Showing posts with label dead like me. Show all posts
Showing posts with label dead like me. Show all posts

11/17/2011

Dead Like Me - The Complete Second Season (2003) Review

Dead Like Me - The Complete Second Season (2003)
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July 2007 Update!!!!!! There is going to be a movie! So the first sentence in my original review below turns out to be inaccurate. Star Ellen Muth goes so far as to hint that that a renewal of the series might be possible. Details are still forthcoming and apart from the movie (and I'm sorry, I don't know if this is a TV, a direct-to-DVD, or theatrical release) nothing definite is known about the chances of the series being revived, but this is definitely good news. There is some recasting. Mandy Patinkin, unfortunately, will not be back as Rube nor will Laura Harris as Daisy. It appears Rube's character is being replaced by a new head reaper, while a new actress will be playing Daisy. Otherwise all the other actors will be back.
Tragically, this will be the final season of DEAD LIKE ME that we will get. Although there is currently a campaign being waged to rescue the show, these campaigns inevitably and unfortunately result in failure. The cancellation of the show is hard to explain. It isn't as if Showtime has such a great string of hit shows that their valuable time slots had to be freed up for new critical and popular hit series. The fact is that DEAD LIKE ME was the finest show the network ever hosted, and its cancellation is both a blow to quality television on Showtime in particular but also television as a whole. The past few years have seen a host of the very best shows on television get cancelled. The list is long and contains some very impressive shows: FIREFLY, ANGEL, WONDERFALLS, KAREN SISCO, FARSCAPE, and many others. My lone cause for hope for the short term future of quality television is that LOST enjoyed such tremendous success in its first season that networks are currently scrambling for long story arc shows with well written, deeply interconnected scripts that typified all of the shows I mentioned above. Maybe, just maybe, the tide has turned. Unfortunately, not soon enough to save DEAD LIKE ME.
In its first season, DEAD LIKE ME quickly established itself as one of the quirkiest and finest shows on television. As any watcher of the show will know, Georgia Lass was a young girl who became a grim reaper after dying in a bizarre accident. The show explored what it means to be alive through the struggles of one who was no longer alive, but who nonetheless still was confronted with the need to persist in a world in which in many ways she no longer belonged. Issues of friendship, work, belonging, responsibility were all dealt with in clever, intelligent, and funny ways. The great news for those who haven't seen this series (and there are many who don't have Showtime and therefore rely on DVDs for their experience with the show) is that Season Two is a much, much better season than the first. Without exception, the writers manage to develop and expand all of the major characters, with the exception of George's father, who plays a lessened role. George becomes a far richer character, finally at ease with being a reaper and acknowledging that she has responsibilities. Her challenge in Season Two is deciding what she wants with the unlife that she has. She struggles with issues of love, and grows considerably as a human being. Even more than George, Rube (Mandy Patinkin) becomes a more complex, interesting character. In a slowly developed story arc, we learn more about Rube's life, we get glimpses of his family (he learns that a daughter he fathered in real life is still living, and he visits her in a nursing home immediately before her death), and are given some hints as to his death (the results of a bank robbery, the details of which might have been explored in Season Three). Mason, without ceasing to be a bit of a clown (in one episode, "Send in the Clown," literally), is revealed in far more complex and interesting person than he did in Season One, while Daisy Adair becomes vastly more than the mere self-obsessed sexpot she was earlier. In fact, Daisy becomes a many layered, sympathetic, impossible-to-predict individual. In particular, her relationship with Mason, who is completely smitten with her, is developed in great detail. George discovers that her parents are divorcing and that they are selling the house she grew up in, and we see her mother exploring new romance, and we watch her relationship with her daughter Reggie gain some depth as George's sister gradually comes out of the shellshock that gripped her in the first season following George's death.
What is remarkable to me is that the show managed to become richer and more complex on virtually every level, all while generating a string of great individual episodes. The frustrating thing about the show not being renewed is that there were a host of unexplored possibilities, so many unanswered questions. Would George manage to find love? Would her parents reconcile or find new relationships? Would her mother find a buyer for the house? Just how did Rube die, and was it related to the bank robbery? Would anything ever happen between Daisy and Mason? And there were a host of life experiences that had not yet been explored. There was unquestionably a large amount of room for many more stories.
DEAD LIKE ME is a great example of a show that doesn't fit traditional entertainment economic categories. It was produced by MGM television, but shown on Showtime. The latter at least in part declined to renew the show because its rating were not strong, while MGM wanted it to be renewed in part because of the strong DVD sales. We have seen a number of shows that have enjoyed weak ratings on TV experience huge DVD sales. FIREFLY, FAMILY GUY, and WONDERFALLS are three examples. BUFFY THE VAMPIRE SLAYER is one of the best selling TV series ever on DVD, but never enjoyed especially large ratings on TV. My guess is that at some point the television production companies are going to have to work something out with the broadcast and cable networks to make it more attractive for the networks to keep shows that are highly successful on DVD but that do not get great ratings on the air. At present, most of the benefit of keeping DEAD LIKE ME on would have primarily benefited MGM, but not Showtime. Last year Twentieth Century Fox (not to be confused with FOX TV; though both have the same parent company, they are separate companies) very much wanted to keep ANGEL going because of its strong DVD sales, but the WB wanted to go in new directions (bad directions, it turned out, since none of its shows this year have gathered the ratings that ANGEL did, nor have any enjoyed the critical acclaim that it did). More and more overall viewership of TV series is declining, while DVD sales and rentals of TV shows is increasing. This is good for production companies, but bad for networks, and some formula needs to be found to make it good for both. ANGEL was cancelled in part because Twentieth Century Fox refused to reduce the amount it charged the WB to show the series. Until the production companies agree to help close the loss of income the networks are experiencing, I think we are going to see a lot of shows that have a small but dedicated audience fail to be renewed. Everyone loses. The production company loses the opportunity to sell their product to the networks and the potential DVD sales. The networks lose because they are getting cheaper but more mediocre product. And the fans of shows lose because they find high quality shows like DEAD LIKE ME pushed aside for blander and less interesting programming.
At least we have two very fine seasons to watch of this very, very good series. We can only hope that the television industry can find the right alchemy to make it possible for superb series like this survive in the future.

