Showing posts with label b movie. Show all posts
Showing posts with label b movie. Show all posts

4/03/2012

Bitch Slap (Unrated) (2009) Review

Bitch Slap (Unrated) (2009)
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Oh yes, "Bitch Slap" is everything you think it is. Girls. Guns. Catfights. Explosions. Lesbian romances. A story of bad guys, booty, alliances, betrayals, and secrets. It's being billed as, "a post-modern, thinking man's throwback to the B movie/exploitation films of the 1950s - 70s," but the truth is it gives us little to think about, and I'm hard pressed to say that it reexamines modern assumptions of culture, identity, and language. It does, however, open with a Joseph Conrad quote: "The belief in a supernatural source of evil is not necessary; men alone are quite capable of every wickedness." We see the word "men" and automatically think it's a blatant anti-male message. But by the end of the film, it's made abundantly clear that women are just capable of being wicked. Equality through evil. Funny.
This movie is irredeemably enjoyable, preposterous in both its story and its characters yet magnetic as a satire disguised as a schlocky male fantasy. It tells the story of three bad girls, all smoking hot, who find themselves in a plot to extort diamonds and weapons from an underworld kingpin, whose identity is a secret. The redhead is Hel, presumably short for Helen (Erin Cummings); she seems to be the leader of the group, tough but levelheaded, able to see the big picture and plan accordingly. The blonde is Camero (America Olivo), an oversexed hothead who's on medication. She's one of those people that hates everyone and is mad about everything, and has the dialogue to prove it. The brunette is a stripper named Trixie (Julia Voth), always upset, always overwhelmed, always wanting to play by the rules.
Every opportunity is taken to flaunt their feminine assets, and boy, do they have them - a basic shot is a slow-motion close-up of heaving breasts and deep cleavage, although some time is set aside for bare legs. There's never a moment when they aren't wearing high heels or don't have makeup painted on their faces. And then there are times when they pause to do a little manual labor, such as digging in the middle of the desert. My, but it's burning hot, and ... is that a bucket of water sitting there? Maybe they should splash each other playfully in order to stay cool. Things will heat back up later on, when Trixie and Hel discover that their feelings for one another are deeper than they first imagined. That's about when the situation goes completely out of control. Loyalties change. Identities are revealed. People get shot. Things blow up. And did I mention the catfights?
Intertwined with this is a ridiculous but somehow appropriate subplot about a notorious criminal known only as Pinky, never dealt with directly and never seen but fabled to be the most dangerous criminal mastermind who ever lived. When Trixie innocently brings up the subject, Hel and Camero speak in the same tones as someone telling a ghost story around a campfire. "Many believe Pinky's a phantom," says Camero. "Others think he sold his soul to the devil. I think he IS the devil." Maybe so; a flashback sequence shows a silhouetted figure going nuts with what appear to be samurai swords, used to decapitate people left and right. Do we ever discover what Pinky looks like? With such gorgeous women displayed on the big screen, can you honestly say that you care?
When this movie is not going out of its way to be sexy, then it's being incredibly goofy. Take Olivo, for example; the angrier she gets, the funnier she becomes, not only because she spews unbelievably inane profanity, but also because her character is the most aggressive. And just wait until you hear of her tryst with a sideshow contortionist. Let's also consider the director, Rick Jacobson; he's currently at work on the new "Spartacus: Blood and Sand" television series and has been involved with "She Spies," "Cleopatra 2525," "Batwatch," "La Femme Nikita," "Hercules: The Legendary Journeys," and "Xena: Warrior Princess." The last two are noteworthy because Kevin Sorbo, Lucy Lawless, and Renée O'Connor all have cameos in "Bitch Slap." Or maybe they aren't noteworthy at all. Whatever.
This movie is, essentially, a cross between an erotic photo shoot and a silly crime caper, one that has been fed into a low-tech special effects mill. And I suppose that's why I had fun watching it. While I ultimately have no good reason for recommending it, you have to admit, there is something infectious about a movie that actively tries to be bad. I'm reminded of an often repeated Pauline Kael quote: "Movies are so rarely great art that if we cannot appreciate great trash, we have very little reason to be interested in them." "Bitch Slap" is, indeed, great trash, projected up on the screen in all its violent, foulmouthed, double-D glory. Fellas, this is your lucky day.

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A modern throwback to the "B" movie exploitation films of the 50's-70's, mixing beautiful women, fast cars, big guns, nasty tongues, outrageous action, and jaw-dropping eye candy. The movie follows three bad girls, a down-and-out stripper, a drug running killer, and a corporate power broker as they arrive at a remote desert hideaway to extort massive booty from an underworld kingpin.

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8/23/2011

Love Thy Neighbor (2006) Review

Love Thy Neighbor (2006)
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Just when I thought that the days of trashy Lifetime movies were behind me and all Lifetime had left were trite, inspirational stories featuring soundtracks by Martine McBride, I happened to catch this little gem that restored my faith.
In Love Thy Neighbor, Alexandra Paul plays a suburban mom whose house is broken into while her husband is away on business. Paul is home alone with her daughter and their family dog is killed during the robbery. Traumatized by PTSD, Paul's husband moves his family into a Stepford Wife-style gated community complete with 24/7 security. Things are looking up, especially when they meet their overly friendly, and somewhat nosy neighbor. The neighbor has a daughter around the same age, and the two girls will attend the same school. Paul's husband confides to the neighbor the real reason behind their move, and when he has to go away on business again, he asks her to look out for his wife. Little does he know the woman is crazy.
Oh Lifetime. This movie was classically bad. The crazy neighbor goes total Fatal Attraction, even going so far as to leave a note, "You'll wind up like your dog. Ruff Ruff." And wait, it gets better. Turns out she's an abusive wife who beat her ex-husband and in the tradition of the (Alleged) Texas Cheerleader Murdering Mom, frames Paul's daughter as a drug abuser when her own child doesn't make the soccer team. Needless to say, this film is trash. But the very best kind. If you liked the movie Mother, May I Sleep With Danger and any of the other Lifetime movies starring Tori Spelling circa 1995, you will have a great time with Love Thy Neighbor. But if you fancy yourself a connoisseur of "good" films, you can't say you weren't warned.

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Plagued by flashbacks of a violent home invasion, Laura Benson is on the brink of a nervous breakdown. Looking for a fresh start, she and her husband sell their house and relocate to a seemingly idyllic gated community. But, little do the Bensons know, evil not only dwells in the neighborhood...it lives next door. As strange and terrifying events unfold, Laura doesn't know whether her sinisterly sweet neighbor is to blame, if she's been targeted for revenge...or if she's losing her mind.

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