Showing posts with label amc. Show all posts
Showing posts with label amc. Show all posts

5/09/2012

Being Human: Series 1 (2pc) (2009) Review

Being Human: Series 1 (2pc)   (2009)
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. . . and best werewolf and best ghost show on TV. Mind you, I like TRUE BLOOD and have even come to see the upside to THE VAMPIRE DIARIES, but both of those are enjoyable diversions with no real subtext (TRUE BLOOD gestures at subtext with its parallels with prejudice against all kinds of difference, but in 2010 that is a pretty worked over subtext and lacks power at this point). But if you want more depth of subtext and a more subtle narrative and richer character development and, well, less garishness, than this is a show you should check out. Not yet available in the U.S. on DVD and Blu-ray (every time I have checked on Amazon I've only seen an outrageously overpriced $70 Blu-ray that never seems to be available -- though if you have an all regions DVD player, you can order an infinitely more affordable edition from Great Britain, which I strongly recommend, I repeat, only if you have an All-Regions player). There are only six episodes in Season One and eight in Seasons Two, so the idea of paying over $10 per episode is rather offensive. But you can either catch the show on BBC America or on Region 2 DVDs.
The series starts when two orderlies at a hospital at Bristol decide to room together. What makes this desirable for them is that they are supernatural creatures. Mitchell is a vampire. Not a terribly old one by vampire narrative standards (less than a century old). George is a werewolf and on three nights a week has a rather violent transformation into a truly nasty beastie (and thanks to CGI his transformations are truly horrendous). Both of them are trying to pass as normal humans, and for economic reasons and simply because they don't want to live alone, they decide to find an apartment together. By happy circumstance, the apartment they find and move into is inhabited by an outrageously sunny and upbeat ghost named Annie. Together, the three of them try to lives that are as normal as possible.
The trouble is, the rest of the world doesn't want them to live normal lives. The vampire community (why does there always seem to be a vampire community?) wants Mitchell to return to the fold. They especially don't want him living with a werewolf. And meanwhile, the afterlife wants Annie to move on, into the light, and away from her human life. So their struggles are unusually rich and complex.
What made BUFFY and ANGEL so vastly superior to TRUE BLOOD and MOONLIGHT and THE VAMPIRE DIARIES and the TWILIGHT series (both novels and movies) was what they were able to do with the premises, with the metaphorical richness of the stories. TRUE BLOOD ends up being a glorious one-dimensional guilty pleasure show, all glorious surface with nothing beneath. BEING HUMAN is much more like BUFFY, with richly developed, deliciously articulated stories with timely cultural references. Mitchell's vampirism, for instance, is used less as a metaphor for homosexuality, as it is in TRUE BLOOD, but addiction and the difficulty of human self-control.
The show is driven by its appealing leads. Russell Tovey (George) will be perhaps best known from his appearance on DR. WHO and the movie THE HISTORY BOYS, but Lenora Crichlow (Annie) and Aidan Turner (Mitchell) are appealing newcomers. There are endless polls about who the hottest vampires are and if Mitchell were better known in the U.S. he'd almost certainly win them all. He is a spectacular incarnation of the really bad boy who wants to be good but for whom it is a constant struggle. George, meanwhile, is like the big silly family dog. There is meanwhile absolutely noting ghostly about Annie except that she can't be seen. She is dark complexioned, but if you had to assign a color to her personality, it would be yellow. Bright yellow. She is sunny and irrepressibly happy and upbeat. Any room she is in has no dark corners. In other words, the polar opposite of all of the stereotypes of ghosts.
SyFy has announced that they are developing an American version of BEING HUMAN. Hopefully they won't blow it. The BBC series is a great one. I am not opposed to an American version, as long as it is more like the American adaptations of THE OFFICE than other efforts. But even if it fails, it should be seen as a gesture towards the excellence of the original. But even if the American version turns out well, if you love extremely high quality shows dealing with the supernatural, you should definitely know the original. The only thing I hate about this show is that there have been only fourteen episodes to date.

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BEING HUMAN is a bizarre, supernatural sitcom from the BBC that revolves around the concept of two young men-Mitchell and George--sharing a flat. While this seems like a tried and tested formula for television the twist is that Mitchell (Aidan Turner - THE TUDORS) is a vampire and George (Russell Tovey - LITTLE DORRIT, THE HISTORY BOYS) is a werewolf. Complicating matters further is pair's newfound home is haunted by the ghost of Annie (Lenora Crichlow - SUGAR RUSH).

