Doctor Who: The Complete Fourth Series (2008) Review

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(More customer reviews)The major dynamic of Doctor Who has always been one of change, after all it IS a show about a 900+ year-old face-swapping, regenerating Timelord with no-fixed-abode, each week an entirely new location, with a new cast of characters. It's because of this dynamic that the series has had such (multimedia) longevity. With series 4, of the new series we see a continuation of this, with the return of Donna Noble from the Christmas Invasion Special of 2006. But, this isn't the same Donna, she herself has changed as a character for having adventured with the Doctor, although she still, thankfully, is not as in awe of the Doctor as Rose in series 1, or in love as Rose in series 2, or struck love-sick with the unobtainable man as Martha in series 3. Donna has a unique perspective on the Doctor and his universe, almost seeing herself as an equal, if unsure of her abilities, but not so completely trusting of the Doctor. As Rose grew into the role of companion, so does Donna, but her journey isn't as simple, she may be the everyman companion (like Sally Sparrow or the men of LINDA). The show's overall perspective has changed, Rose and Martha held the point of view, unraveling the mysteries (for the viewer) of the Doctor and his world, especially with the angry and enigmatic Chris E's 9th Doctor. But now with David Tennant's 10th Doctor the audience knows more about the "last of the Timelords" than any companion, we don't need the companion as an anchor, thus we has Donna on an even playing field, and an excuse to bring back Martha (also changed for her travels)...an maybe Rose?
This season the series has no major catchwords like "BAD WOLF" or "TORCHWOOD" and who can forget "MR. SAXON." Season 4 is bound by other elements, a person, phrase, a prophetic statement/question, a place, building up, so pay attention. These elements aren't clues from this season alone, but references planted going as far back as the first season, or a recently as quotes from the Master in last season's finale, remember "The Crucible," "Medusa Cascade" or the "Shadow Proclaimation?"
What else this season has is loads of great stories from award-winning writers and loads of great performances from award-winning celebrity cameos: Nigel Terry (Excalibur), kylie Minogue, Felicity Kendal, Alex Kingston (ER), Colin Salmon (MI6), Christopher Ryan (the Young Ones), Geoffrey Palmer, Georgia Moffett (the Last Detective) and more. Of course, there are loads of great performances from the series regulars. David Tennant ads so much depth to what was a relatively static character, in the series original successful run. His Doctor still enabling the everyman to act, to be a hero. Along with Catherine Tate, their sense of pathos and comedic timing are nothing short of A-list quality.
DVD set includes:(mild spoilers follow...)
Time Crash: a fully finished short for the "Children in Need" UK charity featuring the 5th Doctor (Peter Davison) meeting the 10th Doctor, written by Steven Moffat.This is a direct precursor to the 2007 Christmas Special, in fact it really occurs a few minutes before the final seconds of Season 3's finale.
"The Voyage of the Damned" or the 2007 Christmas Special. Now a Christmas Day tradition, since the 10th Doctor, newly regenerated came to our screens, this is the 3rd such special. This special is very derivative of the action film genre, more so that the previous specials, or Doctor Who as a whole. Moments very-like the Die Hard of your choice appear throughout "Voyage" while Tennant's Doctor is somewhat muted early on here. The Doctor this time out is rescuing the passengers and crew of the Starship TITANIC, a intergalactic cruise liner visiting scenic Earth, where disaster ensues and the Doctor's promises of salvation to the nicely eclectic gallery of survivors proves to be to much to handle. The Sweet, but over-rated and inappropriately aged Kylie Minogue as Astrid, a temp companion who dreams of seeing the galaxy, help the Doctor to resolve the sinister corporate machinations of Max Capricorn, at an extreme cost. Some elements are the angelic robo-baddies, homage to "the Robots of Death" and another classic iconic juxtaposition of holiday imagery.
The first of the real season is "Partners in Crime" in which we rejoin Donna Noble from the Runaway Bride special and for an opening night episode, it still feel like on of the specials. It is fun, face-paced and over-the-top, it too has some Die Hard moments. Since turning down the Doctor's initial offer to travel, she has changed her mind and been investigating on her own hoping to one day run into the Doctor, and so she does. She also runs into CEO, Miss Foster who offers an unsuspecting public new way to lose weight with a sinister secret, well sinister may be to harsh a word, but let's just say that the fat "just walks away." This one, is a bit of fun fluff, but the episode closer offers quite a twist.
