Showing posts with label swat. Show all posts
Showing posts with label swat. Show all posts

4/27/2012

The History Channel Presents Shootout - Seasons 1 and 2 (2005) Review

The History Channel Presents Shootout - Seasons 1 and 2 (2005)
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This was a great series!! However, buyer beware. My copy is missing Episode 3 on disk three(episode - WW2: Storming france). Although it is listed on the CD package, it is not on the CD itself, or the menu. I've encountered this type of thing before (not necessarily on "History Channel" items). We should expect the same problem will occur on other sets in the same run. Be sure to check your CDs immediately after purchase (I do as a general rule). I intend to return mine and wait a while for this problem to be worked out of the system. Highly recommended series apart from this "technical glitch". UPDATE JUNE 15, 2007. I PURCHASED A SECOND COPY OF THIS SET AND THE SAMR ISSUE WAS MISSING. DEFINITELY SOMETHING WRONG HERE!!!

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With stunning clarity, veterans of the world’s most memorable conflicts tell never-before-heard stories of rescues, sniper attacks, ambushes, and hand-to-hand combat. Through such state-of-the-art technology as aerial terrain mapping and 3-D animation sequences, legendary battles are recreated shot by shot in vivid, crisp detail. Coupled with eyewitness reports from military experts and soldiers from World War II to Iraq, these blow-by-blow re-creations of history’s bloodiest confrontations take viewers to the front lines of historic military operations from the perspectives of both sides of the fight, making SHOOTOUT! the most accurate gun battle series ever created.

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1/16/2012

44 Minutes (2003) Review

44 Minutes (2003)
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Watching '44 Minutes' is a strange experience to me. It begins with semi-documentary touch with the grainy images and the actors talking to the camera, but once the bank robbery happens, suddenly the made-for-TV film begins to look like the violent shoot-outs in `Heat.' Lots of bullets fly in the air, making huge holes in the bodies of the cars, and many people are gunned down in the street, police officers and civilians alike. Suppose someone tells you this is made for television, and it would take some time before you believe what is told.
Perhaps before the day February 28, 1997, story of '44 Minutes' would be almost unbelievable. Two robbers armed with AK-47s and covered with body armor go into the bank, and open fire on the outmatched police surrounding the building. The only way for the police officers to fight back is to shoot the head of the criminal, but shooting the moving target is extremely difficult. And as you see, standard 9 mm handgun is not the best choice to do that.
Though Michael Madsen, Ron Livingston and Mario van Peebles all give solid acting, it is the skillful editing and intense gunfights that are the most impressive in the film. The tension of the life-threatening situation is heightened by the good sound effect that conveys the firepower of AK-47s though the use of shaky camera would divide the opinions. Though some (including me) would say the shaky camera brings realism to the film, others would say it is only annoying.
Unfortunately, the characters do not have much time to tell us about themselves. It is understandable that we see no so-called character development as the film is based on the recent events and the real-life people, but the portraits of the LAPD officers here often look like those of the police dramas on TV. The script of Tim Metcalfe gets sometimes flat when it tells of the background story of each character, or Michael Madsen's character who does one thing to keep the loud party-giving neighbors very quiet. It is funny, and I like that scene, but well, is it true? I don't think so.
I don't know anything about the accuracy of the film, but as far as the heroism of the police officers are concerned, the film is a success with one of the intense and realistic shoot-outs I have ever seen recently. But with a less conventional and more detailed approach to the characterization of the brave officers, '44 Minutes' could be much better.

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In North Hollywood on a calm summer day in 1997, fifty police officers were defenseless against two lone gunmen armed with AK 47 assault rifles and full military body armor. Only their extreme courage, valor and training put and end to the massacre inspiring a new motto for the L.A.P.D. - "The Day Willpower Beat Firepower." Based on the true story of the North Hollywood shootout.

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11/18/2011

Flashpoint - The First Season (2008) Review

Flashpoint - The First Season (2008)
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"Let's keep the peace," is the catch-phrase uttered by team leaders as the Strategic Response Unit gears up for a hot call. It's hardly as adrenaline-inducing as "Let's roll," or "Lock and load," but I don't think it's supposed to be; in fact it sets the tone for the series. This cop drama is about saving lives and trying to bring sanity and compassion to out-of-control situations, not racking up a body count in the name of peace and justice.
Flashpoint is an undiscovered gem, hidden away behind a overused genre. If the phrases "SWAT team," "hostage negotiators," "Canadian television," and "police drama" don't exactly grab your interest, please do yourself the favor of at least reading this review and perhaps watching a couple of episodes. You might be glad you did.
The premise on its own is not terribly new: A fictional SWAT/hostage negotiation team takes on kidnappings, suicide attempts, bank robberies, and the like. What IS new is the approach. The writing of this show is steeped in the humanity, compassion, and psychological realism markedly absent from current TV.
The team members are deeply decent human beings who love their jobs and their team-mates, but Flashpoint does a superb job illustrating the real-life issues such as PTSD, stress, and guilt that come with such work.
Markedly absent is the fictional conceit that events don't have consequences. When team leader and sniper Ed Lane shoots a hostage-taker in the series premier, not only do they show his emotional reaction immediately after the shooting, they follow him through suspension, investigation, and debriefing by a psychologist. The consequences of the shooting continue to appear through the series; Ed experiences flashbacks, is sued, and in season two the hostage-taker's son even tries to kill him.
Flashpoint does not stop at portraying the team in a compassionate and realistic light; the subjects of their calls are rarely black-and-white "bad guys." Psychologically disturbed individuals are portrayed as layered individuals with reasons for their behavior. Sometimes these reasons are morally justifiable, sometimes not. Sometimes we sympathize with them, sometimes we want them dead sooner rather than later - but we are almost always given insight as to how and why they reached their "Flashpoint."
Anyone who has experienced traumatic events or PTSD in their own life or helped friends and family cope with traumas should watch this show. It is deeply validating and provides excellent models of how to cope and how not to, as well as being sensitively and realistically written.
Flashpoint is a cop show with real people and ethical, caring human beings in difficult situations. As one friend of mine put it, "It's the anti-24." If you're tired of television where the writers can't think of any better way to create drama than to set up a crisis and then torture their way out of it, try Flashpoint.
This is the (ironically, Canadian-produced) television show that jaded, wounded America needs right now.

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Flashpoint is a drama which depicts the emotional journey into the tough, risk-filled lives of a group of cops in the SRU (inspired by Toronto's Emergency Task Force).It's a unique unit that rescues hostages, busts gangs, defuses bombs, climbs the sides of buildings and talks down suicidal teens.Members of a highly-skilled tactical team, they're also trained in negotiating, profiling and getting inside the suspect's head to diffuse the situation to try and save lives.

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