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11/09/2011

Breaking Bad - The Complete First Season (2008) Review

Breaking Bad - The Complete First Season (2008)
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I think many, when looking at the main star of this show (Bryan Cranston) will have only really been familiar with him from Malcolm In The Middle. He played Hal, a simple Dad with simple values and an unbeatable love for his family. Who would have thought that he can take a character with the same basic love of his family and create something incredibly unique from that. In Breaking Bad, Bryan Cranston plays Chemistry professor Walter White who's married with a handicap son who suffers from Cerebral Palsy and a child on the way.
One day Walter is hit with the ultimate bombshell as he finds he has inoperable lung cancer and has little time left to live. Walter realises that he can't assure his families financial security for the little time he has left being a teacher. He hears about a raid on a crystal meth lab that seizes millions of dollars worth of drugs which he decides that he must be a part of that. He knows how to make the best crystal meth ever seen, but not how to get it on the streets which is why he must enlist the help of his former student and drug pusher Jesse Pinkman (Aaron Paul).
I honestly didn't have high hopes for this show as, although I'm a huge fan of Bryan Cranston for his work on Malcolm In The Middle, I struggled to believe he could pull off such a train wreck of a character. The family is a typical middle class American family struggling to take care of their disabled son trying to make him have as normal a life as possible. In a way I can relate to the situation as I'm disabled myself and know how much of a strain it can be on parents. Sure, it's not the same disability, but the family struggling through it is definitely displayed well and R.J. Mitte as Walter Jr. is an excellent fit. Although I'm betting he was only cast because he too has Cerebral Palsy, he still fits the bill and plays the character brilliantly.
Fantastic, fantastic show. I don't want to tell you much about the seasons events as it is quite short and risks spoiling certain events. I have to tell you that there are times in which this show doesn't hold back. It has no qualms about showing you the brutality of a broken man fighting against his own sense of morality, joining the drug world and even dealing with the fact that he killed a guy. Oh and obviously he's dying and is reminded of that from time to time but it's certainly gelled together brilliantly.
Just to wrap it up I can only really say this TV show is amazing in every way and I would highly recommend it to anyone and everyone. Bryan Cranston is a very underrated actor, but he's determined to prove himself for which he does a terrific job. When this DVD set comes out in the UK I'll certainly be one of the first to buy it.

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Popular water-cooler drama about an unremarkable and uncharismatic chemistry teacher, Walter, who discovers new passion in his life after he learns he has terminal cancer. Once a successful chemist, Walter now teaches apathetic high school students and works part-time at a car wash to help support his family - wife Skyler, who earns a modest income buying and selling items on eBay, and son Walter, Jr., a strong-willed 17-year-old suffering from cerebral palsy. Realizing he has nothing but his family left to live for, Walter's new sense of purpose reinvigorates him into a man of action as he turns to an exciting life of crime to provide for the ones he loves.

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6/29/2011

Mad Men: Season One (2007) Review

Mad Men: Season One (2007)
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It would be hard to imagine a more absorbingly intelligent American TV series--in terms of writing, acting, and visuals--than MAD MEN. Just before the final season of THE SOPRANOS began in late 2007, AMC presented us in the summer with the thirteen episodes of this marvelously atmospheric series created by one of the main writers of the series, Matt Weiner, that HBO insanely took a pass on. Ostensibly the series is about a group of advertising agency working for Madison Avenue advertising agency, the fictitious Sterling-Cooper, in 1960, during the Nixon-Kennedy presidential contest; yet on a deeper level the show wrestles with much larger questions about the meaning of obsession with having (and marketing) happiness in mid-20th-century America. The series centers primarily around four characters whose lives are inextricably linked with one another: Don Draper (Jon Hamm), a handsome advertising executive at Sterling-Cooper of few words but enormous creative gifts who hides a mysterious past; his beautiful but childlike wife Betty (January Jones), whom he keeps entirely separate in the suburbs from his work life and his mistresses in the city; Peggy Olson (Elisabeth Moss), Don's new secretary, whose naive affect and kind heart belie her tremendous ambition; and Pete Campbell (Vincent Kartheiser), the smarmy account executive who trades on his ties to the Old New York "Knickerbocracy" to get him ahead. The four central actors are absolutely first-rate, as are several within their near orbits: John Slattery as Roger Sterling, the roguish partner who is both Don's friend and his competitor; the gifted Christina Hendricks, as the firm's femme fatale head secretary; and Robert Morse, as the firm's wily and eccentric senior partner.
Morse's presence ties the series to his famous work in both the Broadway and Hollywood production of HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING, and the episodes make intelligent reference also to any number of important American fictional works about the NYC business and suburban domestic worlds of the post-War era, including THE APARTMENT and THE BEST OF EVERYTHING. (Richard Yates's REVOLUTIONARY ROAD and the films of Douglas Sirk are also repeatedly evoked too, if in less direct ways.) One of the pleasures of this fine DVD set are the superb extras which allow us to see the especially thoughtful work done by the series' set designers, hairstylists, and (particularly) its head costume designer. The commentaries are generally excellent, and it will come as no surprise to fans of the series that not only the series creator, Matt Weiner, and its writers are especially eloquent but so too are its actors, especially Hamm and Kartheiser. The eye-catching design of this DVD package (fashioned to look and open, naturally, like a classic American manufacturer's product: a Zippo lighter) has been rightly praised for its innovation but also rightly criticized for its unwieldiness.

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MAD MEN SEASON 1 - DVD Movie

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