Showing posts with label native american. Show all posts
Showing posts with label native american. Show all posts

6/15/2012

Biography - Crazy Horse: The Last Warrior (2005) Review

Biography - Crazy Horse: The Last Warrior (2005)
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Crazy Horse never took a photograph or signed any documents. Thus, this Biography learns from him in a unique way: it replays recorded interviews in the 1930s about him from tribal members that knew him. The documentary shows photos of other Sioux nationals at the time. This work includes footage of cowboys riding and Indians riding, however, they never say from where this footage originated. It did not seem like the cheesy reinactments of many modern documentaries.
The interviewees here were male and female, Native American and white. However, unlike many works in the Biography series, they were mostly academics with few laypersons as interviewees.
While Europeans may have forced others to come to them or seduced them in, this documentary, and others show that some non-Europeans resisted the temptation. Crazy Horse belongs in the same category as Brazil's Quilombo, Haiti's L'Ouverture, Nat Turner in the American South, or Japan's Ieyasu and the Tokugawa samurai.
I had no idea that Crazy Horse and Sitting Bull had the same tribal affiliation and lived during the same time. This is like the dualism of Malcolm X and Dr. King or Da Vinci and Michaelangelo. I wish the work would have said more about the relationship between the two leaders.

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He fought to the end to protect the lands that had been his people's since time immemorial.His death marked the end of an era.Crazy Horse cut his teeth fighting with the Olgala chief Red Cloud against United States troops in Wyoming.He earned a place in legend and signed his own death warrant for his role in Custer's last stand.BIOGRAPHY travels back to the waning days of the frontier for a revealing portrait of one of the great Indian leaders.Leading historians and elders of his Sioux tribe offer their take on his life and legend, while period accounts, art and artifacts show the fervor that marked his pursuit and capture by U.S. forces after the Little Big Horn. Join BIORAPHY for a stirring profile of a noble warrior who gave everything he had in a desperate and futile struggle to preserve the freedom and dignity of his people.

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3/12/2012

Mystery Coyote Waits (2003) Review

Mystery Coyote Waits (2003)
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"Coyote Waits", brought to the small screen by the same team that produced the lamentable "Skinwalkers", is a satisfying experience for Tony Hillerman fans, for fans of movie mysteries in general, and for folks interested in the portrayal of Native Americans, in this case the Navajo (Dine'). It would appear that the writers listened to the complaints about "Skinwalkers" and came up with a story that adheres much more closely to Hillerman's plot and to the author's portrayal of his main characters, particularly Jim Chee (played by Adam Beach) and Joe Leaphorn (Wes Studi). Like any novel adapted into a two-hour movie, there are conflations of characters and substantial trimmings in the narrative. Nonetheless, the major plotlines in the book are dealt with here in a generally satisfactory way, although the climax was a bit too pat based on the information that the viewer was given during the course of the investigation into the death of Officer Delbert Nez. The principal character change in the film involves the substitution of Leaphorn's wife Emma(who died in the earlier book) for Professor Borbonnette, a change that is not particularly jarring in this context. Kept intact from the book is the relationship between the traditionalist Chee (studying to be a haatali, or medicine man) and the rationalist Leaphorn (firmly in touch with his own Dine' culture, but deeply skeptical of some of its beliefs). All in all, the treatment accorded to "Coyote Waits" bodes well for future productions in the series. Hopefully, "Thief of Time" will be next.

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12/09/2011

Dreamkeeper (2003) Review

Dreamkeeper (2003)
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This Amazon reviewer guy obviously has no clue about what this story is actually about, or why the film format is really groundbreaking for Native American film and DOES work, wonderfully. It really isn't a typical Hallmark film. He thinks the special effects are cheesy because he doesn't understand these stories that are being told... and missed the humor of a lot of it. It's not about "myths" in the way that White people see myths. It's about how story is life.
THIS IS NOT A CHEESY HALLMARK MOVIE. It's really artfully done and is not a typical TV movie about why mainstream culture should loooove those Interesting and Spiritual Native Americans. I hope this film won't get labeled as a Nice Family Film About Myths. The only reason it's a TV movie by Hallmark is probably because this was the only way to fund such a high-budget Native film. What's too bad about that is that it won't get seen by the independent/art film crowd who might give it the awards that it deserves.
Honestly, not to offend anyone, but I think that this film wasn't made for White people, it's really more for Native people who will understand its importance. It's kind of how there are a lot of important films about White people/white american culture FOR White people who share the culture of the characters that other people can watch and either misunderstand (due to lack of understanding of white american culture) or try to view it in its context and understand the white perspective.
In the same way, this film needs to be seen in its own context, apart from the fact that it was shown on TV and laced with commercials aimed at mainstream America, or that its being sold as a Hallmark movie. A lot of these stories told by the Grandfather are becoming less and less told, and now are preserved for the younger generations in a way that still respects the 'oral tradition' that they come from. I hope that eventually the film will be treated more seriously, and that all those serious film critic-types will give it more attention and recognize all the creative and profound things that are going on in the structure and plot and cinematography.