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Proving that "reapers are anything but grim company" (Cleveland Plain Dealer), this "deliciously dark comedy about the afterlife" (Newsday) returns for "a second season as strong as its first" (Philadelphia Daily News). Thanks to breakout star Ellen Muth's prickly charm, Dead Like Me has "an amusingly odd and touching energy all its own" (Detroit News and Free Press). After more than a year as a grim reaper, George (Muth) has realized that being a teenager in the afterlife is as complex as in real life. There are still unrequited crushes, agonizing dilemmas and the occasional bad attitude. Along with her kooky "co-reapers" Mason, Daisy, Roxy and Rube, George struggles to collect souls while managing her own awkward development…into an adult reaper!Disc One"Send in the Clown," "The Ledger," "Ghost Story," "The Shallow End"Disc Two"Hurry," "In Escrow," "Rites of Passage," "The Escape Artist"Disc Three"Be Still My Heart," "Death Defying," "Ashes to Ashes," "Forget Me Not" Disc Four"Last Call," "Always," "Haunted," Bonus Material

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8/28/2011

Dead Like Me - The Complete First Season (2003) Review

Dead Like Me - The Complete First Season (2003)
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I am sure the people at Showtime knew what they were doing when they scheduled "Dead Like Me" to start when HBO's "Six Feet Under" was over, because the two shows are certainly complementary. However, while the deaths that begin each episode of "Six Feet Under" have their moments in terms of being rather weird (my favorite was the woman convinced it was the Rapture when she saw the a bunch of helium filled inflatable dolls floating away), they do not have the Rube Goldberg quality of what the gravelings can set in motion in "Dead Like Me."
The idea of the afterlife created by Bryan Fuller, who also created the similarly quirky Wonderfalls," is that right before you die you soul is taken from your body by a Grim Reaper. Although they are replete in the opening title sequence these are not Grim Reapers as in figures in black hood carrying scythes. In fact, they look like regular folk, although not the regular folk they were when they were alive now that they are a peculiar variety of undead. We learn the rules of the game along with young Georgia Lass (Ellen Muth), an 18-year-old sourpuss called George. Having decided to forego the college experience George has been sent out into the world to find a job and during lunch she is passed on the street by a strange man who touches her. We see a light passing from her to him and within seconds a toilet seat from a disintegrating Russian space station strikes her dead.
George is surprised to see herself looking at the big hole in the ground where she had been standing a moment ago and even more surprised to be informed that she is now a Grim Reaper. This task is done by Rube (Mandy Patinkin), who is in charge of a cadre of Reapers in this particular town. This includes Mason (Callum Blue), an English bloke who has figured out that you cannot overdose when you are already dead so indulge in drugs to your heart's contextt; Roxy (Jasmine Guy), a meter maid for the police department with ample attitude to spare; and, at first, Betty Rhomer (Rebecca Gayheart), a former beauty queen who is ready to move on to the next level. We are not quite sure what that is, because while Grim Reapers get to release souls and head them in the right direction (bright lights that assume various pleasing shapes), they really do not know what the final destination is really like for the dead.
Of course, in the early episodes of the series George is not happy with being dead and not exactly thrilled with a job when she is given a post-it note with a name, address and E.T.D. (estimated time of death) so she can go reap a soul. The latter is taken care of when she gets a couple of hard lessons about what happens when she does not (your form in the afterlife is not how you look at the moment of death, but at the moment that your soul is reaped, so it is something you would want to have done before the autopsy). The former is more difficult, because trying to reconnect with her life from beyond the grave is hampered by the fact that she looks different (to everyone else) and she cannot say anything that would convince anyone who knew her before that she was still around.
