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(More customer reviews)Since the 1996 release of the original "Ninja Scroll" feature, fans have suffered from misleading sub-par efforts such as "Ninja Resurrection" and "Jubei-chan, Ninja Girl." With the 13-episode "Dragon Gem" TV series, "Scroll" fanatics finally have something to latch on to, a series that fearlessly tries to live up to the standard set by one of the most important movies in anime history.
Easygoing, morally sincere, ninja-for-hire Jubei Kibagami is once again the focus of the series, alternately called "The Dragon Stone Treasure" or "The Jade Dragon." Jubei is based in fact on a character of the same name from feudal Japan, the Paul Bunyan or Wong Fei Hong legend for that country. "Dragon Gem" opens with a masked ninja named Rouga fleeing after stealing the precious Dragon Gem of the Hiroku, a ninja clan "destined to live in darkness," and protect the gem. The first fight scenes are a pretty good indicator of what is to come: an overwhelming amount of multi-skilled ninjas, some dispatched with ease, others getting a several-episode lifespan. Rouga is cornered by Hiroku's Migai, a spider-man-type guy, as well as two ninjas from the Kimon clan, who want the gem as well (you'll remember the Kimon as the clan that produced the Eight Devils Jubei fought in the movie). One is a swordsman with a flying bike/lance contraption, the other a woman who can produce ... gremlins. Jubei interferes, simply because they've disturbed his nap, and unleashes a new skill (in addition to his swordsmanship, Wolverine-like recovery ability, and the sturdy string attached to the sword): a sword slash that projects through the air (similar to Raijuta's Izuni in "Rurouni Kenshin"). Rouga offers to team up, but Jubei refuses, arbitrarily because he "doesn't trust people in masks," and because he wants to finish his nap and his dream.
The second part of the setup involves Shigure, a teenager kept from the outside world her whole life, and unknowingly being guarded by an entire village of ninjas. Her world is shattered when the Kimon attack; she also finds out that she is somehow the "Witch of Light" (or Maiden of Light in other translations). Rouga buys her some time to escape at the cost of his life; as he dies, begs Jubei to deliver the gem to Shigure. Jubei agrees, an important fact seeing as the only thing more important than justice and money to Jubei is his word.
So goes the series, with the Kimon and Hiroku clans sending their minions after Jubei and Shigure, who are joined by Dakuan, the Tokugawa government spy from the movie, and Tsubute, an athletic teen thief, and a slightly annoying character. Apparently, the union of the Witch of Light and the Dragon Gem can either lead to the Hiroku treasure, or unleash a hidden horror for the Kimon. The array of characters ranges from uber-cool, to unoriginally [weak]. Two characters borrow heavily from the wasp-hive devil from the movie: one controls a swarm of moths, the other a swarm of bats. There are the cooler characters such as Rengoku, a re-animator who can re-attach body parts to others or herself, and is a sort of twisted Inspector Gadget; or Anden Yamidron, the Kimon's No. 2, who can crystalize and destroy things by touch.
Don't expect 13 episodes with the same quality as the movie. Would you expect a "Ghost In The Shell" TV series to seriously maintain that level of animation for even more than five episodes? Obviously not. That said, the pilot four episodes are of a significantly better level of art than the rest of the series. The TV Jubei is drawn with the movie Jubei in mind--same raggedy brown clothes and split Raiden hat--but has slightly thicker eyebrows, less slanty eyes, and a thicker lower lip: not huge differences, but enough to be noticeable. The art, direction and movement in this volume are by no means comparable to the movie, but far above average for a TV series. The fight sequence between Jubei and Jashi, a ninja with a hollow eye socket that, among other things, can use a dead person's eyeball as a sort of DVD to play back their final moments, is beautifully crafted, with the quick cuts from close-up, to far away, to just the sounds of swords clashing, to images of their shadows battling at the speed of light. The shocking level of gore from the movie is also toned down in this series, as is the [physcial] content, although it doesn't shy from implicit [abuse] scenes. The characters are semi-modern, much like those in "Wild, Wild West" (yes, the Will Smith movie), probably owing to the character designs of Takahiro Yoshimatsu, of "Trigun" fame.
You may have to re-watch Vol. 1 after getting through the second volume just to better understand what's going on, with so many characters being introduced, and with bad guys fighting not only the good guys, but each other (think three-way battle). Thankfully, the series maintains the idea that these demons still exhibit human failings: a female villain embittered by [abuse]; the aptly-named Rengoku, whose desire for revenge many times blinds her to the original mission of [physcial] desire or pride or loneliness.
It should've been a five-star series; the major, but not horrendous, drop-off in quality from the first four episodes to the rest of the series is a little bit of a turn-off, as is the over-emphasis on fights, which affects the plot development, and the story behind the gem. It's a good series that benefits from having a great movie to work off of, but may suffer from the extremely high expectations fans may put on it.
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