2/06/2012

Doctor Who: The Androids of Tara (Story 101, The Key to Time Series Part 4) (Special Edition) (2009) Review

Doctor Who: The Androids of Tara (Story 101, The Key to Time Series Part 4) (Special Edition) (2009)
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The search for the Key to Time is half over. The Doctor, Romana and K9 have recovered the first three segments and, unhappily, the best three stories of the season are over. The last half of the Key to Time quest is definitely the weaker. This is not to say, though, that "The Androids of Tara" is bad. It's quite fun, even if it feels a little inconsequential. The criticism it has attracted from most fan circles is that it draws too heavily upon the one source, Anthony Hope's "The Prisoner of Zenda" and displays this quite blatantly. However, most of Doctor Who (like the works of William Shakespeare) is plagiarised from one source or another. How stylishly it is done is the best indicator of how it succeeds. With the case of Doctor Who, it succeeds most of the time. "The Androids of Tara" is a fun, swashbuckling adventure. The villain, Count Grendel, is a wonderfully over the top cad, scoundrel and all round baddie. The usual ingredients for the genre - Princes, Princesses and swordsmen - are all here. There's also the obligatory swordfight at the end. The story is low key - it revolves around the political machinations of the world of Tara - there is no planet to save from invasion or destruction, no populace to save from alien oppression. This story will never be regarded as a classic; it won't be in any all time top 10 lists - but it is a breath of fresh air. It's a nice diversion, however unoriginal. (There's an awful monster, so it's not really that different from the rest of Doctor Who!) Sure, it feels inconsequential. But it has the usual charm that the program always succeeds in pulling off.

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Getting the fourth segment of the Key to Time is the easiest part of the trip to the planet Tara, whose idyllic atmosphere lulls the Doctor into a mood to go fishing and leave the segment-tracing to Romana. She locates it after a short walk on a beautiful day, but her luck changes when she meets the courtly Count Grendel. Contrary to appearances, Tara is a hotbed of political intrigue, and beneath its Old World veneer lies a surprising advanced level of technological development that includes lifelike androids and electric swords. Count Grendel mistakes Romana for an android double of Princess Strella, and carries her away for future use in his plot to wrench the crown from its rightful claimant, Prince Reynart. Meanwhile, the Doctor arouses suspicion when Prince Reynarts men discover him fishing on the princes estate. Before he and Romana are reunited, the Doctor will be unwillingly thrust in the roles of android repair-man, king-maker and ultimately, swordsman when finds himself locking swords with Grendel, the finest swordsman of all Tara.
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