Anniversary Edition) (2008)
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The Five Doctors 25th Anniversary edition of The Five Doctors is a big improvement over the first Five Doctors DVD that was released way back in Sep 2001. This set contains both the orginal 1983 cut and the 1995 version. And has some very cool special features such as a nice documentry on the 20th Anniversary year hosted by Colin Baker. A very well done DVD set. As for the story I always thought it was ok.I do wish that Tom Baker agreed to apear in the story.My dad has always called it The 4 Doctors rather then 5. I can imagine alot of American fans was disapointed because for many Americans at the time Tom Baker was Doctor Who. Owell. Yeah I can see why he passed on doing it as he just left the roll and wanted to move on to other things. Owell.Anyways this is a very nice DVD set from The BBC.Looking forward to more Doctor Who DVD's in the future.

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THE FIVE DOCTORS - "I am being diminished, whittled away piece by piece. A man is the sum of his memories you know, a Time Lord even more so." Someone is taking the Doctor's past selves out of time and space, placing in a vast wilderness - a battle arena with a sinister tower at its center. As the various incarnations of the Doctor join forces, they learn they are in the Death Zone on their home world of Gallifrey, fighting Daleks, Cybermen, Yeti - and a devious Time Lord Traitor who is using the Doctor and his companions to discover the ancient secrets of Rassilon, the first and most powerful ruler of Gallifrey.The Five Doctors was originally broadcast to celebrate the Twentieth Anniversary of Doctor Who in 1983. This new version of the story features extended scenes, previously unseen sequences, new visual effects and a stereo soundtrack. Not intended as a replacement for the original edition of the story, this is an alternative version which uses state-of-the-art technology to embellish and enlarge one of the greatest Doctor Who adventures ever. THE KING'S DEMONS - "We sing in praise of total war; against the Saracen we abhor" It is thirteenth century England, and King John is visiting the castle stronghold of Sir Ranulf Fitzwilliam. Ranulf's personal fortune has dwindled away, freely donated to Kin John to help fund the Crusade. While staying with Ranulf, the King's greed is criticized by the baron's head-strong son, Hugh. As a result, Hugh is challenged to a duel by the monarch's enigmatic French Knight-at-Arms, Sir Giles Estram, a duel the young Englishman has little hope of surviving.When the TARDIS materializes and disturbs the joust, the Doctor's party are proclaimed friendly demons by the King, who seems strangely interested in their "blue engine." Before long the Doctor becomes embroiled in court politics, and he realizes that there is far more to the situation than a simple battle of honor between nobles.DVD Features:Audio CommentaryDocumentariesOuttakesPhoto galleryProduction Notes


