Showing posts with label laura linney. Show all posts
Showing posts with label laura linney. Show all posts

2/03/2012

The Laramie Project (2001) Review

The Laramie Project (2001)
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Perhaps you have to have some prior knowledge of the subject matter of this film in order to properly appreciate it. ... I don't think so, but maybe I'm wrong. As a person, a human being, hearing the words of actual human beings who are trying to sort through their feelings after a tragedy, I would have been moved had I known nothing of the death of Matthew Shepard (as it is, I knew very little before viewing this movie).
What initially attracted me to this film was the fact that it was an HBO production, and I've seen several quality HBO productions in the past. I'd heard a little about the Matthew Shepard case, and I wanted to know more. So I saw the film.
First, this film isn't really a documentary-it's a dramatazation of interviews and conversations that members of a New York theatre troupe conducted with citizens of Laramie, Wyoming These interviews served as the basis for the play "The Laramie Project." It's a little distracting at first, because the film is shot in documentary-style and yet the people who are supposed to be citizens of the town are recognizable actors and actresses (such as Steve Buscemi and Christina Ricci). And I wondered how much of the dialogue was real and how much was fictional. But once I got over those concerns, I became engrossed in the story (after all, movies are fiction anyway). And what a story. For those who don't know, Matthew Shepard was a 21 year old college student who was brutally beaten and left for dead in Laramie, Wyoming in 1998. The young men who attacked him were Russell Henderson and Aaron McKinney. Shepard was in a coma for a week before he died on October 12, 1998. Shepard was [homosexual], and his killers claimed that he'd made passes at them, and so they decided to drive him to the edge of town, tie him up, and beat him. To teach him a lesson.
Whether Shepard learned his lesson or not is unknown, since he died soon after the attack. But the citizens of Laramie sure seem to be learning something, and they want to talk about it. The townspeople who were interviewed are a mix of [homosexual] residents, college professors, college students, and outraged citizens. The young man who found Matthew Shepard, the Police Officer who was the first on the scene, a friend of Shepard's named Romaine, and a local Catholic Priest are standouts. The emotions run the gamut from young people trying to reconcile what they've always been taught (that homosexuality is wrong) with the message that it's just another lifestyle choice, to others who believe that no one deserves to be beaten that way-but hey, Shepard shouldn't have been hitting on those young men...A local pastor prays that Shepard had time in the last moments of his life to repent and turn to Christ, a local Priest calls citizens together for a candlelight vigil, and all the while the members of the theatre troupe record the reactions of the townspeople as they themselves are touched and changed by what they see.
Here we have people talking, people yelling, people laughing, people crying. Everyone has been affected in one way or another by the tragedy, and what they say as they struggle to put their feelings into words (and the emotions that are so compellingly portrayed by the actors and actresses here) make for a startling portrayal of human emotion. The story is told not just through words but through music, through facial expressions, through moments of silence that no words can fill. Part character study, part "documentary," part "message film," "The Laramie Project" succeeds as excellent storytelling. In a word: Haunting. Apparently, it's not for everyone. But I don't see why not.

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In October 1998, 21 year-old Mathew Shepard was found savagely beaten, tied to a fence and left to die in Laramie, Wyoming. "The Laramie Project" is the portrait of a town painfully forced to confront itself in the reflective glare of the national spotlight, responding with love, anger, sympathy, support and defiance.

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5/24/2011

John Adams (2009) Review

John Adams  (2009)
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Each night I turned on the HBO feature anxious to see a good dramatic series, and learn about my country's struggle for life through one its most underrated founding fathers, John Adams.
Paul Giamatti's performance in the title role is much in dispute as he, like many other actors, seems to play himself as much as his character. He turns from a loving father to the lawyer and representative who sometimes looks apoplectic rather than just an angry or fiery patriot. Much to his credit, I felt the John Adams of later years on subsequent episodes was extremely well-acted.
Abigail Adams is played by Laura Linney, and her performance is superb and not the least in dispute. From the first moment, she is thoroughly credible as the vivacious lover, friend, confidante, advisor, and wife of John Adams. Her acting here should garner her an Emmy. The actors protraying Benjamin Franklin and Thomas Jefferson turned in stellar performances.
Many complain that this did not follow the book of the same title, and was not true to history exactly. To the first query the answer is what does? To the second, it is a well-written and well-acted drama that deserves our attention.
The series begins with the Boston Massacre and John Adams representing the British soldiers. With his successful defense, he is noticed by the Crown, as well as the colonials who are striving for independence. Both want his services. Adams chooses independence over the king and we see him as representative, foreign minister, beggar and borrower, ambassador, vice president, and president. His one anchor through these assignments and occupations in the struggle of a new nation is his love and respect for his wife, Abigail whom he always refers to as "my friend." The letters between the two is one constant that sustains their love through loneliness of separation, as Mr. Adams is more often away than home.
Particularly touching is the drab existence they share in an uncompleted White House, the grief John Adams suffers from the loss of his Abigail, his renewed friendship with Thomas Jefferson, and his dying belief that his friend survives him, even though Jefferson died three hours earlier. In one of the ironies of our history, both men died exactly fifty years to the day, after July 4, 1776.
This story ends with both Abigail and John Adams quoting letters of their love for each other and a young nation, as they ascend a hill together and look out over their country. They hope that they will be able to see future generations of Americans, from heaven, and wonder if they will deserve the sacrifice and freedom they have given them.
So do I.

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John Adams is a sprawling HBO miniseries event that depicts the extraordinary life and times of one of Americas least understood, and most underestimated, founding fathers: the second President of the United States, John Adams. Starring Paul Giamatti (Sideways, Cinderella Man, HBOs American Spendor) in the title role and Laura Linney (You Can Count on Me, Kinsey) as Adams devoted wife Abigail, John Adams chronicles the extraordinary life journey of one of the primary shapers of our independence and government, whose legacy has often been eclipsed by more flamboyant contemporaries like George Washington, Thomas Jefferson, Alexander Hamilton and Benjamin Franklin. Set against the backdrop of a nations stormy birth, this sweeping miniseries is a moving love story, a gripping narrative, and a fascinating study of human nature. Above all, at a time when the nation is increasingly polarized politically, this story celebrates the shared values of liberty and freedom upon which this country was built.

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