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(More customer reviews)David Suchet, in my opinion the best Poirot, returns in top form as the little Belgian detective, once again on the trail of murder. He is accompanied by the ever-faithful Capt. Hastings (once again masterfully, if somewhat dim-wittedly, portrayed by Hugh Fraser), and the setting is the hot Middle-eastern desert (filmed on location in Tunisia).
Anyone familiar with the Poirot series which ran during the early-nineties will find that this new production does not fail in keeping up the quality that has trademarked David Suchet's reign as Poirot. The music is well-composed by Christopher Gunning. Clive Exton (main story adapter for the series), does a good job here. The director, Tom Clegg, does fine. The location shooting adds a richness to the over-all feel of the production, and, of course, Suchet and Fraser are excellent in the roles they now know so well.
For those of you unfamiliar with the plot, it takes place at an archaeological dig. The wife of the head man, Dr. Leidner, has been receiving threatening letters. She is in fear of her life. A local Arab man has also been murdered. There is a French archaeologist who is a little too mysterious for his own good. Other stock Christie characters, such as a nurse, a dutiful policeman to aid Poirot, and a family member (this time related to Capt. Hastings) are all on hand. Fairly quickly, the wife of Dr. Leidner is murdered.
The story takes on the "murder in the locked room" feel once the main crime has been commited, and it is at this point that the production really becomes engaging. If you have followed the David Suchet Poirot mysteries, then you will enjoy this one. But it is fair to say that is not, by any means, one of the "best" of the lot, despite its high production values.
Perhaps it is the story.
Blame Christie for having come up with one of the THE MOST unbelievable murder plots in mystery history. I found it hard to swallow the first time I encountered the work, and though this adaptation did its jolly-well best to work with the material, it *still* seems *very* far-fetched. That is all I will say on the matter, for I don't want to give anything away. If you are coming to this story for the first time, then I'm sure it will be quite an enjoyable experience. But if you're like me, and have seen or read it before, you'll probably be sitting there, thinking to yourself: "Great actors, nice setting, *bad* murder idea."
To quote P.D. James, "Agatha Christie was a conjurer."
She conjured many a fine and engrossing mysteries in her day, but Murder in Mesopotamia was not one of them. However, if you're looking for a cozy little two hour get-a-way with Poirot, as portrayed by the marvelous David Suchet, then by all means savor this production. The setting is real, the acting good, and the experience a pleasing one. It is not one of the *best* Suchet entries into the Poirot cannon, but it is a very sturdy one.
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Threatening notes from beyond the grave. A ghostly face at a window.A woman found murdered in a locked room that no one could have entered. HerculePoirot is back, and mystery is on the menu.On holiday in Iraq, Poirot visits an ancient site that his good friend Captain Hastings ishelping excavate. But what begins as an entertaining diversion becomes a professionalpuzzle to challenge even Poirot's brilliance when the head archeologist's unpopular wifeis killed. Though there is no shortage of suspects, clues are few and misleading, and thelocal authorities turn to their esteemed guest for help.It's a double dose of delight for Agatha Christie fans as David Suchet returns to hiscelebrated role as the debonair Belgian sleuth in this feature-length adaptation ofMURDER IN MESOPOTAMIA.
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