Showing posts with label african american history. Show all posts
Showing posts with label african american history. Show all posts

5/09/2012

Aftershock - Beyond the Civil War (History Channel) (2006) Review

Aftershock - Beyond the Civil War (History Channel) (2006)
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With societies, as with individuals, it is often much easier for us to examine the mistakes of others than it is to take an honest look at our own. In both cases, however, honest examination is essential to making genuine progress. Aftershock succeeds in providing us with details on a topic of which most Gone-With-the-Wind-watching Americans are unaware: the atrocious violence and frequent chaos that followed Lee's surrender.
Anyone who has actually studied slavery and the slave trade as they existed in America (as opposed to simply treating them as unavoidable footnotes in U.S. history) is well-aware that it is difficult to fathom the cost of those institutions in human life, considering the shortened life spans, high morbidity rates, high infant mortality rates, etc., of those affected. On the other hand, we are aware of the literally millions who perished (some through intentional killings) in the Middle Passage and the 620 thousand Americans who died in the Civil War.
With all of the above in mind, we might be tempted to minimize the significance of the bloodshed that occurred during the Reconstruction era and the entire century of strife that followed the war; Aftershock, however, does an outstanding job of illustrating the former. This film tells the stories of a variety of individuals and organizations, including the Arkansas National Guard; ex-Confederate soldiers; state officials; African American troops; displaced Southern civilians; and one of our nation's oldest homegrown terrorist groups, the Ku Klux Klan. It also devotes a few (though far from enough) moments to the often overlooked role of Native Americans in the post-war years. It even touches on the frustration that some government officials felt with Andrew Johnson's calamitous approach to the nation's troubles.
This is one of the few documentaries on the years immediately following the war that I would consider incorporating into a larger class project.

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2/22/2012

The Great Debaters (2007) Review

The Great Debaters (2007)
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`The Great Debaters' offers what great movie viewing is all about. Based on a true story, the film takes us to Wiley, an African-American Methodist college in Texas during the Depression in 1935. Inspiring, harrowing, and uplifting, the film gives proper transcendence especially during a time and place that didn't offer many breaks.
We are first introduced to Professor Polson (Denzel Washington), a tenacious idealist and poet. As professor at Wiley and debate coach, he hardly yields on any of his principles. Inspired by the man who is named for the heinous lynching, Polson tells his debate recruits that it was in Lynch's best interests to keep Black people, "Physically strong, but psychologically weak." It is with this explanation that we understand his zealous approach to his debate team, and why he makes their training so rigorous.
Entering the field are forty-five tryouts, of which, only four will be selected: two representatives and two alternates. Of the three who make it, we get to know Henry Lowe (Nate Parker) a charismatic and bright figurehead who is easily distracted by beautiful women and hard liquor. Joining him are Samantha Booke (Jurnee Smollett), the first young woman to join the debate team, and James Farmer, Jr. (Denzel Whitaker) forever young at age 14, but an ever resourceful scholar and son of a minister, James Farmer, Sr. (Forrest Whitaker). [No real life relations.] As he notices a romance start to blossom between his teammates, his resentment grows. As the one who researches many of the arguments Henry and Samantha provide on the podium, he is put on the sidelines both in terms of the limelight and the love light.
As you might guess, Wiley enjoys a certain amount of success, and the price of success is opposition. Polson spends a great deal of his time and rhetorical talent organizing a sharecroppers' union, much to the chagrin of Sheriff Dozier (John Heard) who won't have unrest in his sleepy Texas town. In one scene the Farmer family is making a trek by car on a rural country road as they pass a poor white farm. The children who seem so mischievous run alongside the car as they pass along, unaccustomed to seeing a "Negro" with an automobile. Perhaps distracted by the nearby children, he runs over a pig, and in a quietly intense exchange between Farmer, Sr. and the owner, is extorted of a month's paycheck. This reminded me of a similar scene in the 1980's movie, `Centennial,' and showed the contrast between a good film with a similar theme and a great one.
In another part, the debate team makes their way by night to their debate destination when they come across a truly horrible sight. What they see through the windshield reveals a mob of white men who don't like having their heinous deeds brought to light. Shaken, they each try to come to cope with their discovery as they often lose focus and courage in the face of Polson's opposition and the violence laid before them.
Always kept in check by their unyielding leader, the debate team holds out for all possible opportunity. Audacious but unflinching, Polson invites Harvard to a debate match. One of the master strokes of the movie is how the debates and their topics match the action that goes on all around them. Show and tell is mixed expertly for a meaningful movie experience.
`The Great Debaters' is a top-echelon movie experience. Although it is reminiscent of movies like Mississippi Burning, To Kill a Mockingbird (Collector's Edition), and Akeelah and the Bee it captures a fulfilling true life story in a way that doesn't feel like rehash or contain a wasted scene. (Directed by Denzel Washington and screenplay by Robert Eisele)

