Stranger Than Fiction (2006) Review

Average Reviews:

(More customer reviews)The idea of "Stranger Than Fiction" appealed to me the moment I first heard of it. Harold Crick, played by Will Ferrell, wakes up one day and hears a voice. An omniscient narrator is relating his life with precision and no one can hear that voice but himself. It turns out that the voice is Emma Thompson, playing a famed author who is actually writing a novel about a character named Harold Crick. And it's the same Harold Crick. What is being put down in fiction is also concurrently happening in real life. It's a tricky concept, one that I felt might be impossible to pull off effectively. Well, not only does "Stranger Than Fiction" pull it off--it succeeds grandly as a surprisingly thoughtful, amusing, and moving contemplation of life. For Harold must immediately confront his mortality when the narrator informs him/us that he will soon die!
The complicated narrative of the film is pulled off brilliantly. The overlapping structure necessary to maintain the momentum and cohesion of the film must be attributed to a clever, intricate screenplay. Literate, witty, and real--it's a real treat. Lots of interesting effects help to pull the two worlds together making even the most mundane moments of Harold's life visually compelling. The movie's construction is fascinating and enjoyable.
Will Ferrell reins in his typical "overgrown kid" persona, and plays Harold as a real guy. It's refreshing and while I've never considered him a leading man type--his tentative romance with Maggie Gyllenhaal (while a bit of a stretch) is played very credibly and sweetly. Dustin Hoffman, as a literature professor helping Harold discover what book he's in, is having a great time. But it's Emma Thompson that stole my heart. As the author, she is a complete neurotic mess--but as she begins to realize what is happening, something in her transforms. Her character provides much of the film's insight and it's most powerfully dramatic acting. It's a deft balancing act, and as usual--she hit all the right marks.
After a near perfect movie, we have to bring both stories of Harold to an end. The movie turns into a poignant examination of sacrifice. If Thompson kills Harold in her novel, it will be recognized as a great piece of literature. If she lets him live, the novel will be just another routine bit of entertainment. This art versus commercialism angle is absolutely enthralling, and also surprising since it is raised so late in the film. There are moments of real power as everyone faces important life decisions--but these aren't false "lessons," they are genuine emotion that the film has subtly earned.
Ultimately, the ending is exactly what the film wants it to be. While I didn't find it the most satisfying choice--it is perfect for the movie because by this point the film itself is mirroring the novel within the film. It's a clever bit of trickery and very unusual. I admired "Stranger Than Fiction" very much and would give it 4 1/2 stars as an original and intelligent treat. KGHarris, 11/06.

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