Mystery Coyote Waits (2003) Review

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(More customer reviews)"Coyote Waits", brought to the small screen by the same team that produced the lamentable "Skinwalkers", is a satisfying experience for Tony Hillerman fans, for fans of movie mysteries in general, and for folks interested in the portrayal of Native Americans, in this case the Navajo (Dine'). It would appear that the writers listened to the complaints about "Skinwalkers" and came up with a story that adheres much more closely to Hillerman's plot and to the author's portrayal of his main characters, particularly Jim Chee (played by Adam Beach) and Joe Leaphorn (Wes Studi). Like any novel adapted into a two-hour movie, there are conflations of characters and substantial trimmings in the narrative. Nonetheless, the major plotlines in the book are dealt with here in a generally satisfactory way, although the climax was a bit too pat based on the information that the viewer was given during the course of the investigation into the death of Officer Delbert Nez. The principal character change in the film involves the substitution of Leaphorn's wife Emma(who died in the earlier book) for Professor Borbonnette, a change that is not particularly jarring in this context. Kept intact from the book is the relationship between the traditionalist Chee (studying to be a haatali, or medicine man) and the rationalist Leaphorn (firmly in touch with his own Dine' culture, but deeply skeptical of some of its beliefs). All in all, the treatment accorded to "Coyote Waits" bodes well for future productions in the series. Hopefully, "Thief of Time" will be next.

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Dreamkeeper (2003) Review

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(More customer reviews)This Amazon reviewer guy obviously has no clue about what this story is actually about, or why the film format is really groundbreaking for Native American film and DOES work, wonderfully. It really isn't a typical Hallmark film. He thinks the special effects are cheesy because he doesn't understand these stories that are being told... and missed the humor of a lot of it. It's not about "myths" in the way that White people see myths. It's about how story is life.
THIS IS NOT A CHEESY HALLMARK MOVIE. It's really artfully done and is not a typical TV movie about why mainstream culture should loooove those Interesting and Spiritual Native Americans. I hope this film won't get labeled as a Nice Family Film About Myths. The only reason it's a TV movie by Hallmark is probably because this was the only way to fund such a high-budget Native film. What's too bad about that is that it won't get seen by the independent/art film crowd who might give it the awards that it deserves.
Honestly, not to offend anyone, but I think that this film wasn't made for White people, it's really more for Native people who will understand its importance. It's kind of how there are a lot of important films about White people/white american culture FOR White people who share the culture of the characters that other people can watch and either misunderstand (due to lack of understanding of white american culture) or try to view it in its context and understand the white perspective.
In the same way, this film needs to be seen in its own context, apart from the fact that it was shown on TV and laced with commercials aimed at mainstream America, or that its being sold as a Hallmark movie. A lot of these stories told by the Grandfather are becoming less and less told, and now are preserved for the younger generations in a way that still respects the 'oral tradition' that they come from. I hope that eventually the film will be treated more seriously, and that all those serious film critic-types will give it more attention and recognize all the creative and profound things that are going on in the structure and plot and cinematography.

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