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1/16/2012

Doctor Who - The Complete First Season, Vol. 4 (2006) Review

Doctor Who - The Complete First Season, Vol. 4  (2006)
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Dr. Who is Forty (actually he's 900, but like the Doctor, the show had been around in one form or another since 1964). During March and through June the BBC celebrated by bringing the show back to television for its 27th season (or as it is more consistently called: SEASON ONE)in a glossy, fast-paced enough to satisfy contemporary audiences, while still conscious of its roots. This SET contains all 13 season one episodess for the 2005 rebirth of the longest running sci-fi series in TV history. The producers, clearly have a respect and understanding of the UK icon. Obviously, fans, the creators do things with the show we would do ourselves.
Doctor Who has always has a voice defined by the decade each in tune with its era and this holds true to the new Doctor Who. This Doctor is almost child-like in his enthusiasm and wonder. Featuring the Doctor as played by Christopher Eccleston (Shallow Grave, Gone in 60 Seconds), infusing the character with great intensity and humanity, while remaining mysterious and alien, along with his companion Rose played by Billie Piper, growing from an awed slacker to a seasoned space adventurer. However, the format of the show has changed to 45 min. parts, some 2 parters ending with cliffhangers, some without. Like any "new" series there are good episodes and not-so-good ones, the upside here is MOST of these are great episodes! The 40 year history of the series isn't squeezed into one pilot, through-out the year we get a trickle of back-story, some old, like his time/space machine looks like a police-call-box, and some new back-story, like the fact that his race, the TIMELORDS have been wiped out in a TIME WAR.This set includes BOOM TOWN in which the Doctor, Rose, Capt. Jack and Mickey team up to stop Margaret, the sole survivor of the Slitheen family (from World War III and Aliens of London.
This was filmed as a cost-cutting "bottle episode" but has some great writing in it, as consequences of the Doctor's actions are explored... what happens after the action, when the Doctor must dirty his hands with the possible execution of a defeated foe.
In the 12th episode, BAD WOLF, the Doctor, Rose and Captain Jack have to fight for their lives on board the Game Station, in the season finale, THE PARTING of the WAYS, Rose Tyler has seen danger and wonders alongside the Doctor, but now their friendship is put to the test and the Doctor says goodbye...sort of. This 2 parter features "Big Brother," & "Weakest link" gags as the Doctor becomes a "flatmate" and Rose a contestant. Also features the "Final Battle" of the "Time War," the return of an old enemy in a battle sequence that couldn't be beat even if Dr. Who goes to the big screen!
AWARDS:
The 2005 series won the 2006 BROADCAST AWARD for BEST DRAMA SERIES adding to the series' successes at the National Television Awards (voted Most Popular Drama), TV Moments, and the BBC 2005 Drama Awards! The show's two stars (Eccleston and Piper) scooped the most popular actor and actress honors in the awards voted by the public. Dr. Who (2005)was also nominated for not only the 2006 HUGO Award (announcing winners on Aug 26), but on May 7th it WON 5 of the most prestigious award British Television has to offer: the BAFTAS Awards (British Academy of FILM and TELEVISION ARTS) out of the 14 categories it was nominated. Winning for BEST DRAMA SERIES, BEST DIRECTOR, BEST MAKE-UP, BEST COSTUME, BEST DIRECTOR OF PHOTOGRAPHY and the PIONEER AUDIENCE AWARD which was voted for by the British public (kind of like the US People's Choice Award).


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Christopher Eccleston's Doctor is wise and funny, cheeky and brave. An alien and a loner, his detached logic gives him a vital edge when the world's in danger. But when it comes to human relationships, he can be found wanting. That's why he needs Rose. From the moment they meet, the Doctor and Rose understand and complement each other. As they travel together through time, encountering new adversaries, the Doctor shows her things beyond imagination. Includes Aliens of London, World War Three and Dalek.

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12/21/2011

Doctor Who: The Trial of a Time Lord (Stories 144 - 147) (2008) Review

Doctor Who: The Trial of a Time Lord (Stories 144 - 147) (2008)
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So far, all the reviews have been about the actual 14-episode story on this DVD. Let me start by quickly saying how much I love this season-long epic. I know, I know...it has its flaws, it was riddled with behind-the-scenes turmoil which kept the story from really coming together onscreen, some of the trial scenes simply don't make sense, etc.....but I still love everything about it. I've always loved Colin's portrayal of the Doctor and I think some of his best work is in this season. He was obviously VERY happy to be back to work on the show he loved after a long hiatus.
But "Trial of a Timelord" has been written about a great deal, and other reviewers here have already given you very good reviews of the actual story. My review, then, is about "the rest of the story"....the DVD packaging of "Trial".
Which, by the way, is excellent.
Even if you don't love this season, you have to admit that this is one of the strongest collections of special features on any Doctor Who DVD. What is most admirable here is that the team that puts together these DVDs did't shy away from the controversy that surrounded this season. These features aren't "Doctor Who Confidential" styled pats-on-the-back. The features show the good and the bad in equal measure.
Here are some of the highlights:
- There's a "making of" documentary for each of the four stories that make up "Trial". These are all really great, very entertaining and educational. But the highlights are seeing Tony Selby and Brian Blessed talk about their time on the show. They very obviously loved doing it.
- There's a 55 minute documentary on Colin's time as the Doctor. It goes into great details about the detioration of the relationship between John Nathan-Turner and Eric Saward, the hiatus, the reasons behind the "Trial" story, Colin's firing....its really good. Its a very revealing, "cards on the table" type of discussion. Its amazing to see that even 25 years later, talking about this stuff is difficult for Colin. Its also great to see Eric Saward talk about his role in alienating people who had been his friends and co-workers.
- There's a short bit of commentary with Colin and Nicola watching the scene in Part 14 where the script, at JNT's urging, undoes Peri's death from Part 8 by saying she was living happily-ever-after with King Yrcanos. While Nicola was aware that they'd done that....she'd never seen the scene in question. Her reaction to it is pretty interesting.
- There's a great documentary on what would have been Season 23 had the hiatus not happened and they'd gone on to do Colin's second season as planned. Most of this is pretty well known, and three of the stories were later released as novels. But this is illustrated by new artwork, is narrated by Colin, and talks about each of the stories and the shape of the season. Very enlightening.
- There's a fun little half-hour piece on cliffhangers. Authors, editors and scriptwriters talking about the show's cliffhangers -- which ones were great, which ones didn't work, which ones could have been brillian but weren't, etc. A very fun piece.
- There's a fairly substantial clip from a talk show after the end of the season that has a group of people from one of the DW fan clubs talking about the "Trial" season, and what a mess it was, and if fans couldn't follow it how could the general public? So after a series of comments from each of them, the host says "Well, now lets hear from the producer and the writers of this season". John Nathan-Turner and Pip & Jane Baker seemed genuinely caught off guard to learn that these people didn't completely love their work! It's really interesting viewing.
All-in-all its a stellar package. The sound in particular is cleaned up very nicely. And the picture looks great. There seems to be more contrast in the opening courtroom scenes, where the set looks a bit more darkly lit and moodier. Even if I were't a fan of this season, I would probably give this DVD release of it 5 stars simply on the strength of the packaging, the extras, and the great lengths that the Restoration Team went to to bring us a very thorough and enlightening set. Very well worth the money. I highly recommend this set!

