Showing posts with label zoe bell. Show all posts
Showing posts with label zoe bell. Show all posts

6/27/2012

Double Dare (2005) Review

Double Dare (2005)
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This is a pretty cool and interesting documentary if you understand the subject matter going into it.
The movie primarily takes a look at two Holllwood stunt woman: Jeannie Epper, who doubled for Lynda Carter during the Wonder Woman series run, has been working in the business for approx 30yrs and comes from a whole family of professional stunt men and women; and Zoe Bell, a New Zealand native & young up and comer who doubled for Xena during that shows six seasons who is now looking to make her mark here in L.A./Hollywood.
We get the background of each woman, a look at the difficulties that women face in the business, a lot of celebrity interviews, and some additional celebrity cameos that the filmakers shot while making the film.
What I particularly enjoyed was the immediate bond between Epper and Bell. Epper seems to take Bell under her wing rather quickly by helping with valuable training and allowing her to stay at her home while she struggles to get work and make her own name in the stunt woman profession. It's a nice inside look that goes to show not everyone in "the business" is just out for themselves. Epper comes across with genuine eagerness, kindness, and integrity as she guides Bell through the Hollywood machine.
If the plot line so far interests you, or your a fan of shows like Wonder Woman and Xena, then this documentary should not disappoint.
Recommended.

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DOUBLE DARE is a double-barreled, action-packed documentary about the struggles of two stuntwomen in male-dominated Tinsel town to stay working, stay thin, and stay sane against the backdrops of Xena: Warrior Princess, Wonder Woman, and Quentin Tarantino’s Kill Bill.

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4/03/2012

Bitch Slap (Unrated) (2009) Review

Bitch Slap (Unrated) (2009)
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Oh yes, "Bitch Slap" is everything you think it is. Girls. Guns. Catfights. Explosions. Lesbian romances. A story of bad guys, booty, alliances, betrayals, and secrets. It's being billed as, "a post-modern, thinking man's throwback to the B movie/exploitation films of the 1950s - 70s," but the truth is it gives us little to think about, and I'm hard pressed to say that it reexamines modern assumptions of culture, identity, and language. It does, however, open with a Joseph Conrad quote: "The belief in a supernatural source of evil is not necessary; men alone are quite capable of every wickedness." We see the word "men" and automatically think it's a blatant anti-male message. But by the end of the film, it's made abundantly clear that women are just capable of being wicked. Equality through evil. Funny.
This movie is irredeemably enjoyable, preposterous in both its story and its characters yet magnetic as a satire disguised as a schlocky male fantasy. It tells the story of three bad girls, all smoking hot, who find themselves in a plot to extort diamonds and weapons from an underworld kingpin, whose identity is a secret. The redhead is Hel, presumably short for Helen (Erin Cummings); she seems to be the leader of the group, tough but levelheaded, able to see the big picture and plan accordingly. The blonde is Camero (America Olivo), an oversexed hothead who's on medication. She's one of those people that hates everyone and is mad about everything, and has the dialogue to prove it. The brunette is a stripper named Trixie (Julia Voth), always upset, always overwhelmed, always wanting to play by the rules.
Every opportunity is taken to flaunt their feminine assets, and boy, do they have them - a basic shot is a slow-motion close-up of heaving breasts and deep cleavage, although some time is set aside for bare legs. There's never a moment when they aren't wearing high heels or don't have makeup painted on their faces. And then there are times when they pause to do a little manual labor, such as digging in the middle of the desert. My, but it's burning hot, and ... is that a bucket of water sitting there? Maybe they should splash each other playfully in order to stay cool. Things will heat back up later on, when Trixie and Hel discover that their feelings for one another are deeper than they first imagined. That's about when the situation goes completely out of control. Loyalties change. Identities are revealed. People get shot. Things blow up. And did I mention the catfights?
Intertwined with this is a ridiculous but somehow appropriate subplot about a notorious criminal known only as Pinky, never dealt with directly and never seen but fabled to be the most dangerous criminal mastermind who ever lived. When Trixie innocently brings up the subject, Hel and Camero speak in the same tones as someone telling a ghost story around a campfire. "Many believe Pinky's a phantom," says Camero. "Others think he sold his soul to the devil. I think he IS the devil." Maybe so; a flashback sequence shows a silhouetted figure going nuts with what appear to be samurai swords, used to decapitate people left and right. Do we ever discover what Pinky looks like? With such gorgeous women displayed on the big screen, can you honestly say that you care?
When this movie is not going out of its way to be sexy, then it's being incredibly goofy. Take Olivo, for example; the angrier she gets, the funnier she becomes, not only because she spews unbelievably inane profanity, but also because her character is the most aggressive. And just wait until you hear of her tryst with a sideshow contortionist. Let's also consider the director, Rick Jacobson; he's currently at work on the new "Spartacus: Blood and Sand" television series and has been involved with "She Spies," "Cleopatra 2525," "Batwatch," "La Femme Nikita," "Hercules: The Legendary Journeys," and "Xena: Warrior Princess." The last two are noteworthy because Kevin Sorbo, Lucy Lawless, and Renée O'Connor all have cameos in "Bitch Slap." Or maybe they aren't noteworthy at all. Whatever.
This movie is, essentially, a cross between an erotic photo shoot and a silly crime caper, one that has been fed into a low-tech special effects mill. And I suppose that's why I had fun watching it. While I ultimately have no good reason for recommending it, you have to admit, there is something infectious about a movie that actively tries to be bad. I'm reminded of an often repeated Pauline Kael quote: "Movies are so rarely great art that if we cannot appreciate great trash, we have very little reason to be interested in them." "Bitch Slap" is, indeed, great trash, projected up on the screen in all its violent, foulmouthed, double-D glory. Fellas, this is your lucky day.

