Showing posts with label science fantasy television program. Show all posts
Showing posts with label science fantasy television program. Show all posts

2/13/2012

Doctor Who: The Ribos Operation (Story 98, The Key to Time Series Part 1) (Special Edition) (2009) Review

Doctor Who: The Ribos Operation (Story 98, The Key to Time Series Part 1) (Special Edition) (2009)
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THE RIBOS OPERATION is a severely underrated classic that sometimes gets forgotten about in the Key To Time season. The script is quite good and shows Robert Holmes at the height of his dialog-writing powers. It doesn't get all of the credit that it deserves, and this is a pity, because almost every aspect of the production is excellent, from the script to the acting to much of the incidental music to the set design. There is almost nothing here to distract from what is extremely fun and witty adventure.
The atmosphere is superb. The sets and, in particular, the costumes are exceptionally well done, especially when one considers the budget they were working with here. Possibly a lot of it was taken from stock and then given superficial modifications, but this really adds to the script's medieval and Russian flavors. It feels old-fashioned, and the few futuristic elements slide right alongside the historical pieces. The aliens are planet-hopping aristocrats with lasers, wrist-communicators and space-drives, but they trade in gold, and are concerned with half-brothers on thrones. The soldiers in the story more resemble knights in armor than science-fiction stormtroopers. The modern and the tradition merge extremely well and the two parts complement are a great complement to each other.
Science vs. magic/superstition is another theme that rears its head in this serial. Unlike other stories (say, THE DAEMONS), this story puts both of those subjects on the same level. The magic isn't just given a technobabble explanation; it actually appears to work in the confines of the story. The Seeker makes predictions that prove correct, has second sight, and uses magical incantations, while the story gives every indication that she genuinely does possess unearthly powers. This is vitally important for keeping the balance between science and magic.
When we hear the story of Binro the Heretic, we already know that his calculations and deductions about the lights in the night sky are correct, so our sympathies will automatically go towards his point of view. But if the Seeker had been revealed to be merely a slight-of-hand conjurer, then the battle between the two elements would have been drastically undermined. Because the magical side is so powerful, we can see exactly why someone like Binro has been shunned and derided by his peers. It's not just that what he says conflicts with their religious viewpoint, but also they have apparent proof that the superstitions have a concrete basis in reality. Holmes doesn't chicken out of the conflict, but portrays it in a mature and surprisingly balanced manner. It would be easy for Holmes to have us conclude that Binro is right, and that the Seeker is a con artist. But he doesn't do that - we have at least some evidence that both sides of the conflict have a sound case for parts of their belief.
The characters in this serial are larger than life and twice as fun. During his career, Robert Holmes wrote a number of over-the-top, almost operatic individuals and THE RIBOS OPERATION is certainly no exception. The actors, without exception, all latch on to how these characters need to be played and all deliver exactly the type of performance required. The Graff Vynda-K can't be anything other than an obsessed and fanatical tyrant. Garron has to be a great big lovable rouge. In a story such as this, louder is better. These are archetypes on paper, and the actors bringing them to life inject them with enough humanity and pathos to let them live.
I'm not usually a fan of the actors-only commentaries on these Doctor Who DVDs. Of those discs that have been released in the US so far, the audio tracks that contain no members of the production team are boring and useless, with the people concerned not remembering much about the story and not having known much about the behind-the-scenes planning in the first place. But the commentary for this DVD is highly amusing despite only consisting of Tom Baker and Mary Tamm. While it isn't the most informative thing I've ever listened to, I couldn't stop laughing. It's an extremely entertaining track featuring a few interesting tidbits from Tamm, punctuated by occasional orgasmic sound effects courtesy of Mr. Baker.
The pop-up production notes provide us with a lot of detail about the numerous cuts and edits that were made to the original Robert Holmes script. I find this sort of thing fascinating, and it's really interesting to see how the script evolved. Incorporating the Key arc, to tightening up the script for timing reasons are all featured here.
The DVD picture and sound are quite good considering the age of the material. This disc upholds the high standards that the Doctor Who DVDs have achieved in these areas. The rest of the extras (Photo Gallery, Who's Who) are things that I really have no interest in, but some people like them, and it's nice to know that they're there.
It's interesting to note that at the time of writing this review, Robert Holmes has become the most represented author on the Doctor Who DVDs. And if you really have no idea why, then check out this disc for a reevaluation of a forgotten classic. No one wrote dialog quite like Holmes, and it's absolutely amazing to see what can happen when the writer and the actors play off each other's strengths so perfectly.

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Having left Leela on Gallifrey, the Doctor and K9 Mark II dont remain footloose for long. The TARDIS is soon intercepted by the White Guardian. The White Guardian sets the Doctor on an urgent mission to locate the six segments of the Key to Time, which are well disguised and hidden in odd corners of time and space. Once assembled, the Key will allow the White Guardian to restore balance to a universe descending into evil and chaos. To assist the Doctor the White Guardian has appointed Romana, fresh out of the Time Lord Academy and none too well traveled. Despite an initial bout of "negative empathy," the Doctor and Romana trace the first segments signal to Ribos, a remote, backward planet that suffers from 32-year winters. There they are surprised to meet other interplanetary travelers, who include two conmen, Garron and Unstoffe, and the Graff Vynda-K, a warlord in the market for an inexpensive planet.
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2/06/2012

Doctor Who: The Androids of Tara (Story 101, The Key to Time Series Part 4) (Special Edition) (2009) Review

Doctor Who: The Androids of Tara (Story 101, The Key to Time Series Part 4) (Special Edition) (2009)
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The search for the Key to Time is half over. The Doctor, Romana and K9 have recovered the first three segments and, unhappily, the best three stories of the season are over. The last half of the Key to Time quest is definitely the weaker. This is not to say, though, that "The Androids of Tara" is bad. It's quite fun, even if it feels a little inconsequential. The criticism it has attracted from most fan circles is that it draws too heavily upon the one source, Anthony Hope's "The Prisoner of Zenda" and displays this quite blatantly. However, most of Doctor Who (like the works of William Shakespeare) is plagiarised from one source or another. How stylishly it is done is the best indicator of how it succeeds. With the case of Doctor Who, it succeeds most of the time. "The Androids of Tara" is a fun, swashbuckling adventure. The villain, Count Grendel, is a wonderfully over the top cad, scoundrel and all round baddie. The usual ingredients for the genre - Princes, Princesses and swordsmen - are all here. There's also the obligatory swordfight at the end. The story is low key - it revolves around the political machinations of the world of Tara - there is no planet to save from invasion or destruction, no populace to save from alien oppression. This story will never be regarded as a classic; it won't be in any all time top 10 lists - but it is a breath of fresh air. It's a nice diversion, however unoriginal. (There's an awful monster, so it's not really that different from the rest of Doctor Who!) Sure, it feels inconsequential. But it has the usual charm that the program always succeeds in pulling off.