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DOCTOR WHO:TRIAL OF A TIME LORD - DVD Movie

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12/11/2011

Doctor Who: Black Orchid (Story 121) (2008) Review

Doctor Who: Black Orchid (Story 121) (2008)
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If it weren't for this story, I would be left scratching my head and wondering why the hell these four individuals (they were barely a TARDIS team) would hang around each other for so long. Adric just becomes an obnoxious brat with the Fifth Doctor, Tegan just wants to go home, and Nyssa gets shunted to the sidelines every damn time. With the Sixth Doctor and Peri, there were moments in every story where you could tell they were close friends, which is absent with this team.
Except for this story.
Black Orchid, a two-parter that's a bit of a diversion, but it was needed, in my opinion, before the emotional-roller coaster known as Earthshock. A light-hearted adventure that you can sit down and relax to after doing a long shift of work, or even if you've come from a night about the town (like I did on the day I bought this.) The Fifth Doctor and Nyssa, the best Fifth Doctor combination, both get to shine here, Nyssa with Sarah Sutton's double role with Ann, finally giving Nyssa something to do in a story, and the Fifth Doctor, who shows off his amazing cricket skills, bringing a team back from a pathetic score (though I don't think even the Fifth Doctor could help England against Australia!)
And where the TARDIS crew get along? The scenes at Cranleigh Manor are easily some of my favourite of the Fifth Doctor era, where Tegan shows Nyssa some of the Earth dances and cheering on the Doctor in cricket, and Nyssa just looks more amused than ever at these bizarre rituals. Not to mention where they both gently mock Adric about his constant eating (how large are Alzarian stomachs anyway?) Adric for once is actually likeable.
Surprisingly, there are no science fiction elements whatsoever, a throwback to the early Doctor Who days where sci-fi and history genres went hand-in-hand, it's more like a murder mystery, a whodunit, where the Doctor becomes trapped while getting ready for the costume ball at Cranleigh Manor, and someone takes his place wearing the clown costume, "Attacking" Ann, and killing a servant who tries to help her...
All in all, one of my favourite Davison stories, and one you can watch and just enjoy.

