Showing posts with label fantasy movie. Show all posts
Showing posts with label fantasy movie. Show all posts

7/03/2012

The Snow Queen (2002) Review

The Snow Queen  (2002)
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I recently took this off the shelf at my local video rental store because the picture on the box showed a white haired Bridget Fonda dressed in a beautiful sparkly white dress and a snow white cloak made of feathers. It looked to me like Hallmark Entertainment was going to at least try to do this film up right.
As it turned out, a lavish budget did provide many beautiful costumes, sets, and location scenery, but the simplicity and innocence of Hans Christian Andersen's fairy tale got lost in three hours of so-so acting, a poor screen play, dreadful dialog, bad film editing and lousy direction from David Wu.
In the original fairy tale the protagonists are two children named Kay and Gerda. In this film Kay has been changed to Kai and both Kai and Gerda are young adults who are in love.
One day Kai gets beguiled by the Snow Queen who rules the season of Winter and he is kidnapped and taken to her Ice Palace. Gerda begins a long (and in this film I do mean LONG) quest to discover his whereabouts and to rescue him. In order to do this she must travel through the lands of the other Seasons. She meets with the eccentric denizens of Spring, Summer and Autumn and each of them attempts to kidnap her. The idiosyncratic Andersen's take on the seasons was odd enough in the original story, but in this film is all the more exaggerated.
Kai has a talking Polar Bear (crafted with skill by Jim Henson's Creature Works) for a prison guard. His involvment with the polar bear is one of the many reasons this movie drags. Several ridiculous minutes are spent with Kai teaching the bear to ice-skate, for example.
The actors portraying Wolfgang, the father, Gerda, and Kai are tolerable if not note-worthy. Bridget Fonda, in my opinion, was not right for the part of the Snow Queen. Her performance is lackluster and she delivers her lines as though she's LaFemme Nikita rather than a character in a fairy tale. She looks the part but she doesn't seem particularly frosty or seductive as the script calls for her to be. Her lines are delivered in a flat emotionless way that I suppose is meant to be icy, but comes off as dull. You really wonder how in the world Kai could have been beguiled by such a person.
The interior sets, the costumes, the lighting...all the cosmetic trim of this film are beautiful and they are what made me so want to love this movie, but the magic is missing and I was never able to get swept away by the story.
At three hours in length and with a plot that focuses on mature themes of love lost, grief and seduction, even suicide, this film is most decidedly NOT for children of any age. Yet, with the corny talking bear and a talking reindeer and some really silly robber characters, I can't say it is a film for adults, either.
There is some really cheesy dialog that is too much like modern slang for example when the Summer Princess comments on Gerda's dress by saying, "That peasant look is so last year," or later when she asks Gerda, "Do I look a porker in this dress?"
There is a whole lot of trite symbolism featuring red roses that further takes up time for no real benefit. In the original story Andersen has a "demon" creating havok with a magical mirror but in the film the minor league demon has been changed to Satan himself and they actually say the mirror is crafted in Hell. They make the devil look really cliche in this film and I feel it was too heavy-handed and out of sync with the rest of the picture. Sadly, this production just doesn't work. Even with a big budget, lavish decorations and costumes, talented actors, and a story that has enchanted people for over a century and a half, it still falls flat. I'd say skip this one...and for sure, do not try to make your kids sit through it. It's no fun.

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2/27/2012

Arabian Nights (Edited Version) (2000) Review

Arabian Nights (Edited Version)  (2000)
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It's very amazing that this was originally presented as a cable mini-series - as I eventually happened to watch it in its entirety and found it to be, in fact, quite extraordinary! I never thought, in all these years of watching movies, that such a film could be made from such a classic and intricate collection of stories - Ah - and how it has come to enthrall me! I truly am undone!
Scheherazade (Mili Avital) marries the Sultan Schahriar (Dougray Scott) even though she knows that his mad mind has contrived a plan to execute his new wife the morning after their wedding. After they are married, she proceeds to spend every wakeful night with him, feeding his imagination with wondrous tales!
This is based on the classic work of writing - A THOUSAND AND ONE NIGHTS, by Sir Richard Burton. It includes ancient tales that had been passed down for hundreds and even thousands of years! Five of these stories, including the tale of Ali Baba (Rufus Sewell) and Aladdin (Jason Scott Lee) are woven and portrayed upon the screen here in brilliant fashion! The special effects are far beyond what one would ever expect - even from a big-screen movie. I am sure, in fact, that this was only made for cable because it is a captivating 4-hours long!
The performances herein are as excellent as ever one can come by - Mili Avital and Dougray Scott are both so lovely and possess a wonderful chemistry - And the settings are nothing less than exquisite! If you have four or so hours of easy leisure - I recommend this for both its insight and its beauty~~

