Surrender, Dorothy (2006) Review

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(More customer reviews)Charles McDougall's resume includes directing episodes on 'Sex and the City', 'Desperate Housewives', Queer as Folk', 'Big Love', 'The Office', etc. so he comes with all the credentials to make the TV film version of Meg Wolitzer's novel SURRENDER, DOROTHY a success. And for the most part he manages to keep this potentially sappy story about sudden death of a loved one and than manner in which the people in her life react afloat.
Sara (Alexa Davalos) a beautiful unmarried young woman is accompanying her best friends - gay playwright Adam (Tom Everett Scott), Adam's current squeeze Shawn (Chris Pine), and married couple Maddy (Lauren German) and Peter (Josh Hopkins) with their infant son - to a house in the Hamptons for a summer vacation. The group seems jolly until a trip to the local ice creamery by Adam and Sara) results in an auto accident which kills Sara. Meanwhile Sara's mother Natalie Swedlow (Diane Keaton) who has an active social life but intrusively calls here daughter constantly with the mutual greeting 'Surrender, Dorothy', is playing it up elsewhere: when she receives the phone call that Sara is dead she immediately comes to the Hamptons where her overbearing personality and grief create friction among Sara's friends. Slowly but surely Natalie uncovers secrets about each of them, thriving on talking about Sara as though doing so would bring her to life. Natalie's thirst for truth at any cost results in major changes among the group and it is only through the binding love of the departed Sara that they all eventually come together.
Diane Keaton is at her best in these roles that walk the thread between drama and comedy and her presence holds the story together. The screenplay has its moments for good lines, but it also has a lot of filler that becomes a bit heavy and morose making the actors obviously uncomfortable with the lines they are given. Yes, this story has been told many times - the impact of sudden death on the lives of those whose privacy is altered by disclosures - but the film moves along with a cast pace and has enough genuine entertainment to make it worth watching. Grady Harp, May 06

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Academy Award® Winner Diane Keaton delivers one of the most dynamic and astonishing performances of her career in this moving story about the bonds of friendships, the strength of a mother's love ... and the power of letting go.
With the simple phone greeting "Surrender, Dorothy," Natalie (Keaton) and her daughter Sara (Alexa Davalos) share the most intimate details of their lives. But when Sara's life is tragically cut short by a car accident, Natalie's grief is compounded by a shocking discovery: she may not have known her daughter after all. Determined to unlock the secrets of her daughter's heart, Natalie travels to the ramshackle beach house where Sara spent her summers and camps out with Sara's friends, including longtime childhood pal, Adam (Tom Everett Scott). But can she capture her daughter's essence and, more importantly, find a way to heal?

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Strange Wilderness (2008) Review

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(More customer reviews)***1/2
"Strange Wilderness" is a good-natured, frequently hilarious takeoff on all those nature documentaries that play on the Discovery Channel and Animal Planet, and whose pedigree stretches all the way back to the granddaddy of them all, "Mutual of Omaha`s Wild Kingdom." Peter and Fred are the producers of a wildlife series entitled "Strange Wilderness" that has been foundering in the ratings ever since Peter's father, a Steve Irwin-type naturist and the original host of the show, passed away, leaving his less-than-stellar son to carry on his legacy. The sheer scientific illiteracy of much of the commentary that Peter provides for his footage probably hasn't helped matters much in this regard. Now faced with the prospect of series cancellation, Peter and his crew of incompetent dweebs head off to the wilds of South America to file an exclusive report on the famed Bigfoot who has recently been spotted there.
Though adolescent in the extreme, "Strange Wilderness" turns out to be a zany, endearingly random and unflaggingly energetic little comedy whose likable cast is obviously dialed into what the moviemakers are trying to do here. Steve Zahn, Allen Covert, Covert, Ernest Borgnine, Jeff Garlin, Kevin Heffernan, Justin Long and Harry Hamlin seem to be having the time of their lives here and their enjoyment rubs off on us as well.
Is it dumb? Of course it is. Is it lowbrow, inane and hopelessly juvenile? You betcha'. But unlike so many other films that fall into those categories, "Strange Wilderness" has a shrewd mind for parody and a liveliness of spirit that actually make the movie funny. Credit scenarist Peter Gaulke and co-author/director Fred Wolf (who first developed this concept as sketches on "Saturday Night Live") for some excellent joke-writing and pacing and for their willingness to pull out all the stops in their effort to get the laugh. In fact, the crew's ill-fated encounter with Bigfoot is alone worth the price of admission.

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Animal enthusiast Peter Gaulke (Steve Zahn) and his sidekick Fred Wolf (Allen Covert) host an ailing wildlife TV show "Strange Wilderness," which is in a steep ratings decline. Desperate to save the show, Peter hatches a Hail Mary scheme to find the one animal that could truly turn the show around and change the nature-show landscape forever – Bigfoot.

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