Broadway - The American Musical (PBS Series) (2004) Review

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(More customer reviews)Soup to nuts, the folks over at PBS pulled it off. They've condensed the history of the American Broadway musical into six hours, and it feels about right.
Yes yes yes, there will be hordes of folks who quibble that their "all-time most important" musical didn't make it, but that's missing the point.
You will feel as if you have a serious grasp of the development of the American musical after seeing this film. Period. Mission accomplished.
The first segments of the documentary, hosted by the ageless Julie Andrews, begin with Flo Ziegfeld, and the "Follies". One thing that hasn't been mentioned (yet) is the nice concomitant history lesson you get regarding New York, Times Square and American popular culture while absorbing this mini-series. The influence of opera (or more properly, operetta), vaudeville and minstrel shows are made abundantly clear, and are fascinating to someone like me who really had no exposure to this sort of material.
As we reach mid-century, more and more of the people talked ABOUT in the film are actually alive...and the shows discussed are ridiculously familiar to even the most "uneducated" viewer. Song after song reveals their source...standards that originated on Broadway that have become part of our cultural language.
Artistic ambition grows by leaps and bounds...from the musical "revue" to musical "comedy" to a dramatic "book" musical. Storytelling techniques through song and staging develop as fast as the geniuses on the stage, behind the stage and under the stage can think...
Some of the creators, like Sondheim, are expert at analysis and insight. They provide some great "talking head" moments about musicals that aren't theirs! By and large, the critics they used for the documentary come across as enthusiastic, overwhelmingly knowledgeable, incisive, playful...I thought as a group they were terrific, without any hint of elitism, snobbery or any number of other "stereotypes" one may have about a "New York Broadway critic."
My first audible gasp came at the end of episode five, when they play that "I Love NY" commercial from the late 70's. I remember seeing that as a kid, but the only thing that had any effect on me was the presence of Brooke Shields at the end of it.
People like Mandy Patinkin, Patti Lupone, Angela Lansbury, those "Cats" creatures and yes, I think that's Patrick Swayze in "Grease" mode...what a riot!
The most affecting portion, for me, is the last episode, for that encompasses most of my personal Broadway experience. I imagine that whatever era you feel the most affinity towards will have the same effect.
Spending 6-10 minutes per musical or producer seems criminal, until you simply appreciate the tidbits for what they are. They're like little gems. Fragments of shows that you yearn to see ALL of...
...so let me editorialize for a second.
All musicals should be filmed once with their original casts, if only for posterity. I own "Sunday In The Park With George" and "Sweeney Todd", two exemplary musicals (covered here) and nice DVD's to own. What I wouldn't give for an "Evita" (not covered here) with Lupone and Patinkin, or the original cast of "Rent". There. Editorial done.
Speaking of "Rent", the final fifteen to twenty minutes of the movie are an emotional tidal wave. Seeing Jonathan Larson's last day of work on video...watching him make his last milk shake at the Moondance Diner...and then finding out he dies right before previews, is not heartbreaking, it's heart-shattering.
That segment leads into the piece on 9/11. Somber and a little creepy, as you've seen almost six hours of the busiest intersections on Earth suddenly empty, a modern ghost town.
The filmmakers then pull off a terrific stunt. They show the post 9/11 commercial encouraging people to come back to NY. It echoes the one from over two decades prior, yet is defiant, proud and yes, a little inspiring.
A quick cut to "Hairspray", specifically to the finale which may be the single most energetic song to ever grace the boards, and then summing it all up with "Wicked", a musical I coincidentally just saw three weeks ago (and loved), made for an amazing viewing experience and I could not recommend this any more highly.
Now, for those of you who DO own this, my copy is plagued by a jittery video (with pristine audio) across all three discs. No one else has mentioned this, so perhaps my case is isolated...
One last request: please watch the rehearsal "bonus" footage with Idina Menzel and Kristin Chenoweth, working on their song from Wicked called, "For Good." Watching and listening to these two outstanding singers tentatively creating these performances, intercut with footage from the final result, sent shivers up my spine.

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Jekyll & Hyde - The Musical (2001) Review

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(More customer reviews)I'm suspecting that there are two types of people who are approaching this DVD, a filmed version of the stage production of "Jekyll & Hyde". One, someone familiar with the show--perhaps saw it and liked it or has the soundtrack--and wants to check out this variation. Or two, someone discovering it anew. It tempts me to write two reviews because while I love "Jekyll & Hyde", it's slightly unfortunate that this is the production most people will get a chance to judge.
So let me preface this by saying that I really am a fan of this show. Some people consider "Jekyll" sort of a "Phantom-lite". I, myself, have never been the biggest supporter of "Phantom of the Opera". It's fine, full of bombast, but hardly the revolutionary experience that people give it credit for. "Jekyll" does play to similar themes, but has a stronger overall soundtrack. Instead of a couple of showstoppers like "Phantom", "Jekyll" is filled with memorable power ballads. Not the most complicated show musically, it is very accessible. And when you have great singers, these simpler and emotionally charged songs become pop opera and quite moving.
So, without hesitation, I recommend the original Broadway Cast recording!!! Robert Cuccioli, Linda Eder and Christiane Noll are superb. You couldn't hope for better.
But here's the problem with this DVD, it's not this great cast--NO, the star is David Hasselhoff. So you see my problem, don't you? Look, I'm not going to be unkind--it's an easy target. Let's just say this. If you're a fan of the show, he doesn't completely ruin it. And it's not like there are any other versions to add to your collections. If you are new to the show, I'm still recommending it provisionally. I wish there were another option. If you like the show, though--and I think you will--please rush over and buy the 1997 Cast recording. Treat yourself to how "Jekyll & Hyde" should really sound.KGHarris, 10/06.

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The longest-running show in the history of Broadway's Plymouth Theatre, Jekyll & Hyde: The Musical brings new life to Robert Louis Stevenson's classic story of romance and the epic battle between good and evil. A whirlwind odyssey pitting man against himself is set in motion when the brilliant Dr. Jekyll's medical experiment backfires, giving life to his evil alter ego, Edward Hyde. The show won a legion of repeat visitors (dubbed by the press as "Jekkies") and spawned hit songs on the pop charts with "Someone Like You" and "This Is the Moment."