The second of the season is "The Fires of Pompeii" or should I say "Volcano Day." Filmed in Rome on the massive set from the HBO/BBC sets and other Mediterranean locales, we see some of the hard historical choices the Doctor must make, a choice I though he would have faced on the real Titanic, had it not been a Starship. In a fixed point in history...Who lives and who dies in the eruption of Vesuvius? This one has got it all, molten rock monsters, togas and Donna pleading for the Doctor to save someone. From the opening to the ending of this one Donna is asking so great and obvious questions (for example, if the TARDIS translates English to Latin & Latin to English, what happens when you speak Latin?).
The third episode "Planet of the OOD" resolves the plight of the subservient, tentacle-mouthed slaves from The Impossible Planet and The Satan Pit of 2006. The Doctor didn't really do right by them the last time around, but in his defense he was busy fighting the Devil. The OOD are both creepy and sympathetic simultaneously. This time the OOD are more than just tools, and yet again we have the motif of an evil CEO who needs comeuppance (3 of 4).
The fourth and fifth episodes "The Sontaran Stratagem" and "Poison Sky" obviously see the return of the potato-headed clone soldiers (pre-dating Lucas' clone troopers from "the Time Warrior"). This 2 parter also sees the return of UNIT and Dr. Martha Jones and if you missed her episodes of Torchwood series 2, she is a more confident, bolder character than when she and the Doctor parted ways. This one has another evil corporation and evil SAT-NAVs. These two are great "old school" episodes, Christopher Ryan brilliantly plays Sontaran General Staal. Watch the TARDIS monitor for another clue to the season finale.
The sixth episode title was kept secret until the week before broadcast, "the Doctor's Daughter." This is a really nicely done story, with some great casting
Including Nigel Terry (King Arthur from Excalibur) and Georgia Moffett (who is really the Doctor's daughter, 5th Doctor Peter Davison's real kid, who was nearly cast as Rose for 2005). Penned by Stephen Greenhorn, who wrote last season Lazarus Experiment, setting out to write a story that forever leaves the central character changed by the end.
The seventh episode, the Wasp and the Unicorn, is the latest from writer Gareth Roberts, the "historical cameo" king. Having written Charles Dickens & Christmas Ghosts, Queen Victoria meeting a werewolf and Shakespeare with Witches, who better to write a manor house mystery with Agatha Christie?
Done with spinning newspaper, flashbacks and a body in the study, this one is a really Doctor-Who-dunnit (sorry). It has lots of cameos, some Dr. Who vets and David Tennant's DAD as the BUTLER!
The long awaited 2-parter from writer 2 time HUGO-award winner Steven Moffat (Blink, Empty Child), "Silence in the Library" and "the Forest of the Dead" has awards written all over it. The shadows themselves are the enemy on a planet-sized Library and who is the mysterious archeologist River Song, who seems to intimately familiar with the Doctor, could she be Mrs. The Doctor? ...Anyway, if you read any of the New Adventures (of Doctor Who) in the 90's the spirit of this story will seem a very familiar homage (Google Prof. Benny Summerfield for more, irony here is her creator Paul Cornell didn't write an episode this season). River Song is played perfectly by the beautiful and talented Alex Kingston, adds to the increasing foreboding clues toward a bleak something on the horizon for Donna.
Episode ten, "Midnight" while Donna relaxes poolside the Doctor goes on a 4 hour tour (you just can trust them). The Doctor and an unlikely tour group visit the surface of the "unihabited/unihabitable" planet of Midnight...but who's outside and who has gotten in? A great answer to the Voyage of the Damned in which a disaster brings out the best in mankind, here we see people turn on each other (and the Doctor) in fear, human nature at its ugliest. This "bottle" episode contained to the "space-truck's" cabin, is claustrophobic and although it contains no monster reveal it is one of the season's most frightening shows since the angels. Props to the sound crew/editors on this one, no visual effects make the sound all the more important! Also, after the 5th Doctor's real daughter, we this time get the 2nd Doctor's son David Troughton is onboard.
