Showing posts with label alice in wonderland. Show all posts
Showing posts with label alice in wonderland. Show all posts

8/07/2012

Alice: A Look into Alice's Adventures in Wonderland (2009) Review

Alice: A Look into Alice's Adventures in Wonderland (2009)
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You know a documentary is not off to a promising start when the narrator repeatedly mispronounces the name of the subject of the documentary. (Lewis Carroll's real name, Dodgson, was pronounced with a silent "g": that is, "Dod-son".)
The narrator also mispronounces the name of Carroll's most famous illustrator, saying "Te-NEEL" instead of "TENN-i-el" (that is, rhyming with "perennial").
At another point, he actually refers to Carroll as "Liddell". He mispronounces "ideologies" as "ideal-ologies."
At another point, he talks about a rainstorm in which Carroll and his child friends were caught as inspiring the "valley of tears" section of ALICE. The VALLEY of tears?! I assume he means the "pool of tears".
In another place he refers to Carroll's habit of figuratively "marking with a white stone" the happy days in his diary as a "Biblical" symbol. It was actually a pre-Christian Roman custom.
He also refers to Carroll's famous boat trip with the Liddell sisters as taking place on "Independence Day" -- July 4th. The fourth of July isn't actually a holiday in England. Independence Day is an American holiday.
All this typifies for me the whole sloppy, lazy approach taken in this rather shallow exploration of the lives and relationship of Lewis Carroll and Alice Liddell. When the narrator mispronounced a word -- or accidentally called the subject of the documentary by the WRONG NAME -- couldn't they be bothered to record a second take? Was the director not paying enough attention to even notice that it happened?
In addition, "facts" are repeatedly introduced, but not supported. One typical example: "Father William is thought to be based on Jowett ..." Thought by WHO?
Several longish tangents are devoted to the lives of Watts, Wordsworth, and Blake -- as it is asserted they were an influence on Carroll -- but those sections really add little to our understanding of Carroll. It would have been sufficient to say in one sentence that, say, "Carroll was parodying the many familiar moralizing poems of Isaac Watts."
About a third of the documentary consists of the narrator recounting in unnecessarily tedious detail the whole familiar story of "Alice's Adventures in Wonderland" -- throwing in occasional interpretive "facts" supposedly related to the writing of the story (though some of these are questionable and mostly unsupported as well).
The few plusses about the DVD are that it shows many nice and interesting photographs of Victorian Oxford -- though it is rarely explained what they are, and they tend to be shown repeatedly. (At one point a photo of John Ruskin is shown in a section that has nothing to do with Ruskin, and it is not said who he is. It is as if the filmmakers thought, "Well, here's an interesting Victorian-looking man" -- and that was good enough for them.)
Also, the special features include quite nice prints of the 1903 and 1915 silent film versions of Alice. Those are the reason I am keeping this DVD.
Otherwise, you would do better to find and read several of the good, illustrated biographies of Carroll available.


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The books, written by a mild stuttering bachelor lecturer of mathematics, that told the adventures of a little girl who fell down a rabbit hole into a wonderland, and later, went through a mirror into a looking-glass world, have sold more copies than any other book except The Bible. Alice was the name of that little girl, who not only became the heroine of these tales, but was also the name of the child who inspired the writer, Lewis Carroll, to exercise his genius.This program examines the coming together of the writer and his muse, the society they inhabited, and their relationship that is still the subject of much controversy, as well as the effect it had on their subsequent lives.SPECIAL DVD EXTRASAlice in Wonderland (1915 Version)Alice in Wonderland (1903 Version)