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12/04/2011

Edge of America (2006) Review

Edge of America (2006)
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Chris Eyre (Director Smoke Signals, Skins) dribbles us onto the hard court of Three Nations woman's Basketball. Kenny Williams (James McDaniel) is running from his past. He takes an English teaching position on the Three Nations Reservation in Utah. Unbeknownst to school administrators he is black man. This puts him as a mark for the native students.
Kenny needs some additional income so he thinks of coaching the dismal O'fer Lady Warrior's basketball team. The interim coach Annie (Irene Bedard) is more of a mother than a coach. The local do-it-all Cuch (Wes Studi) convinces Kenny to coach the woman's basketball team. Coach Williams soon learns that he is fighting an uphill battle with teamwork and Native family traditions especially Mother Tsosie. (Geraldine Keams)
I absolutely adored this film and totally related to this film. The woman's balling at my old all Native high school was just as competitive with the more expensed mostly white high schools. The gym, attendance and excitement took me back to the days of playing ball for the love of it and close-knit teammates.
I try not to be a nit pick on an overall good film, but the film started off with some shaky camera angles following Kenny to the Three Nations reservation. (Personal preference) It was probably due to the handheld cameras. After a few minutes it disappeared. Filming the basketball action was comparable to other basketball films that I have seen. But I wished I would have seen the free throws.
Carla (Delanni Studi), Shirleen (Misty Upham) and Marissa (Deanna Allison) are some of the talented actresses that make up the basketball team. Leroy McKinney (Tim Daly/Producer) is the father of Carla who struggles with the loss of his wife. And the angry, outspoken Franklin (Eddie Spears) is Carla's boyfriend plays his character outstanding. This film contains a lot of talented Native actors who are now more popular since filming.
This film was filmed in 2002 for Showtime. Maybe it's just me but these films need to get released to the general public faster. Though, money is always at the root of the problem. I have to give kudos to Annie Humphrey's songs that fit perfectly for this film.

Purchase this DVD for the entire family. There are not many extras on the DVD, but there is a filmography for the main actors.


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From acclaimed director, Chris Eyre, whom People Magazine calls "…the preeminent Native American filmmaker of his time" comes this touching and inspirational story about loyalty, friendship and courage. New man in town Kenny Williams (James McDaniel) has just accepted a position as an English professor at the Three Nations Reservation in Utah. Finding it hard to fit in with the tight-knit Native American community, he decides to take on the challenge of coaching the high school girls' basketball team.

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10/14/2011

The Lost Child (2000) Review

The Lost Child (2000)
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Adopted by a middle aged Jewish couple and doted on by her mother young Rebecca Hoffman leads a conventional life. Then her mother dies and her father remarries. In his new marriage there is no room for Rebecca. She is one to be tolerated. She no longer has a home. Years later Rebecca searches for her birth parents and comes to the realization that she is not white nor Jewish. Rebecca is Navajo.
Lost Child is a film based on the the autobiography, Looking For Lost Bird, by Yvette Melanson. In this picture we see the life of a child stolen from her birth parents and made to assume a new identity. Her adoptive father's reluctance to have her, her feeling of isolation and her quest to find her identity is both moving and tragic as we see a young woman so far from her home.
Mercedes Ruehl plays a sensitive and savy Rebecca who tries so hard to be accepted by her adoptive father. Her discovery of her Navajo roots gives her comfort and a sense of completion. Yet, she too and her family undergo some heartaches and challenges as she returns home. This movie shows the hope of a mother seeking a reunion of her children. We witness the reintergration of a woman back to her heritage. We also see the ugly side of cultural prejudice as her daughters attempt to fit in with their new family and culture.
This is an enjoyable film that is a sanitized version of the book. Everyone in the picture is so good, so noble to the point of being unbelievable. Of course everything works itself out and the family lives happily ever after. If only life could be that simple. Inspite of that Lost Child is well worth your seeing as you get a glimpse into another culture.

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Item Name: The Lost Child; Studio:Lions Gate

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