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Kiss Me Kate (Broadway Revival - PBS Great Performances) (2003) Review

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(More customer reviews)`Kiss Me Kate', Winner of 5 Tony Awards, 6 Drama Desk Awards and 4 Outer Critics Awards including Best Musical Revival, is a wonderful production with breathtaking performances from a stellar cast including Brent Barrett and Rachel York. What I want to clear up is the criticism of the DVD. I have to disagree with everything negative said - the sound is fine and a pleasant balance of orchestra and vocal with a crisp clarity.
Secondly, the DVD is widescreen and captures a lot of the onstage `business'. Indeed the cameras do follow the main action, but never misses anything. It has been filmed by people who both appreciate the performance, the art and the intention of Michael Blakemore. Since he directed it and then adapted `Kiss Me Kate' for television, surely he of all people knows what needs to be filmed?
Always, the performance has an `on stage' feel and I urge you to ignore the exaggerated views of others here. Sound is good, video is good, DVD menu is good and I guarantee that you'll be as enthusiastic about the DVD as I was today after watching it. Maybe the others need to appreciate that this is a stage `adaptation' as stated on the DVD case.

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The first Broadway revival in nearly 50 years of the musical comedymasterpiece by composer Cole Porter and book writers Sam and Bella Spewack not onlyenchanted critics and delighted audiences, but went on to triumph as one of the biggestprize winners of the 2000 season. Taking its inspiration from Shakespeare, this hilarious romp recounts the backstage and on-stage antics of two feuding romances during an out-of-town tryout for a musical adaptation of The Taming of the Shrew. Sparkling with 18 classic Cole Porter songs including "Another Op'nin', Another Show," "Wunderbar," "So in Love," "Always True to You in My Fashion," "Too Darn Hot," and "Brush Up Your Shakespeare" this is Broadway musical comedy at its irresistible best. Directed by Michael Blakemore, this Tony winner for "Best Revival" stars Brent Barrett, Rachel York (Victor/Victoria), Nancy Anderson and Michael Berresse as the squabbling couples whose offstage disputes entangle them with a pair of song-and-dance gangsters and a pompous U.S. army general.

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Broadway's Best at Pops (2006) Review

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(More customer reviews)The Boston Pops Orchestra under such legendary conductors as Arthur Fiedler, John Williams, and Keith Lockhart is an American musical icon. Now WGBH Boston Video has produced a DVD edition of "Broadway's Best At Pops" showcasing memorable moments enhanced with candid interviews with renowned conductors and Broadway personalities drawn from some 35 years of public television musical history. "Broadway's Best At Pops" features such luminaries as Ethel Merman, Ray Bolger, Kristin Chenoweth, Pearl Baily, Bonnie and John Raitt, Bernadette Peters, Tommy Tune, Carol Channing, Gregory Hines, and dozens of others. Superbly recorded, the DVD format of "Broadway's Best At Pops" has such bonus features as an additional twenty-five minutes of interviews with John Williams, Michael Feinstein, Barbara Cook, and others; printable selections from original Boston Pops Orchestra concert programs, and extended performances not seen on the original television program because of on-air time constraints. with a complete running time of 76 minutes (plus the extra 25 minutes of additional bonus footage), "Broadway's Best At Pops" is a very highly recommended addition to community library DVD collections and a 'must' for the family collections of Boston Pops Orchestra enthusiasts and fans.

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Item Name: Broadway's Best at Pops; Studio:WGBH Boston

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Peter Pan (2000) Review

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(More customer reviews)I have seen Mary Martin in the 60's video and Sandy Duncan live as Peter but when I saw Cathy Rigby live as Peter I discovered she was the best! Now this contemporary version of the musical is captured for all time in beautiful color and stereo sound. (Dolby Digital 5.1 Surround Sound on DVD)
The Tony Award nominee and Olympic gymnast plays the role of Peter with an English accent and "boyish" ways that are just delightful. Miss Rigby's rich trained singing voice will definitely surprise you. Paul Schoeffler's shenanigans as Captain Hook is hilarious. The singing and dancing the pirates and Indians do is just awesome! Watching the extended dancing in the "Ugh-A-Wug" song was breathtaking. There's even an added scene not in the 60's version. And, of course, the flying is out of this world!

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Leonard Bernstein's Candide (Great Performances) (2005) Review

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(More customer reviews)This is a splendid performance of Candide. But before you go any further, you should realise that this is a concert performance, not a full scale operatic staging of the work. That said, the singing is glorious and the acting, despite this being a concert performance is outstanding. It is driven to milk all the comic elements out of the play. It all works delightfully. It is so brimful of joie de vivre, it leaves you smiling and humming all day. I must disagree with a previous reviewer who said, Bernstein wouldn't be amused. This is precisely what he would have wanted to achieve.
Sir Thomas Allen is superb as Dr. Pangloss who doubles as the narrator of the concert. Paul Groves and Patti LuPone are both excellent. But the star of this Candide is surely the lovely Kristin Chenoweth as Cunegonde, who in addition to having a magnificient voice shows that she is a natural comedienne and actress. This recording of Candide immediately goes to the top of the list. Now, if only we could have Bernstein's own production of Candide recorded live at the Barbican Theatre in London. That recording under the Deutsche Grammophon label is yet to appear on DVD.
I should comment on the camerawork which received criticism from a previous reviewer. It is a mark of the electric quality of this bravura performance that most viewers don't even notice the occasionally almost amateurish shakiness of the camera. The cameraman was shaky at times and faces occasionally went in and out of focus but a large part of what I initially attributed to poor camerawork was in fact artificially introduced motion artifacts. This is a problem with the DVD encoding and not the camera. These cause apparent jumps in the picture. But this is present only in DVD players with low end video processors. Switching to a better DVD player or processor solves the problem.
The DVD by Image Entertainment is in 1.78:1 widescreen (anamorphic enhancement). Picture quality is very good, clear, sharp and with rich natural colors. The picture is flawless provided you play it on a good DVD player. It comes with 3 audio tracks, DTS 5.1, Dolby Surround 5.1 and Dolby Stereo. Excellent immersive sound. It would have been good if they had included an uncompressed PCM track as well but I suppose that's asking a bit much. All in all, an outstanding concert and one to be forever treasured.Technical note: As noted above I noticed a strange problem with this particular DVD. It seems to play quite flawlessly on certain systems, yet throw up irritating problems on others. On one set-up I noticed numerous motion artifacts and lots of combing issues. Motion appears jerky and horizontal scan lines appear whenever fast movements occur or rapid scene changes take place. I'm not quite sure why they should be there but I attibute it to faulty encoding or improper flagging. No other DVD exhibits these errors on this particular system. I believe what one of the previous reviewers complained about could be due to this. The problem goes away when switching to an alternate system with a better deinterlacer / video processor. However that does not absolve Image Entertainment from responsibility for producing a sub-standard DVD which requires high end equipment to compensate for its deficiencies.
P.S. Bernstein's Candide can be interpreted in many ways. Some approach it as serious opera, others as light operetta, still others as a Broadway musical or even farce. Liking or disliking a particular production is very subjective. If you adhere to Bernstein's final vision of this work, enshrined in his by now legendary Barbican performance (Final, revised edition, first premiered 1988 by Scottish Opera and later performed with the LSO at the Barbican in 1989 with high powered opera stars singing all the roles), then you will tend to view this more as Opera and consequently your attitude to any performance that detracts from that operatic image (like this one) will be very negative. But you must remember that for many years, and for most Americans, Candide was considered a Broadway musical and at most a comic operetta. The two contrasting visions are equally valid and are a testament to Bernstein's genius and Candide's status as a true masterpiece.