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Getting the fourth segment of the Key to Time is the easiest part of the trip to the planet Tara, whose idyllic atmosphere lulls the Doctor into a mood to go fishing and leave the segment-tracing to Romana. She locates it after a short walk on a beautiful day, but her luck changes when she meets the courtly Count Grendel. Contrary to appearances, Tara is a hotbed of political intrigue, and beneath its Old World veneer lies a surprising advanced level of technological development that includes lifelike androids and electric swords. Count Grendel mistakes Romana for an android double of Princess Strella, and carries her away for future use in his plot to wrench the crown from its rightful claimant, Prince Reynart. Meanwhile, the Doctor arouses suspicion when Prince Reynarts men discover him fishing on the princes estate. Before he and Romana are reunited, the Doctor will be unwillingly thrust in the roles of android repair-man, king-maker and ultimately, swordsman when finds himself locking swords with Grendel, the finest swordsman of all Tara.
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1/28/2012

Doctor Who: The Pirate Planet (Story 99, The Key to Time Series Part 2) (Special Edition) (2009) Review

Doctor Who: The Pirate Planet (Story 99, The Key to Time Series Part 2) (Special Edition) (2009)
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Searching for the second segment to the Key to Time, The Doctor, Romana and K-9 land on what should be the planet Calufrax, but the reality of the situation is not what the Doctor expected. "The Pirate Planet" might look a little cheap at times, but behind the cheesy CSO effects, is a clever, witty and totally absurd script. There are rampant "Hitch-hicker" jokes, and even a couple of Monty Python influences. Baker is in top form, giving a commanding and goofy performance. The supporting cast sometimes seems a little lazy, but the main characters give it their all. With "The Ribos Operation", this is the highlight of the 16th season.

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As the Doctor, Romana and K9 head for the planet Calufrax in search of the second segment of the Key to Time, they are in for a surprise when the TARDIS brings them to Zanak, an entirely different planet occupying the same space coordinates. Did Romana take a wrong turn when she navigated by the book? No, the tracer registers that the segment is near. Nothing is as it seems in this story by Douglas Adams (The Hitchhikers Guide to the Galaxy). The populace of Zanak lead affluent lives, thanks to the mysterious mechanizations of the Captain. He regularly announces a new age of prosperity, and most of the people accept the extraordinary turn in their fortune without further examination. Little do they imagine that their benefactor hidden on a forbidden mountaintop is a roaring space pirate whose best friend is Polyphase Avitron, a cyber-parrot that brings death to anyone who displeases its master. All these elements will come together to reveal the greatest crime in the galaxy and the second segment of the Key to Time as well.
DVD Features:Audio CommentaryDVD ROM FeaturesDeleted ScenesPhoto galleryProduction Notes


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1/26/2012

Doctor Who: The E-Space Trilogy - Full Circle/State of Decay/Warriors' Gate (Stories 112-114) (2009) Review

Doctor Who: The E-Space Trilogy - Full Circle/State of Decay/Warriors' Gate (Stories 112-114) (2009)
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"One good solid hope's worth a cart-load of certainties..." well, any fan worth their salt will certainly want this set...
The on-again-off-again blocks of tight continuity and multi-episode story arcs of the new Doctor Who series has already primed fans for the return of this string of CLASSIC Doctor Who stories and some of the best of Tom Baker's final season as the 4th incarnation of the Timelord. This set comes not only at a peak of the show's popularity, but during the restyling of the shows look (and sound). Producer John-Nathan Turner, retooled, the theme and graphic for the 80's, even the Doctor's threads, JNT introduced his appropriately somber plum gear. This set contains the finest examples of all of those changes, end for the Timelady Romana and K9, also the beginning of the end for the 4th Doctor.
"Full Circle" is the first of this arc featuring not only an introduction E-Space, a smaller universe with a universe, but the Doctor's questionable next companion, Adric. Adric is a sortof smarter-version of the 2nd Doctor's Highlander companion Jamie, crossed with Dickens' "Artful Dodger." Will Sci-fi writers never learn, the arrogant oversmart teenager is never appealing on screen, just as poor ole' Weasley Crusher. "Full Circle" for it's faults contains some great moments for Baker to chew-up the scenery, and some superb costuming, the Marshmen ala' creatures of the Black Lagoon. "Full Circle" is a tale of a culture apparently stuck in endless preparations for a "return home" with several dark secrets which further delay their journey. Determined to get "back to the basics" and have the Doctor solving problems without any quick fixes, the producers planned to remove K9 from the series. Already, opening the season with him exploding in saltwater, the assault on K9 continues having him spend much of this 4 parter with his head off.
The next story "State of Decay" is the best of the three...finally VAMPIRES in the Doctor Who Universe (or in this case an E-Space universe)...The Doctor tells in hoarse whispers how "every known planet has legends of vampires" and reads ancient tales of the early Timelords and the war with the Great Vampire and his minions, he reveals how after the bodies were tallied, he remained unaccounted for. Before Steven Moffat's episodes aired, State of Decay was surely the creepiest of the long running series. An ancient rocket, it's fuel tanks filled, not with fuel, but BLOOD!! Hoo, hoo! Genius! An the superb attention to atmosphere in "the village," even Romana's wardrobe to the Hammeresques trio of kingly vampires...Genius, I say again.
Finally, the escape from E-Space in "Warrior's Gate." Featuring a strange and interesting use of a virtual environment, while fairly common now was less successful in past attempts when the series worked "set-less." Here I feel it works well achieving the "nowhere" effects (much like the 2nd Doctor's visit to the Land of Fiction), although much of this episode is overcomplicated and artsy. The cat-people make-up, of the Thrails and the neat Gundan robot warriors all add the high-concept effort of this unique story. In some early moments two of the crew of the Slaver ship indulge an homage to "Rosencrantz and Guildenstern are Dead" even including the coin. The story follows a cat-like race that while once cruel masters themselves, are currently in need of liberating, the Doctor's prime hobby. As always more great dialog, gems like the Doctor's, "We'll burn that bridge when we come to it." and from Romana, "Astral Jung!" The final farewell to Romana and K9 is brief and less moving than many departures in the show's history, although the Doctor assures us that she will be more than just alright...she'll be SUPERB.
The E-Space Trilogy is a really good set of DVDs to own at a pretty good price. E-SPACE DRINKING GAMES...Drink whenever:
...the TARDIS Monitor shows an exterior shot of someplace they're not.
...you see a technacothaka or any other quirky turn of phrase like the "Three Who Rule," "the Wasting" or even "Mistfall."
...K9 is broken, abused or otherwise written out of the story.
...the Doctor misquotes Shakesphere...like 'He who outlives this day and comes safe home shall stand a tiptoe when this day is named and rouse him at the name of E-Space!"
...the Doctor says, "SWARMED" ...what? "Swarmed."
...Adric seemingly or actually betrays Romana to gangs or vampires.
...a character melodramatically utters the title, example. "...we've come Full Circle!"
...we see an establishing shot that is a model or a matte...like the STARLINER, The Tower, the Warriors Gate or the long shots of the SlaveShip.
...the Doctor shows off his (architectural) expertise and misses the mark like in the Tower of the Lords in "State of Decay" he says the decor is rococo when actually it's late Saxon/early Romanesque...oh snap!

