Showing posts with label broadway musical. Show all posts
Showing posts with label broadway musical. Show all posts

5/08/2012

Leonard Bernstein's Candide (Great Performances) (2005) Review

Leonard Bernstein's Candide (Great Performances) (2005)
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This is a splendid performance of Candide. But before you go any further, you should realise that this is a concert performance, not a full scale operatic staging of the work. That said, the singing is glorious and the acting, despite this being a concert performance is outstanding. It is driven to milk all the comic elements out of the play. It all works delightfully. It is so brimful of joie de vivre, it leaves you smiling and humming all day. I must disagree with a previous reviewer who said, Bernstein wouldn't be amused. This is precisely what he would have wanted to achieve.
Sir Thomas Allen is superb as Dr. Pangloss who doubles as the narrator of the concert. Paul Groves and Patti LuPone are both excellent. But the star of this Candide is surely the lovely Kristin Chenoweth as Cunegonde, who in addition to having a magnificient voice shows that she is a natural comedienne and actress. This recording of Candide immediately goes to the top of the list. Now, if only we could have Bernstein's own production of Candide recorded live at the Barbican Theatre in London. That recording under the Deutsche Grammophon label is yet to appear on DVD.
I should comment on the camerawork which received criticism from a previous reviewer. It is a mark of the electric quality of this bravura performance that most viewers don't even notice the occasionally almost amateurish shakiness of the camera. The cameraman was shaky at times and faces occasionally went in and out of focus but a large part of what I initially attributed to poor camerawork was in fact artificially introduced motion artifacts. This is a problem with the DVD encoding and not the camera. These cause apparent jumps in the picture. But this is present only in DVD players with low end video processors. Switching to a better DVD player or processor solves the problem.
The DVD by Image Entertainment is in 1.78:1 widescreen (anamorphic enhancement). Picture quality is very good, clear, sharp and with rich natural colors. The picture is flawless provided you play it on a good DVD player. It comes with 3 audio tracks, DTS 5.1, Dolby Surround 5.1 and Dolby Stereo. Excellent immersive sound. It would have been good if they had included an uncompressed PCM track as well but I suppose that's asking a bit much. All in all, an outstanding concert and one to be forever treasured.Technical note: As noted above I noticed a strange problem with this particular DVD. It seems to play quite flawlessly on certain systems, yet throw up irritating problems on others. On one set-up I noticed numerous motion artifacts and lots of combing issues. Motion appears jerky and horizontal scan lines appear whenever fast movements occur or rapid scene changes take place. I'm not quite sure why they should be there but I attibute it to faulty encoding or improper flagging. No other DVD exhibits these errors on this particular system. I believe what one of the previous reviewers complained about could be due to this. The problem goes away when switching to an alternate system with a better deinterlacer / video processor. However that does not absolve Image Entertainment from responsibility for producing a sub-standard DVD which requires high end equipment to compensate for its deficiencies.
P.S. Bernstein's Candide can be interpreted in many ways. Some approach it as serious opera, others as light operetta, still others as a Broadway musical or even farce. Liking or disliking a particular production is very subjective. If you adhere to Bernstein's final vision of this work, enshrined in his by now legendary Barbican performance (Final, revised edition, first premiered 1988 by Scottish Opera and later performed with the LSO at the Barbican in 1989 with high powered opera stars singing all the roles), then you will tend to view this more as Opera and consequently your attitude to any performance that detracts from that operatic image (like this one) will be very negative. But you must remember that for many years, and for most Americans, Candide was considered a Broadway musical and at most a comic operetta. The two contrasting visions are equally valid and are a testament to Bernstein's genius and Candide's status as a true masterpiece.

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Leonard Bernstein's brilliant comic operetta comes to dazzling new life under theguidance of director Lonny Price (A Class Act). Based on the classic Voltaire tale of an innocent young man's journey through a life filled with colorful characters and unexpected life lessons, this tune-filled frolic features Tony Award©-winners Patti LuPone and Kristin Chenoweth heading a dazzling cast with Paul Groves, Stanford Olsen, Sir Thomas Allen and the Westminster Symphonic Choir. The impeccable score (with lyrics by luminaries including Lillian Hellman, Dorothy Parker, Stephen Sondheim, Richard Wilbur and John La Touche) includes a host of delightful songs such as "Life Is Happiness Indeed," "It Must Be So," "You Were Dead, You Know" and "Make Our Garden Grow." Now enjoy this all-new production of a musical comedy favorite with Broadway's top stars!

