Showing posts with label jane eyre. Show all posts
Showing posts with label jane eyre. Show all posts

12/18/2011

Wide Sargasso Sea (2006) Review

Wide Sargasso Sea (2006)
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"Wide Sargasso Sea," a new television production by BBC Wales, based on the esteemed novel of the same title Wide Sargasso Sea by Jean Rhys, has been broadcast in the United Kingdom, but has not been broadcast here. Nevertheless, lucky us, this sexy, tragic tale is now available for the first time for purchase on these shores. The film, as the novel on which it's based, functions as a prequel to famed British 19th century novelist Charlotte Bronte's Jane Eyre (Penguin Classics). And oddly enough, though "Jane Eyre" has been filmed many times, for big screen and small, this is only the second take of "Wide Sargasso Sea;" another, Australian-made version,Wide Sargasso Sea, intended for the big screen, came and went without notice in 1993, though it featured several big-name stars.
This TV version is filmed, like its predecessor, in the fantastically beautiful green island of Jamaica, and it's certainly beautiful to watch. It stars several lesser-known young performers; as the young Englishman Edward Rochester, Rafe Spall( Masterpiece Theatre: Room With a View; Shaun of the Dead,); as beautiful Creole heiress Antoinette Cosway, Rebecca Hall ( The Prestige); and as obeah woman/servant Christophine, Nina Sosanya, (Peter O'Toole's recent TV film Casanova (Masterpiece Theater)). All inhabit their roles fully, giving us a well-balanced cast. The film script follows Rhys's book in shifting the action of Bronte's from the 1810s to the 1830s, shortly after slave emancipation. It was adapted for the screen by Stephen Greenhorn; directed by award-winning Brendan Maher ("The Road from Coorain"). It tells the unhappy backstory of West Indian heiress Bertha Mason, as she was to be known in her later life, the first Mrs. Rochester; the madwoman in the attic whom Jane Eyre must defeat in order to become the second Mrs. Rochester.
Surely, in the history of Western literature, there can have been few more inspired ideas than that of Rhys's; to develop the tragic kernel at the heart of "Jane Eyre," and few writers better equipped to do it. Rhys, a twentieth century novelist, was herself born in Domenica, a British colony in the West Indies; she was the daughter of a Welsh doctor, and a third-generation Creole woman of Scottish descent. She knew the snobbish, repressive, patriarchal culture very well; and also the uneasy social position of the Creole woman - generally understood to be not necessarily entirely of white ancestry, but accepted as such for necessary social reasons. (At one point in the story, a servant calls Mason a "white cockroach," a slur that I understand was frequently directed at Rhys in her own early life.) This dichotomy, of course, creates a tension that will be very difficult for such a woman to handle, and can be seen as a major cause of Mason's madness; in addition to the fact that she fails to understand England, or the English, properly: she just cannot see that Rochester is a typical proper Englishman of his time.
Rhys, born in 1890, led a wandering, alcoholic, bohemian life all over 20th century Europe. She is widely esteemed as a feminist author these days, as are all her works, but most particularly "Sargasso," and its heartbreaking tale of a woman at sea in an alien culture. She had an affair with noted novelist Ford Madox Ford, reputedly had a threesome with him and his Australian wife, published a novel Quartet (Norton Paperback Fiction) about it all, and certainly benefited from his literary advice. She also had a relationship with omnisexual British jazz singer/author George Melly; she and his bandleader John Chilton wrote a sardonic song about it: "Living with You." Most of her books utilized modernist techniques and West Indian sensibilities, to deal with wandering penniless women, no longer as young and pretty as once they were, seeking one more generous man. As a writer, Rhys fell silent for many years mid-career, until she published "Sargasso" in 1966. The novel won the prestigious W.H. Smith Literary Award, also the Royal Society Literary Award. She said about it, "It has come too late." She was made a Fellow of the Royal Society of Literature in 1966, and a Commander of the British Empire in 1978, a year before her death.
Mind you, this is not to take anything away from Bronte, herself, also a deservedly feminist icon these days, as is her Jane. Both remind us that it was possible for women to snatch achievement from even the most patriarchal culture. Furthermore, Bronte may have written a great romance; but she was realist enough to recognize that it was built on the misery and misfortune of the shadowy madwoman in the attic.
We have here a great, fresh story, well-told, that was filmed alongside a new version of "Jane Eyre;" and adds a lot to it. You should see them together if you can manage (and, thank goodness, it's got subtitles).


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"Beautifully acted" -- The Independent (U.K.) As imagined by Jean Rhys, the villainous madwoman in Charlotte Bronte’s Jane Eyre becomes an innocent, born into two cultures but belonging to none. The exotic Caribbean confounds young Englishman Edward Rochester when he arrives in 1830s Jamaica to pursue his fortune. Nevertheless, he finds nothing to fear in beautiful Creole heiress Antoinette Cosway. She eagerly succumbs to his courtship, entrusting him with her dowry and her destiny. In the intoxicating surroundings of their honeymoon house, ecstatic lust turns to suspicion and betrayal as her world and his disastrously collide. In this passionate and heartbreaking love story, the shadowy character created by one brilliant novelist becomes fully realized in the hands of another. Rafe Spall (The Chatterley Affair) and Rebecca Hall (The Prestige) star in a fresh adaptation that captures all the sensuality, suspense, and nuance of Rhys’s masterpiece. DVD SPECIAL FEATURES INCLUDE biography of Jean Rhys, SDH subtitles, and cast filmographies.