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Leonard Bernstein's brilliant comic operetta comes to dazzling new life under theguidance of director Lonny Price (A Class Act). Based on the classic Voltaire tale of an innocent young man's journey through a life filled with colorful characters and unexpected life lessons, this tune-filled frolic features Tony Award©-winners Patti LuPone and Kristin Chenoweth heading a dazzling cast with Paul Groves, Stanford Olsen, Sir Thomas Allen and the Westminster Symphonic Choir. The impeccable score (with lyrics by luminaries including Lillian Hellman, Dorothy Parker, Stephen Sondheim, Richard Wilbur and John La Touche) includes a host of delightful songs such as "Life Is Happiness Indeed," "It Must Be So," "You Were Dead, You Know" and "Make Our Garden Grow." Now enjoy this all-new production of a musical comedy favorite with Broadway's top stars!

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Company: A Musical Comedy (2007) Review

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(More customer reviews)Marry me a little,
Love me just enough.
Cry but not too often,
Play but not too rough.
Keep a tender distance
So we'll both be free.
That's the way it ought to be....
Only Stephen Sondheim could come up with such sophisticated couplets to a love song as disquieting as the beautiful "Marry Me a Little". I was very fortunate to have seen the enthralling 2006 production at the Ethel Barrymore Theater last season, and I'm thrilled it has been captured for posterity on DVD as part of PBS's "Great Performances" series. There is something supremely ironic about how a 37-year old show, already revived twice, can feel fresher than most Broadway musicals written today. However, when the music reflects Sondheim at his most accomplished with performers so adept, it becomes a moot point, even though several of the songs here have been inescapable at karaoke bars for years from the lips of overly zealous musical theater aficionados.
Staged like a minimalist cabaret act, John Doyle's joyous revival uses the same technique he used in his 2005 production of Sondheim's Sweeney Todd, specifically he has the actors play their own musical instruments, a daring move which actually helps underline the characters' feelings. The story is blessedly simple as it revolves around perennial bachelor Bobby, as he turns 35 and observes his circle of upscale Manhattanite friends, five married couples at different stages in various vignettes that make him reconsider what he wants out of life. Juggling three girlfriends, Bobby is a likeable but elliptical figure with commitment issues, and the story really follows his journey toward self-acceptance. There is an element of contrivance to the structure, but what I thought would be a severely dated libretto by George Furth continues to resonate with wit and insight.
For a canon as legendary and often erratic as his, Sondheim's sophisticated music and lyrics never seemed as accessible and hummable as they do here. So much of the show rides on the crucial casting of Bobby, and Raúl Esparza is terrifically bold and poignant in managing the precarious balance between yearning romantic and cynical hedonist. With a beautifully expressive singing voice coupled with a common-guy demeanor, he captures the character's arc with an escalating emotional intensity from the measured romanticism of "Someone Is Waiting" to the tender tentativeness of "Marry Me a Little" (with the beautiful, Sondheim-trademarked rolling piano) to the bursting climactic catharsis of "Being Alive".
The rest of the cast accomplish wonderful moments that already come with high expectations - Heather Laws' dexterously motors her way through "Getting Married Today" with her character's nerve-wracking intensity intact; Elizabeth Stanley brings a likable warmth to the dim-bulb flight attendant April as she duets sweetly with Esparza on the comically post-coital "Barcelona"; Angel Desai's saucy turn as hip Marta on "Another Hundred People"; the poignant "Sorry-Grateful" performed by the comparatively less spotlighted male ensemble; and of course, there are the lacerating observations in "The Ladies Who Lunch", handled with fierce worldliness by Barbara Walsh as Joanne. In the intimidating shadow of Elaine Stritch, Walsh lets out repeated primal screams at the end that pierce with wounding acuity.
TV director Lonny Price does a fluent job transferring the production to the small screen with minimum fuss. The 2008 DVD contains three terrific extras. First, there is a fifteen-minute interview with an articulate and thoughtful Esparza who discusses his connection with Bobby, the challenge of learning piano, and the alternating joy and pressure of working with Sondheim (for the third time). There is also a nine-minute interview with the erudite Doyle who explains how his unique use of actors as musicians went over with Sondheim. The centerpiece has to be a fascinating, 38-minute interview that Australian TV personality Jonathan Biggins conducted with Sondheim last year in Sydney's Theatre Royal. Sondheim is particularly forthcoming with humorous anecdotes about working with the likes of Leonard Bernstein, Ethel Merman, Barbra Streisand, and his mentor Oscar Hammerstein II during his long, illustrious career. This is a wonderful DVD for any Broadway aficionado and particularly for fans of Sondheim, Esparza and Doyle. I happen to be all three.

