Showing posts with label vietnam war. Show all posts
Showing posts with label vietnam war. Show all posts

6/16/2012

The Day Reagan Was Shot (2001) Review

The Day Reagan Was Shot  (2001)
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The Day Reagan Was Shot is a gripping, impressive film, but it does a great disservice to the parties involved and to the American public by passing itself off as a true recounting of the awful events of that day. I went into this film somewhat on my guard, knowing that Oliver Stone has never failed to let actual facts get in the way of his historical dramas; I was also leery of the fact that Richard Dreyfuss, a terrific actor but also a well-known liberal, would be playing a primary role. I was ten years old on March 10, 1981, but it is a day I will never forget. I won't dare compare the Reagan assassination attempt with the public execution of President Kennedy, but it was a formative event in my young life. I loved Ronald Reagan, and due largely to him I had begun developing my own political views. The images of those few seconds outside the Hilton Hotel were forever burned into my brain. Seeing the President shoved into a limo and rushed to a hospital while three men lay grievously wounded on the sidewalk was unnerving to say the least, invoking a horror I could scarcely have imagined before that fateful day. Thus, the events presented here are important to me, and I really hoped they would have been presented truthfully - they were not.
It is important for viewers to know that this film deviates wildly from the truth in many important respects. Secretary of State Alexander Haig (played brilliantly by Richard Dreyfuss) is demonized most unfairly, the state of chaos existing that day is exaggerated, the potential of nuclear war against the Soviets during the crisis is far-fetched indeed, and the members of the President's Cabinet and senior level staff are oftentimes wrongly portrayed as buffoons. Not only is Haig presented as a man making a selfish power play, his actions are even referred to more than once as a coup d'etat. Oliver Stone's Haig stomps around barking commands, arguing and insulting his fellow Cabinet members to a ridiculous degree, actually slapping one of his most trusted aides, and usurping power in the midst of a government in crisis. Although his character is redeemed to a small degree later on in the film, Stone unloads all of his guns on Haig's character. It is true that a certain degree of chaos did exist in the wake of the attempt on Reagan's life, and we all know that Haig addressed the public and mistakenly listed secretary of state as next in line for the Presidency after the Vice President (who was in flight over Texas when the assassination attempt occurred). If you look at the history yourself, however (and we now have tapes of the discussions in the crisis center that day), you will find an imperfect yet noble Alexander Haig who took necessary action for the good of the country. When deputy press secretary Larry Speakes went on television and refused to answer a question as to who was currently running the government, Haig stepped in to quell public fears and reassure allies and Cold War enemies that there were indeed capable hands on the wheels of the American government. Besides his inaccurate interpretation of the 25th amendment, Haig has also been criticized for claiming that military alert status had not been raised at the time. In reality, he only learned that Defense Secretary Weinberger had indeed raised that status after he returned to the situation room following his statement to the press. In this movie, he gets that information beforehand and is thus portrayed as lying to the country and the world. This is just one of many facts that Oliver Stone gets wrong.
Oliver Stone makes a mockery of the President's advisors and Cabinet, characterizing them as squabbling children in the aftermath of the shooting. Certainly there was tension and frayed nerves in the crisis center, but Stone goes far beyond the pale in this movie. CIA Director William Casey is particularly targeted for ridicule as a deaf, unintelligible old man. What surprised me more than anything, though, was the inaccuracy of the actual assassination attempt scene. As soon as President Reagan exits the hotel, Hinckley is firing at him; there's no "Mr. President" call just before he steps into the limo, and the brave actions of Jerry Parr (who pushed the President into the limo) and Tim McCarthy (who jumped between the gunman and his target in truly heroic fashion, taking a bullet in his chest for the President) are not given the attention they deserve.
Thus, The Day Reagan Was Shot is poor, politically slanted history. As a motion picture, though, it works wonderfully. The scenes in the hospital are riveting and sometimes graphic, all of the actors and actresses give wonderful performances, and Richard Dreyfuss turns in a truly impressive performance. Thus, I have to balance both sides of the coin in terms of rating this film. It's a five-star movie, but its subversion of the facts and misrepresentation of history cry out for one star only. Thus, I am splitting the difference and giving it three stars. It's a great film, but please don't take Oliver Stone's version of history as the truth.

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5/16/2012

The Vietnam War (History Channel) (2008) Review

The Vietnam War (History Channel) (2008)
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My Uncle went to Vietnam, volunteer, and though he said he found it to leave out some information, he found the entire documentary quite thorough in its details of the war as he remembered it. He pointed out only a few details that they brought out about the reasons for going, the problems with the stay, and the internal combustion of the government who tried to fight the war instead of letting the soldiers fight it that he thought were really interesting, and really true to his opinion of what happened to the war. He felt all and all that this documentary was good for someone that was there, and certainly good for me, who wasn't even alive then.

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At a total cost of more than 3.1 million lives, the Vietnam conflict is, to date, America s longest and most controversial war. It also marked the first time TV journalists ventured out to the frontlines to bring the spectacle of combat into American living rooms. Across the nation, Americans watched, captivated by the surprise Tet Offensive and the slow-motion tragedy of the 77-day Battle of Khe Sanh, and witnessed the courage and skill of American soldiers at decisive engagements like Ia Drang Valley, Con Thien, and Dak To.Now THE HISTORY CHANNEL presents a comprehensive 2-disc set that profiles the decision-makers and chronicles each key event in the Vietnam war, from the advisors arrival in 1959 to the airlift from the roof of the American Embassy in 1975. Archival footage and interviews with historians and veterans reveal the military and political strategies in play, and CBS News archives take viewers to the frontlines to witness the daily struggles of American servicemen and women.