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The Tardis has brought the Doctor, Romana and K9 to an alternate unvierse, E-Space, where huge poisonous spiders, space vampires and gateways between past and future are commonplace.
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1/22/2012

Doctor Who: The Five Doctors (Story 130) (25th Anniversary Edition) (2008) Review

Doctor Who: The Five Doctors (Story 130) (25th Anniversary Edition) (2008)
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The Five Doctors 25th Anniversary edition of The Five Doctors is a big improvement over the first Five Doctors DVD that was released way back in Sep 2001. This set contains both the orginal 1983 cut and the 1995 version. And has some very cool special features such as a nice documentry on the 20th Anniversary year hosted by Colin Baker. A very well done DVD set. As for the story I always thought it was ok.I do wish that Tom Baker agreed to apear in the story.My dad has always called it The 4 Doctors rather then 5. I can imagine alot of American fans was disapointed because for many Americans at the time Tom Baker was Doctor Who. Owell. Yeah I can see why he passed on doing it as he just left the roll and wanted to move on to other things. Owell.Anyways this is a very nice DVD set from The BBC.Looking forward to more Doctor Who DVD's in the future.

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THE FIVE DOCTORS - "I am being diminished, whittled away piece by piece. A man is the sum of his memories you know, a Time Lord even more so." Someone is taking the Doctor's past selves out of time and space, placing in a vast wilderness - a battle arena with a sinister tower at its center. As the various incarnations of the Doctor join forces, they learn they are in the Death Zone on their home world of Gallifrey, fighting Daleks, Cybermen, Yeti - and a devious Time Lord Traitor who is using the Doctor and his companions to discover the ancient secrets of Rassilon, the first and most powerful ruler of Gallifrey.The Five Doctors was originally broadcast to celebrate the Twentieth Anniversary of Doctor Who in 1983. This new version of the story features extended scenes, previously unseen sequences, new visual effects and a stereo soundtrack. Not intended as a replacement for the original edition of the story, this is an alternative version which uses state-of-the-art technology to embellish and enlarge one of the greatest Doctor Who adventures ever. THE KING'S DEMONS - "We sing in praise of total war; against the Saracen we abhor" It is thirteenth century England, and King John is visiting the castle stronghold of Sir Ranulf Fitzwilliam. Ranulf's personal fortune has dwindled away, freely donated to Kin John to help fund the Crusade. While staying with Ranulf, the King's greed is criticized by the baron's head-strong son, Hugh. As a result, Hugh is challenged to a duel by the monarch's enigmatic French Knight-at-Arms, Sir Giles Estram, a duel the young Englishman has little hope of surviving.When the TARDIS materializes and disturbs the joust, the Doctor's party are proclaimed friendly demons by the King, who seems strangely interested in their "blue engine." Before long the Doctor becomes embroiled in court politics, and he realizes that there is far more to the situation than a simple battle of honor between nobles.DVD Features:Audio CommentaryDocumentariesOuttakesPhoto galleryProduction Notes


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1/09/2012

Doctor Who: The Power of Kroll (Story 102, The Key to Time Series Part 5) (Special Edition) (2009) Review

Doctor Who: The Power of Kroll (Story 102, The Key to Time Series Part 5) (Special Edition) (2009)
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Power of Kroll, Horns of Nimon, and Meglos... The most underrated shows in Dr. Who. I am reviewing the three of them here as Meglos and Nimon aren't on DVD -or!!- VHS. Sure, the special effects are paper mashe' monsters that stand still for five minutes doing nothing, but if one had half an imagination one could suspend thier disbelief. Dr. Who is not to be watched as a Box Office movie or a deep emotional TV series with heavy serious issues. No, these stories are simply fun to watch. And the stories interesting because they are unique and sometimes surreal. And the enjoyment they bring is the bottom line, isn't it...
Think of the sets as a play. That is how this is done. The opratic costume designs of Nimon and Meglos. Ignor the fact that Kroll looks like a paper mashe'. If you see a play the sets aren't there to be 'realistic' they are there as a simbol of what they represent. I think the monster is quiet good in Kroll if you ignor the fact that special effects are better now than then. People are too spoiled by special effects in shows that I find pale in comparison to Dr. Who as far a story and characters. Star Trek Next Gen, Farscape, Lexx, all a bunch of over-glorified soap opra filler with mush and sex and special FX.
Dr. Who, an entertaining story with beautiful sets, even if they aren't 'realistic' or 'believable'. Surreal is what outer space is all about.
And on a final note: PLEASE RELEASE MEGLOS AND HORNS OF NIMON ON DVD(or at the very least VHS.) Tom Baker, Lalla Ward, and K-9(John Leason) are in both of them. Thank you!

