Traffic - The Miniseries (The Director's Cut) (2004) Review

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(More customer reviews)The original version was done by the Brits in 1990. Titled "Traffik" - it concerned the herion trade from Pakistan and its impact on life in Great Britain. It's a fascinating story with major characters in three distinct locations: Britian, Hamburg, and Pakistan. The characters of these three story-arcs interconnect and intertwine as the devastation of drug use and the futility of the drug war are laid bare.
If the story seems familiar, Steven Soderbergh retold it in his feature film "Traffic" in 1991. While shifting the locale to America, changing the drug to crack/cocaine and moving the source to Mexico, Soderbergh's version retains the essential elements of the British original:
A high ranking gov't official charged with fighting illegal drugs, his struggle as the problem hits close to home, the upscale wife of an arrested major drug dealer who steps into the drug trade to maintain her family's lifestyle, the local cops doing their best in the drug war, and the locals of the third world country - the source of the drugs - caught up in the dangerous business in their efforts to merely survive.
Now, 13 years later, USA network has updated the story yet again for the post-9/11 world. And a magnificent job they have done. While Soderbergh was content to do a straight remake, this newest version resets and recasts the characters and locations while only retaining the basic bullet-points of the plot. As dark, moody, and despairing as the original, the newest "Traffic" hits the mark.
I watched it as it ran on USA some months back and decided it would be a "must-buy" when it came out on DVD. To see that we will be getting a "director's cut" - well, that's just icing on an already delicious cake.
If your tastes run toward the gritty crime genre - Homicide:LotS / The Wire / French Connection / Prime Suspect - and you don't mind a little pessimism in your entertainment - you definitely want this latest telling of a story of our time.

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Go beyond the Academy Award-winning film, Traffic, in this electrifying USA Original Miniseries, Traffic: The Miniseries, from directors Stephen Hopkins (director of the thrilling TV show "24") and Eric Bross (On the Line). It's a life-and-death struggle for most secret agents on America's borders. In the sinister and seductive world of illegal trafficking, most supply and demand isn't for drugs it's for chemical goods, weapons and even human beings. When three men attempt to apprehend the elusive criminals behind these illicit trade organizations, they find their lives intertwined in ways they never could have imagined. Go deep undercover in this heart-pounding, edgy race for survival, and now, in the must-own Director's Cut, experience even more of the intense action with exclusive uncensored footage and an all-new, edge-of-your-seat twist ending.

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Masters of Horror - Right to Die (2007) Review

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(More customer reviews)Just what qualifies someone to be called a "Master" in the horror genre? That's a question I've asked several times in the two seasons of Showtime's "Masters of Horror" anthology series. Looking at their slate of directors, there are some obvious choices--but disappointingly the undisputed "Masters" haven't necessarily turned in the best episodes of this show. Rob Schmidt is, perhaps, one of the more dubious choices to fulfill a "Masters" criteria--his most notorious horror work is the film "Wrong Turn." And while I'm sure that film has its admirers, it is ultimately just another of countless derivations of "The Texas Chainsaw Massacre" complete with young couples isolated in the woods being stalked by hillbilly murderers.
"Right to Die," however, is not a bad entry in the "Masters of Horror" series. In fact, it's rather solid with an unexpected and appreciated cleverness. Martin Donovan, an indie film stalwart whose deadpan delivery I have always admired, stars as the film's protagonist. Existing in a troubled marriage, Donovan's situation goes from bad to worse as a horrible car accident puts his wife in a coma. Covered in burns, unrecognizable, and not able to live without technological intervention--the episode wrestles with whether or not Donovan should humanely let her die. Oh but there's one complication, his wife's spirit is restless. Every time her heart fails, but before she is revived, her gruesome specter is on the move seeking retribution on those that have wronged her in life.
I particularly liked the juxtaposition of the traditional horror story with the "Right to Die" political debate. That's what makes this episode unique, and there is genuine humor that is mined from this topic. The horror sequences are effective enough--if somewhat familiar. Borrowing elements from the tepid "What Lies Beneath," and even "Hellraiser," the scariness of this episode is far less inventive than the shrewd appropriation of the Right To Die controversy. But for an hour, you could do worse. The acting is solid, the effects are good--all in all, I found this to be a worthwhile episode. About 3 1/2 stars (for me, the most enjoyable episodes have only been 4 stars), this is better than you might expect from someone with such an undistinguished horror resume. KGHarris, 03/07.

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Late at night on a lonely country road, Cliff Addison (Martin Donovan of THE DEAD ZONE and WEEDS) and his wife Abby are involved in a fiery car wreck that leaves Cliff unhurt and his wife hideously burned. As Abby lies comatose, kept alive only by life support, her charred spirit seeks vengeance on those who profit from her plight including a slick attorney (Corbin Bernsen). Amidst a storm of angry relatives and pushy reporters, a controversial issue is about to take a horrific turn: Even if Cliff can now find a way to keep his wife alive, will a monstrous secret condemn him to a living hell forever?Features: Also on DVD, Right to Die Script Audio Commentary featuring Rob Schmidt Burnt Offerings: Making of Right to Die Flay-O-Trish Photo Gallery, Motion Menus

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