One of the strengths of this quirky series is that we do not ignore the family that Georgia has left behind as her mother (Cynthia Stevenson), little sister (Britt McKillip), and father (Greg Kean) try to deal with moving on after her death. Watching the Lass family disintegrate is almost a show within the show, capable of standing on its own, because their interaction with Georgia the Grim Reaper is infrequent and usually something indirect. We are as interested in what is going to happen to Joy and Reggie (and J.D. rather than Clancy) as we are to Georgia and her friends.
Another thing that makes "Dead Like Me" work is the actual friendship that springs up between George and Dolores Herbig (Christine Willes). Now known as Millie, George ends up going back to work at Happy Time, the employment agency that she was taking a lunch break from when the sky fell on her head (even when you are undead a girl has to eat). Dolores is extremely annoying, but "Millie" pretends to play along so long that she actually starts playing along with Dolores' weltanschauung.
The cherry on top with this show is Mandy Patinkin as Rube, who finally has a role in which he can say pretty much anything he wants, especially when it comes to what he is having for breakfast and how it is cooked. I like the way he calls George "Peanut" all the time as he imparts to her the facts of being undead. I also like the way Roxy gets mad at people who tear up their tickets, the moments of conscious that Mason has when doing his job, and the way Reggie honors the memory of her sister. But then it is a well- established fact that I like quirky.
Joining the cast during this first season is another Grim Reaper, Daisy Adair (Laura Harris), an actress who had a role in "Gone With the Wind" and makes no bones about how she got the gig before she died. She and George become roommates just to cause further trouble for our heroine (and her frog) and is most definitely the character who rubs me the wrong way. But in the end I have to say that the only thing about "Dead Like Me" that really bothers me is that the post-it notes only have the first initial of the person who is destined to die. You cannot tell a person's gender from just an initial.


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You're about to be collected. "Winningly eccentric" (LA Daily News) and "insistently irreverent" (People), this groundbreaking, original series delivers you into a realm of shockingly funny characters and twisted narratives you'll find completely "addictive" (NY Daily News)!When an errant toilet seat from the falling Mir space station puts an abrupt end to her life, George (Ellen Muth) discovers that death is nothing like she thought it would be. Recruited to collect the souls of others as they die, she suddenly finds herself an unwilling participant in a line of work she never knew existed: Grim Reaping!

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4/09/2011

Dead Like Me: Life After Death (2009) Review

Dead Like Me: Life After Death (2009)
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I have to disagree with a lot of what people seem to be saying in their reviews. As a long time fan of the series, I actually found this to be fairly disappointing. I did not think the consistency of the characters was there throughout, and the storyline often seemed poorly tied together. Sometimes it seemed like they couldn't decide between making a movie for the fans and making a movie for the casual viewer who didn't know all the backstory.
Laura Harris is sorely missed. Couldn't they have waited until the timing worked out with her? Her replacement is trying very hard to measure up, but she doesn't quite cut it. I never felt like she had a full grasp on Daisy's character at all. Situations that Laura could have given meaning to came out stiff and one-dimensional.
Rube was also missed. At least they gave a valid reason for his absence.
As I said somewhere else: it's been too long and the magic is gone. Something was missing.
About the only character I felt was utterly perfect and herself 100% of the time was Dolores. And Murray. God bless you Murray Herbig.

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DEAD LIKE ME:MOVIE - DVD Movie

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