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Winner of the 2007 Tony Award! Sweeping all the major theater awards for Best Revival of a Musical, a beloved era-defining classic is stunningly reinvented in this powerful Broadway production, featuring an explosive starring performance by Raul Esparza. Set in modern upper-crust Manhattan, Company is a funny, sophisticated exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends. With a wise and witty Stephen Sondheim score including "Another Hundred People," "Side by Side by Side," "The Ladies Who Lunch" and "Being Alive," Company offers musical comedy at its finest.

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Sweeney Todd in Concert (2001) Review

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(More customer reviews)As one who has been associated with the creators of "Sweeney" on other productions and as a champion of the original production, one still has to admit to the plot problems at the end of the original's second act. This new production effortlessly aviods those traps on the way to the most focused performance of "Sweeney" yet. Featuring two former Sweeneys (Geoarge Hearn as Sweeney and Timothy Nolen as a wonderfully re-conceived Judge Turpin), Patti LuPone making the role of Mrs. Lovett totally her own (no easy proposition with the spectre of Angela Lansbury always nearby) and a wonderfuly talented supporting cast, Director Lonny Price guides this production effortlessly to it's grizzly end. Featuring amazingly thoughtful camerawork which actually advances the plot as opposed to observing it, one gets to know the characters as readily as if this were a fully staged production. Then again--maybe "less" really is "more" in this case. The San Francisco Symphony under Rob Fisher is impeccable. If you value musical theater, if you value Steve Sondheim's supreme contribution to the genre, you must own this version. But go first class---own them all!

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This delicious production of Stephen Sondheim's "Sweeney Todd: The Demon Barber of Fleet Street," a musical thriller of revenge and romance set in Victorian England, features Broadway diva Patti LuPone as Mrs. Lovett and veteran stage actor George Hearn in the title role. Premiering in 1979, the legendary "Sweeney Todd"--winner of nine New York Drama Critics Circle Awards and eight Tony Awards--is recorded with the San Francisco Symphony as conducted by Rob Fisher. Now a major motion picture directed by Tim Burton and starring Johnny Depp! Opens in theaters December 21, 2007

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Reefer Madness - The Movie Musical (2005) Review

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(More customer reviews)"Reefer Madness: The Movie Musical" is a meta-musical, because unlike "The Rocky Horror Picture Show" it works best based upon your knowledge of the original cinematic text, anti-drug propaganda, and certain aspects of 20th century American history. In the 1936 film "Reefer Madness" a school principal tells a group of parents the cautionary tale of two high school kids, Bill Harper and Mary Lane, who attend a party at the apartment of shady adults Jack and Mae where joints are given away free to get the kids hooked. Mary's kid brother Jimmy runs somebody down high on weed and Jack ends up framing Bill for shooting Mary.
For "Reefer Madness: The Movie Musical" the story remains basically the same, although now the Bill and Jimmy are combined so the kid in trouble is now Jimmy "the Cannibis Killer" Harper (Christian Campbell), which is an economical change. But the more significant change is that instead of an academic figure the lecture is now given by a person (Alan Cumming) with obvious but unnamed connections to the forces of government who are overly concerned with the need for vigilance. Although much is made of William Randolph Heart's efforts to stomp our marijuana because hemp producers threatened his logging interests, the lecturer is decidedly a figure of the 1950s in terms of fear mongering, casting aspirations regarding patriotism, and emphasizing decency. One of the best elements in the film's satire has an audience member taking exception to some wild claim that the lecturer has made. But every time Mr. Kochinski (Stephen E. Miller) finds something far fetched, the lecturer hits back by quoting cold hard "facts" from Heart's newspaper.
For me the part where I knew that creators Kevin Murjphy and Dan Studney were cooking with grass in this one was when they took the scene from early in the original, where Jimmy and Mary are doing their adolescent take on some lines from "Romeo & Juliet," and turn it into a running joke because Mary (Kristin Bell) is a blonde this time, which means she does not know it is a tragedy and keeps hoping that she and Jimmy end up with the same sort of happy ending Shakespeare wrote about (Jimmy assures her they have six kids). Bell provides the standout performance in the musical, which surprised me a bit because she was so lackluster at the Emmy Awards this year. No wonder they make sure her character is around for the big finish even though she is dead (being happy but hemorrhaging blood will do that to you).
Overall the production numbers are better than the songs, which means you will be more interested in watching "Listen to Jesus, Jimmy" or "Little Mary Sunshine" over and over again than in singing along (there are not subtitles for the DVD but you can turn on close captioning to get the lyrics if you insist on doing so). Beyond the two leads, both of whom are reprising their original off-Broadway roles, the rest of the cast gets to pop up in supporting roles throughout the show, so keep an eye out for that. The cast includes Steven Weber as Jack, Ana Gasteyer as Mae, John Kassir as Ralph (the piano player who laughs maniacally at the drop of a hat), Amy Spanger as Sally ("She fell down!"), Christian's kid sister Neve Campbell as Miss Poppy, and Robert Torti as Jesus. Kassir and Torti are the other two original cast members (although the other roles played by Torti are now done by Weber).
The original "Reefer Madness" is included on this DVD, so you can (re)familiarize yourself with the source material (I had already rented the original on a DVD that also included "Marijuana" and "Assassin of Youth," but I appreciate the effort). There is also SHOWTIME's short featurette on the history of the musical and the cable version, and a commentary track with directory Andy Rickman, producers Kevin Murphy and Dan Studney, and cast members Christian Campbell and Amy Spanger. Throw in the requisite Cast Biographies, Photo Gallery, and Coming Soon trailers for more SHOWTIME original movies and programming. Be aware that the CD out there is for the off-Broadway show and not the soundtrack for this version.

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Based on the propaganda film from 1936 that has become a cult hit, Reefer Madness is the height of camp entertainment! Framed as a "documentary", a straight-laced high school principal (Alan Cumming) seeks to impart his wisdom about the demon weed by telling a frightful tale about the fate of two innocent teens who fall under the spell of the drugs. Filled with outrageously funny and musical performances by Neve Campbell, Christian Campbell, Kristen Bell and Steven Weber, Reefer Madness is the feel good event of the year!