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10/29/2011

Jane Eyre (Masterpiece Theatre, 2006) (2007) Review

Jane Eyre (Masterpiece Theatre, 2006) (2007)
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"Masterpiece Theater" has long been a benchmark in bringing quality British TV to American viewers. With a prestigious history, some legendary programs--including "Upstairs, Downstairs" and "I, Claudius"--have found acclaim, awards, and international audiences. Of late, "Masterpiece Theater" has been showcasing some ambitious literary adaptations with mixed results. Last season's high point, and a must for any lover of film, was the flawless adaptation of Charles Dickens' "Bleak House." A triumph in every regard, and featuring Emmy nominated turns by Charles Dance and Gillian Anderson, this program should be essential viewing for those that value literate, classy and wildly entertaining TV. This season's offerings have included "To The Ends Of The Earth" (an adaptation of William Golding's seafaring trilogy--'Rites Of Passage,' 'Close Quarters' and 'Fire Down Below'), a robust new version of Charlotte Bronte's "Jane Eyre," a reimagining of Bram Stoker's "Dracula," and the swan song of Helen Mirren's Jane Tennison in "Prime Suspect 7."
What can one say about "Jane Eyre" that hasn't been said before? Being familiar with the novel and countless prior adaptations, I'll admit that I wasn't all that excited to revisit what I consider to be a very familiar tale. However, I diligently sat down to watch the latest 2 part "Masterpiece Theater" production. And, boy, am I ever glad that I did. While there are some liberties taken with the source material, that's to be expected. Anyone who envisions every adaptation of a novel to be a literal translation is denying the power of the film medium to create new and enduring art. In fact, it often annoys me when people carp on how something is different in lieu of accepting the merits of the interpretation. This "Jane Eyre" succeeds so well due to the credible romantic relationship, the intelligent screenplay, and the genuinely haunting quality of the central mystery.
While this version breezes past Jane's difficult childhood, it effectively settles into the heart of the story--when Jane takes a position at Thornfield Hall. Jane becomes fascinated by her new employer, Mr. Rochester. The two interact believably, and as Jane gets past Rochester's gruff exterior and erratic mood swings--she starts to have feelings for the man. Part One of this miniseries details the evolving, but chaste, relationship. In addition, the mysterious goings-on at Thornfield are excellently depicted. I was riveted by everything in this first part--particularly the intelligent banter between the two leads and the underlying sense of dread that exists in the manor. Easily 5 stars, the first half of this miniseries is flawless. In Part Two, physical romance blossoms and secrets are revealed in a very satisfying way. However, as "Jane" fans know--there are still plenty of obstacles in the way of true love. As the story wanders away from Thornfield, the program loses some of its momentum and its magic. It's still a good adaptation--but when the leads are separated, it loses a bit of its spark.
In case you haven't guessed, I was thoroughly impressed by Ruth Wilson and Toby Stephens, as Jane and Rochester respectively. Wilson is the perfect Jane--intelligent and appealing. It's hard to imagine someone not falling in love with her, she's so sensible and caring. Stephens does a terrific job, as well. Playing the tortured Rochester, he is a trapped soul that's yearning, but unable, to escape. While referred to in the dialogue as ugly (which he's not), it is also easy to see why this man would be a challenge for and an equal to Jane. A wonderful combination, Wilson and Stephens make this "Jane Eyre" sing. Even if you've fallen in love with other versions, there is a vital romanticism that distinguishes this lovely film. KGHarris, 02/07.

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After a wretched childhood, orphaned Jane Eyre yearns for new experiences. She accepts a governess position at Thornfield Hall, where she tutors a lively French girl named Adele. She soon finds herself falling in love with the brooding master of the house - the passionate Mr. Rochester. Jane gradually wins his heart, but they must overcome the dark secrets of the past before they can find happiness. When Jane saves Rochester from an eerie fire, she begins to suspect that there are many mysteries behind the walls of Thornfield Hall. Her fears are confirmed when Rochester's secret past is revealed, destroying her chance for happiness, and forcing Jane to flee Thornfield. Penniless and hungry, she finds shelter and friendship in the shape of a kind clergyman and his family. But she is soon shocked to uncover the deeply hidden truth of her own past. This lavish and sensual new version of Charlotte Bronte’s classic novel is modern and moody, timeless and romantic. Starring Toby Stephens as Mr. Rochester, Ruth Wilson as Jane, and Francesca Annis as Lady Ingram.

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10/05/2011

Jane Eyre (BBC) (2006) Review

Jane Eyre (BBC) (2006)
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After having had the opportunity to view several adaptations of Jane Eyre, Sorcha Cusack captures the heart, mind, and the look of Bronte's groundbreaking characterization of Jane. After the exquisitely masterful acting of Cusack in this role, it will take some adjustment on my part to see her in other roles. To put it as plainly as I can, Sorcha was Jane Eyre. The overall casting was very good; Michael Jayston's Rochester was very true to Charlotte's Bronte's vision of a deeply wounded misguided man searching for true meaning and fulfillment in a very Class conscious, frivolous society. It was refreshing to see Stephanie Beacham as a young woman who was the very female prototype of that priviledged, claustrophobic, and very clueless world that shunned people such as Jane. For literature purists, this Jane Eyre is a must-see!

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After a childhood that would have broken weaker girls, Jane Eyre finds a respectable position as governess to the ward of the enigmatic Mr. Rochester. Twenty years her senior, brusque, and hardened by loss, Mr. Rochester finds his spirited new employee strangely bewitching. Despite the social chasm that divides them, they are drawn to each other as equals and contemplate true happiness at last. But there is an impediment to their love that tests Jane’s integrity and strength almost beyond endurance. Considered by many to be the best adaptation of Charlotte Brontë’s romantic classic, this BBC miniseries is true to the original story, with dialogue taken directly from the novel. Best of all is the perfect casting and chemistry of the unlikely lovers, with Sorcha Cusack (Casualty) as Jane and Michael Jayston (Tinker, Tailor, Soldier, Spy) as Mr. Rochester.

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