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8/09/2011

Tales from the NeverEnding Story - The Gift (2001) Review

Tales from the NeverEnding Story - The Gift (2001)
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From the outset, this DVD was somewhat disappointing, despite some fantastic graphics and special effects. It appears to have been a hastily edited and heavily cut compilation of a series which was made for Canadian TV, with some disturbingly short and choppy segues from scene to scene, implying there was much extra material removed to edit this down to a film length feature. For continuity, I wish that the editors had allowed the original series to be transposed onto several DVDs and sold them as a complete set - it would have made more sense as a story, and allowed the original intent of the screenwriter and director to come through. Overall, though, it was a good try. Wait for the whole thing to be released, though - the bonus features hint at an amazing and entertaining multidisk story.

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7/09/2011

Dinotopia (EP Version) (2002) Review

Dinotopia (EP Version)  (2002)
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This is a GREAT 4 hour fantasy miniseries, with beautiful sets and production artwork, terrific special effects, and a pretty decent story line. Having said this, I have to admit that the plot was targeted at adolescents and young teens, and for an adult to fully enjoy the story requires that you slip your mind out of `critical gear' for a few hours.
Every time I watch Dinotopia, I am blown away by the unexpectedly high production values in this relatively unknown miniseries. Some of the reviews posted here lean in the direction that Dinotopia's effects are `almost as good' as movies like "Jurassic Park", and "Walking with Dinosaurs" but I actually think, in fairness, I would have to say that the effects in Dinotopia are better, or at least, at a minimum, more ambitious. The reason I say this is that Dinotopia takes on the MUCH more difficult challenge of turning some of the dinosaurs into full time, walking, talking, supporting characters, (and pulls this off remarkably well). Also, in this miniseries, a much higher percentage of the scenes are special effects shots involving a dinosaur character, and under these circumstances, you would think that there are bound to be a few shots that just don't quite hold up, but I'll be darned if I can pick out a single scene to cite as an example.
Given the fact that we are talking about maybe ten times the number of effects shots involving dinosaurs as there were in the first "Jurassic Park" movie, and given that the dinosaurs are interacting with the human characters in much more complex ways (in one scene, a man sized dinosaur named `Zippo' plays ping-pong with one of the human characters), I think they did an absolutely remarkable job on the effects in this miniseries.
Even minor characters like the `postal bird' are executed beautifully, and aside from the dinosaur effects, the quality of the sets and production artwork in many of the scenes is absolutely stunning, making this miniseries a real visual treat.
As far as the story line goes, I have to admit that I had to chuckle at times over the `psycho-babble', `granola-flake' perfection of the Dinotopian society, but this is, after all, a fantasy. Given the quantity and quality of the material, and the low cost of this DVD set, I think this miniseries was quite a bargain, and I can't think of another recent DVD purchase that has pleased me more.