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Whoopi - Back to Broadway (The 20th Anniversary Show) (2005) Review

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(More customer reviews)I worked the entire run of Whoopi's Broadway Debut on the theatre staff, and I remember it vividly. It was Broadway's Lyceum Theatre, the same stage used for another historic TV special, LIZA WITH A Z.
First of all, a correction to what I've read above... this was never called The Spook Show. She may have done something earlier with that title but on Broadway it was just WHOOPI GOLDBERG. This show was far more than standup comedy, it was Performance Art. Sure, she made you laugh, but she also worked your other emotions and made you think.
The show consisted of six great characters: Act I - Fontaine the Junkie, The Surfer Chick, and The Disabled Girl. Act II - The Raisin Lover, The Old Entertainer, and The Little Girl with the Shirt on her Head. The show ran just about two hours. No costume or makeup changes were used... just Whoopi's own face, body... and TALENT.
When her name went up on the marquee, neither the public, nor the theatre staff, had any idea who this person was. After watching one performance, we were fans. Before her second performance, Whoopi got a nice note from one of the ushers. After the audience left, she looked into the house, figured out which usher it was, walked to the edge of the stage, and called out to him. She held out her hand, but gave more than a handshake. She pulled him onstage and said "come meet Mike," then introduced him to her producer/director, Mike Nichols. A few weeks later the same usher sent a little gift from the show home to Whoopi's mom. Before the house opened for next show, he was summoned to the stage for "a message from my mother" which turned out to be a warm hug.
The entire production staff was three people: A Stage Manager, A Spotlight Guy, and an Unknown Star. So who was this down-to-earth talent going to hang with? Seven ushers. After meeting her, we were all in her corner, and she, in ours.
Whoopi usually hung in the seats with us before the house opened. With the backdrop up, you had a clear view down the hall to the stage door. One afternoon, an usher arrived late, and tried to slip along the stage wall to the usher's room. Whoopi spotted him, and called out "Look, there's X coming in late, trying not to be noticed!" When told of a common mishap with patrons sitting in the wrong seats, Whoopi added a "be kind to your ushers" message to her curtain speech. Another night, while hanging with the staff, the stage manager told Whoopi that a certain well-known pop diva was coming backstage after the show, and wanted some extra "security." Remember, this was a small theatre and there were only a handful of us. "Tell her we'll lock the door" she laughed.
Early in the run, a lady called the stage door and asked, "So Vhat's a Vhoopi Goldboig?" The Doorman described her as very talented, but the next detail (black) made the lady hang up. The story was passed on to Whoopi, and that lady became a funny little character in her curtain speech.
The opening of her show firmly established that there was no fourth wall, and that Whoopi was more than willing (and totally able) to improvise in character with whatever happened. She did that often, but we don't see much of it here.
One night, an embarrassed usher tried to avoid eye contact with the stage as he escorted three successive groups of latecomers to their seats. He noticed that the theatre had fallen silent, and realized the star had focused her attention into the house. Knowing her spontaneous nature, he ran back and ducked behind the seats. Silence. After a long pause, he peeked up and saw her staring right at him. In mock indignation (and in complete character) she said "Don't bring no more people down here!" Not an official complaint, just a spontaneous funny moment in her show. At other times she might address latecomers directly: "Where the hell have you been?" She was master of that stage, and held court with engaging skill.
Word of mouth quickly made this enormous talent the darling of Broadway, with celebrities in the house nearly every night.
Through eight shows a week, over several months, she never missed one performance, even when she was so sick she could barely speak. We never saw a trace of star attitude, or bad humor from Whoopi... except one night during her curtain speech, when someone tried to bait her with a question on a topical human rights issue. We saw just a quick flash of anger: "What do you THINK I think of it? "You want to talk about this? We'll do it later," then directed her attention back to the rest of the audience and said a gracious goodnight. When the curtain came down, we were quietly told not to let anyone backstage that night. That's it.
She came to the theatre staff Christmas party with her mom, daughter and a big stack of presents: huge, extra thick silver-gray beach towels that had the show's logo silk-screened in red. Months later, when she heard that the ushers were not invited to the closing night party (which was all producers and theatre execs) she said "F--- 'em, we'll have our own party!"
On the last show, Whoopi held it together until the last scene, the Little Girl with the Shirt on her Head. It must have hit her right then. Her voice wavered through that last character as she fought back tears. At the curtain call she called "my ushers" onstage to stand behind her. When she said goodbye, she asked that the curtain not come down, then walked offstage with us. Later on, the closing party for WHOOPI GOLDBERG on Broadway was just Whoopi sitting on the edge of the stage, with her ushers, and simple take-out food.
The next day, an HBO crew took over. They wanted only a one-hour show, with extra bits of the individual characters backstage. Instead of shooting the show in its entirety and editing later, Whoopi was directed to speed up, and cut and censor her material live in front of the cameras! The Old Entertainer character was dropped entirely, and cue cards were held up to bridge the cuts they wanted.
I was in the audience, which was now lit for television, and the whole vibe was different. Accustomed to months of her successful free-form delivery, this was obviously jarring to Whoopi. Professional, but uncomfortable, Whoopi stopped at one point, and said something like "I don't want to freak y'all out in the video truck, but... I've been doing this for months, we closed last night, I boo-hooed, and now y'all are holding up signs at me, so this is not easy..."
Some great material, (about half the show) was lost in the process. More material survived in the (studio recorded) album, but what was presented on HBO as "WHOOPI GOLDBERG-Direct from Broadway" had actually detoured through a lot of ill-advised editing. The result does not do justice to Whoopi's formidable talent, and how amazing her debut performance was.
The Anniversary Show was in the same theatre, which looks huge due to camera magnification and extra lighting. The opening isn't quite as strong as the original was, because you don't see the curtain go down and back up as she restarts the show... this audience knew how to respond on her first entrance. The new show does seem less character driven and more of a standup platform for making statements, but her message is on the nose, and still thoroughly entertaining.
It's a shame we don't have her all of Broadway Debut, but I'm glad to at least have what's left of it, along with the new Anniversary Show. Whoopi is a terrific talent, even better when experienced live, spontaneous and unedited. This set is just a glimpse of what she is capable of. I Highly Recommend it

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Smart, savvy and sassy, Whoopi Goldberg exploded onto the show-biz scene in 1985, when her one-woman Broadway show wowed live audiences and, later, HBO subscribers. One of the worlds most beloved and honored acting and comedy stars -- the multiple award-winning Goldberg performs in her first solo HBO special in over 13 years. Taped before a live audience at the Lyceum Theatre in New York City (the same venue for her historic 1985 inaugural HBO special). The 20th anniversary features a refreshing mix of familiar and new Goldberg creations.