Episode eleven "Turn Left" again by RTD himself leading us into the dark waters of the season four 3 part finale to come...hold on! This Doctor-light episode sees the special return of an companion and UNIT as things begin to get bad as a threat to more than just the Earth is revealed.
Episode twelve, "The Stolen Earth" the Doctor's team prepare to battle the new ***** Empire, lead by *****.
Final episode,...Read more›

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DOCTOR WHO:COMPLETE FOURTH SEASON - DVD Movie

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Doctor Who: The Complete Second Series (2006) Review

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(More customer reviews)The BBC's new production of its classic series, Doctor Who, weathered its first major casting change admirably. Most actors remain in the lead role for at least three years, but for Christopher Eccleston, one year was enough, and his Doctor (aka 'Nine') died in the season one finale. In keeping with Who tradition, the Doctor, upon his death, regenerates into a completely new body. Taking the TARDIS controls from Eccleston is another Russell T Davies alumnus, David Tennant (who headlined Davies' production of Casanova) as the tenth incarnation of the Doctor (aka 'Ten'). Tennant had his work cut out for him, following Eccleston's marvelous turn as the Time Lord, but he made the transition so seamlessly that the character truly seems like the same man in a different body.
Aiding this transition is largely the same writing and production staff, as well as the same co-star (Billie Piper as Rose Tyler) and supporting cast (Camille Coduri as Jackie Tyler and Noel Clarke as Mickey Smith). It's to Tennant's credit that he not only immediately puts his own stamp on the character but maintains Eccleston's level of chemistry with the supporting cast. Ten is physically younger than Nine, more brash, more impulsive, less tormented by guilt, but still achingly lonely. His loneliness becomes a running theme throughout the season, touched on in nearly every episode. Eccleston played the Doctor as he played Steve Baxter in Davies' The Second Coming (a tormented otherworldly being); Tennant plays the Doctor as Casanova (a young, lovelorn romantic hero).
The Doctor's romantic attachments, in fact, become the vehicle by which Davies explores the central theme of loneliness. Ten and Rose build upon and deepen the romance that Nine and Rose began in the first season. Their love is palpable; they're often literally willing to die for each other. In the UK, the series is family-oriented and rarely strays beyond the PG level, so this romance is never physically consummated; the characters don't even kiss. Despite this--in fact, because of it--their feelings are all the more poignant. (And how often do we see a depiction of true and abiding love on television that doesn't involve some kind of bump-and-grind?) By the end of the season, the relationship has come full circle: the Doctor has taught Rose all he can; it's time for her to leave him and put to use all the things she's learned. Their final separation is tragic but yet also hopeful: despite the sadness, the viewer knows Rose will thrive in her new environment. Billie Piper's send-off couldn't have been more positive or more lovingly written (and it leaves open the possibility of her returning to the series in the future for a guest spot).
Nobody who leaves Who is ever truly gone. The tremendous "School Reunion" brings back an old fan favorite, Sarah Jane Smith (Elisabeth Sladen). Again, romance is the means by which Davies explores the Doctor's impact on his companions' lives. The story is beautifully written: suspenseful, funny, romantic, and poignant. Sladen slips back into the role effortlessly, and Anthony Stewart Head provides a wonderful villain in the sinister Mr. Finch. Romance also infuses the imaginative "Girl in the Fireplace," in which an army of clockwork repair droids from the fifty-first century stalks Madame de Pompadour (Sopia Myles). The Doctor is clearly smitten with the young Reinette, but the episode's conclusion showcases how the heartbreakingly short human lifespan will always thwart such attachments.
