Showing posts with label miranda richardson. Show all posts
Showing posts with label miranda richardson. Show all posts

7/27/2012

Snow White - The Fairest of Them All (2002) Review

Snow White - The Fairest of Them All  (2002)
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I have very mixed feelings about this particular Brothers Grimm adaptation. First, I must consider that in the past Fairy Tales have been far from mediocre tales about sanity. Often they are warnings about our most inner desires bringing us certain destruction. This movie deals with jealousy and innocence, kindness and evil.
Caroline Thompson has a great concept at work here, but in places the script falls prey to the cliché. The acting would have been better if the script had been more mature. They seemed to want to make this for children and I could not help hearing the Barney song in the background of my mind when I saw the rainbow and politically correct admonitions. I was disappointed in her naming the dwarfs after the days of the week. I think the names Disney gave the dwarfs were more interesting and would have given them stronger personalities. The acting would have seemed better if all the characters had been given a much stronger script. Yet, this adaptation seems to be reaching further into the past than Disney ever envisioned.
The salvation is in the creativity with which the story is told. It is visually appealing and once you watch the extras on the DVD you will realize this was a low-budget production.
The mirror is fascinating. Not only are there a variety of mirrors, the mirror is broken at one point and contains magical properties. This mirror then becomes a transporter, video camera and weapon. It is no longer just a "mirror, mirror on the wall." The scenes of "raining glass" were wonderfully creative along with the sound effects.
The artificiality of some scenes lend themselves to the "Fairy Tale" appeal. The very fact that the characters are not completely believable at times gives them a certain freedom to be completely evil or completely good.
Snow White (Kristin Kreuk) is incredibly beautiful, but almost solemn in her awakening to the world. She has an almost gothic appeal. As a baby, she is born into a world where apple blossoms fall from the trees into a pond near her home and red rose bushes almost envelope the cottage. Her father John (Tom Irwin) is desperate to save her life after his wife dies after childbirth and tries to make it to a close village. He almost fails and yet his tears awaken a creature frozen beneath the ice. This bewitched creature is able to fulfill wishes like a genie and gives him three wishes. He also unfortunately has a sister who is not quite so kind.
Even as a baby, Snow White was able to sense evil intentions and disliked her new mother-in-law Elspeth (Miranda Richardson) who is part of the wish-fulfillment plot.
In the original story in German, Snow white is born as a princess. In this adaptation, she inherits her royalty through magical means. When the huntsman is told to kill Snow White the new queen asks for her liver and lungs. In this adaptation parents might not appreciate their young children seeing the queen eating "what she thinks" is Snow White's heart.
When the queen finds out Snow White is still alive, she poses as her dead mother instead of a witch. Offering an apple to someone has been known to be a declaration of love or deceit. In this movie, it spells certain death. Snow White is buried in ice instead of a glass coffin.
The queen is not transformed back into her true self until the end of the movie when she is subject to the violence of the "garden gnomes" that come to life to seek revenge. In the real story, she dances to her death in a pair of iron slippers which would not have been enjoyable to watch onscreen. The violence of the gnomes is more "implied."
This is not a calm, happy movie but does have a happy, yet questionable ending. Would any father let such a young daughter ride away with a prince? I think not. In the real story, Snow White grows into an adult while in the coffin. Her hair is still black as ebony, her lips as red as blood and her skin as white as snow.
This movie does contain some violent content I don't think "very young" children should be exposed to although I imagine they might miss some of the implied meanings. This should have been rated PG in some instances in my own mind.
Otherwise, there are elements in this story I really enjoyed, especially the magical elements incorporated into the mirror, castle, roses, forest and the inclusion of various intriguing elements not seen in a Snow White movie to date.
~The Rebecca Review

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1/05/2012

Gideon's Daughter (2006) Review

Gideon's Daughter (2006)
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"Gideon's Daughter" is a film written and directed by the brilliant Stephen Poliakoff. Poliakoff's movies focus on a slice of life at a particular moment in history; he tries to capture what is then happening in England and how it might affect the future. The second disk in this set explores his philosophy in depth and how it impacts his films.
In this movie, Poliakoff captures the emptiness of celebrity culture, particularly at the time of Princess Diana's death, when it had reached unheard of heights. Bill Nighy, one of England's best actors, portrays a PR guru who is at the pinnacle of his career, and whose "guidance" just everyone wants. Ironically, Nighy's character is divorced from all those around him, grieving over the broken relationship with his hostile daughter. He is also immersed in a new relationship with Miranda Richardson. His unresponsiveness is interpreted by different people to meet their own expectations, so the farther he drifts from PR, the more they clamor for his help.
This is an outstanding film, beautifully acted, superbly written that is totally absorbing. Highly recommended.


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Gideon Warner is a hugely successful public relations consultant to the wealthy, to politicians, to businessmen and rising starlets. Their hair, their cloths, where they go and with who ? Gideon advises them on everything. With all his skills, he is the perfect man to package the Millennium celebrations and sell them to the rest of the world. But disillusioned with the world in which he works and increasingly concerned over the growing distance between he and his daughter, Gideon takes less and less notice of his business, just as clients seem to want him more and more. He clings to his slowly flourishing relationship with Stella ? a mother grieving for her dead son ? as his world spins further out of control. Only together can they make it stop. DVD Features:Interviews:Commentary by Stephen Poliakoff Robert Lindsay Interview Miranda Richardson Interview Bill Nighy Interview Emily Blunt Interview Ronni Ancona Interview Tom Hardy Interview Other:Timeshift Documentary about Stephen Poliakoff


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5/14/2011

The Life and Times of Vivienne Vyle (2009) Review

The Life and Times of Vivienne Vyle (2009)
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This is black comedy, a devastatingly funny, satiric look at "reality" TV a la Jerry Springer, with crazed guests and equally crazed backstage doings at a TV show. Jennifer Saunders is sensational, and all others in the marvelous cast are also brilliant. Each episode of the six can be enjoyed by itself, but it's best to see them all in sequence. The last episode is the best half-hour I've ever seen on TV.

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LIFE AND TIMES OF VIVIENNE VYLE:SSN1 - DVD Movie

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