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Rent: Filmed Live on Broadway (2009) Review

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(More customer reviews)When you watch a live performance of a concert or musical and if that Blu-ray goes as far as it can to replicate that live experience, you know you're going to have a enjoyable time. "RENT: Filmed LIVE on Broadway" is a fantastic experience on Blu-ray from awesome picture quality, great sound utilization for those with a home theater and a disc loaded with featurettes with substance. A solid and fantastic release for those who are passionate for the seventh longest running musical ever.
"RENT" had been in development since 1988 and made a reality in 1994. But the musical wouldn't become a success until its Broadway debut in Jan. 1996. "RENT" is a reimagining of Giacomo Puccini's opera "La Boheme" and its modern setting and enjoyable characters and addictive music has captured so many hearts with its twelve year run. It has won a Pulitzer Prize, four Tony Awards and credit has to go to the hardworking and passionate staff and its cast members who have put their heart and soul to "RENT", but this release is also a celebration of life and love, written by "RENT" creator Jonathan Larson.
From the actors getting on stage and everyone applauding to the ten minute intermission and then the final farewell in which the current cast and the original cast share the same stage and all sing "Seasons of Love", the final live performance was powerful and as for the Blu-ray, the additions of the bonus features will definitely attract the hardcore and even curious fans!
VIDEO & AUDIO:
The film is presented in 1080p high definition (1:78:1). The picture quality was amazing on Blu-ray. Picture quality was clear, colors were vibrant but most importantly, almost similar to any successful concert performance, what can make it or break a performance is how many camera angles are utilized, how they are edited and how well they cut from character to character. And the good news is that this musical was successful in accomplishing the job. Lighting was just right! Performances were fantastic and the ability to cover each performer interacting on stage knowing that a camera is probably in their way, everything went quite well. So, with the Blu-ray video transfer receiving high marks, how does the audio even compare?
As for the audio, audio is featured in English Dolby TrueHD 5.1. And I have to let you know that if you own a home theater system with surround sound, how awesome the sound quality is. In fact, for those who want that theatre experience like if you were watching it live. The audio clearly features the dialogue and music from your front speakers. But your rear surround speakers feature the audience. I was blown away to hear the audience giggling, cheering and their overall excitement during the performance. Although it doesn't beat being there for an actual live show, at least there was great care in making sure the audio was great. So, it's like being in the front row and hearing the audience behind you. Well done!
SPECIAL FEATURES:
This is probably what is going to win the RENT-heads and those who admire or are curious about "RENT" will truly enjoy. Lengthy special features targeted towards the fans of "RENT" and are featured in standard and hi-definition. The majority of them are in HD. Included are:
* The Wall - This featurette focuses on how the fans have left hand written messages on the walls of Nederlander Theatre. A good size featurette showcasing the various signatures written throughout the years and the goodbye messages from fans of the musical. Very touching!
* The Final Curtain -This featurette focuses on the original cast who were backstage and preparing to join the current cast for the final farewell and all of them united in their final goodbyes and singing "Seasons of Love" together. Very touching and emotional to watch.
* Home - This featurette was about how they chose the Nederland Theatre and how it was not quite hospitable and needed a lot of fixing up. But even today, the interesting things about the theatre that the cast and crew share their experiences.Answering questions of why the ceilings were not fully painted, the obstacles the crew had to face in getting it ready and much more. An informative but also fun featurette.
* The Final Lottery - Since moving to Nederland Theatre, there has been a lottery to RENT-heads who would camp outside in order to get the discounted $20 tickets for the show. Those who got tickets got to sit in the front two rows. This segment features the final lottery, hundreds of people in line hoping to get a ticket for the final day and how emotional the experience was for the fans who won tickets for the final day and also how emotional it was for the two men in charge of giving out the tickets for the lottery.
* Casting - A behind-the-scenes look at the casting for "RENT". Every person who auditioned have been kept in dozens upon dozens of binders. Each person who was cast had to be seen multiple times and you get quite a bit of insight on the casting and the experience of the current talent and how many times (and how many years) they auditioned to get a role in the musical.
* Rent: The Final Days on Broadway - This is the lengthiest featurette featuring a specialized casting for the final week of "RENT" bringing back some old cast members but finding the right cast for the final week and the final day. Bringing everyone together and an in-depth look at how emotional everyone was during the filming. A lot of interviews with cast and crew. Especially those remembering "RENT" creator Jonathan Larson and bringing back the Larson family one last time for them to meet and greet the crew, staff and talent. Touching and overall an awesome featurette! But to see how emotional distraught some of the hardcore fans were on the final day was incredibly touching. So many people touched by this musical and also the lives changed for the positive because of "RENT" was amazing.
* Jonathan Larson Performing Arts Foundation PSA - This featurette is about the foundation for those in the performing arts who can win a grant (to be used for anything, groceries, rent, babysitting, etc.) to help out performing artists.
* National Marfan Foundation PSA - "RENT" creator Jonathan Larson died from an aortic aneurysm believed to have resulted from Marfan syndrome.And this informative PSA was letting people know about the genetic disorder and the National Marfan Foundation.
I was first introduced to "RENT" back in 2000. As most musicals, my first introduction is typically by the soundtracks first but I have dreamed of watching "RENT" in Broadway for many years and I ultimately thought that it was a musical I can just catch whenever and expected a long musical run. So, when I found out that the long running musical would no longer be live in Broadway as of Sept. 7, 2008, I was saddened and felt that I lost my opportunity.
But after watching "RENT: Filmed LIVE on Broadway", words can not describe how happy I was to hear about a Blu-ray release and how the live performance would be in High Definition.
The Blu-ray release was absolutely fantastic! This is probably the next best thing of catching a Broadway show without having been there because not only was the picture quality outstanding but the way the audio was created, the awesome energy from the audience is felt through your surround sound. The music just comes alive and everything was just done right when it comes to the video and audio presentation to DVD and Blu-ray translation from the final Broadway performance. Camera angle cuts, editing, lighting, audience participation and more. And if you thought the awesome performance of the musical was all your getting, "RENT" fans will not be disappointed because you get a good number of lengthy featurettes included on the special features section.
Although the Broadway performance of "RENT" is over, the long running musical is captured perfectly in "RENT: Filmed LIVE on Broadway" and is absolutely fantastic on Blu-ray! I wouldn't be surprise if this video became a cult-hit among the fans of the musical for many years to come. This release is not just a live performance, it's a celebration of life and a celebration of love.
If you are a fan of "RENT" or like myself, have always dreamed of watching "RENT" live, "RENT: Filmed LIVE on Broadway" is not only fantastic, it's highly recommended!