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11/14/2011

Gun Camera (2007) Review

Gun Camera (2007)
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I own dozens of war and aviation related documentaries, many of which are boring and monotonous. This is not one of them.
"Gun Camera" is a very interesting compilation of actual gun camera footage from World War Two, Korea, Vietnam, and the Gulf Wars. Historians, analysts, and pilots provide commentary for the footage, which includes strafing trains and bombing ships in WW2, aerial dogfights in Korea, bombing jungles in Vietnam, and using smart bombs to take out strategic targets in Iraq.
My only complaints with the production are, 1) the repetitive aircraft information, which, although interesting, doesn't have a lot to do with the footage (many of the deleted scenes are more interesting), and, 2) the realism that is lost when sound effects (guns firing and explosions) are added to the normally silent footage, with no acknowledgment made.
Regardless of whether those two things bother you or not, I would recommend this DVD. It kept me entertained for its entire 135 minutes.

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Experience the stunning real-life ferocity and destructive power of air warfare as seen through the "eyes" of military fighter jets flying deadly missions. These films captured by aircraft gun cameras have proved to be powerful witnesses to aerial combat since their introduction during World War II. Intended to record the accuracy and effectiveness of airborne weaponry and to confirm victories against enemy planes, this unbelievable footage of 20th century American attack missions is now available to all on DVD. Featuring: "Moving Targets:" The unwritten rule of war: if it moves, shoot it. From the speeding supply trains of World War II to the desperate convoys of the war in Iraq, discover details of a half-century of war, including a debriefing with a WWII ace and his gun camera footage. "Air Supremacy:" Experience 500-mph dog fights, deadly strafing airfield runs and the gritty 50-caliber hell of helicopter warfare in Vietnam. Also includes unforgettable film from famed WWII B-17 Bomber Memphis Belle -- actual combat footage dissected and analyzed for the first time! "Fixed Targets:" Embark on a search for the three B's: bunkers, bridges and buildings. Experience fixed target aerial assaults, including bombing runs over Europe and fiery attacks on the Vietnam jungle.

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9/15/2011

Smothered - The Censorship Struggles of the Smothers Brothers Comedy Hour (2002) Review

Smothered - The Censorship Struggles of the Smothers Brothers Comedy Hour (2002)
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The 2002 documentary "The Great Smothers Brothers Censorship Wars" tells the story of how one of the most popular comedy variety shows on television in the Sixties went to far and was axed by the network. Tom and Dick Smothers were a popular comedy and folk singing team: Tommy played both the guitar and the role of dullard while Dick played bass, sang the tenor parts in the arrangement, and tried unsuccessfully to keep his brother in line. "The Smothers Brothers Comedy Hour" first aired on February 5, 1967 going up against the #1 show on television, "Bonanza." The show finished 16th in the Nielsens and helped knock the Cartwrights out of the top spot the following season. The show was a hit with younger viewers, who liked the irreverence of the show, which poked fun at every sacred cow they could find, aided and abetted by Pat Paulsen's "editorials."
As this documentary shows, the Smothers Brothers were having trouble getting things past the CBS censors almost from the start. When Paulsen ran a joke campaign for the presidency, CBS kept him off the air fearing the real candidates would demand equal time, but the two key blows were an appearance by folk singing legend Pete Seger, who sang the Vietnam protest song "Waist Deep in the Big Muddy" and a pair of comedy "sermons" by comedian David Bernstein. The technical reason for canceling the show was the failure to provide a tape on time to be cleared by the censors, but the motivation was clearly the anti-war, left-wing, and outspoken guest stars. Tommy Smothers could yell about the First Amendment all he wanted, but in the end CBS replaced the show with "Hee Haw," a lesson that was lost on no one at the time, which was, you should remember, Richard Nixon's first term in the White House.
The documentary is fairly balanced, with talking heads from both sides, some of which will be recognizable to young viewers (e.g., Steve Martin, a Smo Bro writer). For those of us who fondly remember Leigh French, Bob Einstein, and Mason Williams, this is a nice walk down memory lane, albeit through some bad times. "The Smothers Brothers Comedy Hour" was my favorite television show and when we left for Japan where my father was stationed it was the last television show I watched the night before the flight over. The documentary does assume that you know about the comedy of the Smothers Brothers, because that takes a back seat to the behind the camera conflicts between CBS and Tommy Smothers. Of course, in the television climate of today with what is available on cable the problems of the Smothers Brothers seems rather nostalgic, but there is still a chilling aspect to the tale when you recall the protests against the war, the assassinations of Kennedy and King, and the movement against dissent by the establishment at the end of that decade.
The great irony of course was that it was CBS that would be the network that would decide to air "All in the Family," which both ushered in an age of "relevant" prime time programming and constituted a de facto absolution for Tommy Smothers. Unfortunately, when the Smothers Brothers were let back on the air (on NBC) they were produced by Joe Hamilton, Carol Burnett's husband, who tried to force them into the mold of his wife's successful comedy variety show. By the time Tommy took over the producer's role the show was doomed by the half dozen shows he put on at the end were as fine as anything the format had seen and I am glad that when I met him several years ago I was able to tell him exactly that.

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An incredible slice of America’s media and pop-culture history, SMOTHERED tells the story of the censorship struggles of The Smothers Brothers Comedy Hour, the Emmy Award winning television program, broadcast on CBS from 1967 until it was prematurely stru

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