But romance isn't all the second season has to offer: old foes return (Daleks, Cybermen, Cassandra) as well as old friends (Harriet Jones, Sarah Jane, K-9, Pete Tyler, the Face of Boe). Also, the settings finally get away from Earth for a few episodes, and there are a couple of trips to Earth's past. The recurring characters develop beautifully, especially Mickey Smith, who finally comes into his own as a hero. Particularly good is the two-part story "The Impossible Planet"/ "The Satan Pit," which finds the Doctor and Rose in a bleak space station on a planet perpetually circling a black hole. But the real standout of the season might well be "The Christmas Invasion," an hour-long special that aired on Christmas day, 2005. This episode allows the supporting characters--and by extension the viewers--an opportunity to adjust to the new Doctor, and it allows Ten to establish his heroic bona fides. The guest cast is marvelous, particularly Penelope Wilton as the UK's new prime minister, Harriet Jones. An argument between the PM and Ten at the episode's conclusion is brilliant, worthy of the West Wing, showing that Davies isn't afraid to challenge his viewers' perceptions of heroism and villainy.
Other highlights of the season are "The Rise of the Cybermen"/ "The Age of Steel," the chilling "Tooth and Claw," the off-beat "Love and Monsters," and of course, the brilliant finale, "Army of Ghosts"/ "Doomsday." Of all the episodes, only the disjointed "Fear Her" feels sub-par. The overall quality of the season is remarkable, given the amount of backstage shuffling that took place (e.g., the timing of Piper's departure was initially unclear; a few episodes underwent last-minute rewrites). And yet another challenge looms ahead for Davies as he reinvents the show in the wake of "Doomsday," which writes out literally the entire supporting cast. Only two seasons in, and an era has already ended.
Much of the season's success is owed to Tennant, who has quickly established himself as one of the most popular Doctors in the show's long history. His own love for the series and the character shines through every moment he's on scene, and he effortlessly conveys the Doctor's past through his expressions, body language, and vocal inflections. If Eccleston was "Doctor Modern," Tennant is "Doctor Classic-Modern," melding perfectly the older and more contemporary portrayals of the character. His chemistry with Piper is nothing short of magical, and he also plays wonderfully off the supporting and guest actors.
As with the first season, the second season is best viewed in pristine DVD rather than the hacked-up versions shown on TV. The boxed set includes the usual extras; viewers should make the Pudsey Cutaway/ Children in Need special their first stop--it's an essential prologue to "The Christmas Invasion." Season two is proof positive that Doctor Who can hold its own with pretty much anything else currently on television.

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Can Rose trust a man with a new face? David Tennant (Viva Blackpool, Harry Potter) steps into the role of the Doctor, now in his 10th incarnation. Following on from the phenomenal success of the first series, the second series is full of more thrills, more laughs, more heartbreak and some terrifying new aliens and old acquaintances. The Doctor and Rose meet Queen Victoria, an evil race of Cat Women, K9 and Sarah Jane, and the dreaded Cybermen. DVD Features:Audio CommentaryDeleted ScenesOther:Doctor Who is the longest running sci-fi franchise in television history Outtakes:Doctor Who is the longest running sci-fi franchise in television history Other

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Doctor Who: The Complete Third Series (2007) Review

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(More customer reviews)The strength of DOCTOR WHO, the new series and the original, has always been change, and change it has. Over forty-years ago the show began with one actor and now we have 10 actors who have portrayed the 900+ Timelord. The first season of the new series ended by changing leads through regeneration, as the 2nd season ended with the "lost" of not only the companion / love interest, but the whole "point-of-view" for the new series: Rose Tyler. Since the PILOT or "ROSE" episode the series has been through her eyes. The viewers could relate to the Human perspective more readily than the sometimes alien POV of the title character. In fact, the series gave up not only Rose, but her family, Mickey Smith, Jackie Tyler; Mum, Pete Tyler ( deceased, sort of) ,all of the anchor characters that added so much emotion to the new series.
Can the series, even one a clever and cool as Dr. Who, survive such change.
The answer is yes, definitely, yes. Although, there is a loss, infact the sense of loss that the viewer feels, is surely an undercurrent of the entire season, starting with the Christmas special or THE RUNAWAY BRIDE, the precursor to the true first episode of the season. Opening right after series two leaves off, the Bride a.k.a Donna Noble played by U.K. comedian Catherine Tate appears in the TARDIS, the Doctor has little time to contemplate his loss before he is literally running for his life again. Like the Christmas Invasion, the special is light-hearted, and introduces a "one-shot" temporary companion (although Donna will be a major-part of season 4). One highlight of the "BRIDE" would be the glorious soundtrack provided by composer Murray Gold, a truly cinematic fully orchestral backdrop that sells some fanboy innovative moments like a CAR CHASE WITH THE TARDIS ( I kid u not, the iconic Call-box is zipping though traffic like something from a 70's cop-show) . Donna sums up the subtle theme as she declines the role of companion, stating that the Doctor needs someone to "stop him from going to far" as he coldly sticks to his assertion of the previous Christmas: "No second chances" while dispatching the Empress and her brood.