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6/12/2011

The Mists of Avalon (2001) Review

The Mists of Avalon (2001)
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Three hours is not enough for a film adaptation to do justice to a book that is the size and length of a textbook.
The book is massively rich with characters that are diverse and colorful. I'm sure fans of the book will agree with that. The problem with the movie is that if the goal of the movie is to please fans of the book, the series must run for more than 183 minutes.
I was very happy with the adaptation's attention to detail of physical appearances when it came to casting. Morgaine and Viviane are alike in appearance with their faery-like features and dark hair, Igranne and Morgause are the redhead beauties, and Gwenhywfar is the dulcet blonde. The actresses, to say the least, were stunning and dominated the performances, as it should have been, since Mists of Avalon is a retelling through the female perspective.
The movie goes into great length to remain faithful to Morgaine's childhood, up till her reunion with Arthur in Camelot after he is crowned High King. That is where the chopping begins. Bits from the story are cut, then large portions. By the end, it seems altogether rushed. Morgaine goes straight from Wales after Urien's death to the demise of Camelot. There is no Nimue, no Kevin, and she doesn't even assume the position of Lady of the Lake. Sadly, the movie overlooks pretty much the entire last half of the book, which is vital to Morgaine's growth.
In the book, we see Morgaine as a precocious youth filled with much knowledge but lacking in wisdom, as is appropriate for her age. We see she brings about much of her own suffering. She despises Viviane for her wrongdoings, but after ascending to the throne of Avalon, Morgaine does very much the same as her predecessor. Morgaine and Viviane's downfall is their pride and their tragedy is that they did the best they could at the time. The beauty of the story is the overall message, that what we do as individuals affect everybody, and repercussions are felt throughout ones lifetime, and growing and maturing involves sorrow and regret. This beauty is not achieved nor attempted to be portrayed, not even remotely close, in the movie.
What I liked about the book's ending is that Marion Zimmer Bradley didn't leave a feeling of emptiness. Although everybody around her had moved on or died, Morgaine was still of Avalon. After time, Morgaine became synonymous with Avalon. In the movie, however, Avalon has fully retreated into the mist and was cut off, even from Morgaine. The conclusion of the film left a feeling of emptiness and hallowness.
In short, the movie does little to cover the actual growth of the protagonist. You see her grow from child to maiden, but little is shown to help us shift our view of her from maiden to woman. Nothing is portrayed to propel her growth further to the elder wise woman she ultimately became in the novel. Relationships are carried all throughout the novel, and when the story is cropped, much is missing that helps not only Morgaine, but all the characters grow. Like I said, 183 minutes was just not enough to faithfully portray Morgaine's life and the relationships between characters.
There is little negative emotion in the movie aside from Gwenhwyfar's disdain for the old religion and for Morgaine. Morgaine's indignant pride and her jealousy for Gwenhwyfar (and vice versa) aren't shown much at all. Morgaine's only real negative reaction in this film is her fury towards Viviane. Morgaine is stubborn because of her pride and sometimes, jealousy, but without those emotions portrayed to explain her behavior, she comes off sometimes as a comatose pawn, as she often did in the movie (although it was no fault of the actress- Julianna Margulies was superb- but the script).
I was touched by some scenes in the movie- the parting of young Arthur and Morgaine, Morgaine's reunion with her mother in the river, and Viviane's death. The first half of the movie was nicely done, and the rest was so-so.
I think in this case, time constraints did the movie in. Without the additional plot, Morgaine comes off as meek because she observed more than she spoke, and without the story intact you don't get to see what she's done with what she's observed. Morgaine is portrayed as a complete and utter victim of circumstance, when in fact she played people around, as well. There was plenty of court schemes and manipulation rampant in the novel, yet the movie only fully captures the mysticism of the old faith and the religious conflict. Whereas the story consists of characters who fight for a higher cause and for selfish causes, the movie fails to depict the latter.
However, if you're like me and you love period films in part because of costumes and scenery, I'd recommend picking this up. Costumes are beautiful, the music is lovely and very befitting, and if you enjoy Celtic mysticism, you'll like this. If you've also never read the novel but are interested in seeing the King Arthur legend retold through a female perspective, give this movie a go. It might interest you in picking up the novel after you've finished watching it.
All in all, The Mists of Avalon film adaptation gets 3 stars. 2 for content and 1 for imagery. I was left dissatisfied after viewing it, but not wholly disappointed. It would have been lovely if another 2 hours were given to it to more fully explore the richness and cover the growth of the characters. Despite the flaws, I bought the DVD even after seeing it on TNT. Imagery was this movie's strong point, and I still pop the DVD into the player from time to time to look at costumes and scenery. It's quite fun to watch one of your favorite books come to life in such a fantastic way (as far as imagery goes). Regardless of plot, it's still a feast for the eyes.

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The King is dead, long live the King, but who will it be? The answer is found on the battlefields and in the mystical and powerful manipulations of fate emanating from the women of the legendary isle of Avalon in this intrigue-filled retelling of the King Arthur/Camelot legend. Starring Julianna Margulies, Anjelica Huston, Joan Allen, Caroline Goodall, Edward Atterton, and Samantha Mathis.

