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(More customer reviews)One of 2004's best films, DOWNFALL (DER UNTERGANG), recreates the last days of Adolph Hitler and his sycophants in the Fuhrer's bunker below the Reich Chancellery as the noose drawn by vengeful Soviet armies gets ever tighter.
The film actually opens in 1942 at Hitler's East Prussia command post as Adolph (Bruno Ganz) meets several young woman brought from Berlin to be interviewed for a job as his personal secretary. Young Traudl Junge (Alexandra Maria Lara) lands the plum assignment, and it's mostly from her perspective that the remainder of the story is told as the scene shifts to Berlin in April 1945.
DOWNFALL is based on Joachim Fest's book, Inside Hitler's Bunker: The Last Days of the Third Reich, and the volume BIS ZUR LETZTEN STUNDE by Traudl Junge and Melissa Muller. Indeed, the real Junge, by then an old woman, provides voiceovers both at the beginning and end of the film, and appears in person before the final credits. (The 2002 documentary, Blind Spot - Hitler's Secretary, is an extended interview with Traudl, in which she expresses "plausible deniability" for the atrocities perpetuated by her employer.)
All of the major and minor players familiar to students of the period are represented: Joseph and Magda Goebbels and their offspring, Eva Braun, Speer, Fegelein, Weidling, Mohnke, Himmler, Krebs, Burgdorf, Keitel, Jodl, Gunsche, Bormann, Göring, Hewel, Ritter von Greim, Reitsch, Stumpfegger, Kempa, Manziarly, Christian, Haase, Schenck, Linge, and Blondi (Hitler's German shepherd). DOWNFALL seems a faithful representation of all I've ever read about those last days in Hitler's hidey-hole.
DOWNFALL has been coined a "German film for Germans", perhaps thinking that the despicability of the Nazi hierarchy will somehow be toned down for a home audience. True, the film's creators show heroism and selflessness where they can find it: the dogged and brave defense of Berlin's city center by Generals Mohnke (André Hennicke) and Weidling (Michael Mendl), the concern for the civilian population and wounded by Doctors Schenck (Christian Berkel) and Haase (Mathias Habich), and even the bravery of Speer (Heino Ferch) in disobeying Hitler's orders to reduce Germany's infrastructure to scorched earth. But DOWNFALL also depicts Der Fuhrer's antipathy for the Jews and his volcanic, recriminatory outbursts against his generals and the German people for their ostensible treachery and cowardice, the self-serving conniving of Himmler (Ulrich Noethen), the actions of the assassination squads above ground seeking out perceived malingerers and deserters, the to-the-death fanaticism of defenders no more than children, and the blind and irrational loyalty of Joseph (Ulrich Matthes) and Magda (Corinna Harfouch) Goebbels to Hitler. Indeed, perhaps the hardest sequence to watch is that of Magda killing her own children - Helga, Hilde, Helmut, Hedda, Holde - with cyanide capsules after first drugging them with a sleeping potion. She'd decided that they didn't deserve to live in a world devoid of National Socialism. At one point, the oldest girl, Helga, sensing something is amiss with her mother's intentions, resists taking the soporific, but is forced to submit by Magda and Dr. Stumpfegger (Thorsten Krohn). The Goebbels children, along with Hitler's dog Blondi, who was poisoned by his master to test the effects of the cyanide capsules provided by Himmler, are the only innocents here, and the viewer's heart may well bleed for them.
The performance by Bruno Ganz was of Oscar caliber. He was certainly more deserving of a nomination than a couple of the actors so honored at the recent Academy Awards ceremony. However, can you imagine the wailing and gnashing of teeth by the Politically Correct had Bruno's ADOLPH HITLER been acclaimed for the brilliant rendition it is?
For those who'd criticize DOWNFALL as humanizing Hitler and his cronies, I have a breaking news flash. Hello!?! These men and women were defective, but still Homo sapiens all. Those who'd put these deviants beyond the pale of the species are just as deluded as those who'd deny that the Holocaust ever took place, and they may just as well put their heads back under the sand. It's a tired adage, but, forget history and you'll repeat it.
My only complaint was that many of the characters, unless introduced to the audience by having their names verbalized in the dialogue, are left too long unidentified. There should have been visual captions at the first appearance of each. Himmler, Goebbels, and perhaps Speer, are immediately recognizable, but it took too long into the run time to identify such as Bormann, Gunsche, Weidling, Krebs, Burgdorf, Keitel, and Jodl.
DOWNFALL is a must-see film for anybody interested in the death throes of Hitler's Reich. It was nominated for an Academy Award as the Best Foreign Language Film of 2004. It lost out to THE SEA INSIDE, a lesser movie. The fact that the latter was itself exceptional should be an indication of how superb a production DOWNFALL is.
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Charting the final days of World War II in Nazi Germany, DOWNFALL shows what went on in the bunker where Hitler (Bruno Ganz), his secretary (Alexandra Maria Lara), and a few close colleagues waited for their inevitable demise.