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The search for the fifth segment of the Key to Time brings the Doctor and Romana to the swampy terrain of the third moon of the planet Delta Magna. Almost immediately, they become separated. The Doctor draws fire when he is mistaken for Rohm-Dutt, a notorious gunrunner wanted for supplying firearms to the Swampies, an aboriginal people who were displaced to the marshy moon when human colonists took possession of Delta Magna. A small team from Delta Magna are now developing a refinery in the Swampies promised territory, but the Swampies are confident that, properly armed, they can drive the humans away. Meanwhile, Romana has been captured by the Swampies and prepared as a sacrificial offering to their god, the mighty Kroll. Thwarting the sacrifice (in which the god was nothing more than a Swampie priest in fancy dress), the Doctor and Romana have incurred the wrath of Ranquin, a fanatical high priest to Kroll. Legendary or not, something is stirring beneath the swamp floor and, if the refinerys instrument readings are correct, it measures five miles across!
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12/28/2011

Doctor Who: The Armageddon Factor (Story 103, The Key to Time Series Part 6) (Special Edition) (2009) Review

Doctor Who: The Armageddon Factor (Story 103, The Key to Time Series Part 6) (Special Edition) (2009)
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In their search to the final segment to the Key To Time, the Doctor and Romana land on war-torn Atrios, which has been fighting a war of attrition against its twin Zeos. As there's variable radiation counts even 140 meters beneath the surface, one can imagine what it's like on the surface. The Doctor jokingly says of the high radiation reading that it might not necessarily be nuclear war, that someone might be holding a huge breakfast party.
Things begin bad, as usual. The Marshall, the military leader conducting the war, mistakes the Doctor and Romana as Zeon spies, yet he does a volte-face and welcomes the Doctor as "the one to head us to victory." However, he's not all he seems. One, he makes his decisions by meditating and mumbling in front of a black reflective surface. Two, he has a tiny black object around his neck. Three, he and Princess Astra, a figurehead in charge of people's morale and comfort, are at odds what with her pacifist stance.
Astra and her lover, the surgeon Merak, are trying to contact Zeos to try to negotiate a peace, but something is jamming their communications. The same jamming that is blocking the navigation system of the Marshall's fleet, perhaps? First Astra, then the TARDIS, and then the Doctor vanishes, kidnapped by sinister masked figures in black robes. On Zeos, he meets his nemesis the Shadow, who's working for the Black Guardian in the same way the Doctor's working for the White Guardian.
The Doctor's condemnation of a war fought by machines is given when he describes the commandant of the Zeon side as a "passionless lump of mineral and circuitry, highly efficient, doing very well, giving Atrios a beating, killing millions without a flicker, just doing it's job, and it's totally invincible." Yet it's programmed to not accept defeat, and as the Doctor says, "there'll be a rather large bang, big enough to take Zeos, take Atrios with with it, and make the whole thing end in a sort of draw. That's the way these military minds work-the armageddon factor." But the story condemns war period; even the lamely romantic patriotic drama in the beginning is a satire on propaganda movies.
I agree with K-9's definition of optimism: "belief that everything will work out well. Irrational, bordering on insanity." And the Doctor lectures Romana on optimism, but doing an about face as he goes on: "Listen Romana, whenever you go into a new situation, you must always believe the best until you find out exactly what the situation's all about, then believe the worst." Romana: "Ah, but what happens if it turns out not to be the worst after all?" Doctor: "Don't be ridiculous. It always is." Classic Tom Baker comedy right there.
John Woodvine does an portrayal of the Marshall as a ruthless leader fanatical on victory. "You don't beg for peace... you win it!" he tells Astra. He's someone who'd use the ultimate deterrent, and when the Doctor ironically congratulates him on having a typical military mind, he takes it as a compliment, missing the irony. His patriotic speeches bear in mind Churchill's morale speeches during WW2, but with a more rabid edge. And Lalla Ward (Astra) would regularly appear as Romana in the next two seasons, replacing Mary Tamm.
But in Episode 5, we meet Drax, a renegade Time Lord who picked up a chirpy Cockney accent, and Barry Jackson's presence lightens things up when the story plods along.
As the final story to the Key To Time season, The Armageddon Factor draws it to a conclusion, but leaving with it an atmosphere of "Is that what it's all been about?" It also suffers from weak characters and continuity errors, such as Merak knowing things about the Key To Time though not told about it, and bad acting, such as the Shadow's diabolical laughter. The weakest of the six stories, although redeemed by the themes of the follies of war, especially total war. Rating: 3.5, rounded to 4.

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The last stretch of the quest for the Key to Time brings the Doctor and Romana to the planet Atrios in the last days of a nuclear war with its neighboring planet Zeos. The Atrian ruler, Princess Astra, presses for peace, but the Marshal insists that his forces can win the war. Those near the Marshal fear that his judgment is suffering from the strain of command. He has taken to making most of his decisions following meditations before a strange black mirror. The Princess has disappeared, and the Marshal now rules unopposed. Have the Doctor and Romana arrived too late to complete their mission before Atrios is destroyed? When the Doctor learns that no living Atrian has ever met a Zeon, he proposes to travel to Zeos to negotiate for peace and the return of Princess Astra, who seems to be linked in some way to the sixth segment. He finds the planet deserted. There are no living Zeons, but they left the computer running, and its programmed for Mutual Assured Destruction.
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12/24/2011

Doctor Who: The Stones of Blood (The Tom Baker Years, 1974-1981) (2009) Review

Doctor Who: The Stones of Blood (The Tom Baker Years, 1974-1981) (2009)
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Ever since I was 12, watching the Tom Baker era of "Doctor Who" for the first time, "The Stones of Blood" has been one of my favorite stories. It was the combination, I think, of the Earth locale (particularly the echoes of Stonehenge) which dominate the first two parts of the story, and the literal-minded justice machines, the Megara, which dominate the final two. I won't say that the Megara influenced my choice of career in any way, any more than the barrister's wig that Baker wears while on trial, but .....
"Stones of Blood" is indeed the only Earth-bound story in the year-long Key To Time arc. It benefits from well-developed chemistry between the three lead actors (Tom Baker, Mary Tamm's Romana, and the robotic K9), and a terrific guest spot by the 75 year-old Beatrix Lehmann, as the eccentric archaeologist Professor Amelia Rumford. For a story which is about... well, an alien immortal and erstwhile Celtic goddess who's moonlighting on Earth as a research assistant, and her private army of killer styrofoam rocks, and the for-laughs computerized prosecutors who have been tracking her down for 4,000 years (while locked in a small room which can only be opened on penalty of death) ... for all that, the script is very funny, detailed and believable. As with most 1970s era "Doctor Who", there's a mix of outright comedy and horrific violence, and it all hangs together well, even on repeated viewings. Well, that is, once you've learned to ignore the wobbly styrofoam boulders and the barely-concealed PAs who push them.
The DVD release of "Stones of Blood" is the least elaborate disc yet released for the "Doctor Who" market. Oh, it's got the same pretty animated menus and format as previous discs, but... there's very little else on it. The text commentary is terrific, revealing as it does much of behind-the-scenes info about David Fisher's script (which, unusually for DW, had three major female roles) and the material that didn't make it to screen (a cake celebrating the Doctor's 751st birthday).
The audio commentary is recorded by Tamm, and one-time-only "Who" director Darrol Blake, whose claim to fame is that he once shared an apartment with Ridley Scott. Blake's voice is distinctly grating, but he has eerily precise recall -- noticing a tall patch of grass in the midst of an open field, he spontaneously shouts, "That's where we hid the boards!". Tamm's recall is excellent as well, although most the stories they tell are also located in the (quieter) text commentary. Tamm shows herself to be more of a ham(m) than she ever was in her year on DW, affecting all sorts of English accents and calling Blake "Darling" every few scenes.
If you can bother scrolling all the way through the photo gallery, there are two really neat stills of Tom Baker clowning around with the eponymous styrofoam boulders. Good luck getting there, though!

