Showing posts with label christian bale. Show all posts
Showing posts with label christian bale. Show all posts

7/05/2012

Island (2005) Review

Island  (2005)
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This movie, because it's a "Summer, Sci-Fi/Action" flick, will probably do extremely well at the box office, if for no other reason than the fact that Ewan McGregor and Scarlett Johansson are in the cast. Regrettably, however, even after it's been out for awhile it will probably never reach as wide and diverse an audience as it deserves until it's release on DVD, when-- hopefully-- positive word of mouth recommendations will lead those who usually avoid this particular genre to it. Because "The Island," directed by Michael Bay, is a cautionary, thought-provoking tale set in the not-so-distant future that holds a mirror up to our current society and poses some serious questions about moral judgement and how unmitigated secrecy on the part of institutions and those we "should" be able to trust affects us all on a daily basis that is especially relevant in today's world.
The story concerns the survivors of a "contamination" who must dwell within a seemingly sterile, self-contained city where their happiness is paramount to those in charge, while at the same time their only hope for the future is to be the next lottery winner, which would afford them a one-way ticket to the last uncontaminated place on earth, The Island. And to tell it, director Bay, no stranger to action films with such offerings as "The Rock," "Armageddon" and "Bad Boys I&II" under his belt, has drawn upon myriad other classics of the genre and used the collective threads to successfully weave his own story and imprint it with the kind of metaphor that elevates it beyond the next action sequence or explosion. A comparison to "Logan's Run" goes without question, along with an obvious nod to "Blade Runner," a smattering of "The Matrix" and even a pinch of "Star Wars." Which is not to say this is a "copy" of any of those; it definitely is not. Bay has merely-- and wisely-- drawn upon some of the more successful elements of those films, and in most instances expanded upon them, to deliver a memorable film that far surpasses the genre's usual board of fare.
Arguably, this is Michael Bay's best overall film to date. Though he has demonstrated in the past that he knows how to do action, he has outdone even himself with this one. There is one heart-stopping scene, for example, involving a number of vehicles and helicopters that eclipses even the highly touted freeway sequence of the second "Matrix" film. The F/X are top notch, and once the action begins in earnest, he sets a pace that builds the excitement without allowing it to lay or lapse even for a second, right up to the very end. Add to that the fact that this film really has something to say, and it will make you appreciate what Bay and his company of actors and technicians have accomplished here even more.
Ewan McGregor is perfectly cast as Lincoln Six Echo, using his boyish charm, good looks and manner to lend the necessary credibility of innocence to his character. The charismatic Scarlett Johansson finds just the right note, as well, to bring her character, Jordan Two Delta, to life. Bay gives each of his actors, in turn, a moment in which to define their respective characters and underscore the plausibility of the film, and when that time comes they each succeed in a way that sustains the interest in the story beyond the action and the F/X. Excellent performances by both McGregor and Johansson.
In a supporting role, Steve Buscemi adds color to the proceedings as McCord, the man with the answers to a number of questions Lincoln Six has been asking about their environment and way of life; questions to which others in positions of authority respond with guarded circumspection, among them Merrick, one of the apparent caretakers of the city. Played by Sean Bean, Merrick is one of the pivotal characters of the film, and while Bean's performance is decent, it lacks the nuance that could have taken it to a much higher level. As it is, while effective to an extent, it is a fairly lackluster and generic portrayal.
The excellent supporting cast includes Michael Clarke Duncan (Starkweather); Ethan Phillips (Jones Three Echo); Brian Stepanek (Gandu Three Echo); Noa Tishby (Community Announcer); and Siobhan Flynn (Lima One Alpha). For most, "The Island" will be an exciting summertime diversion; but for those who pay attention to the underlying social and political significance of the story, the rewards will most likely exceed any and all expectations. And that's the magic of the movies.