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6/08/2011

Chess in Concert (2009) Review

Chess in Concert (2009)
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Four items make this a must-have. The first is Josh Groban singing the classic "Anthem", where, as the Russian chess champion, Anatoly, he avows his love for his homeland. As Anatoly's discarded wife, Svetlana, the amazing Kerry Ellis totally nails "Someone Else's Story." There's "The Story of Chess", where the Chorus perform Tim Rice's witty take on the evolution of the game. Finally, the Quartet, where Florence (Idina Menzel), Anatoly, his minder Molokov and the Arbiter deplore how chess has sunk from "a model of decorum and tranquillity" to "a battleground for rival ideologies to slug it out with glee."
Having seen the original London West End production in 1986 with Elaine Paige, I was lucky enough to witness this superb 21st Anniversary production in the Royal Albert Hall, London, last year. Tim Rice has tightened up the plot of love and betrayal played out in the setting of chess championships in the Cold War. Florence, who manages the American champion, falls for the Russian; complications - political, ethical, personal - ensue. From the moment the outstanding Chorus bursts into "Merano" - blending chess with commercialism as a tiny Central European town prepares to welcome the world - right to the devastating "Endgame" and final twist, the dramatic pace never lets up.
In this DVD, hopefully the sound difficulties of this production will have been ironed out. As to the cast - they were fantastic!! Groban is a revelation: a brilliant actor as well as singer. Kerry Ellis was a showstopper. As Florence, Idina Menzel, (so good in Wicked (2003 Original Broadway Cast), was too strident for my taste, lacking subtlety and roundness in acting. ("Heaven Help My Heart" doesn't register, and "Nobody's Side" pales away.) However, her "You and I" with Groban still tugs the heartstrings: "we go on pretending / Stories like ours Have happy endings."
The wonderful David Bedella (Jerry Springer: the Opera), makes a great, sinister Molokov. And Adam Pascal gives his charismatic ALL as Freddy, the tormented American bearing luggage from the past: "Pity the Child." Marti Pellow (of pop group Wet Wet Wet) was a disappointment as the Arbiter, a little under-performed I felt.
Rice's lyrics are trenchant, tender, intelligent, witty. The music, by Benny and Bjorn of ABBA, is a perfect rock score, conveying all the emotions and tensions necessary and fully matching the lyrics.
In the main, this is a superb production of a classic and underestimated musical.

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Starring multiplatinum artist Josh Groban, Tony-winning Idina Menzel (Wicked) and Tony nominated Adam Pascal (RENT), Chess In Concert revives the eclectic yet wonderfully pop 1984 concept album featuring the music of ABBA's Björn Ulvaeus and Benny Andersson and lyrics of Tim Rice (Jesus Christ Superstar, The Lion King, Evita). Recorded at London's Royal Albert Hall in May 2008, this spectacular Chess In Concert - introduced by Rice and with the 50- piece City of London Philharmonic and 100-voice West End Chorus - finally fulfills the promise of the popular cult musical.

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5/15/2011

Show Business - The Road to Broadway (2007) Review

Show Business - The Road to Broadway (2007)
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A documentary about the genesis, success, press, and fallout of four Broadway musicals would have to be quickly paced. Besides that, the well-rounded content of Dori Berenstein's 'Show Business-The Road to Broadway' is whole and complete--entertaining, fun, informative, eventful, and fascinating. If you love musicals, this is a must-see. If you're only luke warm, you'll probably love it anyway just to trace the creative sparks back to their origins.
Well, it's just so exciting! Especially if you don't know the outcomes (like me). Watching four selected Broadway musicals from 2004, we witness each one get created from the piano to the stage. Only a hair less satisfying are the steps of creation for the choreography, rehearsals, and press conferences. It's all in the details. Some of the participants strive for the American dream from the bottom: One got off of welfare; another was working as a temp. Then, as the show takes a life of it's own, we make our bets (like on our favorite horse race) and see which one wins (financially and/or critically). Sort of an entertainment version of 'The Apprentice' without The Donald, Adam Zucker's editing never leaves us yawning in the aisles. The film is effective enough as it reaches its climax at The Tony Awards.
How can you not love a movie that gives you a real look at 'Wicked,' 'Avenue Q,' 'Caroline or Change,' and 'Taboo'? The film features substantative sound bites from a myriad of producers, actors, writers, and artists. As an overview, I loved the round-table discussions by critics at a New York restaurant. Or how about the feistiness and passion of Boy George and Rosie O'Donnell? Then, we're left in suspense as we see which show is left standing and for how long.
Noting that some musicals make millions in a few weeks and others fold the same night, 'Show Business...' gives us "the big idea" and runs off with it. Off the stage, that is, where all the players sip champagne--and celebrate their triumphs or drown out their sorrows. Vibrant like Broadway itself, it is quite a show!
(Especially featuring--besides the aforementioned--Tony award-winning Actor, Alan Cumming and 'The New Yorker' Chief Critic, John Lahr.)

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The real drama happens behind the curtain in this fascinating and rare look at four high-profile Broadway musicals (Wicked, Taboo, Caroline, Or Change, and Avenue Q) and their fearless journey to the Tony Awards®. Including a star-studded cast, this entertaining film takes viewers on an unprecedented behind-the-scenes view of the creative process that captures all the heartbreak and hilarity of trying make it big in Show Business!

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