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The search for the third segment of the Key to Time leads the Doctor and Romana to the English countryside and an ancient stone circle called the Nine Travelers. There they meet Professor Amelia Rumford and her friend Vivien Fay, who are conducting a new survey of the stones. Curiously, the number of stones has not been consistent in the historical sources the professor has researched. The circle is also sacred ground to a cult of druids. Dismissed as harmless crackpots by Vivien, they are in fact deadly serious in their worship of the Cailleach, the Celtic goddess of war, death and magic. Some practitioners are willing to resort to human sacrifice to serve the goddesss ever increasing demand for fresh blood. Though the tracer has led the Doctor and Romana to the Nine Travelers, none of the stones actually registers as the segment. Before that mystery is solved, the Doctor will need to explain why he drove Romana over a cliff and how enormous boulders are able to move about the countryside at will.

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12/21/2011

Doctor Who: The Trial of a Time Lord (Stories 144 - 147) (2008) Review

Doctor Who: The Trial of a Time Lord (Stories 144 - 147) (2008)
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So far, all the reviews have been about the actual 14-episode story on this DVD. Let me start by quickly saying how much I love this season-long epic. I know, I know...it has its flaws, it was riddled with behind-the-scenes turmoil which kept the story from really coming together onscreen, some of the trial scenes simply don't make sense, etc.....but I still love everything about it. I've always loved Colin's portrayal of the Doctor and I think some of his best work is in this season. He was obviously VERY happy to be back to work on the show he loved after a long hiatus.
But "Trial of a Timelord" has been written about a great deal, and other reviewers here have already given you very good reviews of the actual story. My review, then, is about "the rest of the story"....the DVD packaging of "Trial".
Which, by the way, is excellent.
Even if you don't love this season, you have to admit that this is one of the strongest collections of special features on any Doctor Who DVD. What is most admirable here is that the team that puts together these DVDs did't shy away from the controversy that surrounded this season. These features aren't "Doctor Who Confidential" styled pats-on-the-back. The features show the good and the bad in equal measure.
Here are some of the highlights:
- There's a "making of" documentary for each of the four stories that make up "Trial". These are all really great, very entertaining and educational. But the highlights are seeing Tony Selby and Brian Blessed talk about their time on the show. They very obviously loved doing it.
- There's a 55 minute documentary on Colin's time as the Doctor. It goes into great details about the detioration of the relationship between John Nathan-Turner and Eric Saward, the hiatus, the reasons behind the "Trial" story, Colin's firing....its really good. Its a very revealing, "cards on the table" type of discussion. Its amazing to see that even 25 years later, talking about this stuff is difficult for Colin. Its also great to see Eric Saward talk about his role in alienating people who had been his friends and co-workers.
- There's a short bit of commentary with Colin and Nicola watching the scene in Part 14 where the script, at JNT's urging, undoes Peri's death from Part 8 by saying she was living happily-ever-after with King Yrcanos. While Nicola was aware that they'd done that....she'd never seen the scene in question. Her reaction to it is pretty interesting.
- There's a great documentary on what would have been Season 23 had the hiatus not happened and they'd gone on to do Colin's second season as planned. Most of this is pretty well known, and three of the stories were later released as novels. But this is illustrated by new artwork, is narrated by Colin, and talks about each of the stories and the shape of the season. Very enlightening.
- There's a fun little half-hour piece on cliffhangers. Authors, editors and scriptwriters talking about the show's cliffhangers -- which ones were great, which ones didn't work, which ones could have been brillian but weren't, etc. A very fun piece.
- There's a fairly substantial clip from a talk show after the end of the season that has a group of people from one of the DW fan clubs talking about the "Trial" season, and what a mess it was, and if fans couldn't follow it how could the general public? So after a series of comments from each of them, the host says "Well, now lets hear from the producer and the writers of this season". John Nathan-Turner and Pip & Jane Baker seemed genuinely caught off guard to learn that these people didn't completely love their work! It's really interesting viewing.
All-in-all its a stellar package. The sound in particular is cleaned up very nicely. And the picture looks great. There seems to be more contrast in the opening courtroom scenes, where the set looks a bit more darkly lit and moodier. Even if I were't a fan of this season, I would probably give this DVD release of it 5 stars simply on the strength of the packaging, the extras, and the great lengths that the Restoration Team went to to bring us a very thorough and enlightening set. Very well worth the money. I highly recommend this set!

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12/03/2011

Doctor Who: The War Machines (Story 27) (2008) Review

Doctor Who: The War Machines (Story 27) (2008)
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Doctor Who altered its course with The War Machines. Rather than travelling to a distant planet to meet strange-looking aliens, or to Earth's past to encounter a significant historical figure, War Machines is set in comtemporary London, the swinging mid-60s, and it shows! For the very first time in the series' young history, the Doctor and his companion(s) face a modern-day threat, the first time, that is, when they are large enough to interact with the rest of the characters, unlike Planet of The Giants.
As Professor Brett states, WOTAN is ten years ahead of its time. Well, maybe not ten. Perhaps only five years, which would put it smack down in the beginning of the Pertwee Years, right next to a simlar story, Mind of Evil, about a machine taking over people's minds. If anything, The War Machines foreshadows the Third Doctor's era. Hartnell dabbles with electronic gadgets, works with the military (not UNIT yet, but very UNIT-like), and endures incompetent politicians to prevent a menace from taking over the world. Sound familiar? The Pertwee Years four years early. In fact, if you re-hash this script and use it toward another popular 60s TV program, The Avengers, it would feel right at home. I anticipated John Steed and Emma Peel to show up on my TV screen at any minute.
Incidentally, the notion expressed that Doctor Who finally has taken its intended form with The War Machines is about as bogus the Doctor's background being changed during the McCoy years to be something more than a timelord. The intended course in any series is how it originates, not how it becomes. The originators of any series always deserve the "intended course" label. This is not to say that the new direction of the show is bad, but let's not claim that this is where Sidney Newman & Verity Lambert envisioned Doctor Who going.
Basically, The War Machines steers Doctor Who in a new direction, a very subtle foreboding of the early 70s, worth every one of the four stars I gave it. However this story could have been a five-star beauty. How you ask? Where have you gone Ian & Barbara. The Doctor may as well have been companion-less. Dodo barely features at all, disappearing somewhere in episode two, never to be seen again. We are given the revelation at the end that she has decided to stay in London, and bids the Doctor goodbye by relaying a message through the new companions, Ben & Polly. As the Doctor says, that's gratitude for you, not even showing the decency to see the Doctor off personally after being given the experience of her life. Dodo should have gotten a more substantial exit. As for the aforementioned new companions, Ben & Polly fit in with the swinging 60s era, and Polly is pleasing to the eye, however they are no Ian & Barbara. In retrospect, War Machines could have been the perfect swan song for Ian & Barbara. I can just see them telling the Doctor that "we have decided to remain here" at the end of this story, fate having steered the Tardis back in their own time finally. An opportunity sadly lost...


