Showing posts with label abigail breslin. Show all posts
Showing posts with label abigail breslin. Show all posts

3/10/2012

Kit Kittredge: An American Girl (2008) Review

Kit Kittredge: An American Girl (2008)
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"Kit Kittredge: An American Girl" is certainly heartwarming and innocent, but that doesn't mean it's shallow and cloying. I admit that I thought it would be, mostly because I was expecting a virtual clone of last year's awful "Nancy Drew." There are certain similarities: both feature plucky young girls who do a lot of investigating; both have an assortment of colorful side characters; both are based on a series of stories, both feature Max Theroit. Unlike "Nancy Drew," however, "Kit Kittredge" aims to tell a good story with real subtexts; taking place at the height of the Great Depression, we meet characters that are downtrodden and desperate, not only because their financial situations are bleak, but also because they face the scorn and rejection of ignorant people. This adaptation of stories drawn from the "American Girl" doll line mixes childish zeal with some very mature themes, and that alone made it worth seeing.
Abigail Breslin brings enthusiasm, charm, and heart to the title character, a ten-year-old girl from Cincinnati, Ohio who runs a tree house club and dreams of becoming a newspaper reporter. She wants to write stories with fresh angles so that she can finally get into print. A pair of hobos--a helpful teenager named Will (Max Theroit) and his young friend, Countee (Willow Smith)--inspire Kit to write an article on hobo life. The fresh angle is that it will be told entirely from a kid's perspective, which may be needed in this case since many adults feel hobos are good-for-nothing leeches that suck the government dry. Kit has heard this rhetoric from her neighbors and classmates--one especially snotty young boy says that selling eggs and wearing dresses made of chicken feed bags bring you one step closer to the poorhouse.
But Kit is beginning to understand the hobos' plight, not only because many of her neighbors have lost their homes to foreclosures, but also because her unemployed father (Chris O'Donnell) is forced to find work all the way in Chicago. Hoping to make ends meet, Kit's mother (Julia Ormond) turns their home into a boarding house. This is how we meet: Ms. Dooley (Jane Krakowski), a husband-seeking dance instructor; the disapproving Mrs. Howard (Glenne Headly) and her young son, Sterling (Zach Mills); Ms. Bond (Joan Cusack), a slightly goofball mobile librarian; and Jefferson Burke (Stanley Tucci), a magician. When the subject of hobo robberies comes up, Mrs. Kittredge has everyone put their valuables in her lockbox. When it's stolen, everyone suspects Will as the culprit, including the police. Kit takes it upon herself to investigate. Despite what the evidence suggests, she believes her hobo friend is innocent.
It fairly obvious that "Kit Kittredge" is a commentary on prejudice; at one point in the film, Kit tells a cantankerous newspaper editor (Wallace Shawn) that there are good hobos and there are bad hobos, much like good apples and bad apples. She then gets a hard lesson in office politics when it's revealed that newspapers print only what the public wants to read, and the unfortunate truth is that the public is intolerant of hobos. Naturally, those who say this haven't met the people living in a hobo jungle, as Kit has; they're some of the nicest people around, and they willingly let Kit photograph them and write about them for her article. Messages of acceptance and understanding are not new, certainly not for a family film. But unlike a lot of other such stories, "Kit Kittredge" doesn't condescend, and when we leave, we feel both entertained and emotionally rejuvenated.
Aside from Kit, one of the film's best characters is Sterling, who at such a young age has already been beaten down by life. Sterling's father, much like Kit's, also left Cincinnati to find work, and communication with his family has steadily decreased. You see nothing but hurt and sadness in this boy's eyes. He and Kit are practically in the same boat, which is why they form a special bond. Kit is now worried that her father will forget her and her mother completely, even after promising to write them every single week. I remember a scene when Kit types a letter to her father; the frustration and fear she pours into the first draft makes for a heartbreaking moment.
I can't guarantee that adults will be as receptive to "Kit Kittredge: An American Girl" as kids will, but I definitely recommend they give it a chance. The doll may be a hollow piece of plastic, but the character is something else entirely--she's kind, spirited, intelligent, and just plain wonderful. Some may criticize the film for being too sentimental, and indeed, it's light-hearted and optimistic, more than would be expected from a story set during the Depression. But it's more mature than it lets on. Even with a childish sense of humor, hopelessness and grief are not spared on the audience. It's always a pleasure to see a family film that was made with all audiences in mind, not just kids. "Kit Kittredge" is such a film, one of the most enjoyable I've seen all summer.