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Region All Blu-Ray pressing. In this action thriller from director Michael Bay (PEARL HARBOR, ARMAGEDDON), survivors of global contamination live in a sterile, self-contained world where their every move is monitored. The rules are easy: be pleasant, refrain from asking questions, and don't rock the boat. Everything they need is provided for them, from the white uniforms that magically appear in their closets, to their customized cafeteria-style meals. The survivors all eagerly await their big payoff: winning the lottery and being sent to The Island, the only remaining untainted land in the world. But Lincoln Six-Echo (Ewan McGregor) yearns for more from his life and begins to wonder what really lies outside the thick walls. When his best friend, Jordan Two-Delta (Scarlett Johansson), wins the lottery, he knows that he has to find out the truth about their world before she departs. What he finds is terrifying enough to send Lincoln and Jordan fleeing from the facility to the real world where they quickly discover that they are clones, and that both The Island and global contamination are a ruse. The clones sole purpose is to be harvested for replacement parts when their sponsors need them. With his business now in jeopardy, Dr. Merrick (Sean Bean), the founder of the cloning company, hires a crack team led by Albert Laurent (Djimon Hounsou) to track down his escaped product. Wild chase scenes through Los Angeles circa 2050 are punctuated by high-tech transportation as Lincoln and Jordan run for their lives and try to assimilate into a world that is completely foreign to them. The futuristic set design and visual effects are particularly impressive. McGregor and Johansson both expertly communicate the human element and desire for life that has developed in the two clones, while still finding humour and awe in their childlike naivety.

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5/10/2012

Shaft (2000) Review

Shaft (2000)
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I actually cringed when I saw the trailer to this movie. It didn't show much except shot after shot of Samuel L. Jackson removing his designer sunglasses and staring at the camera. I thought it had the potential to be awful.
I was very wrong. The movie is not without plot holes and implausibility, but it still works thanks to great acting and solid direction. John Singleton takes on a genre film with this almost-sequel to the famous blaxploitation series of the 1970s. Jackson plays John Shaft--nephew of the original Shaft who appears here as the wise old uncle. It's Richard Roundtree himself doing the honors, getting screen time in a theatrical release for the first time in decades.
The story concerns a cold murder of a young black man by rich and twisted Walter Wade, son of wealthy New York society. Christian Bale comes right off the set of American Pyscho and plays the demented Wade with a more outwardly tough guy persona. Think Bateman and the Preppie Murderer, and you get the idea. (Even the faux-Brooklyn accent is funny.)
There's not a whole lot of mystery around here. Shaft basically swears to get this guy, and we know he will, no matter no long or how many people he has to shoot. Things get complicated when Wade hires a Dominican drug lord to whack out the sole witness to the murder. The drug lord is then linked to dirty cops who get contracted to kill Shaft and the girl.
In the end, a lot of people die. Shaft has the best marksmanship of any cop in the country as he guns down countless low-rent drug dealers and various minions. And clad in Armani, the coat alone costing half a cop's yearly salary, Jackson is the ultimate in cool.
Why does it work? For one, the writing is slick, even if it's (trouble sign) done by a literal team of writers. However, it all comes together once we realize who was hired for what. Richard Price, author of Clockers and Freedomland, clearly lends some street credibility to the dialogue, although apparent on-set tensions meants Jackson was unwilling to read everyone's lines.
Also, the main difference between the old and new Shaft is the decided absence of sex. Jackson is a man of action. Matter of fact, the lone sexual encounter (implied and not seen) is forced, as if the audience needs a reminder that Shaft can, ahem, deliver. Also, the strangely blue-lit title sequence features quick flashes of nudity and implied sex, though we never see who with. Again, inserted by the filmmakers after production. (They couldn't get Jackson back for reshoots.)
But it doesn't matter. Shaft has the best lines, the steely stare, and a fast Glock. The other highlight is Jeffrey Wright as Peoples Hernandez, the drug lord who longs to be able to travel out of his neighborhood and still get respect.
This has a very New York feel to it, and there are tons of Manhattan locations. David Arnold, who updated the James Bond scores so well in the Brosnan films, does a very nice job of supplying detective music. (Issac Hayes' original Shaft is redone by Hayes himself, though hardly different.) Too bad the score is not widely available on CD. You have to hunt for the limited edition disc that contains the entire score plus tracks not used in the final film.
The DVD is competent, including interviews, featurette, and music videos.
Highly recommended for those who like foul-mouthed tough cop movies where bad guys pay in the end.