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A modern throwback to the "B" movie exploitation films of the 50's-70's, mixing beautiful women, fast cars, big guns, nasty tongues, outrageous action, and jaw-dropping eye candy. The movie follows three bad girls, a down-and-out stripper, a drug running killer, and a corporate power broker as they arrive at a remote desert hideaway to extort massive booty from an underworld kingpin.

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8/20/2011

Bollywood Hero (2009) Review

Bollywood Hero (2009)
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Haven't done a Bollywood review in a while and after this one, I still won't have. BOLLYWOOD HERO is about as legit a Bollywood flick as Chris Kattan makes dashing leading man material. And that's the core conceit of this three-part television mini-series, really. Chris Kattan as the romantic lead? Who would've thunk it? At first glance (and second and third), the guy doesn't have the looks or height or charisma to pull it off. Dude has the sex appeal of icky and he's about as polished as a salty longshoreman with pit stains.
Chris Kattan, the most hated man in India? How did that come about? Chris Kattan, in one of those meta-fiction moments, plays Chris Kattan and the thing starts with what may be a close approximation of his life and career in real. Chris has had enough of languishing at the bottom, playing his silly parts (his latest opus has him playing an alien called "Klaptar"). He yearns for the leading role, yet realizes he'll never get a whiff in Hollywood. He runs into fledgling director Monty Kapoor (Ali Fazal) who offers him the lead role in a Bollywod movie titled Peculiar Dancing Boy. Chris snaps it up.
But Mumbai, India isn't kind to Mango, culture shock being a mothereffer. Hapless and bumbling, forced out of his comfort zone (if that's what you call getting kicked around in Hollywood), Kattan takes on this endearing underdog quality. It turns out that when refraining from mugging so much in front of the camera, dude becomes quite likable. And I think that this toning down results in better comedy. And we've all been there before, with committing some social gaffe. In Chris's case, it's a grossly inappropriate public display of affection which makes Chris persona non grata in the eyes of India, and this jeopardizes Peculiar Dancing Boy. Can Chris Kattan, stranger in a strange land, rally the fractured cast and crew? Can he turn himself into a respectable dancer? Because in Bollywood, song & dance productions are a big deal. Can he be the romantic lead in real life and win the level-headed but suspicious movie producer Priya (Pooja Kumar)? Answers: Yes, no, maybe.
BOLLYWOOD HERO was broadcast on the IFC network on August 2009 and I caught up with it in its weekend re-airings, liked it enough to tune in on three separate Sundays. This is a send up of Hollywood and Bollywood, although the actors do make you care about the story. I'm a big fan of Bollywood, so I got all the digs. People not familiar with Indian cinema and its sensibilities may be a bit at sea with some of the bits. Chris Kattan not being able to dance - or dance well - is a bigger deal than you might expect. Bollywood supporters who aren't into westernized versions of Bollywood may also turn up their noses at this. So be it. This isn't to everyone's taste.
The ladies of India, exotic and gorgeous, and I'll try to restrain myself from bringing up Aishwarya Rai, surely the most beautiful woman on the planet. Ash isn't in this one, but we do get lovelies like Pooja Kumar, Rachna Shah, and the stunning Neha Dhupia. Several of Kattan's SNL pals pop in, as well as a hysterical, self-mocking cameo by Keanu Reeves and a co-starring turn by Julian Sands who, oddly, doesn't play himself (every other western actor plays him/herself). Chris Kattan is surprisingly good in the lead and is believable in the romantic scenes (he and Pooja Kumar have nice chemistry). Again, I think it's key that Kattan tempers his usual over-the-top antics (although, okay, a bit of foolish trickles out). This may be the only crack dude gets playing the leading man, and he makes the most of it.
There are several song & dance numbers here, and they're... okay. But don't kid yourself that the musical production is as lavish as what you'd see in your average Indian cinema. But I dig that the film borrows the very catchy "Dhoom Taana" song from Om Shanti Om.
It's a spoof and sometimes it gets really silly, and yet there's a solidity at the core of BOLLYWOOD HERO. There's even a bit of that same message from SULLIVAN'S TRAVELS thrown in. A recurring annoyance when I saw this mini-series on the IFC channel - and, holy Sharukh Khan, I hope they don't make it in the DVD as a bonus feature - are those commercials of Kattan shilling for the Palm Pre smartphone. I got fed up with all that "AllaKattan!" nonsense (it's what Kattan yelled whenever he used his "magic" smartphone). There's silly, and then there's just inane.
Surprisingly, BOLLYWOOD HERO deserves a rating of 3.5 stars out of five. And this is in huge part because of Chris Kattan's performance, not in spite of it. I'll also mention that the third act doesn't really live up to what the first two episodes had built up to. But if it inspires you enough to give Bollywood a try, then it's done its job. If it inspires you to give Kattan's other films a try, well, that's just flirting with disappointment.

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Chris Kattan is fed-up with not being taken seriously by Hollywood, so he accepts an offer to star in a big- time Mumbai production called \'Peculiar Dancing Boy\'. But before he can conquer India, Chris will have to survive a whole new land of culture clashes, jealous rivals, runaway egos, power hungry starlets and extreme dancing lessons. How far does an actor have to go in this world to fight the bad guys, get the beautiful women and finally play the hero? Maya Rudolph, Julian Sands, Pooja Kumar, Rachna Shah, Ali Fazal and Neha Dhupia co-star in this IFC musical comedy miniseries event – featuring key members of the Oscar® winning production team from SLUMDOG MILLIONAIRE – with guest appearances by Jennifer Coolidge, David Alan Grier and Keanu Reeves.

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