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DVD Features: Audio CommentaryDeleted ScenesFeaturettePhoto galleryProduction Notes

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12/03/2011

Doctor Who: The War Machines (Story 27) (2008) Review

Doctor Who: The War Machines (Story 27) (2008)
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Doctor Who altered its course with The War Machines. Rather than travelling to a distant planet to meet strange-looking aliens, or to Earth's past to encounter a significant historical figure, War Machines is set in comtemporary London, the swinging mid-60s, and it shows! For the very first time in the series' young history, the Doctor and his companion(s) face a modern-day threat, the first time, that is, when they are large enough to interact with the rest of the characters, unlike Planet of The Giants.
As Professor Brett states, WOTAN is ten years ahead of its time. Well, maybe not ten. Perhaps only five years, which would put it smack down in the beginning of the Pertwee Years, right next to a simlar story, Mind of Evil, about a machine taking over people's minds. If anything, The War Machines foreshadows the Third Doctor's era. Hartnell dabbles with electronic gadgets, works with the military (not UNIT yet, but very UNIT-like), and endures incompetent politicians to prevent a menace from taking over the world. Sound familiar? The Pertwee Years four years early. In fact, if you re-hash this script and use it toward another popular 60s TV program, The Avengers, it would feel right at home. I anticipated John Steed and Emma Peel to show up on my TV screen at any minute.
Incidentally, the notion expressed that Doctor Who finally has taken its intended form with The War Machines is about as bogus the Doctor's background being changed during the McCoy years to be something more than a timelord. The intended course in any series is how it originates, not how it becomes. The originators of any series always deserve the "intended course" label. This is not to say that the new direction of the show is bad, but let's not claim that this is where Sidney Newman & Verity Lambert envisioned Doctor Who going.
Basically, The War Machines steers Doctor Who in a new direction, a very subtle foreboding of the early 70s, worth every one of the four stars I gave it. However this story could have been a five-star beauty. How you ask? Where have you gone Ian & Barbara. The Doctor may as well have been companion-less. Dodo barely features at all, disappearing somewhere in episode two, never to be seen again. We are given the revelation at the end that she has decided to stay in London, and bids the Doctor goodbye by relaying a message through the new companions, Ben & Polly. As the Doctor says, that's gratitude for you, not even showing the decency to see the Doctor off personally after being given the experience of her life. Dodo should have gotten a more substantial exit. As for the aforementioned new companions, Ben & Polly fit in with the swinging 60s era, and Polly is pleasing to the eye, however they are no Ian & Barbara. In retrospect, War Machines could have been the perfect swan song for Ian & Barbara. I can just see them telling the Doctor that "we have decided to remain here" at the end of this story, fate having steered the Tardis back in their own time finally. An opportunity sadly lost...


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London, 1966. The TARDIS materialises in the shadow of the newly-completed Post Office Tower, and the Doctor senses a strange energy in the air. He instinctively knows that evil is at work nearby. Posing as a scientist, the Doctor and his 'secretary' Dodo gain access to a suite at the top of the tower and meet the driven Professor Brett. His life's work, the thinking computer WOTAN, is about to be linked up in a problem-solving network with many other machines around the world. But the Doctor is concerned. How can WOTAN possibly know the meaning of the word 'TARDIS' and about the Doctor's travels through time and space? What is the strange control that WOTAN can exert over humans via a mere telephone call? Andwhat is the computer's link with the deadly robots being assembled in Covent Garden warehouse?