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Set in New York City's gritty East Village, the revolutionary rock opera RENT tells the story of a group of bohemians struggling to live and pay their rent. "Measuring their lives in love," these starving artists strive for success and acceptance while enduring the obstacles of poverty, illness and the AIDS epidemic. RENT is Jonathan Larson's Pulitzer and Tony Award winning musical, one of the longest running shows on Broadway.

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Chess in Concert (2009) Review

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(More customer reviews)Four items make this a must-have. The first is Josh Groban singing the classic "Anthem", where, as the Russian chess champion, Anatoly, he avows his love for his homeland. As Anatoly's discarded wife, Svetlana, the amazing Kerry Ellis totally nails "Someone Else's Story." There's "The Story of Chess", where the Chorus perform Tim Rice's witty take on the evolution of the game. Finally, the Quartet, where Florence (Idina Menzel), Anatoly, his minder Molokov and the Arbiter deplore how chess has sunk from "a model of decorum and tranquillity" to "a battleground for rival ideologies to slug it out with glee."
Having seen the original London West End production in 1986 with Elaine Paige, I was lucky enough to witness this superb 21st Anniversary production in the Royal Albert Hall, London, last year. Tim Rice has tightened up the plot of love and betrayal played out in the setting of chess championships in the Cold War. Florence, who manages the American champion, falls for the Russian; complications - political, ethical, personal - ensue. From the moment the outstanding Chorus bursts into "Merano" - blending chess with commercialism as a tiny Central European town prepares to welcome the world - right to the devastating "Endgame" and final twist, the dramatic pace never lets up.
In this DVD, hopefully the sound difficulties of this production will have been ironed out. As to the cast - they were fantastic!! Groban is a revelation: a brilliant actor as well as singer. Kerry Ellis was a showstopper. As Florence, Idina Menzel, (so good in Wicked (2003 Original Broadway Cast), was too strident for my taste, lacking subtlety and roundness in acting. ("Heaven Help My Heart" doesn't register, and "Nobody's Side" pales away.) However, her "You and I" with Groban still tugs the heartstrings: "we go on pretending / Stories like ours Have happy endings."
The wonderful David Bedella (Jerry Springer: the Opera), makes a great, sinister Molokov. And Adam Pascal gives his charismatic ALL as Freddy, the tormented American bearing luggage from the past: "Pity the Child." Marti Pellow (of pop group Wet Wet Wet) was a disappointment as the Arbiter, a little under-performed I felt.
Rice's lyrics are trenchant, tender, intelligent, witty. The music, by Benny and Bjorn of ABBA, is a perfect rock score, conveying all the emotions and tensions necessary and fully matching the lyrics.
In the main, this is a superb production of a classic and underestimated musical.

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Starring multiplatinum artist Josh Groban, Tony-winning Idina Menzel (Wicked) and Tony nominated Adam Pascal (RENT), Chess In Concert revives the eclectic yet wonderfully pop 1984 concept album featuring the music of ABBA's Björn Ulvaeus and Benny Andersson and lyrics of Tim Rice (Jesus Christ Superstar, The Lion King, Evita). Recorded at London's Royal Albert Hall in May 2008, this spectacular Chess In Concert - introduced by Rice and with the 50- piece City of London Philharmonic and 100-voice West End Chorus - finally fulfills the promise of the popular cult musical.

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Broadway's Lost Treasures (2003) Review

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(More customer reviews)We should be thankful for what we get on this DVD, so by all means, get it. By doing so, hopefully you'll encourage similar Broadway DVDs to be released in the future. (By the way, also consider getting "The Best of Broadway Musicals: Original Cast Performances from the Ed Sullivan Show," which captures some great 1950s-1960s performances.)
However, I have to agree with those who say this set is lopsided, even considering that the producers didn't have the rights to release other footage from the Tonys.
The saddest thing about some of the footage is that, while it claims to capture "sung" performances, in fact a few of the numbers are lip-synched. These include two of the numbers that I was most looking forward to seeing: Angela Lansbury in Sweeney Todd and Robert Preston in The Music Man. While it's great to see these performers in action, the lip-synching makes it an artificial experience.
But enough caveats. These aside, there's still plenty to enjoy.
The great John Raitt sings a definitive "Hey There" from The Pajama Game a couple of decades after its original run. He sounds just as exciting as ever. The song is shortened, but again, let's be thankful for what we have. And there's also a scene from 42nd Street with pre-"Law and Order" Jerry Orbach singing his heart out.
Some of the most enjoyable segments are in the DVD's "bonus extras" section. For example, in what seems the oldest segment on the DVD, the utterly charming Barbara Harris performs a number from The Apple Tree, a 1960s musical that is now essentially forgotten by all but fervent show fans. And to watch those ever-young old troopers Mickey Rooney and Ann Miller singing and dancing in Sugar Babies is a joy.
So, tap your way to Amazon's checkout and get this DVD in your hands ASAP!