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5/20/2011

Alice (2009 Miniseries) (2009) Review

Alice (2009 Miniseries)  (2009)
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There's a girl in a blue dress, a Queen of Hearts, and a a magical looking glass that whisks the heroine into a surreal Wonderland.
But beyond that, don't expect this SyFy miniseries to have much in common with Lewis Carroll's classic novel, "Alice in Wonderland." Instead, "Alice" is a whole different animal -- a deliciously gritty sci-fi adventure filled with action, romance, monsters psychedelic horrors, and a revolution against a drug-peddling queen. It's a little silly, but still immensely entertaining.
Alice's (Caterina Scorsone) dinner date with her boyfriend Jack (Philip Winchester) falls apart when he offers her an heirloom ring. When she chases after him, she sees him being dragged off by some suit-wearing thugs -- and promptly trips THROUGH a looking glass. Of course she ends up in Wonderland, a world of grimy urban ruins and art deco casinos. And it's ruled by the Queen of Hearts (Kathy Bates), a ruthless tyrant who keeps her populace drugged with emotions from kidnapped "oysters" (ordinary humans).
Alice ends up following the eccentric Hatter (Andrew-Lee Potts), who offers to take her to the Resistance -- but when they get there, they discover that Jack's ring is actually the Stone of Wonderland (which powers the transdimensional Looking Glass). Since everybody in Wonderland wants the Stone, Hatter and Alice end up on the run from both the Resistance and the Queen's assassin Mad March. Alice is still determined to rescue Jack and return home, but she soon finds that her boyfriend isn't quite what she thought -- and that one of her loved ones is the Queen's brainwashed slave.
The whole idea behind "Alice" is that Carroll's story was real, and that Wonderland has become a very different place in the last 150 years -- crumbling smoky cities, insectile airships, bunny-headed cyborg assassins, and a pair of sadistic interrogators called Dr. Dum and Dr. Dee. It's a far darker, more complex affair than Carroll's books, and that's what makes it so brilliant.
There's plenty of sci-fi action and chaotic battle scenes, including aerial chases, bombing runs and the occasional attack from the grotesque Jabberwock; and the writers keep the complex plot flowing along nicely. But they also keep the story grounded with a love triangle between Alice, Jack and Hatter, as well as Alice's quest to free the oysters and a long-lost family member. And there's just enough humor to keep it from being excessively grim ("We don't have to use a user manual, do we? I HATE user manuals").
Problems? A few of the homages (the grinning cat, the "drink me" bottle) are pretty superfluous, and the siege of skeletal soldiers is kind of silly (especially the "Hit them with everything we've got").
Scorsone makes an excellent modern Alice -- intelligent, capable and capable of butt-kicking her way out, but still vulnerable and young ("You don't remember me!"). Potts makes a deliciously quirky, sexily disheveled Hatter, and Frewer rounds out the main trio as a mildly insane White Knight. Winchester and Colm Meaney are also excellent, Tim Curry is brilliant but underused, and Kathy Bates absolutely rules as the casually cruel, petulant Queen. And yes, she does say "off with his head!"
I don't know what beloved children's story will get reworked next, but "Alice" does a great job with Lewis Carroll's classic novel -- lots of action, a touch of romance, and just enough surreality.

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Abandoned by her father as a child, the independent twenty-one-year-old Alice is accustomed to men being unpredictable, but Jack Chase is something else. Just moments after surprising her with a rare family ring, he\'s suddenly kidnapped by two thugs and driven into darkness. It is then that Alice is confronted by a sharply dressed stranger who calls himself White Rabbit, and who promises to know more about Jack than she. Where Alice follows him is through the liquid glass of an ornate mirror. Where she lands is Wonderland, an outlandish underground city of twisted towers and parapets, staircases conceived in a Dali dream, and an otherworldly purple horizon. Soon, the word\'s out that Wonderland has its most prized captive. It seems Alice has the ring that controls the looking glass—the key to the power of the Queen of Hearts. It was mad folly for her son Jack to give it to a girl he barely knew. But Jack had his reasons. Discovering them is up to Alice.

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4/18/2011

Dinotopia - The Series (2002) Review

Dinotopia - The Series (2002)
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DINOTOPIA THE SERIES is another in the long line of television shows that were cancelled before they could fully blossom. It is not by any means a deep, revelatory, challenging show. If you are looking for accurate, Issac Asimov-style sci-fi... it ain't here. What we're talking about is just an entertaining, fun show. Some of the episodes could have been better, but overall... it was fun watching it. It was way better than I expected... with good continuity from the miniseries. You get lots of dino action (great effects), neat production design, and a good cast. The characters are interesting. Originally I thought I would have a problem with the new actors (all are totally different from the mini-series), but I quickly grew to like them. One thing... this show is not aimed at kids... its really for teenagers and up. Nothing bad in it that I wouldn't show my 5 year old niece. If you like LAND OF THE LOST, then you'll enjoy this series. And it's a bargain .... 13 episodes for a great price. The only thing is that the last episode ends with a huge cliff-hanger, and we'll never know what would have happened because ABC axed the show. But then, I guess it wouldn't hurt us to use our brains to come up with our own ending, right? Bottom line... great price, many hours of enjoyment, good characters.. and great dinosaurs. What more do you want?

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Item Name: Dinotopia - The Series; Studio:Lions Gate

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