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(More customer reviews)December 1, 2006 Addition: I wanted to add a note responding to my own question in my original headline: Can it rebound in Season Four? The great news is: Yes! If there were an Emmy given for "The Comeback Show of the Year," THE O.C. after its first five episodes would have to be a leading candidate. I will be honest: I initially tuned in just to verify that THE O.C. in its 4th season was as bad as it was in its 3rd. I was going to watch two or three episodes and then give up on it. The great news is that it has completely returned to form and is now as good as it has been since it first started. This was not expected! The main reason is has been so good has been that it has gotten back to enjoying the characters, instead of introducing a string of unlikable ones that no one can stand. So far this season, not a single irritating new character! I was afraid that they would make Caitlin into the new Marissa, but so far she hasn't been too bad. The biggest surprise has to be Taylor. I assumed that she would no longer be a part of the show this season, but they not only have brought her back, they've made her vastly more intersting and sympathetic than I would ever have imagined. She is actually now a character I like. Who'd a thunk it? Right now the show is as strong as it was in Season One. One of the best turnarounds I've ever seen a show make.
The third season of THE OC was an almost unbelievable come down from the first two fun seasons. The things that made people enjoy the show the first two seasons were largely pushed to the side, while the more irritating features of the first two seasons were brought to the fore and made the center of the show. On several occasions both I and my good friend who also watches the show debated about whether we were going to stop watching it. There is a point where the displeasure is watching the show threatened to overwhelm any pleasures it brought. Then, after a season of one unpleasantness after another, the show ended on a shocker. Normally one would require a Spoiler warning for this, but unfortunately Mischa Barton herself spoiled the ending by announcing on national TV a few days before the season finale that her character was going to die on the show. Why she did this has been debated. Was she trying to hurt the show? Was she just being stupid? Whatever the reason, what would have been one of the most shocking endings in recent TV history was common knowledge even before it aired.
What went wrong in Season Three? Well, the same things that went wrong in Seasons 1 and 2 but that played a smaller role each year: the introduction of exceedingly unpleasant and irritating characters who dominate the course of the show's narrative. In Season One this was mainly restricted to Oliver, one of the worst characters I've ever seen in a TV show. My guess is that the show's creative team misinterpreted what made the show popular in Season One. Instead of the fun alchemy between the younger members of the cast along with the narratives centering on the adult cast members--which I think was about 99% of the reason people liked the show--they imagined that the chaos injected into the show by Oliver's character was what people loved about it. My own belief is that people liked the show DESPITE Oliver and the chaos he created, not because of him. I'm sure the show's producers imagined that Oliver was a character that viewers loved to hate, instead of merely hating him, which was the actual case. So, in Season Two, the show's producers and writers gave even more characters that we merely hated (instead of loved to hate), the unlikable Alex (who was unlikable not because she became Marissa's lover but because she was merely unlikable) and Trey, Ryan's older brother.
Because the producer's misunderstood what people were liking about the show--people liked the main characters, not the situations generated by the minor, intensely unlikable characters who upset the show's chemistry--they flooded the third season with terrible characters. It started early on in the rehab facility, where we were introduced to the duplicitous Charlotte, a role on which they wasted the wonderful Jeri Ryan. Luckily, Charlotte didn't stay on the show very long, though she was extremely unpleasant while she did. Also early in the season was the terrible Dean Jack Hess, another thoroughly unlikable and wildly implausible character who seemed to have a personal vendetta against Ryan and Marissa. He too disappeared fairly early on. But by then we had been introduced to Johnny, a semi-professional surfer at the public school Marissa was forced to attend after she was kicked out of her private school (her dismissal being merely one more of a host of unbelievable developments). Now, in Johnny's defense, he was not for the most part a terrible character. But his crush on Marissa and Marissa's ongoing inability to do the commonsense things to protect her relationship with Ryan was part and parcel of the stupidity on the part of all the major characters that almost caused the show to unravel. But even with all these irritating characters, the show's producers weren't done. Taylor Townshend was not really a character but a cartoon of a character, someone determined to take over as the school's social leader with the departure of Marissa and as Seth's girlfriend. Now, I will concede that she did become less unlikable as the season went on, and I liked that the show tried to turn her from a bad to a good character. But throughout she remained intensely annoying. There were numerous other unpleasant characters, but the crown for the title of King of the annoying characters of the third season clearly belongs to Vollchek, Johnny's surfing competitor, petty thug, briefly Marissa's lover, and all around annoying guy. He is also the guy who causes Marissa's death. While he doesn't come up to the annoying level of Oliver, he is close.