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Joel Grey, Carol Channing, John Raitt, Patti LuPone, Yul Brynner, Zero Mostel--these greats are among the original-cast performers featured in this unique filmed compendium of Broadway showstoppers. Seen only once in their original Tony Award® telecasts (1967–1986), these 22 knock-out performances come with new introductions by some of the featured performers, including Angela Lansbury, Jerry Orbach, and Chita Rivera. BONUS: Both DVD and VHS formats feature five extra performances not seen on PBS!
Program includes: BROADWAY DIVAS Vivian Blaine, "Adelaide's Lament," Guys and Dolls Patti LuPone, "A New Argentina," Evita Angela Lansbury, "Worst Pies in London," Sweeney Todd Carol Channing, "Before the Parade Passes By," Hello, Dolly! Julie Andrews, "Send in the Clowns," A Little Night Music
LEADING MEN Zero Mostel, "If I Were a Rich Man," Fiddler on the Roof Yul Brynner, "Shall We Dance," The King and I John Raitt, "Hey There," The Pajama Game Robert Preston, "Trouble," The Music Man Paul Lynde, "Kids," Bye Bye Birdie
DANCIN' Joel Grey, "Willkommen," Cabaret Tommy Tune, Twiggy, "Chasin' the Clouds Away," My One and Only Gwen Verdon, Chita Rivera, "All That Jazz," "Nowadays," Chicago Jerry Orbach, "Lullaby of Broadway," 42nd Street
RECORD BREAKERS Andrea McArdle, cast, "Tomorrow," Annie Cast, "You're Never Fully Dressed Without a Smile," Annie Betty Buckley and cast, "Jellicle Songs," "Memory," Cats
BONUS PERFORMANCES! Both DVD and VHS formats include five additional performances not seen on the PBS pledge-special broadcasts. Ann Miller, Mickey Rooney, "McHugh Medley," Sugar Babies Patti LuPone, "Buenos Aires," Evita Barbara Harris, "Movie Star Gorgeous," The Apple Tree Bonnie Franklin, "Applause," Applause Dorothy Loudon and cast, "Easy Street," "Tomorrow" (reprise), Annie

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Show Business - The Road to Broadway (2007) Review

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(More customer reviews)A documentary about the genesis, success, press, and fallout of four Broadway musicals would have to be quickly paced. Besides that, the well-rounded content of Dori Berenstein's 'Show Business-The Road to Broadway' is whole and complete--entertaining, fun, informative, eventful, and fascinating. If you love musicals, this is a must-see. If you're only luke warm, you'll probably love it anyway just to trace the creative sparks back to their origins.
Well, it's just so exciting! Especially if you don't know the outcomes (like me). Watching four selected Broadway musicals from 2004, we witness each one get created from the piano to the stage. Only a hair less satisfying are the steps of creation for the choreography, rehearsals, and press conferences. It's all in the details. Some of the participants strive for the American dream from the bottom: One got off of welfare; another was working as a temp. Then, as the show takes a life of it's own, we make our bets (like on our favorite horse race) and see which one wins (financially and/or critically). Sort of an entertainment version of 'The Apprentice' without The Donald, Adam Zucker's editing never leaves us yawning in the aisles. The film is effective enough as it reaches its climax at The Tony Awards.
How can you not love a movie that gives you a real look at 'Wicked,' 'Avenue Q,' 'Caroline or Change,' and 'Taboo'? The film features substantative sound bites from a myriad of producers, actors, writers, and artists. As an overview, I loved the round-table discussions by critics at a New York restaurant. Or how about the feistiness and passion of Boy George and Rosie O'Donnell? Then, we're left in suspense as we see which show is left standing and for how long.
Noting that some musicals make millions in a few weeks and others fold the same night, 'Show Business...' gives us "the big idea" and runs off with it. Off the stage, that is, where all the players sip champagne--and celebrate their triumphs or drown out their sorrows. Vibrant like Broadway itself, it is quite a show!
(Especially featuring--besides the aforementioned--Tony award-winning Actor, Alan Cumming and 'The New Yorker' Chief Critic, John Lahr.)

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The real drama happens behind the curtain in this fascinating and rare look at four high-profile Broadway musicals (Wicked, Taboo, Caroline, Or Change, and Avenue Q) and their fearless journey to the Tony Awards®. Including a star-studded cast, this entertaining film takes viewers on an unprecedented behind-the-scenes view of the creative process that captures all the heartbreak and hilarity of trying make it big in Show Business!

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The Best of the Tony Awards: The Plays (2005) Review

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(More customer reviews)The best way to think about this DVD is that it gives you snippets of
fantastic moments of Broadway plays...not musicals, but the plays. Just
to see James Earl Jones in "Fences" and Maggie Smith in "Lettice and Lovage" is worth the price of the disc. The problem is that these
moments are so good, that we dearly want to see the whole play. Unfortunately, it appears that DVDs of the entire performance of some of these selections do not exist. Nevertheless, seeing some excellent shorts is better than none at all.

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Four-time Tony®-winning actor and playwright Harvey Fierstein is your host for a compilation of amazing dramatic performances from the archives of the Tony Award® broadcasts. Legendary stars perform key scenes from 19 legendary shows, performances seen only once in their original telecast. Collected here with commentary by a Broadway veteran, they become a treasure-trove for fans of great drama. James Earl Jones, Jane Alexander, cast, THE GREAT WHITE HOPE Gary Sinise, Tim Sampson, cast, ONE FLEW OVER THE CUCKOO’S NEST Maggie Smith, Margaret Tyzack, LETTICE AND LOVAGE John Lithgow, B. D. Wong, M. BUTTERFLY Robert Prosky, Sam Waterston, A WALK IN THE WOODS Annette Benning, Timothy Daly, COASTAL DISTURBANCES Robert Klein, Jane Alexander, Madeline Kahn, SISTERS ROSENSWEIG Art Carney, Anna Manahan, LOVERS Joan Allen, Peter Friedman, THE HEIDI CHRONICLES Michele Lee, Linda Lavin, Tony Roberts, THE TALE OF THE ALLERGIST’S WIFE Joe Mantegna, Ron Silver, SPEED-THE-PLOW Philip Bosco, Victor Garber, LEND ME A TENOR Charles S. Dutton, Rocky Carroll, Carl Gordon, S. Epatha Merkerson, THE PIANO LESSON James Earl Jones, Courtney B. Vance, FENCES Viola Davis, Brian Stokes Mitchell, KING HEDLEY II Ed Hall, Delroy Lindo, Mel Winkler, JOE TURNER’S COME AND GONE Kevin Kline, HAMLET Len Cariou, LONG DAY’S JOURNEY INTO NIGHT Morgan Freeman, AS YOU LIKE IT BONUS EXTRA: Original PLAYBILL® cover art

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