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London, 1966. The TARDIS materialises in the shadow of the newly-completed Post Office Tower, and the Doctor senses a strange energy in the air. He instinctively knows that evil is at work nearby. Posing as a scientist, the Doctor and his 'secretary' Dodo gain access to a suite at the top of the tower and meet the driven Professor Brett. His life's work, the thinking computer WOTAN, is about to be linked up in a problem-solving network with many other machines around the world. But the Doctor is concerned. How can WOTAN possibly know the meaning of the word 'TARDIS' and about the Doctor's travels through time and space? What is the strange control that WOTAN can exert over humans via a mere telephone call? Andwhat is the computer's link with the deadly robots being assembled in Covent Garden warehouse?

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11/30/2011

Doctor Who: Image of the Fendahl (Story 94) (2009) Review

Doctor Who: Image of the Fendahl (Story 94) (2009)
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Elaborately balanced between horrific and comedic, "Image of the Fendahl" comes in near the midpoint of Tom Baker's tenure as the Doctor, a justifiably classic phase of the series when those responsible for its making seem confident but not complacent that their efforts will entertain a wide segment of the BBC audience. That is, while a bit murkier and edgier than prior years, this is still "Doctor Who" as the quintessential family show--somehow working on several levels at once. On the simplest and most tangible level we have big slug-like monsters (and, this being the olden days before CGI, I think we should stop a moment and appreciate the inventive craftsmanship that endowed them with a mouthful of squirming writhing tentacles). On an equally thrilling if less visceral level, we have a finely-scripted tale of suspense and mystery. On yet more sophisticated levels yet, all of this is framed and informed by a complex and intriguingly speculative science fiction premise of astronomical scale spanning eons--which might feel overly remote if it didn't all come to a crisis within the familiar context of rural England in the 1970's. And yet all these levels cohere in harmony rather than jarring and grating with each other, which takes astounding storytelling skill if you think about it.
It seems natural to characterize this story as the last gasp of the so-called "gothic" tendency seen in the show in the mid-70's. Certainly this is apt in that for all intents and purposes "Image of the Fendahl" follows the plot logic of a good horror story (in some ways it rather reminds me of John Carpenter's 1987 film "Prince of Darkness", in fact). It also works the old reliable "Doctor Who" alchemy of reinterpreting standard horror motifs in a science fiction idiom: the pentagram is a "neural relay", the inability to move as something wicked approaches (a prototypical nightmare) is due to some sort of psychic force, a pinch of salt to ward of evil works because sodium chloride "prevents control of localized disruption of osmotic pressures" and so on. For all that, though, this story is somewhat atypical. In such beloved classics as "Pyramids of Mars" and "the Brain of Morbius" and such, the scientific technical interpretation straightforwardly replaces the supernatural one, utterly displacing and invalidating it--a well-intended nod anyway to the show's original mandate to encourage an interest in science (and history) among its younger viewers. Here things are not so simple, however. The premodern, pre-scientific, indeed pre-Christian manner of explaining these phenomena, especially as they are articulated by the local wise woman/"witch" Martha Tyler, are portrayed not as backwards, ignorant, and wrong but merely as different, as an alternate frame of reference every bit as functional when the Fendahleen are slithering towards you down the hall. You know things are getting weird when the Doctor reels off three mutually-conflicting explanations for what's happening as if all three are equally valid and equally invalid. That's surely eccentric even by the Fourth Doctor's standards. But for those of us who suspect that a little epistemological doubt is healthy, it's also rather refreshing.
Multiple levels of significance and sophistication would mean little if not for the wonderfully varied cast of characters we have here though, all of them saved from the brink of stereotype and brought to life by impeccable acting of the first order as well as a superb script sensitive to the finer points of characterization. One actually cares what happens to them, and that's the ultimate sorcery that makes or breaks a tale.

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DOCTOR WHO:EP 94 IMAGE OF THE FENDA - DVD Movie

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11/17/2011

Doctor Who: The Brain of Morbius (Story 84) (2008) Review

Doctor Who: The Brain of Morbius (Story 84) (2008)
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Season Thirteen.
Much to the Doctors chagrin the Time Lords have taken control of the TARDIS, sending the Doctor and Sarah Jane Smith into very dangerous ground upon the stormlashed spaceship graveyard planet of Karn.
Sheltering from the rain in a castle atop a mountain, the Doctor encounters the surgeon Mehendri Solon, and his simple minded slave/assistant Condo conducting gruesome experiments on living flesh, but for what reason?
And now as a storm approaches, great evil from the depths of Time Lord history plots its return to the land of the living.
But can even the Doctor's mind, be a match for The Brain of Morbius.
~~~~
Four episodes of sumptuous gothic filled suspense, suspense that will suspend your everyday worries and cares, well at least for ninety minutes anyway. Mr Baker and Ms Sladen are on sparkling form, as is Philip Madoc, marvellously getting his teeth into a role he can go gloriously over the top with. Welsh born Madoc was a; "Who" semi regular, featuring in stories like The War Games as The War Lord, The Krotons as Eelek, and The Power of Kroll as Fenner. As well as the second Peter Cushing Dalek film. And with the passing of time, even writer Terrance Dicks no longer feels so bland towards this story anymore. For people like myself who finds the extras a nice touch, I did feel the extras were a bit on the weak side compared to some other releases.
Warning to the parents of little ones, the scene where Solon shoots Condo reveals a bit of blood, so a bit of parental discretion may be called for there.
~~~~
DVD Extras
Commentary by Tom Baker, Elisabeth Sladen, Philip Madoc, Philip Hinchcliffe and Christopher Barry .
Getting a Head:~ A new documentary about the making of the programme featuring Christopher Barry, Philip Hinchcliffe,writer Terrance Dicks, designer Barry Newbery, composer Dudley Simpson, and actors Philip Madoc, Cynthia Grenville, Colin Fay and Gillian Brown, with narration by Paul McGann
Designs on Karn: How the planet Karn was created, with designer Barry Newbery
Set Tour Take a walk around the studio sets with this 3D CGI reconstruction
Radio Times Billings: Listings from Radio Times on Pdf DVD Rom
Photo Gallery
Sketch Gallery
Coming Soon Trailer
Production Information Subtitles
Digitally remastered picture and sound quality.
Originally broadcast:~ 3rd January 1976 - 24th January 1976.
(Region 2 version now on sale at amazon.uk)


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Item Name: Doctor Who: The Brain of Morbius (Episode 84); Studio:BBC Video / Warner Bros.