As a result of this endless parade of unlikable characters and stupid behavior on the part of the main characters (except Summer, who seems to be the only character immune to occasional idiocy--her aside, there were numerous occasions when you wanted to smack all of the major characters aside the head and yell, "Will you get a grip!"), fan discontent grew and grew and ratings of the show fell precipitously. After the end of the season there were rumors that FOX was so displeased with the show that they considered canceling it. In the end, they agreed to bring it back for 16 episodes, starting it much later in the season's schedule and running it without repeats, with the possibility of adding additional episodes if the ratings recover and if it turns out that people watch the show with Marissa off the show. It may well turn out, however, that the terrible Season Three was the beginning of the end for THE OC.
My central complaint with the show--even more than the parade of awful guest characters--is that the show more and more abandoned what made the show fun in the first two seasons: the interplay between the central characters. I hated Oliver and Trey and Alex and Vollchek and Johnny et al. but loved Sandy standing up for his principles, the wonderful interplay between Summer and Seth, Ryan and Marissa's mutual attraction despite their backgrounds. Everything else I put up with so I could enjoy that part of the show. But more and more this all retreated to the background. To be honest, pretty much the only reason I continued watching the show throughout Season Three was to enjoy the improbable relationship between Summer and Seth. As unhappy as I was with Season 3, I will probably at least start off watching the show in Season 4 just to see how they are doing. But my interest in the show is at this point on life support.
No question that the single biggest development in the entire run of the show was the death of Marissa. As much as some fans want her to come back, she is definitely dead and definitely won't be back. Mischa Barton's departure from the show seems to be a mutual decision. As the show's highest profile character (she has appeared on numerous magazine covers the past three years), she has undoubtedly been contemplating leaving TV for the movies for some time, a move accelerated by her well-publicized financial obligations owing to a break up. Even if she and the producers wanted her back, she is already tied to several movies projects and unable to do so. There are many fans who watched the show just to see if Ryan and Marissa would get back together. For them her departure could be fatal to their interest in the show. But the fact is that almost all of the horrible characters I noted earlier were connected to the show via Marissa. Almost all of the worst things in the show were narratively tied to Marissa. So, there is a real chance that the show could develop in different and better directions. But I am fearful that the writers and producers will continue in the direction the show has gone, bringing in one awful character after another, having the main characters engage in self-defeating or self-destructive behavior. When I first started watching the show, it was largely because of elements it shared with a show like THE GILMORE GIRL (on which Adam Brody was a character). I was hoping for a comedy with dramatic subplots, but instead the show has descended more and more into melodrama with less and less comedy. But I'm hoping that in Season 4 they can shift the focus more onto Summer and Seth and thereby emphasize the comedic elements that made the show so much fun in the first two seasons. But, I'm prepared to be disappointed.
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The O.C.: The Complete Third Season (2003)Senior year. Prom. Graduation. College visits. Old friends. New problems. And plenty of Korean popstars. Ryan's savior complex becomes a recipe for disaster. Seth and Summer's relationship hits the rocks thanks to Seth's compulsion to edit the truth. As Kirsten attempts to put her life back together, Sandy assumes leadership of the Newport Group and finds himself the heir-apparent to Caleb Nichol's legacy of scandal. Marissa spirals out of control after little sis Kaitlin - a Julie Cooper in the making - returns home to stir the pot. And speaking of Julie Cooper, she's cast out of her Palace - into the slums of the OC.DVD Features:Music Video:Making of The Subways music videoFeaturette:What's In a Name?Featurette:From Script to Screen - The Party FavorGag ReelOther:Pass The Remote - Scene surfing Commentary.
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