Showing posts with label raul esparza. Show all posts
Showing posts with label raul esparza. Show all posts

4/25/2012

Company: A Musical Comedy (2007) Review

Company: A Musical Comedy (2007)
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Marry me a little,
Love me just enough.
Cry but not too often,
Play but not too rough.
Keep a tender distance
So we'll both be free.
That's the way it ought to be....
Only Stephen Sondheim could come up with such sophisticated couplets to a love song as disquieting as the beautiful "Marry Me a Little". I was very fortunate to have seen the enthralling 2006 production at the Ethel Barrymore Theater last season, and I'm thrilled it has been captured for posterity on DVD as part of PBS's "Great Performances" series. There is something supremely ironic about how a 37-year old show, already revived twice, can feel fresher than most Broadway musicals written today. However, when the music reflects Sondheim at his most accomplished with performers so adept, it becomes a moot point, even though several of the songs here have been inescapable at karaoke bars for years from the lips of overly zealous musical theater aficionados.
Staged like a minimalist cabaret act, John Doyle's joyous revival uses the same technique he used in his 2005 production of Sondheim's Sweeney Todd, specifically he has the actors play their own musical instruments, a daring move which actually helps underline the characters' feelings. The story is blessedly simple as it revolves around perennial bachelor Bobby, as he turns 35 and observes his circle of upscale Manhattanite friends, five married couples at different stages in various vignettes that make him reconsider what he wants out of life. Juggling three girlfriends, Bobby is a likeable but elliptical figure with commitment issues, and the story really follows his journey toward self-acceptance. There is an element of contrivance to the structure, but what I thought would be a severely dated libretto by George Furth continues to resonate with wit and insight.
For a canon as legendary and often erratic as his, Sondheim's sophisticated music and lyrics never seemed as accessible and hummable as they do here. So much of the show rides on the crucial casting of Bobby, and Raúl Esparza is terrifically bold and poignant in managing the precarious balance between yearning romantic and cynical hedonist. With a beautifully expressive singing voice coupled with a common-guy demeanor, he captures the character's arc with an escalating emotional intensity from the measured romanticism of "Someone Is Waiting" to the tender tentativeness of "Marry Me a Little" (with the beautiful, Sondheim-trademarked rolling piano) to the bursting climactic catharsis of "Being Alive".
The rest of the cast accomplish wonderful moments that already come with high expectations - Heather Laws' dexterously motors her way through "Getting Married Today" with her character's nerve-wracking intensity intact; Elizabeth Stanley brings a likable warmth to the dim-bulb flight attendant April as she duets sweetly with Esparza on the comically post-coital "Barcelona"; Angel Desai's saucy turn as hip Marta on "Another Hundred People"; the poignant "Sorry-Grateful" performed by the comparatively less spotlighted male ensemble; and of course, there are the lacerating observations in "The Ladies Who Lunch", handled with fierce worldliness by Barbara Walsh as Joanne. In the intimidating shadow of Elaine Stritch, Walsh lets out repeated primal screams at the end that pierce with wounding acuity.
TV director Lonny Price does a fluent job transferring the production to the small screen with minimum fuss. The 2008 DVD contains three terrific extras. First, there is a fifteen-minute interview with an articulate and thoughtful Esparza who discusses his connection with Bobby, the challenge of learning piano, and the alternating joy and pressure of working with Sondheim (for the third time). There is also a nine-minute interview with the erudite Doyle who explains how his unique use of actors as musicians went over with Sondheim. The centerpiece has to be a fascinating, 38-minute interview that Australian TV personality Jonathan Biggins conducted with Sondheim last year in Sydney's Theatre Royal. Sondheim is particularly forthcoming with humorous anecdotes about working with the likes of Leonard Bernstein, Ethel Merman, Barbra Streisand, and his mentor Oscar Hammerstein II during his long, illustrious career. This is a wonderful DVD for any Broadway aficionado and particularly for fans of Sondheim, Esparza and Doyle. I happen to be all three.

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Winner of the 2007 Tony Award! Sweeping all the major theater awards for Best Revival of a Musical, a beloved era-defining classic is stunningly reinvented in this powerful Broadway production, featuring an explosive starring performance by Raul Esparza. Set in modern upper-crust Manhattan, Company is a funny, sophisticated exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends. With a wise and witty Stephen Sondheim score including "Another Hundred People," "Side by Side by Side," "The Ladies Who Lunch" and "Being Alive," Company offers musical comedy at its finest.

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5/15/2011

Show Business - The Road to Broadway (2007) Review

Show Business - The Road to Broadway (2007)
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A documentary about the genesis, success, press, and fallout of four Broadway musicals would have to be quickly paced. Besides that, the well-rounded content of Dori Berenstein's 'Show Business-The Road to Broadway' is whole and complete--entertaining, fun, informative, eventful, and fascinating. If you love musicals, this is a must-see. If you're only luke warm, you'll probably love it anyway just to trace the creative sparks back to their origins.
Well, it's just so exciting! Especially if you don't know the outcomes (like me). Watching four selected Broadway musicals from 2004, we witness each one get created from the piano to the stage. Only a hair less satisfying are the steps of creation for the choreography, rehearsals, and press conferences. It's all in the details. Some of the participants strive for the American dream from the bottom: One got off of welfare; another was working as a temp. Then, as the show takes a life of it's own, we make our bets (like on our favorite horse race) and see which one wins (financially and/or critically). Sort of an entertainment version of 'The Apprentice' without The Donald, Adam Zucker's editing never leaves us yawning in the aisles. The film is effective enough as it reaches its climax at The Tony Awards.
How can you not love a movie that gives you a real look at 'Wicked,' 'Avenue Q,' 'Caroline or Change,' and 'Taboo'? The film features substantative sound bites from a myriad of producers, actors, writers, and artists. As an overview, I loved the round-table discussions by critics at a New York restaurant. Or how about the feistiness and passion of Boy George and Rosie O'Donnell? Then, we're left in suspense as we see which show is left standing and for how long.
Noting that some musicals make millions in a few weeks and others fold the same night, 'Show Business...' gives us "the big idea" and runs off with it. Off the stage, that is, where all the players sip champagne--and celebrate their triumphs or drown out their sorrows. Vibrant like Broadway itself, it is quite a show!
(Especially featuring--besides the aforementioned--Tony award-winning Actor, Alan Cumming and 'The New Yorker' Chief Critic, John Lahr.)

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The real drama happens behind the curtain in this fascinating and rare look at four high-profile Broadway musicals (Wicked, Taboo, Caroline, Or Change, and Avenue Q) and their fearless journey to the Tony Awards®. Including a star-studded cast, this entertaining film takes viewers on an unprecedented behind-the-scenes view of the creative process that captures all the heartbreak and hilarity of trying make it big in Show Business!

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