In the second story in this set, but the actual season opener, new regular companion MARTHA JONES is introduced in a satisfying start to 2007 in "SMITH and JONES" ( a goof reference to the Doctor's sometimes alias of Dr. John Smith which shows up again in the season, too). An all too different character than Rose, Martha is Medical Student, so she doesn't need the Doctor to rescue her from her life as slacker Rose did, she's smart in a less pop culture way than Rose, more analytical like the Doctor. Like Rose, we meet her family in the episodes opening over several rapid-fire conversations via cellphone. Strange things are afoot at her hospital which eventually ends up on the Moon. More as window dressing, the Jadoon Stormtroopers, beautifully realized alien police are searching for an vampiric alien among the human patients and doctors. Martha and the Doctor immediately develop an enjoyable on screen chemistry, while storytellers cut to the chase and give us two instances of Doctor/Companion kisses, the throwaway nature establishes the preoccupied (with love-lost) tone that the Doctor will regard Martha (unfortunately more like a traditional Dr. Who relationship). The Doctor spells this out saying, "this doesn't mean anything," sadly for Martha, this feeling isn't mutual and leads to choices made by the end of the season. So the Doctor sacrifices himself to flush out the fugitive, while Martha literally breaths her final breath in an attempt to save the Doctor's life, earning herself a non-committal invite to the TARDIS.
The major part of the first half of the 13 show season, 14 with the "Bride" Special (#0) is weak. Smith & Jones (#1) is strong, the Shakespeare Code (#2) is frankly BRILLIANT!
GRIDLOCK (#3) is very good, but the Dalek 2 parter: "Daleks in Manhattan" and "Evolution of the Daleks (#4-5)", NOT SO BRILLIANT, nor is "Lazarius Experiment (#6)" or "42 (#7)" But the final HALF of the season (#8-13) is GOLDEN, leading up to a 3 part finale re-introducing a classic character that will blow you away!!! Away !!!
"SHAKESPEARE CODE", Martha's first trip back in time, they meet the Bard himself and learn the secret of Shakespeare's famous lost play. This was film partly in the real rebuild Globe Theater, so it looks great. As is Dean Kelly's rock-n-roll performance as the renown playwright. This contains some of the best dialogue the series has EVER had, so much so that you much watch it repeatedly to truly appreciate this one ( I played this one to high-schoolers as a follow-up to Hamlet).
"GRIDLOCK," is a great sci-fi story, in which people are living their lives stuck decades and decades on a skyway traffic jam. The is the 3rd story in the new series history to go to the far-future "New Earth" and the Doctor meets the Face of Boe for the prophesied 3rd and final time. A super concept with great effects and some genuinely moving moments, like the music montage of the stranded freeway drivers connected by faith and song. The Face reveals a secret to the Doctor which tips us off to the season finale.The DALEKS in MANHATTAN" and "EVOLUTION of the DALEKS" is the Doctor's apology to Martha for showing off taking her to New Earth on the rebound as it were, but overall this 2 part doesn't work. There is some great integration of footage actually shot in modern NYC, reworked to look like the 1920's, but the premise that the sole surviving Daleks (the Cult of Skaro, seen escaping last season's finale) are making not only PIG-Slaves, but the EMPIRE STATE BUILDING itself as part of a plan to recreate their race using humans for materials. There are some good performances all around, but the "Evolution" of the Human-Dalek (both costume and concept), is disappointing and distracting. But, the Art Deco 1930s style Empire State Build does lend itself to that of the Daleks.