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The Great Depression hits home for nine-year-old Kit Kittredge when her dad loses his business and leaves to find work. Oscar nominee* Abigail Breslin stars as Kit, leading a splendid cast in the first-ever American Girl theatrical movie. In order to keep their home, Kit and her mother must take in boarders paying houseguests who turn out to be full of fascinating stories. When mothers lockbox containing all their money is stolen, Kits new hobo friend Will is the prime suspect. Kit refuses to believe that Will would steal, and her efforts to sniff out the real news get her and her friends into big trouble. The police say the robbery was an inside job, committed by someone they knew. So if it wasnt Will, then who did it?

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12/24/2011

Zombieland (2009) Review

Zombieland (2009)
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Let me start off by saying that I'm a huge zombie fan. Whether they're Romero's slow-moving shamblers or the fast-moving runners from Return of the Living Dead / 28 Days Later, I will give any zombie movie a try. Enter Zombieland, which when I heard about it, I instantly thought of that direct-to-DVD drivel you see on the rental store shelf that can barely pass as a B-movie. After watching the trailer however, I was genuinely intrigued. Luckily, my friend managed to get her hands on a few preview passes and what I saw was one of the most fun and enjoyable movies I've seen in years.
I'll say it now: This movie is NOT scary. If you go in expecting scares and frights, you're in the wrong place. While there's the occasional "boo" scare, Zombieland is a horror-comedy in the vein of Evil Dead II, The Return of the Living Dead, Shaun of the Dead, etc. As a matter of fact, the director was inspired by Shaun of the Dead to make Zombieland. The horror-comedy mixture is is a very hard thing to pull off, but this movie does it pretty well, leaning more towards the comedy.
The cast is great, with Woody Harrelson being the stand out. He is such a great tough guy and delivers some truly great one-liners that it brings back memories of his Natural Born Killers days. Jesse Eisenberg is the "goofy dorky guy" that keeps popping up in movies these days. He does a good job, but is nearly indistinguishable from someone like Michael Cera, who plays the exact same role every time. I liked this guy better because frankly I'm sick of seeing Michael Cera these days. Emma Stone (aka Jules from Superbad) plays a good tough girl and looks exactly like she did in Superbad, which isn't a bad thing. Abigail Breslin is fine, but she felt slightly out of place. There's also a bigger-than-a-cameo role by one of the funniest actors of all-time, but I don't want to spoil it here. Trust me, it's hysterical.
That's about it for the cast, except for the zombies themselves, which are very well done. They're gross, gooey, and vicious and the make-up and special effects look fantastic, especially now in the age of CGI crap. The movie does not skimp on the gore, so be prepared for a healthy serving of blood, guts, and zombie bites. The post-apocalyptic scenery looks amazing and really pulls you into the film. Zombie fans, you will not be disappointed.
The comedy is executed quite well. While whether something is funny depends purely on personal taste (pun intended), I think this movie balances gross-out humor, sight gags, witty banter, black comedy and plain-old "Number 2" jokes perfectly. One of the funniest bits is when Woody Harrelson's character rides a roller coaster while simultaneously wielding a shotgun and shoots zombies that follow him around the track. It was clever and a blast to watch. Think of your favorite comedy; Zombieland is probably not as funny as that, but it will definitely make you laugh. It's not the funniest movie ever, but it does an admirable job.
Other than that, I can't think of anything else to say. I have minor nitpicks, but most of them are standard horror clichés that didn't really take away from my enjoyment of the film itself. Do yourself a favor and check this one out, it's a great horror-comedy.


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Nerdy college student Columbus (Jesse Eisenberg) has survived the plague that has turned mankind into flesh-devouring zombies because he\'s scared of just about everything. Gun-toting, Twinkie-loving Tallahassee (Woody Harrelson) has no fears. Together, they are about to stare down their most horrifying challenge yet: each other\'s company. Emma Stone and Abigail Breslin co-star in this double-hitting, head-smashing comedy.

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