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11/07/2011

Doctor Who: The Invasion of Time (Story 97) (2008) Review

Doctor Who: The Invasion of Time (Story 97) (2008)
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The premise of "THE INVASION OF TIME" is simple, but genius: WHAT IF... the Doctor became EVIL? "Invasion" is a sequel of sorts to the Doctor's last visit to his homeworld of Gallifrey in "Deadly Assassin" in which the Doctor saves the Timelords from the Master and in doing so becomes the sole surviving candidate in an election to determine the Timelord Presidency. The story opens with the Doctor apparently selling out his people to anonymous alien invaders. The Doctor berates and expels his companion, Leela and betrays his old Timelord mentor Borusa and before long succeeds in arranging the conquest of the planet. Once revealed, the invaders turn out to be B list, working for the Sontarans (as seen in this season's DW series 4, the "Sontaran Stratagem"). The Sontaran want control over time itself, via the relics of the President's office and the help of the Lord President of the Timelords a.k.a The Doctor...Once the Doctor's plan is revealed things really get complicated...a rebellion against the traitorous Doctor is underway, ultimately leading up to a battle for Gallifrey, even including a "unforgettable" chase through the deep recesses of the Doctor's TARDIS.
Some of the best moments of the story include conversations between the overbearing Lord Doctor and Borusa, his teacher's current & most memorable incarnation played by John Arnatt. Tom Baker is in top form when he in his over-the-top megalomaniacal glory for the first half of the story. The climatic TARDIS chase is memorable, not for the execution, which isn't so good, but the sense of the transdimensional nature of the Doctor's craft. The scenes in the TARDIS really convey the limitlessness and spark the imagination for the possibilities in store for the new series, hopefully. K9 mark I. and Leela say their farewells, but what's not so memorable, the unbelievable romance between the warrior woman Leela and the sheltered Captain of the Guard, Andred. Equally forgettable are some effects on the second string invaders, the Vardans, worse than their horrible shroud images is their actual physical form in some sort of cross between a WWII paratrooper and a TV news cameraman. One major flaw of the finale of the 6 part story is having the Doctor solve the conflict with a gadget, especially when that gadget is for all intents and purposes a big gun! Even fans new to the series, know "the Doctor just `ain't down with `dat!"
For all of it's script troubles, plot and FX flaws, Invasion is a must own for any Doctor Who fan, for it's many Timelord and Tardis milestones and because the Sontarans have just been revamped. Besides, this is history.
"Invasion" Drinking Game
Drink....
...everytime Gallifrey is saved from "the invaders."
...when Leela kills ( or throttles ) someone.
...everytime RASSILON is mentioned (the Presidential induction provides loads of these.)
...when you see the same BBC car-park stairwell in the TARDIS.
...when a Sontaran trips on patio furniture.


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DOCTOR WHO:EP 97 INVASION OF TIME - DVD Movie

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10/23/2011

Doctor Who - The Complete First Season, Vol. 2 (2006) Review

Doctor Who - The Complete First Season, Vol. 2 (2006)
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The 2005 season of the new & improved Dr. Who, includes the Doctor's return to Earth, only to find that he's returned his companion, Rose, home 12 months late! And there's this whole invasion of Earth thing going on too. Super effects worthy of a theater release, like a spaceship clipping Big Ben and landing in the Thames! Also a nice mix of CGI and live-action FX.
Included on this set, the return of the Daleks, or the last remaining Dalek, trapped on Earth in a wealthy alien collector's underground bunker.In this amazing revamping of the Daleks, little is changed, but the fear-factor of those pepper-shaking dudes goes off the chart!!

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Christopher Eccleston's Doctor is wise and funny, cheeky and brave. An alien and a loner, his detached logic gives him a vital edge when the world's in danger. But when it comes to human relationships, he can be found wanting. That is why he needs Rose. From the moment they meet, the Doctor and Rose understand and complement each other. As they travel together through time, encountering new adversaries, the Doctor shows her things beyond imagination. Includes Aliens of London, World War Three and Dalek.

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10/16/2011

Doctor Who: The Infinite Quest (2008) Review

Doctor Who: The Infinite Quest (2008)
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This release assembles the individual weekly bits of a Doctor Who animated adventure originally broadcast on a BBC Children's activity show based around the BBC TV Show "Doctor Who" in 2006-7. It's the first time it's been available here in the U.S.
As such, it is episodic, and juvenile, rather thin on plot and fairly transparent for adult viewers. But the under-12 set will love it, and it's entertaining enough for adults, provided you're already a fan of the revamped BBC TV Series.
Non-essential Whovian programming if you're not a completist, but perfect for family viewing. Four out of five stars.