Episodes 6 and 7, "The LAZARIUS EXPERIMENT" and "42" are both so derivative of Popular sci-fi that they are unsatisfying when compared to some of the really great shows of the season. LAZARIUS is very much a variation on "the FLY" while "42" with its real time concept ("24" reversed) and spacecraft claustrophobia is like both Impossible Planet of last season and other movies of the genre. But, Dr. Lazarius himself is afforded an excellent performance by Dr. Who writer Mark Gatiss ( of "League of Gentlemen" and "Jekyll").
Again proving that the producers are true fans themselves, episodes 8 and 9, Human Nature and The Family of Blood, are based on a fan favorite Dr. Who Novel (with the 7th Doctor), translating seamlessly to TV. It is a classic story idea, the Doctor becomes Human!! In order to escape a family of aliens ( a concept already borrowed from the novel for season one's Slitheens, an alien surname) the Doctor puts his Timelord identity into a watch, only Martha knows who he is and is put in charge of this secret as he really becomes John Smith, History teacher (of course) of a boys school just before WWI. I can't say enough about the heart-wrenching excellence of this 2 parter. The Doctor falls in love and must make some hard choices. This also sets up things to come in the finale.
Episode 10, "BLINK," happens to be filler, like last seasons "Love and Monsters" in which the regular cast is all but absent in order to shoot another episode simultaneously. Like "Love and Monsters" this episode is a creative triumph, also base on a previously published story. "BLINK" also happens to be the scariest show of the new series history!
In a nutshell, the Doctor is sending messages from the past to "the present" through DVD extras or easter eggs, warning about weeping angel statues that move at you when no one is looking, so don't even blink! Although, no one is killed on screen, not in any conventional sense, this one is still keeping my kids up at night (especially in a city famous for its cemeteries) ! BLINK was written by Steven Moffat, two-time consequtive HUGO winner (both for DR.WHO, series 2 the "GIRL IN THE FIREPLACE" and series one's "EMPTY CHILD." Moffat has next year's Hugo in the bag with BLINK, if his writing in JEKYLL doesn't split the vote (see my review for more on JEKYLL).
The final 3 parter, "UTOPIA", "The SOUND of DRUMS" and "LAST of the TIMELORDS" are perfection. Really. I can say more without revealing too much (although the U.K. press already did that long before the shows aired), but the season is full of clues leading up to this (even in TORCHWOODS final episodes there are clues). Capt. Jack returns for all three of these and there are notable guest appearances such as SIR DEREK JACOBI ( famous for I, Claudius), how great is that!! Also, John Sims (from Life on Mars). The first of these 3 parts, UTOPIA, comes across as a Mad Max deal, don't give up on it, that is just subterfuge! Make plans to watch the three of these back-to-back-to-back, you're not gonna' want to stop.


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The third installment of Doctor Who is full of new thrills, new laughs, new heartbreak and some terrifying new monsters. From the moment the Doctor walks into the life of medical student Martha Jones he changes it forever. In Elizabethan London, they meet William Shakespeare at the Globe Theatre while back in present day London, 76-year-old Professor Lazarus recaptures his youth with consequences that threaten Martha's entire family. And, the Doctor's sworn enemies, the Daleks, who have been hiding in 1930's New York, return with a terrifying plan for humanity.

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Doctor Who: The Complete First Series (2005) Review

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(More customer reviews)Having barely seen an episode or two on PBS in my youth, I really got into the series after seeing the 1997 US TV movie. I quickly snatched up every VHS tape, and found every other missing episode and unreleased story on bootleg videos, to obsessively have every inch of existing Doctor Who known to man. I preferred Jon Pertwee's Doc the best, with Troughton and T. Baker next. No need to get into the original classic series, so on with the new one.
Right from the start, I really enjoy Eccleston's portrayal of the Doctor. It seems he really did his homework and seems to have found just the right combination of wit and intellect that made so many previous doctors a success. His quick tongue seems to keep up to the fast new pace of the show. While the longer episode, vintage shows had more time for character development and interaction, in today's fast paced world of 32x fast forward speed DVD capability, you can't have 4 to 6 part episodes and expect to keep people's attention to that one storyline. It worked in the 70's, but certainly wouldn't work now.
