2/07/2012

Vicky Cristina Barcelona (2008) Review

Vicky Cristina Barcelona (2008)
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In "Vicky Cristina Barcelona," Woody Allen begs to contradict another pundit of his age, Mick Jagger. Woody demonstrates in his latest movie that you can't EVER get what you want, and you also can't get what you need. He demonstrates this in the story of how Vicky (Rebecca Hall) and Cristina (Scarlett Johansson), two lovely young Americans staying in Barcelona for a few months, react to the romantic overtures of the dashing, primally sexy artist Juan Antonio (Javier Bardem). Vicky--a master's candidate in "Catalan identity," although she is not Catalan and barely speaks Catalan or even Spanish--finds that sex with Juan Antonio shakes up her previously solid feelings for her dullish American fiance, Doug (Chris Messina). Cristina--a dilettantish photographer/filmmaker who is defined by the fact that she only knows what she DOESN'T want in a relationship with a man--finds greater satisfaction with Juan Antonio, at least until Maria Elena (Penelope Cruz), Juan Antonio's volatile, insanely jealous ex-wife, shows up.
Some critics have opined that "Vicky Cristina Barcelona" is a hackneyed blast at naive Americans left at sea by European sexual sophistication. However, I think it's more a delineation of Woody's basic belief that happiness in love is transitory at best. How can you possibly hold up Juan Antonio and Maria Elena--who are constantly at each other's throats, to the point that Maria Elena brandishes knives and guns--as an example of sexual sophistication? They can't live with each other, they can't live without each other, but she may end up killing him, herself, and a few innocent bystanders. As enacted in a scintillating performance by Cruz, Maria Elena embodies the eternal irrationality of love, a blind craziness that--at least in Woody's view--stamps an irrevocable expiration date on even the tenderest, most ardent love.
Not quite a comedy but certainly not a tragedy, "Vicky Cristina Barcelona" is a rueful commentary on the constant dissatisfactions of love and life, made all the more bittersweet by the heartbreakingly beautiful scenes of Barcelona and Catalunya wrapped in golden light by photographer Javier Aguirresarobe. The film offers us multiple pleasures--not least the excellent performances--yet, in the end, it feels slight. There are too many of Woody's familiar tropes for us to take the film at face value, especially the overly familiar characters; personally, I'm tired of the gorgeous, nubile young "Woody women" who are drawn vaguely toward a career in the arts yet are completely confused about everything except their need for hot sex. And, yes, Woody, we got the point decades ago that you consider life and the Universe meaningless; why do you always have to have one character in every movie (in this case, Juan Antonio) declare that belief baldly? "Vicky Cristina Barcelona" is worth seeing, but it falls short of being one of Woody's masterpieces.

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Oscar winner Javier Bardem (No Country for Old Men), Oscar nominee Penelope Cruz (Volver) and Golden Globe nominee Scarlett Johansson (The Nanny Diaries) light up the stunning city of Barcelona in this sexy romantic comedy. Vicky and Cristina are two young Americans spending a summer in Spain, who meet a charming Casanova and his beautiful but volatile ex-wife. When they all become romantically entangled, the smoldering sparks begin to fly in hilarious fashion. Critics rave, Vicky Cristina Barcelona is one of Woody Allen s finest films, with bravura performances from its incredible cast (Jeffrey Lyons, Reel Talk/NBC).

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