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10/04/2011

Doctor Who: The Rescue / The Romans (Stories 11 & 12) (2009) Review

Doctor Who: The Rescue / The Romans (Stories 11 and 12) (2009)
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Season two.
Now then what have we here, well in my opinion we have two neglected little gems, that's what. Two stories from the always ignored (In fan polls.) Hartnell era.
These two stories are from Season two, a season which had the highest "overall" viewing figures in the shows history.
~~~~
The Rescue.(Two Episodes.)
A succinct and competently written two parter, who's sole purpose is to introduce the Granddaughter replacement Vicki.
And by doing so quickly rebalances the demographics of the group after the departure of Susan.
It's main plotline hinges on a murder mystery with Sci-fi overtones, which the Doctor solves, with the help of some prior knowledge of the indigenous civilisation he'd gained from a previous visit.
Originally planned as the first story of the second season it was put back into third place because of extra work required on, "The Dalek Invasion of Earth".
Ep.1~ The Powerful Enemy.(2/1/65)
Ep.2~ Desperate Measures.(9/1/65)
Overall opinion:~a pleasing little diversion from some of Season two's more facetious offerings.
~~~~
The Romans.(Four Episodes.)
Forgetting about the historical inaccuracies in some of the main characters. This story was unique for many years afterwards, as been deliberately done in a farcical fashion.(Input by the great Dennis Spooner.)
The Tardis crew via many convoluted reasons end up in Rome, but neither party (Vicki and the Doctor)(Barbara and Ian.) is aware of the others presence. The Doctor is mistaken for lyre player Maximus Pettulian, and finds himself embroiled in intrigue and murder in Nero's court.
Many of the situations are terribly contrived, but some are amusing.
- The Doctor using the, "Emperors New Clothes" syndrome to fool the snobs in Nero's court, whilst pretending to play the Lyre.
(He can't play a note.)
- The Doctor gives Nero an Idea to rebuild Rome.(Involving fire.)
On a religious note one of the characters turns out to be one of Rome's early Christians.
Anyone who's seen, "Spartacus", "Ben Hur" and "Carry on Cleo" will see at least one scene inspired from those classic films.
Ep.1~ The Slave Traders.(16/1/65)
Ep.2~ All Roads Lead to Rome.(23/1/65)
Ep.3~ Conspiracy.(30/1/65)
Ep.4~ Inferno.(6/2/65)
Overall opinion:~It was nice to actually see The Doctor meeting a historical figure for once, instead of just name dropping, like he does a lot during the Pertwee years.
This story shows Nero not fiddling while Rome burns, instead he "Lyred", much more believable.
(The fiddle hadn't been invented.)
The Romans is still even now an amusing treat, don't let the fact it's in Black and White put you off.
~~~~
DVD Extras.
The Rescue.
Commentary with actor William Russell, director Christopher Barry and designer Raymond Cusick, moderated by Toby Hadoke.
Mounting The Rescue - cast and crew look back on the making of the story in this feature from Steve Broster. With actors William Russell, Maureen O'Brien and Ray Barrett, director Christopher Barry, designer Raymond Cusick and 1960's viewer Ian McLachlan.
~~~~
The Romans.
Commentary with actors William Russell, Nick Evans and Barry Jackson, designer Raymond Cusick (episode four only) and director Christopher Barry, moderated by Toby Hadoke.
What Has `The Romans' Ever Done For Us? - actors, crew and historians look at both the reality and fantasy behind the story of `The Romans' in this fascinating feature from Steve Broster. With actors William Russell, Kay Patrick, Barry Jackson, Anthony Andrews and Christopher Biggins, director Christopher Barry, designer Raymond Cusick, historian Dr. Mark Bradley, writer James Moran, Doctor Who Magazine editor Tom Spilsbury and 1960's viewer Ian McLachlan. Narrated by John Bowe.
Roma Parva - (Latin: 'Little Rome') Director Christopher Barry demonstrates the use of a model of the studio set in the planning of camera positions and moves during recording in this short feature from John Kelly.
Dennis Spooner - Wanna Write a Television Series? - Robert Fairclough's first feature for the range looks at writer Dennis Spooner's work on Doctor Who. With actors William Russell and Peter Purves, script editor Donald Tosh, writers Brian Clemens and Rob Shearman, and Spooner's friend Jane Clemens. Narrated by Anna Hope.
Blue Peter - The Blue Peter team hold a Roman banquet in the studio.
Girls! Girls! Girls! - The 1960's - an affectionate look back at the sixties Who-Girls from producer Robert Fairclough. With actors Carole Ann Ford, William Russell, Peter Purves, Anneke Wills, Deborah Watling, Frazer Hines, Jean Marsh and Honor Blackman, script editor Donald Tosh and director Christopher Barry. Narrated by Dona Croll.
Plus- Photo Galleries, Coming Soon trailer, Radio Times Billings PDF, Programme subtitles and Subtitle Production Notes.
~~~~
Trivia~ According to research Nero died in his thirties. A lot younger then the middle aged Derek Francis, who plays him here.

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"Episodes: The Powerful Enemy, Desperate Measures, The Slave Traders, All Roads Lead to Rome, Conspiracy, Inferno The Rescue: The Doctor and friends come to the aid of two lone survivors of an attack by the reputedly peaceful Didonians. The Romans: The Doctor and companions fall prey to the hazards of ancient Rome which culminate in Nero's Great Fire."

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10/02/2011

Doctor Who: Attack of the Cybermen (Story 138) (2009) Review

Doctor Who: Attack of the Cybermen (Story 138) (2009)
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This season opener from 1985 (season 22) has it all! Cybermen in the London underground, a new doctor, mercinaries, diamond robers, new aliens (the cryons), a working cameleon cirtut in the TARDIS, Haley's Comet, a return to the frozen Cyber tombs on Telos and even a return visit to the junk yard where Doctor Who all began in 1963... Whew!
The story grabs you from the first minute and never lets you go; Right up to the bloody, corpse filled final seconds. New doctor Colin Baker realy shines here. Everything we were hoping Colin Baker's doctor would be is evident here. He is brash and bold and taking on all comers including the Cyber Controller himself. The sixth doctor has no problem picking up a gun (or Cyber laser)and defending himself and the earth from who or what ever threatens. This is Colin Baker's best performance; I still find it regretable he was never really given a chance to grow into the role ( He was one of the scape goats for the 1986 hiatus).
You get excellent performances from the supporting cast as well which just adds to a gripping ending since none of them live to see the end of the episode. There are multiple reference to the show's past and a timely subplot envolving the Cyberman's plan to crash Haley's Comet into the Earth (Haley's Comet was in our "area" for real in 1985). I could go on and on about this episode but lets not spoil it for those who have not seen this episode yet. If you are one of them I say go for it and buy this one; Trust me! you will not be disapointed!
Ofcourse, every Doctor Who episode has it's nae sayers and this one is no exception. Some say the plot is too convoluted, the Cyber Controler is too "rotund", and the Cybermen in the frozen tombs on Telos do not look like the ones in the old Troughton episode "Tomb of the Cybermen". To these points I say keep in mind the BBC did not spend a ton of money on Doctor Who back in the day (1963 to1989). They would never spend money on two diferent styles of Cybermen. Infact they would never spent much money on the show at all...Isn't that what we loved about the show in the first place. For the short commings in this episode I say I would put this episode up against any in the show's history. Come July 7th I will be in front of my TV, popcorn in hand, and ejoying one of the most riviting yarns in Doctor Who history....Now where is my cat lapel pin????

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A distress call lures the Sixth Doctor and Peri into London's sewer system, dragging them into an interplanetary plot involving diamond thieves and the Cybermen.

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