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11/30/2011

Doctor Who: Image of the Fendahl (Story 94) (2009) Review

Doctor Who: Image of the Fendahl (Story 94) (2009)
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Elaborately balanced between horrific and comedic, "Image of the Fendahl" comes in near the midpoint of Tom Baker's tenure as the Doctor, a justifiably classic phase of the series when those responsible for its making seem confident but not complacent that their efforts will entertain a wide segment of the BBC audience. That is, while a bit murkier and edgier than prior years, this is still "Doctor Who" as the quintessential family show--somehow working on several levels at once. On the simplest and most tangible level we have big slug-like monsters (and, this being the olden days before CGI, I think we should stop a moment and appreciate the inventive craftsmanship that endowed them with a mouthful of squirming writhing tentacles). On an equally thrilling if less visceral level, we have a finely-scripted tale of suspense and mystery. On yet more sophisticated levels yet, all of this is framed and informed by a complex and intriguingly speculative science fiction premise of astronomical scale spanning eons--which might feel overly remote if it didn't all come to a crisis within the familiar context of rural England in the 1970's. And yet all these levels cohere in harmony rather than jarring and grating with each other, which takes astounding storytelling skill if you think about it.
It seems natural to characterize this story as the last gasp of the so-called "gothic" tendency seen in the show in the mid-70's. Certainly this is apt in that for all intents and purposes "Image of the Fendahl" follows the plot logic of a good horror story (in some ways it rather reminds me of John Carpenter's 1987 film "Prince of Darkness", in fact). It also works the old reliable "Doctor Who" alchemy of reinterpreting standard horror motifs in a science fiction idiom: the pentagram is a "neural relay", the inability to move as something wicked approaches (a prototypical nightmare) is due to some sort of psychic force, a pinch of salt to ward of evil works because sodium chloride "prevents control of localized disruption of osmotic pressures" and so on. For all that, though, this story is somewhat atypical. In such beloved classics as "Pyramids of Mars" and "the Brain of Morbius" and such, the scientific technical interpretation straightforwardly replaces the supernatural one, utterly displacing and invalidating it--a well-intended nod anyway to the show's original mandate to encourage an interest in science (and history) among its younger viewers. Here things are not so simple, however. The premodern, pre-scientific, indeed pre-Christian manner of explaining these phenomena, especially as they are articulated by the local wise woman/"witch" Martha Tyler, are portrayed not as backwards, ignorant, and wrong but merely as different, as an alternate frame of reference every bit as functional when the Fendahleen are slithering towards you down the hall. You know things are getting weird when the Doctor reels off three mutually-conflicting explanations for what's happening as if all three are equally valid and equally invalid. That's surely eccentric even by the Fourth Doctor's standards. But for those of us who suspect that a little epistemological doubt is healthy, it's also rather refreshing.
Multiple levels of significance and sophistication would mean little if not for the wonderfully varied cast of characters we have here though, all of them saved from the brink of stereotype and brought to life by impeccable acting of the first order as well as a superb script sensitive to the finer points of characterization. One actually cares what happens to them, and that's the ultimate sorcery that makes or breaks a tale.

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DOCTOR WHO:EP 94 IMAGE OF THE FENDA - DVD Movie