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An African American detective tries to stop a racist killer, by tracking down the only eyewitness to his crimes.Genre: Feature Film-Action/AdventureRating: RRelease Date: 13-MAY-2003Media Type: DVD

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12/05/2011

J. Edgar Hoover and the Great American Inquisitions (2001) Review

J. Edgar Hoover and the Great American Inquisitions (2001)
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There is nothing wrong with this documentary as a documentary. It's just that Hoover and the tactics he favored were so awful, unfair, shady, and unjust that I couldn't leave this work in a good mood.
This work consistently proved how conniving Hoover was. Still, it took more than luck to work under eight presidents. Unlike fellow red-baiter Senator McCarthy, Hoover did not have a downfall. The work highlights his bad acts, but is upfront in saying, "America let this man rise to power and stay there." It repeats that the government has at times overstepped its boundaries since the Sedition Acts of the second president. Sometimes homophobic people are the first to shout out, "J. Edgar Hoover was gay!" This work does not fall into that. One interviewee quickly says, "Hoover and Tolson were rumored to be lovers" and then the subject is not brought up again. Sources on the Internet say Hoover will his estate to Tolson and Tolson chose to be buried next to Hoover.
This work has diverse interviewees in terms of race and gender. A few interviewees had classical, Japanese art work behind them. I'm not sure if the documentary makers planned that as a background motif or not.
I do wonder if young students will get bored watching so much old black-and-white footage. Perhaps teachers showing this work could remind viewers that the controversy surrounding Hoover's tactics have similarities to the controversies surrounding the Patriot Act of this decade.

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This scathing documentary chronicles the career of J. Edgar Hoover, director of the FBI for more than 40 years. His lifelong obsession with communists that began with the "Red Scare" of the early 1920s and manifested itself into a mission hell-bent on eradicating anyone suspected of engaging in anti-American activities, be they actors, politicians or protest groups. A masterful propagandist, Hoover took every opportunity given him to create a public atmosphere of outsider paranoia – and his fears ran deep. By the time of his death in 1972, Hoover’s FBI had compiled thousands of individual secret files and completed countless illegal operations.

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8/14/2011

The Dark Knight (+ BD Live) (2008) Review

The Dark Knight (+ BD Live)  (2008)
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What has been said about the Dark Knight cannot be elaborated on - so I won't. The film is muscling its way into my #1 favorite comic movie adaptation of all time.
The reason for my review is in hopes of saving you some money. This double disc Special Edition doesn't deliver the price you pay for it. There isn't even deleted scenes!!! I would save your very hard earned dollars and buy the single disc version and wait for the inevitable ULTIMATE re-release that will come later on down the road.
But nonetheless, a great film - you will not be dissapointed; I just wish the studio would have given a better Special Edition release than what we have here. So enjoy!

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The follow-up to Batman Begins, The Dark Knight reunites director Christopher Nolan and star Christian Bale, who reprises the role of Batman/Bruce Wayne in his continuing war on crime. With the help of Lt. Jim Gordon and District Attorney Harvey Dent, Batman sets out to destroy organized crime in Gotham for good. The triumvirate proves effective, but soon find themselves prey to a rising criminal mastermind known as The Joker, who thrusts Gotham into anarchy and forces Batman closer to crossing the fine line between hero and vigilante. Heath Ledger stars as archvillain The Joker, and Aaron Eckhart plays Dent. Maggie Gyllenhaal joins the cast as Rachel Dawes. Returning from Batman Begins are Gary Oldman as Gordon, Michael Caine as Alfred and Morgan Freeman as Lucius Fox.

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