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Two-time Academy Award winner Denzel Washington (American Gangster) directs and stars with Academy Award winner Forest Whitaker (Last King of Scotland) in this important and deeply inspiring page from the not-so-distant past (Richard Roeper, At the Movies with Ebert and Roeper). Inspired by a true story, Washington shines as a brilliant but politically radical debate team coach who uses the power of words to transform a group of underdog African American college students into an historical powerhouse that took on the Harvard elite. DVD Special Features: Deleted Scenes The Great Debaters: An Historical Perspective. That's What My Baby Likes; Music Video.My Soul Is A Witness; Music Video Theatrical Trailer Sneak Peeks: Grace is Gone, Cassandra's Dream, I'm Not There, Hunting Party

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2/01/2012

Tyler Perry's Meet The Browns (Two-Disc Special Edition + Digital Copy) (2008) Review

Tyler Perry's Meet The Browns (Two-Disc Special Edition + Digital Copy) (2008)
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Short Attention Span Summary (SASS):
1.Angela Bassett stars as a single mother of 3 kids struggling to make ends meet in inner city Chicago
2.A death in the family takes them to Georgia, where they meet the Browns
3.A quick Rick Fox jumps into the crazy clan
4.Over-the-top characters, prolonged punch lines and unnecessary family secrets lead to a predictable endingThis movie has an established talent pool of a cast, and usually they can be depended on to put the "dis" in dysfunctional, but this time the jokes fail to flow smoothly, wasting the comedic talents of Jenifer Lewis, David Mann and Frankie Faison. Tyler Perry appears briefly as his most beloved character Madea, but even this feels like an afterthought in the context of the movie.
Angela Bassett is out of place for this particular role, but excellent actress that she is, her character signifies hope for single mothers everywhere who may be feeling overwhelmed by the pressures of work, home and family.
Some good performances make for a movie with a strong message, but unfortunately it's hard to see through all the noise and confusion.Amanda Richards, July 20, 2008


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Tyler Perry's Meet the Browns is a sitcom taken to the next level. Brenda (Angela Bassett) is a single mom struggling to raise her family in Chicago. When she receives a letter inviting her to attend her father's funeral, she's not sure how to feel: Brenda never knew the man and hadn't interacted with that part of her family. But when she loses her job, she decides that now's the time to shake things up. (And, as a friend suggests, there's always the chance her father left her a little money.) While the film's central character grew up with incredible hardships (a prostitute for a mother and a pimp for a father who didn't stick around), writer-director-actor Perry takes every opportunity to inject a little humor into the vignettes. It is not her fault that she is too gorgeous and regal to be believable in the role, but Bassett--a superb dramatic actress--is sorely miscast here in a role where her subtleties are lost in all the fuss. Meet the Browns isn't Perry's best piece of work, but the fast-paced action and raucous dialogue provide enough fun to make the film worthwhile. With his name prefacing each movie, Perry has developed a franchise that doesn't fail to deliver what his fans are accustomed to: some variation of a dysfunctional family comedy and the appearance of his most famous character Madea--a cranky grandmother played by Perry himself that manages to draw laughs, even when her inclusion sometimes is superfluous. --Jae-Ha Kim

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