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11/24/2011

Doctor Who: The Complete Second Series (2006) Review

Doctor Who: The Complete Second Series (2006)
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The BBC's new production of its classic series, Doctor Who, weathered its first major casting change admirably. Most actors remain in the lead role for at least three years, but for Christopher Eccleston, one year was enough, and his Doctor (aka 'Nine') died in the season one finale. In keeping with Who tradition, the Doctor, upon his death, regenerates into a completely new body. Taking the TARDIS controls from Eccleston is another Russell T Davies alumnus, David Tennant (who headlined Davies' production of Casanova) as the tenth incarnation of the Doctor (aka 'Ten'). Tennant had his work cut out for him, following Eccleston's marvelous turn as the Time Lord, but he made the transition so seamlessly that the character truly seems like the same man in a different body.
Aiding this transition is largely the same writing and production staff, as well as the same co-star (Billie Piper as Rose Tyler) and supporting cast (Camille Coduri as Jackie Tyler and Noel Clarke as Mickey Smith). It's to Tennant's credit that he not only immediately puts his own stamp on the character but maintains Eccleston's level of chemistry with the supporting cast. Ten is physically younger than Nine, more brash, more impulsive, less tormented by guilt, but still achingly lonely. His loneliness becomes a running theme throughout the season, touched on in nearly every episode. Eccleston played the Doctor as he played Steve Baxter in Davies' The Second Coming (a tormented otherworldly being); Tennant plays the Doctor as Casanova (a young, lovelorn romantic hero).
The Doctor's romantic attachments, in fact, become the vehicle by which Davies explores the central theme of loneliness. Ten and Rose build upon and deepen the romance that Nine and Rose began in the first season. Their love is palpable; they're often literally willing to die for each other. In the UK, the series is family-oriented and rarely strays beyond the PG level, so this romance is never physically consummated; the characters don't even kiss. Despite this--in fact, because of it--their feelings are all the more poignant. (And how often do we see a depiction of true and abiding love on television that doesn't involve some kind of bump-and-grind?) By the end of the season, the relationship has come full circle: the Doctor has taught Rose all he can; it's time for her to leave him and put to use all the things she's learned. Their final separation is tragic but yet also hopeful: despite the sadness, the viewer knows Rose will thrive in her new environment. Billie Piper's send-off couldn't have been more positive or more lovingly written (and it leaves open the possibility of her returning to the series in the future for a guest spot).
Nobody who leaves Who is ever truly gone. The tremendous "School Reunion" brings back an old fan favorite, Sarah Jane Smith (Elisabeth Sladen). Again, romance is the means by which Davies explores the Doctor's impact on his companions' lives. The story is beautifully written: suspenseful, funny, romantic, and poignant. Sladen slips back into the role effortlessly, and Anthony Stewart Head provides a wonderful villain in the sinister Mr. Finch. Romance also infuses the imaginative "Girl in the Fireplace," in which an army of clockwork repair droids from the fifty-first century stalks Madame de Pompadour (Sopia Myles). The Doctor is clearly smitten with the young Reinette, but the episode's conclusion showcases how the heartbreakingly short human lifespan will always thwart such attachments.
But romance isn't all the second season has to offer: old foes return (Daleks, Cybermen, Cassandra) as well as old friends (Harriet Jones, Sarah Jane, K-9, Pete Tyler, the Face of Boe). Also, the settings finally get away from Earth for a few episodes, and there are a couple of trips to Earth's past. The recurring characters develop beautifully, especially Mickey Smith, who finally comes into his own as a hero. Particularly good is the two-part story "The Impossible Planet"/ "The Satan Pit," which finds the Doctor and Rose in a bleak space station on a planet perpetually circling a black hole. But the real standout of the season might well be "The Christmas Invasion," an hour-long special that aired on Christmas day, 2005. This episode allows the supporting characters--and by extension the viewers--an opportunity to adjust to the new Doctor, and it allows Ten to establish his heroic bona fides. The guest cast is marvelous, particularly Penelope Wilton as the UK's new prime minister, Harriet Jones. An argument between the PM and Ten at the episode's conclusion is brilliant, worthy of the West Wing, showing that Davies isn't afraid to challenge his viewers' perceptions of heroism and villainy.
Other highlights of the season are "The Rise of the Cybermen"/ "The Age of Steel," the chilling "Tooth and Claw," the off-beat "Love and Monsters," and of course, the brilliant finale, "Army of Ghosts"/ "Doomsday." Of all the episodes, only the disjointed "Fear Her" feels sub-par. The overall quality of the season is remarkable, given the amount of backstage shuffling that took place (e.g., the timing of Piper's departure was initially unclear; a few episodes underwent last-minute rewrites). And yet another challenge looms ahead for Davies as he reinvents the show in the wake of "Doomsday," which writes out literally the entire supporting cast. Only two seasons in, and an era has already ended.
Much of the season's success is owed to Tennant, who has quickly established himself as one of the most popular Doctors in the show's long history. His own love for the series and the character shines through every moment he's on scene, and he effortlessly conveys the Doctor's past through his expressions, body language, and vocal inflections. If Eccleston was "Doctor Modern," Tennant is "Doctor Classic-Modern," melding perfectly the older and more contemporary portrayals of the character. His chemistry with Piper is nothing short of magical, and he also plays wonderfully off the supporting and guest actors.
As with the first season, the second season is best viewed in pristine DVD rather than the hacked-up versions shown on TV. The boxed set includes the usual extras; viewers should make the Pudsey Cutaway/ Children in Need special their first stop--it's an essential prologue to "The Christmas Invasion." Season two is proof positive that Doctor Who can hold its own with pretty much anything else currently on television.

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Can Rose trust a man with a new face? David Tennant (Viva Blackpool, Harry Potter) steps into the role of the Doctor, now in his 10th incarnation. Following on from the phenomenal success of the first series, the second series is full of more thrills, more laughs, more heartbreak and some terrifying new aliens and old acquaintances. The Doctor and Rose meet Queen Victoria, an evil race of Cat Women, K9 and Sarah Jane, and the dreaded Cybermen. DVD Features:Audio CommentaryDeleted ScenesOther:Doctor Who is the longest running sci-fi franchise in television history Outtakes:Doctor Who is the longest running sci-fi franchise in television history Other


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