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7/03/2012

The Snow Queen (2002) Review

The Snow Queen  (2002)
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I recently took this off the shelf at my local video rental store because the picture on the box showed a white haired Bridget Fonda dressed in a beautiful sparkly white dress and a snow white cloak made of feathers. It looked to me like Hallmark Entertainment was going to at least try to do this film up right.
As it turned out, a lavish budget did provide many beautiful costumes, sets, and location scenery, but the simplicity and innocence of Hans Christian Andersen's fairy tale got lost in three hours of so-so acting, a poor screen play, dreadful dialog, bad film editing and lousy direction from David Wu.
In the original fairy tale the protagonists are two children named Kay and Gerda. In this film Kay has been changed to Kai and both Kai and Gerda are young adults who are in love.
One day Kai gets beguiled by the Snow Queen who rules the season of Winter and he is kidnapped and taken to her Ice Palace. Gerda begins a long (and in this film I do mean LONG) quest to discover his whereabouts and to rescue him. In order to do this she must travel through the lands of the other Seasons. She meets with the eccentric denizens of Spring, Summer and Autumn and each of them attempts to kidnap her. The idiosyncratic Andersen's take on the seasons was odd enough in the original story, but in this film is all the more exaggerated.
Kai has a talking Polar Bear (crafted with skill by Jim Henson's Creature Works) for a prison guard. His involvment with the polar bear is one of the many reasons this movie drags. Several ridiculous minutes are spent with Kai teaching the bear to ice-skate, for example.
The actors portraying Wolfgang, the father, Gerda, and Kai are tolerable if not note-worthy. Bridget Fonda, in my opinion, was not right for the part of the Snow Queen. Her performance is lackluster and she delivers her lines as though she's LaFemme Nikita rather than a character in a fairy tale. She looks the part but she doesn't seem particularly frosty or seductive as the script calls for her to be. Her lines are delivered in a flat emotionless way that I suppose is meant to be icy, but comes off as dull. You really wonder how in the world Kai could have been beguiled by such a person.
The interior sets, the costumes, the lighting...all the cosmetic trim of this film are beautiful and they are what made me so want to love this movie, but the magic is missing and I was never able to get swept away by the story.
At three hours in length and with a plot that focuses on mature themes of love lost, grief and seduction, even suicide, this film is most decidedly NOT for children of any age. Yet, with the corny talking bear and a talking reindeer and some really silly robber characters, I can't say it is a film for adults, either.
There is some really cheesy dialog that is too much like modern slang for example when the Summer Princess comments on Gerda's dress by saying, "That peasant look is so last year," or later when she asks Gerda, "Do I look a porker in this dress?"
There is a whole lot of trite symbolism featuring red roses that further takes up time for no real benefit. In the original story Andersen has a "demon" creating havok with a magical mirror but in the film the minor league demon has been changed to Satan himself and they actually say the mirror is crafted in Hell. They make the devil look really cliche in this film and I feel it was too heavy-handed and out of sync with the rest of the picture. Sadly, this production just doesn't work. Even with a big budget, lavish decorations and costumes, talented actors, and a story that has enchanted people for over a century and a half, it still falls flat. I'd say skip this one...and for sure, do not try to make your kids sit through it. It's no fun.

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2/27/2012

Arabian Nights (Edited Version) (2000) Review

Arabian Nights (Edited Version)  (2000)
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It's very amazing that this was originally presented as a cable mini-series - as I eventually happened to watch it in its entirety and found it to be, in fact, quite extraordinary! I never thought, in all these years of watching movies, that such a film could be made from such a classic and intricate collection of stories - Ah - and how it has come to enthrall me! I truly am undone!
Scheherazade (Mili Avital) marries the Sultan Schahriar (Dougray Scott) even though she knows that his mad mind has contrived a plan to execute his new wife the morning after their wedding. After they are married, she proceeds to spend every wakeful night with him, feeding his imagination with wondrous tales!
This is based on the classic work of writing - A THOUSAND AND ONE NIGHTS, by Sir Richard Burton. It includes ancient tales that had been passed down for hundreds and even thousands of years! Five of these stories, including the tale of Ali Baba (Rufus Sewell) and Aladdin (Jason Scott Lee) are woven and portrayed upon the screen here in brilliant fashion! The special effects are far beyond what one would ever expect - even from a big-screen movie. I am sure, in fact, that this was only made for cable because it is a captivating 4-hours long!
The performances herein are as excellent as ever one can come by - Mili Avital and Dougray Scott are both so lovely and possess a wonderful chemistry - And the settings are nothing less than exquisite! If you have four or so hours of easy leisure - I recommend this for both its insight and its beauty~~

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1/23/2012

Sesame Street: Abby in Wonderland (2008) Review

Sesame Street: Abby in Wonderland (2008)
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This is the first time I've seen the Abby character in the Sesame Street programs and she sure is cute! She has a darling voice which the little ones seem to find fascinating. Sesame Street always does a great job with their DVD's and they're a favorite here. It's nice that this one is a little longer at 40 minutes than the typical 30 minutes which seems to fly by.
The voices are cute, the movie is colorful with lots of activity and the story which is a take off on Alice in Wonderland with Abby taking the part of Alice is a good one. The Sesame Street cast takes the other parts, like the Cheshire Cookie Cat or Bert and Ernie as Tweedle Dum and Tweedle Dee.
About the only thing I would change and the only reason I didn't give it 5 stars is because it isn't a "Fast Play" or auto start DVD. You have to wait for the menu to come up and click on play. It's nice to have movies which start over on their own like the Sesame Street Sleepytime Songs and Stories. But all in all, I'd say this is a good addition to the collection.