Vintage Doctor Who always had great supporting casts and guest stars, and the new series is no different. Rose's boyfriend and mom keep up nicely to the pace and plotting of the show. Simon Callow gives a great performance as Charles Dickens in the series 3rd episode.
Episode 1, Rose, sweeps us back into the whirlwind world of Doctor Who that we all know and love. It seems like it nearly skipped a beat since 1989, with only the surroundings and special effects being updated. It also offers enough info to keep a new viewer interested. 'Rose' is very action packed, much more than most vintage Who stories, and I think it has to be in some way to cater to the thrill-a-minute new millenium that we are all now fully accustomed to.
I had seen some sneak preview photos of the Autons before the show aired, and I thought they looked a little awkward and feared they might come across a bit cheesy in live action, however they threw me for a loop after watching Rose, as they looked incredibly lifelike and menacing. Bravo for the special effects wizards who worked on them as they looked brilliant. A superb opening episode to bring us all back into Who!
Ep. 2 kept Eccleston's sharp tongue going, and flew us into an alien space station, complete with just about every new concoction of an alien species one can concoct. Actually, the oddest looking species was the human!! A murderous metallic set of spiders is unleashed on a group of interplanetary oglers, wanting to witness the last moments of Earth. The always fashionably-late-in-saving-the-day Doctor has to come to Rose and everyone else's rescue.
Ep. 3 takes us to familiar Who territory, a period piece on planet Earth. 1869 to be exact, and Charles Dickens is giving a Christmas Eve performance of A Christmas Carol that gets rudely interrupted by a gas powered, walking corpse. The sets and costumes are superb, and this 19th century Cardiff set story is a real treat.
Episodes 4 & 5 are the first two part storyline, which deals with the Slitheen aliens invading Parliament. It features some hilarious moments when the Slitheen attempt to wear their "rubber suits" that impersonate humans.
Ep. 6 is what we've all been waiting for: The Dalek episode. But alas, it features only one, but that's all it takes for a very strong episode involving an American collector of the future, who happens to have found one remaining Dalek, but doesn't realize how dangerous it really is. The Doctor, fully aware of Dalek aggression, has to step in and set things straight, with a little help from Rose.
Ep. 7, The Long Game, takes us into a satellite space station where people are not returning from certain floors of the station.
Ep. 8, one of the strongest and certainly the most emotional of the series, sees Rose wanting the Doctor to allow her to see the father she never knew, however she does something the Doctor would never do, and specifically asks her not to do: interferes with time.
Episodes 9 & 10 is another two parter involves the Doctor and Rose in the middle of bomb ridden London circa 1941. Captain Jack Harkness is introduced and becomes a rival hero character for the Doctor.
Ep. 11 involves the return of the Slitheen and their plan to destory Earth.
Ep. 12 features a great spoof of reality shows, with the Doctor stuck in the middle. This episode also features the best cliffhanger of the new show: Rose is kidnapped by the Daleks and the Doctor defiantly proclaims "I'm gonna blow every last stinkin' one of ya out of the sky". Something no previous doctor would have ever said, it's a now classic quote and very characteristic of the new Who era, and the new Doctor.
Episode 13, the final battle with the Daleks, is the culmination of startling sci-fi entertainment, and a fine arguement for being the best season in the show's long and storied history. It extremely disappointing that Eccleston is not returning for Season 2. That is a shame, because his Doctor is extremely well played. Hopefully David Tennant can fill his shoes nicely, and I'm sure the writing will be just as strong as series 1.
These are going to be loaded with all the extras found in the UK release. They initially released bare bones DVD's on Region 2, in 4 volumes, which is how I got them as I had to have each new Who right away, and I can't wait until May 1st, when I will have the first of season 2 in my hands!! For now, US fans unable to play or get a hold of Region 2 discs, have the Sci-Fi Channel airings and this new set out in July!!

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Christopher Eccleston's Doctor is wise and funny, cheeky and brave. An alien and a loner, his detached logic gives him a vital edge when the world's in danger. But when it comes to human relationships, he can be found wanting. That's why he needs Rose. From the moment they meet, the Doctor and Rose understand and complement each other. As they travel together through time, encountering new adversaries, the Doctor shows her things beyond imagination.

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