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Sesame Street's newest muppet, fairy Abby Cadabby, falls asleep and follows a Red Rabbit (Elmo) down a rabbit hole and in to a "Wonderland," where she encounters quirky and whimsical characters including Tweedle Dee and Tweedle Dum (Bert and Ernie) and The Cheshire Cookie Cat. She also attends a silly tea party presided over by a Mad Hatter (Grover) who also can be a "sad" hatter or a "glad" hatter with the change of a hat. Will Abby find her missing magic wand and be able to get back to Sesame Street, or does the Grouch of Hearts (Oscar) have other plans?

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5/20/2011

Alice (2009 Miniseries) (2009) Review

Alice (2009 Miniseries)  (2009)
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There's a girl in a blue dress, a Queen of Hearts, and a a magical looking glass that whisks the heroine into a surreal Wonderland.
But beyond that, don't expect this SyFy miniseries to have much in common with Lewis Carroll's classic novel, "Alice in Wonderland." Instead, "Alice" is a whole different animal -- a deliciously gritty sci-fi adventure filled with action, romance, monsters psychedelic horrors, and a revolution against a drug-peddling queen. It's a little silly, but still immensely entertaining.
Alice's (Caterina Scorsone) dinner date with her boyfriend Jack (Philip Winchester) falls apart when he offers her an heirloom ring. When she chases after him, she sees him being dragged off by some suit-wearing thugs -- and promptly trips THROUGH a looking glass. Of course she ends up in Wonderland, a world of grimy urban ruins and art deco casinos. And it's ruled by the Queen of Hearts (Kathy Bates), a ruthless tyrant who keeps her populace drugged with emotions from kidnapped "oysters" (ordinary humans).
Alice ends up following the eccentric Hatter (Andrew-Lee Potts), who offers to take her to the Resistance -- but when they get there, they discover that Jack's ring is actually the Stone of Wonderland (which powers the transdimensional Looking Glass). Since everybody in Wonderland wants the Stone, Hatter and Alice end up on the run from both the Resistance and the Queen's assassin Mad March. Alice is still determined to rescue Jack and return home, but she soon finds that her boyfriend isn't quite what she thought -- and that one of her loved ones is the Queen's brainwashed slave.
The whole idea behind "Alice" is that Carroll's story was real, and that Wonderland has become a very different place in the last 150 years -- crumbling smoky cities, insectile airships, bunny-headed cyborg assassins, and a pair of sadistic interrogators called Dr. Dum and Dr. Dee. It's a far darker, more complex affair than Carroll's books, and that's what makes it so brilliant.
There's plenty of sci-fi action and chaotic battle scenes, including aerial chases, bombing runs and the occasional attack from the grotesque Jabberwock; and the writers keep the complex plot flowing along nicely. But they also keep the story grounded with a love triangle between Alice, Jack and Hatter, as well as Alice's quest to free the oysters and a long-lost family member. And there's just enough humor to keep it from being excessively grim ("We don't have to use a user manual, do we? I HATE user manuals").
Problems? A few of the homages (the grinning cat, the "drink me" bottle) are pretty superfluous, and the siege of skeletal soldiers is kind of silly (especially the "Hit them with everything we've got").
Scorsone makes an excellent modern Alice -- intelligent, capable and capable of butt-kicking her way out, but still vulnerable and young ("You don't remember me!"). Potts makes a deliciously quirky, sexily disheveled Hatter, and Frewer rounds out the main trio as a mildly insane White Knight. Winchester and Colm Meaney are also excellent, Tim Curry is brilliant but underused, and Kathy Bates absolutely rules as the casually cruel, petulant Queen. And yes, she does say "off with his head!"
I don't know what beloved children's story will get reworked next, but "Alice" does a great job with Lewis Carroll's classic novel -- lots of action, a touch of romance, and just enough surreality.

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Abandoned by her father as a child, the independent twenty-one-year-old Alice is accustomed to men being unpredictable, but Jack Chase is something else. Just moments after surprising her with a rare family ring, he\'s suddenly kidnapped by two thugs and driven into darkness. It is then that Alice is confronted by a sharply dressed stranger who calls himself White Rabbit, and who promises to know more about Jack than she. Where Alice follows him is through the liquid glass of an ornate mirror. Where she lands is Wonderland, an outlandish underground city of twisted towers and parapets, staircases conceived in a Dali dream, and an otherworldly purple horizon. Soon, the word\'s out that Wonderland has its most prized captive. It seems Alice has the ring that controls the looking glass—the key to the power of the Queen of Hearts. It was mad folly for her son Jack to give it to a girl he barely knew. But Jack had his reasons. Discovering them is up to Alice.

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